The Delicate is pale, limbs pipe-cleaner thin, with a head as shiny hard as beetle-back. Violent, in utero skull tectonics have led to a precipice of brow, a compression of matter past the point of truth. His eyes are crow eyes, and his ear holes winding tunnels to nowhere.
He comes in the latter days of afternoon, through blowing snow, dressed in black, while Schubert’s ‘Eighth’ plays magically in the background. He comes to suck the breath out of passing fancies and to treat the infirm of mind, the particularly annoying, to a long sleep.
‘In order to take the waters,’ as he explains it, he comes to a resort town on the edge of reason. Beyond it, the wilderness stretches north to the frozen pole. God has never drawn breath there – the domain of bat-winged demons whose skin is the ringed wood of oak trees. These creatures fly out of the forest at night to snatch up children, their little legs kicking to the moon. To live in Absentia is to live with a soul that is liquid lead.
Perhaps it is the manner in which he holds his cigarette or maybe his distinguished apparel that immediately ingratiates him to both the guests and staff of the Hotel Providence. At his request, they call him Harding Jarvis and marvel at his grace and facility with foreign language. Though his face is more a cow skull than a thing of flesh, no one seems to notice except the woman who cleans his rooms. She knows him by his aroma – roses over bad meat. When he knows she knows, he wheezes into his wine glass.
No matter who Carlotta confesses her fears to, they brush her off, saying, ‘Herr Jarvis? Not possible. My dear, you are disturbed.’ She makes it a point never to enter his rooms when they are occupied. Sleep to her is death, say the toothpicks holding open her eyes. She lasts only three days before she sits down and closes them. To sleep is warm and beautiful, but the chair she sits in is at the foot of Herr Jarvis’s bed. There is so much dirt on the floor – four ounces of fly meat on every windowsill.
He returns unexpectedly from an afternoon of playing whist with Madame Fesh of the colorful muff, Barlin the local logomancer, and Meme Haspin, taxidermist to the landed gentry, and discovers Carlotta asleep in the chair. With little pomp and less circumstance, he sucks the life out of her. The process is long and painful, and he doesn’t spare her a minute of it. After hanging her withered corpse, like a wrinkled garment bag of flesh, on a peg in the closet, he sits down to smoke his clay pipe. Before long, he moves to the writing desk, where he takes up his pen and records the essence of the maid he has just ingested. The first phrase to crawl out onto paper is, ‘Insouciance is the engine of regret,’ and from there it is a smooth plunge into lyrical facility.
At first he thought it was the crab soufflé he had had for lunch, but then realized, too late, that something in Carlotta’s blood was causing a strange transformation in him. With a popping of bone, a stretch of incisors, a whisper growth of fur and the shrinking of skin, he stoops to become a dog. His last oath is excremental before his words give way to growling.
The inhabitants of Absentia mention to each other the clever little hound that now wanders the streets looking for scraps. One boy tells how he heard it cry human, and the men who mine Mount Alfarabi are amused when the beast tries to have its way with a lady’s shinbone outside the beer hall. Meanwhile, everybody who is anybody is seeking out Harding Jarvis for a ride in the car, a game of tennis, a cocktail party.
Pharsalus, the hunter, comes in from the wilderness with furs to sell and wild turkey feathers in his hat. With the money he makes, he goes directly to the beer hall and drinks many mugs. He tells those he hasn’t seen in three seasons about the demon he shot and about the beautiful paradise surrounded by hundreds of miles of ice. For proof of the demon, he displays a pair of gnarled horns which he pulled like teeth, with a pair of pliers, from the forehead of the creature. As for paradise, he offers only a shrug.
The days of Night fall while Pharsalus is drinking. When he steps out of the beer hall, there is a brisk wind and winter chill. He stares up at the ice-bright stars and remembers tracking white apes at twilight. They moved like ghosts among the giant pines. They died with a cough of steam and a trickle of blood.
When his memory clears, Pharsalus notices a dog sitting in the street in front of him. Because the first hours of Night each year give him a desire to speak to something other than only the earth and wind, he decides to adopt the mutt as a hunting dog. Using scraps of dried caribou, he lures his new companion out of town and into the uncharted wilderness.
Night in the forest is either stone silence and falling snow or the sound of something dying. Demons fly out of the trees without warning, and Pharsalus is always ready with his gun. When they jump him from behind, he uses his long, curved knife and engages them in hand-to-hand combat. The dog helps in the kill. As the demons’ mauled bodies expire at his feet, he questions them about the path to the Earthly Paradise. Some of the dying offer clues, but most go quietly, their barbed tails thrashing the snow. Pharsalus writes whatever they tell him in a little notebook and then pulls their horns out with a pair of pliers.
In spring, the hunter and dog traverse a pass that leads over the mountains. The sudden return of the days of Morning brings light that blinds. In those mountains there exist hundreds of small caves formed long ago in the Ice Age. Each year, he hunts them for snapping yellow back and artifacts left behind by the ancients who had once inhabited them.
In one cave, the hunter discovers the frozen corpse of a man, sitting on a large stone at a table hewn from rock. Icicles hang from the man’s nose and frost glazes his eyes. From the worm-eaten journal laying open in front of the dead man, Pharsalus learns of his father’s search for him. The hunter puts his arms around the dog and cries.
In one entry in his father’s journal, the old man describes his love affair with a woman who lives at the bottom of a lake. Her skin is blue and her hair so long it turns into sea grass and trailing vines. He descends from his mountain perch every night to meet her on the shore of her lake.
They sit beneath a tall dune, the wind blowing around them. Above, stars smash into stars. He tells her how fifteen years earlier he left home to search for his son who had become a hunter in the wilderness. As he kisses her, he hears the immensity of paradise singing across the water to him.
Pharsalus dreams every night of the only beast he has any desire to hunt. It is a creature he has never actually seen, with many jumbled attributes – scales, fur, talons, fangs, feathers beneath and around the hide and hair. Every night it comes vividly to him and fills him with longing to hunt it. In the dream, he always hears it flying. There is a struggle and it bites him, like a snake, in the heel. He always awakens wondering if the bird part is rooster. But since he has gotten the dog, it has become more and more difficult to envision the dream kill.
In their wandering, the hunter and companion stumble upon a beautiful garden locked in ice. At the last second the Delicate steps out of the sloughed skin of the mutt to take the hunter by the throat. Lips meet lips and breath begins leaving, begins arriving. When the hunter is blind in one eye and his left rib cage shattered by the internal pressure, he summons those years of the kill and thrusts his hunting knife into the thorax of the Delicate. Streams of agony intermingle and separate out into fields of bright color. With a simple cracking noise the monster pushes a bony finger through the hunter’s chest and turns off his heart.
But the Delicate is dying from his wound. He stumbles through the wilderness clutching his oozing side with a slim, sharp hand. He kneels and prays to heaven but nothing happens. The memories of other lifetimes swirl in his memory with an anguished forgetting of paradise. He cries for the loss of his delicate form, his exo-skeleton now a crystal meteor. If only he could change into a dog, he thinks, as life leaves him in a cascade of steam. With little conviction, he sucks it back up as it goes. In no time, he’s good as new.
Back in the town of Absentia, in the very room of the Hotel Providence where he took Carlotta, he’s now taking them two at a time. The empty husks of life pile up like fresh-cut bales of tobacco in his closet. Men catch their wives sneaking to his door. Wives catch their husbands at some shadowy rendezvous with him, and he takes them both as quick as you please. He takes the contessa from behind as she leans over to adjust her corset. Her piles of hair almost save her, but, in the end, she is as easy to draw the life out of as is Master Cley, or the mayor, or Madam Silwort, or the Grossdig Twins.
Someone notices the population of the town dwindling at an alarming rate and wires for the government to send troops, before the Delicate can snip the telegraph line with his incisors. When the army arrives and surrounds the town, he is huffing, as if taking snuff, the last few morsels of Mrs. Fleacox. He realizes too late that she has long since gone bad as a soft melon even though she keeps right on talking till the end. Her pointless words infect him with flexis midocarsis, and he slowly begins to disintegrate. In his final hour, he stands upon the balcony of the mayor’s house, staring out over the wilderness, playing the violin until his fingers turn to salt and the instrument falls to the floor.
The soldiers break into Absentia, machine guns blurting out death, air cover dropping flames as if the clouds were on fire. They find the Delicate – a sorry, prodigious pile of cigarette ash. Mrs. Fleacox is lost between life and death, and they call for a specialist to administer the needle to the base of her spine. They collect the creature into a plastic bag and freeze-dry him. His remains are taken to Spire City in the Sunbelt where they are stored for the edification of future generations. The funding never comes through to study the crumbs of the Delicate, so he lies in a bag on a shelf and waits.
