But the compensation that I would like to see for fan archivists is simply greater recognition. I wish that fans valorized their archivists the way they valorize their favorite fan artists and authors and vidders. Technovolunteers tend to be invisible because many users assume that online archives are automated to the point that nobody in particular needs to actually own and operate the archives, and make regular decisions and oversee them and steer and guide and maintain them, and that simply isn’t the case. Even a highly automated archive has at least one person, and usually more, working hard behind the scenes, at the “back end.” In other words, I argue that digital archive users tend to confuse the “servers” (the people who volunteer to serve them by building them working archives) and “servers” (the hardware that serves up fan works on demand). Fan archivists are humans, not machines. They deserve as much respect and admiration as prominent fan creators.
Why Study Fan Archives?: An Interview with Abigail De Kosnik (Part Two)
