text: Is your offer still open? I need a favor.
Mal: Of course! My offer is always open for you whats up?

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text: Is your offer still open? I need a favor.
Mal: Of course! My offer is always open for you whats up?

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The Black Grimoire Text 2
THE SATANIC BLACK MAGICIAN
The Satanic Black Magician is unlike any other human, they are a species apart governed by their Soul far more than their physical or intellectual processes. Those attracted to the practices of Satanism and Black Magick are most likely of a Dark Soul in the first place, Spirits housed in mortal flesh that have been forged in Hell, darkened through being involved in the Black Arts throughout many incarnations or younger Souls just naturally drawn to the shadow side of nature. Once Initiated and entering into the Dominion of Our Lord Satan and once practice within the Infernal Black Arts has begun the individual has commenced a path which, over time, transforms the Soul - and the mind which bridges the spiritual and physical - Infernally. While the conscious mind is more readily attached to its physical body, the subconscious mind is far more connected to the Soul and the realms that exist beyond our mortal globe. Within the very depths of the subconscious mind there lies a Gate which is the Outer Gate to the Abyss, the dark spheres that lie between the mortal realm and the Kingdom of Hell, it is in these dark spheres which lie unexplored realmsย inhabited by the disembodied who have not fully passed from our world, residual beings, shapeshifters, psychic vampires and egregoric entities. Beyond these spheres lies another Gateย which leads to the fluid World of Acheron, the watery tides that rise upon the shores of Hell in the Shadow Kingdom. It is the the ability to transcend through these Gates and spheres that set the Satanic Black Magician apart from others, gradually their Soul becomes more Demonic in nature and the human elements held within mortal incarnation are subdued and morphed by this Infernal evolved Soul. The Satanic Black Magician almost always chooses the path of isolation, this is not isolation in a Monastic way, for those of this path love to indulge in the pleasures of the flesh, will have lovers and Kindred within the Infernal fold - but they do choose to divorce themselves from the masses of the Orthodox Sheep, the empty Atheists and those who are willingly governed by conformity. To the Classical Theistic Satanist such people can never be more than sexual conquests, passing amusements, prey or enemies . . . so divorced from the nature and Spiritual energy of the Black Magician are such individuals as to be regarded almost a different species on a deeper level. The Satanic Black Magician commits their life to the study, practice and mastery of Satanic Rites and Black Magick Arts; they devote themselves to the service of Our Lord Satan and the carrying out of His Work within the mortal sphere. Those who follow this Tradition have an insatiable hunger for Occult knowledge and for experiences upon all realms that they have yet to embrace . . . they are libertines but not for the sake of it, taking their sexual pleasures seriously but not being controlled by them. Unlike certain modern Satanists who relegate the path of Satanism to no more than sexual excess, porn and fetishism the Classical Satanist recognizes this to be but one element of the Infernal journey. As the journey into Darkness evolves it becomes clear to many of the Classical Satanic Creed that there are experiences, mysteries and raptures that lie beyond those of the flesh and which provide a much deeper form of liberation. The system of Satanic Occultism put forth in THE BLACK GRIMOIRE is one which concentrates on providing the Initiate with the Magickal forces to obtain their own personal objectives and desires, aids the transformation of the mind and Spirit into something more primal and Demonic and gives them the knowledge to endeavour to aid Satan and His Infernal Demons in their Work upon the physical domain. It is not a Grimoire for those who are only concerned with the sexual excesses of media influenced Satanism, nor will it be any use to the Atheistic/Rational Satanist who lacks the faith and scope of mind to embrace the Spiritual side of Satanism. THE BLACK GRIMOIRE has been forged for those who are true Seekers of Satanic Occult knowledge, those who desire deeply knowledge of the Mysteries of the Black Arts which have for centuries been kept in secrecy by the hidden Satanic Orders within Europe . . . it has been compiled for the individual who seeks the power of Satan, to serve Satan here upon Earth and beyond and who seeks the transformation of the self to become more Demonic within their Soul. The Path of Classical Theistic Satanism has for too long been left in the shadows and maybe that is where it flourishes best but here within the texts of THE BLACK GRIMOIRE the Black Arts and Rites of this path can at least be examined and embraced by those who are inclined to traverse the Path of the Infernal.
Mathurin(c) copyright 2019
๐ฃ๐ฑ๐ฎ ๐๐ฒ๐ท๐ฎ ๐๐ธ๐ธ๐ด๐ผ ๐๐ฏ ๐ข๐ช๐ฝ๐ช๐ท
๐๐ป๐ฎ๐ต๐ฒ๐ถ๐ฒ๐ท๐ช๐ป๐ ๐ฆ๐ป๐ฒ๐ฝ๐ฒ๐ท๐ฐ๐ผ ๐ฃ๐ฎ๐๐ฝ 2 ~ ๐ฃ๐ฑ๐ฎ ๐๐ฒ๐ฐ๐ฑ ๐๐ฎ๐ถ๐ธ๐ท๐ฒ๐ฌ ๐๐ช๐ท๐ฝ๐ฑ๐ฎ๐ธ๐ท ๐๐ฏ ๐๐ฎ๐ต๐ต
๐๐ฎ๐ญ ๐๐จ๐ซ๐ญ๐ก ๐๐๐ฅ๐จ๐ฐ ๐ข๐ฌ ๐ ๐ฅ๐ข๐ฌ๐ญ๐ข๐ง๐ ๐จ๐ ๐๐ก๐ ๐๐ข๐ ๐ก ๐๐๐ฆ๐จ๐ง๐ข๐ ๐๐๐ง๐ญ๐ก๐๐จ๐ง ๐๐ ๐๐๐ฅ๐ฅ, ๐ญ๐ก๐ ๐๐๐ฆ๐, ๐๐ข๐ญ๐ฅ๐, ๐๐๐ง๐ข๐๐๐ฌ๐ญ ๐๐๐ง๐๐๐ซ ๐๐ง๐ ๐ฌ๐ฉ๐ก๐๐ซ๐๐ฌ ๐จ๐ฏ๐๐ซ ๐ฐ๐ก๐ข๐๐ก ๐ญ๐ก๐๐ฒ ๐ก๐จ๐ฅ๐ ๐ฉ๐จ๐ฐ๐๐ซ ๐๐ซ๐ ๐ข๐ง๐๐ฅ๐ฎ๐๐๐.
๐๐๐๐๐ ~ ๐๐จ๐ซ๐ ๐๐ ๐๐ซ๐๐๐ญ๐ข๐จ๐ง (๐๐๐ฅ๐)
๐๐จ๐ฐ๐๐ซ - ๐๐ฎ๐ฌ๐ญ - ๐๐๐ง๐ข๐๐๐ฌ๐ญ๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐๐ฌ๐ข๐ซ๐๐ฌ - ๐๐จ๐ฆ๐ฉ๐๐ฅ๐ฅ๐ข๐ง๐ ๐๐ก๐ ๐๐ข๐ง๐๐ฌ ๐๐ ๐๐ญ๐ก๐๐ซ๐ฌ - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง - ๐๐ซ๐๐ญ๐ก - ๐๐ฎ๐ญ๐ก๐จ๐ซ๐ข๐ญ๐ฒ - ๐๐๐๐ฎ๐ฅ๐ญ ๐๐ง๐จ๐ฐ๐ฅ๐๐๐ ๐ - ๐๐ฅ๐๐๐ค ๐๐๐ ๐ข๐๐ค - ๐๐ข๐ญ๐๐ก๐๐ซ๐๐๐ญ - ๐๐๐๐ฅ๐ข๐ง๐ - ๐๐ซ๐๐ง๐ฌ๐ข๐ญ๐ข๐จ๐ง - ๐๐ซ๐๐๐ญ๐ข๐จ๐ง - ๐๐จ๐ฌ๐ฌ๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐๐๐ฌ๐ข๐ซ๐ - ๐๐๐ฌ๐ญ๐ซ๐ฎ๐๐ญ๐ข๐จ๐ง - ๐๐จ๐ฆ๐ฆ๐๐ง๐ - ๐๐๐ฏ๐๐ซ๐ฌ๐ข๐ญ๐ฒ - ๐๐ข๐๐๐ซ๐๐ญ๐ข๐จ๐ง.
๐๐๐๐๐๐ ~ ๐๐๐๐ฒ ๐๐ ๐๐ก๐ ๐๐๐ซ๐ค ๐๐ซ๐๐ข๐ฅ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ข๐ฌ๐๐๐ซ๐ซ๐ข๐๐ ๐ - ๐๐ญ๐ข๐ฅ๐ฅ๐๐ข๐ซ๐ญ๐ก - ๐๐๐๐ฎ๐๐ข๐ง๐ ๐๐ก๐ ๐๐ก๐๐ฌ๐ญ๐ - ๐๐๐ฌ๐ญ๐ซ๐จ๐ฒ๐ข๐ง๐ ๐๐ก๐ ๐๐จ๐ฅ๐ฒ - ๐๐ฎ๐๐๐ฎ๐๐ข - ๐๐ง๐๐ฎ๐๐ข - ๐๐ง๐๐๐ซ๐ญ๐ข๐ฅ๐ข๐ญ๐ฒ - ๐๐ง๐๐๐ง๐ญ ๐๐๐๐ญ๐ก - ๐๐ข๐ญ๐๐ก๐๐ซ๐๐๐ญ - ๐๐๐๐ซ๐ฌ๐ก๐ข๐ฉ - ๐๐ข๐ฏ๐ข๐ง๐๐ญ๐ข๐จ๐ง - ๐๐๐ง๐ฌ๐ญ๐ซ๐ฎ๐๐ญ๐ข๐จ๐ง - ๐๐๐ซ๐ค ๐๐๐ฑ ๐๐๐ ๐ข๐๐ค - ๐๐๐๐ฎ๐๐ญ๐ข๐จ๐ง - ๐๐๐ง๐ช๐ฎ๐ข๐ฌ๐ก๐ข๐ง๐ ๐๐ ๐๐ข๐ฌ๐จ๐ ๐ฒ๐ง๐ข๐ฌ๐ญ๐ฌ - ๐ ๐๐ฆ๐๐ฅ๐ ๐๐จ๐ฐ๐๐ซ.
๐๐๐๐๐๐๐๐๐ ~ ๐๐จ๐ซ๐ ๐๐ ๐๐ก๐ ๐ ๐ฅ๐ข๐๐ฌ (๐๐๐ฅ๐)
๐๐๐๐๐๐ซ๐ฌ๐ก๐ข๐ฉ - ๐๐จ๐ง๐จ๐ฎ๐ซ - ๐๐๐ฌ๐ฉ๐๐๐ญ - ๐๐ฅ๐ฅ๐๐ ๐ข๐๐ง๐๐ - ๐๐๐๐ฅ๐ข๐ง๐ - ๐๐ซ๐๐ฏ๐๐ซ๐ฒ - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง - ๐๐ซ๐จ๐ฉ๐๐ซ๐ญ๐ฒ - ๐๐จ๐ฌ๐ฌ๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐๐ง๐๐ฅ๐ข๐๐ญ๐ข๐ง๐ ๐๐ข๐ฌ๐๐๐ฌ๐ - ๐๐๐ซ๐๐๐ซ๐ - ๐๐ข๐ฅ๐ข๐ญ๐๐ซ๐ฒ ๐๐๐๐ญ๐ข๐๐ฌ - ๐๐๐๐ฉ๐จ๐ง๐ฌ - ๐๐ฅ๐ฅ๐ข๐๐ง๐๐๐ฌ - ๐๐๐ฌ๐ญ๐๐ซ๐ฒ - ๐๐ฉ๐ฉ๐จ๐ฌ๐ข๐ญ๐ข๐จ๐ง - ๐๐ฎ๐ฌ๐ข๐ง๐๐ฌ๐ฌ.
๐๐๐๐๐๐๐ ~ ๐๐จ๐ซ๐ ๐๐ ๐๐๐ฌ๐จ๐ฅ๐๐ญ๐ข๐จ๐ง (๐๐๐ฅ๐)
๐๐ข๐ง๐๐ข๐ง๐ ๐๐ก๐ ๐๐๐ ๐ข๐๐ค ๐๐ ๐๐ญ๐ก๐๐ซ๐ฌ - ๐๐จ๐ซ๐ฆ๐๐ง๐ญ - ๐๐๐๐ญ๐ก - ๐๐๐ฌ๐ญ๐ซ๐ฎ๐๐ญ๐ข๐จ๐ง - ๐๐๐ซ๐ฏ๐๐ซ๐ฌ๐ข๐จ๐ง - ๐๐๐ฏ๐ข๐๐ง๐ญ ๐๐๐ฑ - ๐๐จ๐ฌ๐ฌ - ๐๐ข๐ฌ๐๐ซ๐ฒ - ๐๐ฌ๐จ๐ฅ๐๐ญ๐ข๐จ๐ง - ๐๐ข๐ฌ๐๐ง๐ญ๐ก๐ซ๐จ๐ฉ๐ฒ - ๐๐จ๐ซ๐ญ๐ฎ๐ซ๐ - ๐๐๐ญ๐ - ๐๐๐ฑ๐๐ฌ - ๐๐๐ซ๐ค ๐๐๐ ๐ข๐๐ค - ๐๐๐๐ซ๐จ๐ฆ๐๐ง๐๐ฒ - ๐๐๐ฏ๐๐ฌ๐ญ๐๐ญ๐ข๐จ๐ง - ๐๐ ๐จ๐ง๐ฒ.
๐๐๐๐๐ ๐๐๐ ~ ๐๐ซ๐๐ง๐ ๐๐๐ฒ๐ฆ๐๐ฌ๐ญ๐๐ซ ๐๐ ๐๐๐ฅ๐ฅ (๐๐๐ฅ๐)
๐ ๐ข๐ง๐๐ง๐๐๐ฌ - ๐๐๐๐ฅ๐ญ๐ก - ๐๐ข๐๐ก๐๐ฌ - ๐๐ซ๐จ๐ฌ๐ฉ๐๐ซ๐ข๐ญ๐ฒ - ๐๐จ๐จ๐ ๐ ๐จ๐ซ๐ญ๐ฎ๐ง๐ - ๐๐๐ง๐ค๐ข๐ง๐ - ๐๐ฉ๐๐๐ฎ๐ฅ๐๐ญ๐ข๐จ๐ง - ๐๐๐๐ฎ๐ฆ๐ฎ๐ฅ๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐จ๐ง๐๐ฒ - ๐๐ซ๐จ๐ฉ๐๐ซ๐ญ๐ฒ - ๐๐๐ง๐๐ ๐๐ฆ๐๐ง๐ญ - ๐๐ฎ๐๐ค - ๐ ๐๐ญ๐.
๐๐๐๐๐๐๐๐ ~ ๐๐จ๐ซ๐ ๐๐ ๐๐๐ซ๐ง๐๐ฅ๐ข๐ญ๐ฒ (๐๐๐ฅ๐)
๐๐ฎ๐ฌ๐ญ - ๐๐๐ฑ๐ฎ๐๐ฅ ๐๐จ๐ฌ๐ฌ๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐ญ๐ก๐๐ซ๐ฌ - ๐๐จ๐ฌ๐ฌ๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐๐ซ๐๐ญ๐ก - ๐๐๐ฌ๐ข๐ซ๐ - ๐๐ฉ๐ข๐ซ๐ข๐ญ ๐๐จ๐๐ซ๐๐ฌ - ๐๐๐ฑ๐ฎ๐๐ฅ ๐๐ฑ๐๐๐ฌ๐ฌ - ๐๐๐ ๐ข๐๐ค๐๐ฅ ๐๐ข๐ฌ๐๐จ๐ฆ - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง ๐ ๐ซ๐จ๐ฆ ๐๐ข๐ฌ๐ญ๐๐ง๐๐ - ๐ ๐จ๐ซ๐ญ๐ข๐ญ๐ฎ๐๐ - ๐๐๐๐ฎ๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐จ๐ฆ๐๐ง.
๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐๐๐ฎ๐๐ญ๐ข๐จ๐ง (๐ ๐๐ฆ๐๐ฅ๐)
๐๐๐๐ฎ๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐๐ง - ๐ ๐๐ซ๐ญ๐ข๐ฅ๐ข๐ญ๐ฒ ๐๐ ๐๐ก๐ ๐๐๐ง๐ - ๐ ๐จ๐ซ๐ง๐ข๐๐๐ญ๐ข๐จ๐ง - ๐๐ง๐๐ข๐ญ๐ข๐ง๐ ๐๐๐ฎ๐ฅ๐ญ๐๐ซ๐ฒ - ๐๐ฒ๐ฆ๐ฉ๐ก๐จ๐ฆ๐๐ง๐ข๐ - ๐๐๐๐ฎ๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐ก๐ ๐๐ข๐จ๐ฎ๐ฌ - ๐๐ฅ๐๐ฆ๐จ๐ฎ๐ซ - ๐๐๐๐ฎ๐ญ๐ฒ - ๐๐ซ๐๐ญ๐ก - ๐๐ข๐จ๐ฅ๐๐ญ๐ข๐จ๐ง - ๐๐ฅ๐จ๐จ๐๐ฅ๐ฎ๐ฌ๐ญ.
๐๐๐๐๐๐ ~ ๐๐๐๐ฉ๐๐ซ ๐๐ ๐๐๐ฏ๐๐ง๐ ๐ (๐๐๐ฅ๐)
๐๐๐ฏ๐๐ง๐ ๐ - ๐๐ฎ๐ฌ๐ญ๐ข๐๐ - ๐๐๐ง๐ ๐๐๐ง๐๐ - ๐๐๐ซ๐ฆ๐ - ๐๐ฎ๐ง๐ข๐ฌ๐ก๐ฆ๐๐ง๐ญ - ๐๐ฎ๐๐ ๐๐ฆ๐๐ง๐ญ - ๐๐๐ ๐๐ฅ ๐๐ข๐๐ญ๐จ๐ซ๐ข๐๐ฌ - ๐๐๐ฐ - ๐๐ฎ๐ญ๐ก๐จ๐ซ๐ข๐ญ๐ฒ - ๐๐๐ญ๐ซ๐ข๐๐ฎ๐ญ๐ข๐จ๐ง - ๐๐๐ ๐๐ฅ๐ข๐ญ๐ข๐๐ฌ - ๐๐๐ฅ๐๐ง๐๐.
๐๐๐๐๐๐๐ ~ ๐๐ซ๐๐ง๐ ๐๐ฑ๐๐๐ฎ๐ญ๐ข๐จ๐ง๐๐ซ ๐๐ ๐๐๐ฅ๐ฅ (๐๐๐ฅ๐)
๐๐ง๐๐ฅ๐ข๐๐ญ๐ข๐ง๐ ๐๐๐๐ญ๐ก - ๐๐จ๐ซ๐ญ๐ฎ๐ซ๐ - ๐๐ฑ๐๐๐ฎ๐ญ๐ข๐จ๐ง - ๐๐ง๐๐ฅ๐ข๐๐ญ๐ข๐ง๐ ๐๐๐ข๐ง - ๐๐ง๐๐ข๐ญ๐ข๐ง๐ ๐๐ฅ๐จ๐ฐ ๐๐ง๐ ๐๐๐ข๐ง๐๐ฎ๐ฅ ๐๐๐๐ญ๐ก - ๐๐ฌ๐ฌ๐๐ฌ๐ฌ๐ข๐ง๐๐ญ๐ข๐จ๐ง - ๐๐๐ฌ๐ญ๐ซ๐ฎ๐๐ญ๐ข๐จ๐ง - ๐๐๐ฆ๐ข๐ฌ๐ - ๐๐ ๐จ๐ง๐ฒ - ๐๐ฅ๐จ๐จ๐๐ฅ๐ฎ๐ฌ๐ญ - ๐๐๐ญ๐ญ๐ฅ๐๐ฅ๐ฎ๐ฌ๐ญ.
๐๐๐๐๐๐๐๐๐๐ ~ ๐๐๐ฌ๐ญ๐๐ซ ๐๐ ๐๐๐ฅ๐๐ง๐๐ก๐จ๐ฅ๐ฒ ๐๐๐ฅ๐)
๐๐ง๐๐ข๐ญ๐ข๐ง๐ ๐๐ฎ๐ข๐๐ข๐๐ - ๐๐๐ข๐ง - ๐๐จ๐ซ๐ฆ๐๐ง๐ญ - ๐๐๐ฅ๐๐ง๐๐ก๐จ๐ฅ๐ฒ - ๐๐๐ฉ๐ซ๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐ ๐ฎ๐ญ๐ข๐ฅ๐ข๐ญ๐ฒ - ๐๐จ๐ฌ๐ฌ - ๐๐๐ฅ๐ ๐๐จ๐๐ญ๐ก๐ข๐ง๐ - ๐๐๐ฅ๐ ๐๐๐ซ๐ฆ - ๐๐๐ฌ๐จ๐๐ก๐ข๐ฌ๐ฆ - ๐๐จ๐ฌ๐ฌ ๐๐ ๐๐จ๐ฉ๐ - ๐๐ข๐ฌ๐๐ซ๐ฒ - ๐๐จ๐ฐ๐ง๐๐๐ฅ๐ฅ - ๐๐๐ฉ๐ข๐ญ๐ฎ๐ฅ๐๐ญ๐ข๐จ๐ง.
๐๐๐๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ซ ๐๐ง๐๐๐ฉ๐ญ๐ข๐จ๐ง (๐๐๐ฅ๐)
๐๐จ๐ฏ๐ - ๐๐ข๐ง๐๐ข๐ง๐ ๐๐จ๐ฏ๐ - ๐๐ง๐ฏ๐๐ง๐ญ๐ข๐จ๐ง - ๐๐ซ๐๐๐ญ๐ข๐ฏ๐ข๐ญ๐ฒ - ๐๐ซ๐๐๐ญ๐ฌ๐ฆ๐๐ง๐ฌ๐ก๐ข๐ฉ - ๐๐ก๐ ๐๐ซ๐ญ๐ฌ - ๐๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐๐ง๐ฌ๐ญ๐ข๐ ๐๐ญ๐ข๐จ๐ง - ๐๐ข๐จ๐ง๐๐๐ซ๐ข๐ง๐ - ๐๐ฑ๐ฉ๐ฅ๐จ๐ซ๐๐ญ๐ข๐จ๐ง - ๐๐ซ๐๐ก๐ข๐ญ๐๐๐ญ๐ฎ๐ซ๐ - ๐๐๐ฌ๐ญ๐ก๐๐ญ๐ข๐๐ฌ.
๐๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐๐๐๐ฎ๐๐ก๐๐ซ๐ฒ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ฏ๐๐ซ๐ข๐๐ - ๐๐ฅ๐จ๐ญ๐ก - ๐๐๐๐๐ฎ๐๐ก๐๐ซ๐ฒ - ๐๐ฎ๐ฌ๐ญ - ๐๐ซ๐๐๐ - ๐๐ข๐ง - ๐๐ฅ๐๐ฌ๐ฉ๐ก๐๐ฆ๐ฒ - ๐๐๐ฏ๐ข๐๐ง๐ญ ๐๐๐ฑ - ๐๐ฎ๐ฑ๐ฎ๐ซ๐ฒ - ๐๐ฉ๐๐ญ๐ก๐ฒ - ๐๐๐๐ข๐๐ญ๐ข๐จ๐ง - ๐๐๐ฌ๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐๐๐ฐ๐๐ง๐๐ฌ๐ฌ - ๐๐๐๐ฌ๐ข๐ญ๐ฒ - ๐๐ฅ๐ฎ๐ญ๐ญ๐จ๐ง๐ฒ.
๐๐๐๐๐๐ ~ ๐๐ซ๐๐ง๐ ๐๐ก๐ฒ๐ฌ๐ข๐๐ข๐๐ง ๐๐ ๐๐๐ฅ๐ฅ (๐๐๐ฅ๐)
๐๐๐๐ฅ๐ข๐ง๐ ๐๐ก๐ ๐๐๐ฅ๐ - ๐๐๐๐ฅ๐ข๐ง๐ ๐๐ญ๐ก๐๐ซ๐ฌ - ๐๐ข๐ฌ๐ฉ๐๐ฅ๐ฅ๐ข๐ง๐ ๐๐๐ข๐ง - ๐๐๐ง๐ช๐ฎ๐ข๐ฌ๐ก๐ข๐ง๐ ๐๐ข๐ฌ๐๐๐ฌ๐ - ๐๐๐๐ข๐๐ข๐ง๐๐ฌ - ๐๐๐๐ข๐๐๐ฅ ๐๐ซ๐จ๐๐๐๐ฎ๐ซ๐๐ฌ - ๐๐๐๐ข๐๐๐ฅ ๐๐๐ข๐๐ง๐๐ - ๐๐๐๐ฅ๐ญ๐ก - ๐๐๐๐๐๐ญ๐ข๐ง๐ ๐๐ข๐ซ๐ฎ๐ฌ๐๐ฌ.
๐๐๐๐๐๐๐๐๐๐ ~ ๐๐จ๐ซ๐ ๐๐ ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง (๐๐๐ฅ๐)
๐๐ฌ๐ฒ๐๐ก๐ข๐ ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง - ๐๐๐ ๐ข๐๐ค๐๐ฅ ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐ก๐ ๐๐จ๐ฆ๐๐ฌ๐ญ๐๐๐ - ๐๐๐๐ ๐๐ซ๐๐ฏ๐๐ฅ - ๐๐ก๐ฒ๐ฌ๐ข๐๐๐ฅ ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง - ๐ ๐จ๐ซ๐ญ๐ข๐ญ๐ฎ๐๐ - ๐๐๐ฌ๐ข๐ซ๐ - ๐๐ฌ๐ญ๐ซ๐๐ฅ ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง - ๐๐ฌ๐ญ๐ซ๐๐ฅ ๐๐ซ๐๐ฏ๐๐ฅ.
๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐ก๐ ๐๐ง๐๐๐ซ๐ง๐จ (๐๐๐ฅ๐)
๐ ๐ข๐ซ๐ - ๐๐๐๐ญ๐ก ๐๐ฒ ๐๐ฎ๐ซ๐ง๐ข๐ง๐ - ๐๐๐ฌ๐ญ๐ซ๐ฎ๐๐ญ๐ข๐จ๐ง ๐๐ฒ ๐ ๐ข๐ซ๐ - ๐ ๐ฅ๐๐ฆ๐๐ฌ - ๐๐ง๐๐๐ซ๐ง๐จ - ๐๐ฎ๐ซ๐ง๐ข๐ง๐ - ๐๐ฌ๐ก ๐๐ข๐ฏ๐ข๐ง๐๐ญ๐ข๐จ๐ง - ๐๐๐ฏ๐๐ฌ๐ญ๐๐ญ๐ข๐จ๐ง ๐๐ฒ ๐ ๐ข๐ซ๐ - ๐๐จ๐ฆ๐ฆ๐๐ง๐ ๐๐ ๐ ๐ข๐ซ๐ - ๐๐๐ฑ ๐๐ข๐ฏ๐ข๐ง๐๐ญ๐ข๐จ๐ง.
๐๐๐๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐ข๐ฌ๐๐จ๐ซ๐ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ข๐ฏ๐จ๐ซ๐๐ - ๐๐ข๐ฌ๐๐จ๐ซ๐ - ๐๐ก๐๐จ๐ฌ - ๐ ๐๐ฎ๐๐ฌ - ๐๐๐ฉ๐๐ซ๐๐ญ๐ข๐ง๐ ๐๐จ๐ฏ๐๐ซ๐ฌ - ๐๐ข๐ฏ๐ข๐๐ข๐ง๐ ๐๐ฅ๐ฅ๐ข๐๐ง๐๐๐ฌ - ๐๐จ๐ซ๐ฆ๐๐ง๐ญ - ๐๐ง๐๐ข๐ง๐ ๐ ๐ซ๐ข๐๐ง๐๐ฌ๐ก๐ข๐ฉ๐ฌ - ๐๐ข๐ฌ๐ซ๐ฎ๐ฉ๐ญ๐ข๐จ๐ง - ๐๐ซ๐ ๐ฎ๐ฆ๐๐ง๐ญ๐ฌ - ๐๐จ๐ง๐๐ซ๐จ๐ง๐ญ๐๐ญ๐ข๐จ๐ง - ๐๐จ๐ง๐๐ฅ๐ข๐๐ญ.
๐๐๐๐๐๐๐๐ ~ ๐๐ข๐ฌ๐ญ๐ซ๐๐ฌ๐ฌ ๐๐ ๐๐ข๐๐ฌ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐๐๐๐ข๐ญ - ๐๐ฅ๐๐ง๐๐๐ซ - ๐๐จ๐ฌ๐ฌ๐ข๐ฉ - ๐๐ข๐๐ฌ - ๐ ๐๐ฅ๐ฌ๐๐ก๐จ๐จ๐๐ฌ - ๐๐๐๐๐ฉ๐ญ๐ข๐จ๐ง - ๐๐ฅ๐ฅ๐ฎ๐ฌ๐ข๐จ๐ง - ๐๐ฎ๐ง๐ง๐ข๐ง๐ - ๐๐ซ๐ข๐๐ค๐๐ซ๐ฒ - ๐๐ก๐๐ซ๐๐๐ญ๐๐ซ ๐๐ฌ๐ฌ๐๐ฌ๐ฌ๐ข๐ง๐๐ญ๐ข๐จ๐ง - ๐๐๐ง๐ข๐ฉ๐ฎ๐ฅ๐๐ญ๐ข๐จ๐ง - ๐๐ฑ๐ฉ๐ฅ๐จ๐ข๐ญ๐๐ญ๐ข๐จ๐ง.
๐๐๐๐๐๐๐๐๐๐ ~ ๐๐ซ๐ข๐ง๐๐ ๐๐ ๐๐ฅ๐๐ ๐ฎ๐ (๐๐๐ฅ๐)
๐๐ฅ๐๐ ๐ฎ๐ - ๐๐ข๐ฌ๐๐๐ฌ๐ - ๐๐ฅ๐จ๐จ๐ ๐๐๐๐ซ๐ข๐๐ข๐๐ - ๐๐จ๐ฌ๐ฌ ๐๐ ๐๐ข๐ ๐ก๐ญ - ๐๐จ๐ฌ๐ฌ ๐๐ ๐๐ฉ๐๐๐๐ก - ๐๐๐ง๐๐๐ฆ๐ข๐ - ๐๐ง๐๐ฅ๐ข๐๐ญ๐ข๐ง๐ ๐๐ข๐ฌ๐๐๐ฌ๐ ๐๐ง ๐๐ญ๐ก๐๐ซ๐ฌ - ๐๐๐ฌ๐ญ๐ซ๐ฎ๐๐ญ๐ข๐จ๐ง - ๐๐๐ง๐จ๐๐ข๐๐ - ๐๐ข๐ฌ๐๐ฌ๐ญ๐๐ซ - ๐๐ข๐ซ๐ฎ๐ฌ๐๐ฌ.
๐๐๐๐๐๐๐ ~ ๐๐ก๐ ๐๐ฎ๐๐ซ๐๐ข๐๐ง ๐๐ ๐๐ข๐ง๐ฌ๐ญ ๐ ๐ฅ๐๐ฆ๐๐ฌ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง ๐ ๐ซ๐จ๐ฆ ๐ ๐ข๐ซ๐ - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐ง๐ ๐๐ก๐ ๐๐จ๐ฆ๐๐ฌ๐ญ๐๐๐ ๐ ๐ซ๐จ๐ฆ ๐ ๐ข๐ซ๐ - ๐๐ฒ๐ซ๐จ๐ฆ๐๐ง๐๐ฒ - ๐๐ฌ๐ก ๐๐๐ซ๐ฒ๐ข๐ง๐ - ๐๐จ๐ฆ๐ฆ๐๐ง๐ ๐๐ ๐ ๐ข๐ซ๐ - ๐๐จ๐ง๐ญ๐ซ๐จ๐ฅ ๐๐ ๐ ๐ฅ๐๐ฆ๐๐ฌ - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง - ๐๐๐๐ฅ๐ข๐ง๐ ๐๐ฎ๐ซ๐ง๐ฌ.
๐๐๐๐๐๐๐๐ ~ ๐๐ข๐ฌ๐ญ๐ซ๐๐ฌ๐ฌ ๐๐ ๐๐ก๐ ๐๐๐๐ฌ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐๐ฎ๐ฌ๐ข๐ง๐ ๐๐๐๐ญ๐ก ๐๐ฒ ๐๐ซ๐จ๐ฐ๐ง๐ข๐ง๐ - ๐๐ข๐ง๐ค๐ข๐ง๐ ๐๐๐ข๐ฅ๐ข๐ง๐ ๐๐๐ฌ๐ฌ๐๐ฅ๐ฌ - ๐๐จ๐๐ข๐๐ฌ ๐๐ ๐๐๐ญ๐๐ซ - ๐๐จ๐ฆ๐ฆ๐๐ง๐ ๐๐ ๐๐๐๐ฌ - ๐๐ก๐ ๐๐ข๐๐๐ฌ - ๐๐๐๐๐ง๐ฌ - ๐๐ฒ๐๐ซ๐จ๐ฆ๐๐ง๐๐ฒ - ๐๐๐ ๐๐ญ๐จ๐ซ๐ฆ๐ฌ.
๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐๐๐ง๐๐ฌ๐ฌ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ฅ๐ฅ๐ฎ๐ฌ๐ข๐จ๐ง๐ฌ - ๐๐๐ง๐ญ๐๐ฅ ๐๐ง๐ฌ๐ญ๐๐๐ข๐ฅ๐ข๐ญ๐ฒ - ๐๐๐ซ๐๐ง๐จ๐ข๐ - ๐ ๐๐๐ซ - ๐๐ก๐จ๐๐ข๐๐ฌ - ๐๐๐๐ง๐๐ฌ๐ฌ - ๐๐ง๐ซ๐๐๐ฅ๐ข๐ญ๐ฒ - ๐๐๐ง๐ญ๐๐ฅ ๐๐ข๐ฌ๐จ๐ซ๐๐๐ซ๐ฌ - ๐๐ง๐ฌ๐๐ง๐ข๐ญ๐ฒ - ๐๐ง๐ฌ๐๐๐ฎ๐ซ๐ข๐ญ๐ฒ - ๐๐๐ฅ๐ ๐๐๐ซ๐ฌ๐๐๐ฎ๐ญ๐ข๐จ๐ง - ๐๐ฉ๐ฉ๐๐ซ๐ข๐ญ๐ข๐จ๐ง๐ฌ.
๐๐๐๐๐๐๐ ~ ๐๐๐ฌ๐ญ๐๐ซ ๐๐ ๐๐ก๐ ๐๐ซ๐ญ๐ฌ (๐๐๐ฅ๐)
๐๐๐ ๐ข๐๐ค - ๐๐ข๐ญ๐๐ก๐๐ซ๐๐๐ญ - ๐๐จ๐จ๐๐จ๐จ - ๐๐จ๐ซ๐๐๐ซ๐ฒ - ๐๐๐๐ฎ๐ฅ๐ญ ๐๐ง๐จ๐ฐ๐ฅ๐๐๐ ๐ - ๐๐ฅ๐๐๐ค ๐๐๐ ๐ข๐๐ค - ๐๐ฉ๐๐ฅ๐ฅ๐ฌ - ๐๐๐ฑ๐๐ฌ - ๐๐ญ๐ก๐๐ซ ๐๐๐๐ฅ๐ฆ๐ฌ - ๐๐ซ๐๐๐ง๐ ๐๐ข๐ฌ๐๐จ๐ฆ - ๐๐๐ซ๐ฆ๐๐ญ๐ข๐๐๐ฅ ๐๐ซ๐จ๐๐๐๐ฎ๐ซ๐๐ฌ.
๐๐๐๐๐๐ ~ ๐๐ข๐ฌ๐ญ๐ซ๐๐ฌ๐ฌ ๐๐ ๐ ๐๐ซ๐ญ๐ข๐ฅ๐ข๐ญ๐ฒ (๐ ๐๐ฆ๐๐ฅ๐)
๐ ๐๐ซ๐ญ๐ข๐ฅ๐ข๐ญ๐ฒ - ๐๐๐๐ ๐๐ซ๐๐ ๐ง๐๐ง๐๐ฒ - ๐๐ก๐ข๐ฅ๐๐๐ข๐ซ๐ญ๐ก - ๐๐จ๐ญ๐ก๐๐ซ๐ก๐จ๐จ๐ - ๐๐๐๐ฅ๐ข๐ง๐ ๐๐ก๐ข๐ฅ๐๐ซ๐๐ง - ๐๐๐๐ ๐๐ก๐ข๐ฅ๐๐๐ข๐ซ๐ญ๐ก - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐ง๐ ๐๐๐ฐ๐๐จ๐ซ๐ง๐ฌ - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐ก๐ข๐ฅ๐๐ซ๐๐ง - ๐๐จ๐ฏ๐ - ๐๐๐๐ฅ๐ข๐ง๐ .
๐๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐๐ฏ๐๐ฅ๐๐ญ๐ข๐จ๐ง (๐ ๐๐ฆ๐๐ฅ๐)
๐๐จ๐๐๐ญ๐ข๐ง๐ ๐๐ก๐จ๐ฌ๐ ๐๐ข๐ฌ๐ฌ๐ข๐ง๐ - ๐๐๐ฌ๐๐๐ซ๐๐ก - ๐ ๐ข๐ง๐๐ข๐ง๐ ๐๐จ๐ฌ๐ญ ๐๐๐ฃ๐๐๐ญ๐ฌ - ๐๐ง๐ฏ๐๐ฌ๐ญ๐ข๐ ๐๐ญ๐ข๐จ๐ง - ๐๐๐๐จ๐ง๐๐ข๐ฅ๐ข๐๐ญ๐ข๐จ๐ง - ๐๐ฅ๐ฅ๐ข๐๐ง๐๐๐ฌ - ๐๐ซ๐จ๐๐ฅ๐๐ฆ ๐๐จ๐ฅ๐ฏ๐ข๐ง๐ - ๐๐จ๐๐๐ญ๐ข๐ง๐ ๐๐ก๐ ๐๐๐๐.
๐๐๐๐๐๐๐๐๐๐๐ ~ ๐๐ข๐ฌ๐ญ๐ซ๐๐ฌ๐ฌ ๐๐ ๐๐ง๐๐ก๐๐ง๐ญ๐ฆ๐๐ง๐ญ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ง๐๐ก๐๐ง๐ญ๐ฆ๐๐ง๐ญ - ๐๐ฅ๐๐ฆ๐จ๐ฎ๐ซ - ๐๐จ๐ฏ๐ - ๐๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐๐ง๐๐ข๐ญ๐ข๐ง๐ ๐๐จ๐ฏ๐ ๐๐ง ๐๐ญ๐ก๐๐ซ๐ฌ - ๐๐๐๐ฎ๐ญ๐ฒ - ๐๐จ๐ฏ๐ ๐๐๐ ๐ข๐๐ค - ๐๐๐ฑ ๐๐๐ ๐ข๐๐ค - ๐๐๐ฉ๐ญ๐ข๐ฏ๐๐ญ๐ข๐จ๐ง - ๐๐๐ฑ๐ฎ๐๐ฅ ๐๐๐ฌ๐๐ฌ๐ฌ๐ข๐จ๐ง - ๐๐จ๐ซ๐๐๐ซ๐ฒ.
๐๐๐๐๐๐๐๐ ~ ๐๐จ๐ซ๐ ๐๐ ๐๐ก๐ ๐๐๐๐ฌ๐ญ๐ฌ (๐๐๐ฅ๐)
๐๐จ๐ฆ๐ฆ๐ฎ๐ง๐ข๐๐๐ญ๐ข๐ง๐ ๐๐ข๐ญ๐ก ๐๐ง๐ข๐ฆ๐๐ฅ๐ฌ - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐ง๐ ๐๐ง๐ข๐ฆ๐๐ฅ๐ฌ - ๐๐ก๐๐ฉ๐๐ฌ๐ก๐ข๐๐ญ๐ข๐ง๐ - ๐๐ฉ๐ข๐ซ๐ข๐ญ ๐๐ง๐ข๐ฆ๐๐ฅ๐ฌ - ๐๐ฒ๐๐๐ง๐ญ๐ก๐ซ๐จ๐ฉ๐ฒ - ๐๐๐๐ฅ๐ข๐ง๐ ๐๐ง๐ข๐ฆ๐๐ฅ๐ฌ - ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐ง๐ ๐๐ก๐ ๐๐๐ง๐ - ๐๐ฎ๐ ๐ฎ๐ซ๐ฒ.
๐๐๐๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐ฅ๐ฅ๐ฎ๐ฌ๐ข๐จ๐ง๐ฌ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ฅ๐ฅ๐ฎ๐ฌ๐ข๐จ๐ง๐ฌ - ๐๐ฉ๐ฉ๐๐ซ๐ข๐ญ๐ข๐จ๐ง๐ฌ - ๐๐ข๐ฌ๐ข๐จ๐ง๐ฌ - ๐๐๐ซ๐๐ง๐จ๐ข๐ - ๐๐ก๐๐ง๐ญ๐จ๐ฆ๐ฌ - ๐๐๐ฅ๐ฅ๐ฎ๐๐ข๐ง๐๐ญ๐ข๐จ๐ง๐ฌ - ๐๐ข๐ซ๐๐ ๐๐ฌ - ๐๐ฎ๐ง๐ง๐ข๐ง๐ - ๐๐ฅ๐ข๐ ๐ก๐ญ ๐๐ ๐๐๐ง๐ - ๐๐ข๐ฌ๐๐จ๐ง๐๐๐ฉ๐ญ๐ข๐จ๐ง๐ฌ - ๐๐ซ๐๐ข๐ญ๐ก๐ฌ - ๐๐๐ฌ๐ข๐๐ฎ๐๐ฅ ๐๐ง๐๐ซ๐ ๐ข๐๐ฌ.
๐๐๐๐๐ ~ ๐๐ซ๐ข๐ง๐๐ ๐๐ ๐๐ฅ๐๐ฌ๐ฉ๐ก๐๐ฆ๐ฒ (๐๐๐ฅ๐)
๐๐จ๐ซ๐ซ๐ฎ๐ฉ๐ญ๐ข๐จ๐ง ๐๐ ๐๐ก๐ ๐๐จ๐ฎ๐ฅ - ๐๐ข๐ง - ๐๐ฅ๐๐ฌ๐ฉ๐ก๐๐ฆ๐ฒ - ๐๐๐๐ฎ๐๐ญ๐ข๐จ๐ง ๐๐ ๐๐ก๐ ๐๐ข๐จ๐ฎ๐ฌ - ๐๐จ๐ซ๐ซ๐ฎ๐ฉ๐ญ๐ข๐จ๐ง ๐๐ ๐๐ก๐ ๐๐ก๐๐ฌ๐ญ๐ - ๐๐ง๐๐ข๐๐๐ฅ๐ข๐ญ๐ฒ - ๐๐๐ฑ๐ฎ๐๐ฅ ๐๐๐ฏ๐ข๐๐ญ๐ข๐จ๐ง - ๐๐๐ฌ๐๐๐ซ๐๐ญ๐ข๐จ๐ง - ๐๐๐๐๐ฎ๐๐ก๐๐ซ๐ฒ.
๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐ญ๐จ๐ซ๐ฆ๐ฌ (๐๐๐ฅ๐)
๐๐ญ๐จ๐ซ๐ฆ๐ฌ - ๐๐ข๐ ๐ก๐ญ๐ง๐ข๐ง๐ - ๐๐๐ข๐ง๐ฌ - ๐๐ข๐ง๐๐ฌ - ๐๐๐ฆ๐ฉ๐๐ฌ๐ญ๐ฌ - ๐๐ก๐ฎ๐ง๐๐๐ซ - ๐๐๐ฌ๐ญ๐ซ๐ฎ๐๐ญ๐ข๐จ๐ง ๐๐ฒ ๐๐๐ญ๐ฎ๐ซ๐๐ฅ ๐๐๐ฎ๐ฌ๐๐ฌ - ๐ ๐ฅ๐จ๐จ๐๐ฌ - ๐๐จ๐ซ๐ง๐๐๐จ๐๐ฌ - ๐๐ฌ๐ฎ๐ง๐๐ฆ๐ข๐ฌ - ๐๐ข๐ฌ๐๐ฌ๐ญ๐๐ซ.
๐ ๐๐๐๐๐๐๐๐๐๐ ~ ๐๐๐ฌ๐ญ๐๐ซ ๐๐ ๐๐ก๐ ๐๐๐๐ (๐๐๐ฅ๐)
๐๐๐๐ซ๐จ๐ฆ๐๐ง๐๐ฒ - ๐๐๐๐ข๐ฎ๐ฆ๐ฌ๐ก๐ข๐ฉ - ๐๐จ๐ฆ๐ฆ๐ฎ๐ง๐ข๐ง๐ ๐๐ข๐ญ๐ก ๐๐ก๐ ๐๐๐๐ - ๐๐ง๐ญ๐๐ซ๐ข๐ง๐ ๐๐ญ๐ก๐๐ซ ๐๐๐๐ฅ๐ฆ๐ฌ - ๐๐๐๐ง๐๐๐ฌ - ๐๐ฉ๐ข๐ซ๐ข๐ญ ๐๐จ๐๐ซ๐๐ฌ - ๐๐ฎ๐ญ๐จ๐ฆ๐๐ญ๐ข๐ ๐๐ซ๐ข๐ญ๐ข๐ง๐ - ๐๐จ๐ฐ๐ฌ๐ข๐ง๐ .
๐๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐ก๐ ๐๐ฉ๐ก๐๐ซ๐๐ฌ (๐๐๐ฅ๐)
๐๐ฌ๐ญ๐ซ๐๐ฅ ๐๐ซ๐จ๐ฃ๐๐๐ญ๐ข๐จ๐ง - ๐๐ฌ๐ญ๐ซ๐๐ฅ ๐๐ซ๐๐ฏ๐๐ฅ - ๐๐ฌ๐ญ๐ซ๐๐ฅ ๐๐๐๐ฅ๐ฆ๐ฌ - ๐๐ฌ๐ญ๐ซ๐๐ฅ ๐๐ซ๐จ๐ญ๐๐๐ญ๐ข๐จ๐ง - ๐๐๐ญ๐ก๐ฐ๐จ๐ซ๐ค๐ข๐ง๐ - ๐๐ซ๐๐๐ฆ ๐๐ซ๐๐ฏ๐๐ฅ - ๐๐ข๐ฆ๐ ๐๐ซ๐๐ฏ๐๐ฅ - ๐๐ง๐ญ๐๐ซ๐ข๐ง๐ ๐๐ญ๐ก๐๐ซ ๐๐๐๐ฅ๐ฆ๐ฌ.
๐๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐๐๐ฅ๐ญ๐ก (๐ ๐๐ฆ๐๐ฅ๐)
๐๐จ๐ง๐๐ฒ - ๐๐๐๐ฅ๐ญ๐ก - ๐๐๐ข๐ซ๐ฅ๐จ๐จ๐ฆ๐ฌ - ๐๐ง๐ก๐๐ซ๐ข๐ญ๐๐ง๐๐๐ฌ - ๐๐๐ ๐๐๐ข๐๐ฌ - ๐๐๐ญ๐๐ข๐ง๐ข๐ง๐ ๐๐๐๐๐๐ ๐ ๐ข๐ง๐๐ง๐๐๐ฌ - ๐ ๐ฎ๐ง๐๐ข๐ง๐ - ๐๐๐ฏ๐ข๐ง๐ ๐ฌ - ๐๐ข๐ฌ๐๐ซ๐ฅ๐ข๐ง๐๐ฌ๐ฌ - ๐๐ซ๐๐๐ฌ๐ฎ๐ซ๐.
๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐จ๐ง๐๐๐๐ฅ๐ฆ๐๐ง๐ญ (๐๐๐ฅ๐)
๐๐๐ฆ๐๐ข๐ง๐ข๐ง๐ ๐๐ข๐๐๐๐ง - ๐๐๐ฆ๐๐ข๐ง๐ข๐ง๐ ๐๐ง๐ฌ๐๐๐ง ๐๐จ ๐๐ง๐๐ฆ๐ข๐๐ฌ - ๐๐จ๐ง๐๐๐๐ฅ๐ฆ๐๐ง๐ญ - ๐๐ฎ๐ง๐ง๐ข๐ง๐ - ๐๐ฌ๐จ๐ฅ๐๐ญ๐ข๐จ๐ง - ๐๐๐๐ฅ๐ฎ๐ฌ๐ข๐จ๐ง - ๐๐ง๐ฏ๐ข๐ฌ๐ข๐๐ข๐ฅ๐ข๐ญ๐ฒ - ๐๐ฌ๐ญ๐ซ๐๐ฅ ๐๐ง๐ฏ๐ข๐ฌ๐ข๐๐ข๐ฅ๐ข๐ญ๐ฒ - ๐๐๐ฆ๐จ๐ญ๐ ๐๐ข๐๐ฐ๐ข๐ง๐ .
๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง ๐๐ ๐๐๐ฅ๐๐๐ฒ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ข๐ฌ๐๐๐ฌ๐ - ๐๐ข๐ซ๐ฎ๐ฌ๐๐ฌ - ๐๐๐ซ๐ฆ๐ฌ - ๐๐ง๐๐ฅ๐ข๐๐ญ๐ข๐ง๐ ๐๐ฅ๐ฅ๐ง๐๐ฌ๐ฌ ๐๐ง ๐๐ญ๐ก๐๐ซ๐ฌ - ๐๐๐ฅ๐๐๐ฒ - ๐๐ข๐๐ค๐ง๐๐ฌ๐ฌ - ๐๐ข๐ฅ๐ฆ๐๐ง๐ญ๐ฌ - ๐๐ฅ๐ฅ๐๐ซ๐ ๐ข๐๐ฌ - ๐ ๐๐ญ๐๐ฅ ๐๐ข๐ฌ๐๐๐ฌ๐๐ฌ - ๐๐ง๐๐๐๐ญ๐ข๐จ๐ง.
๐๐๐๐๐๐๐๐๐๐๐ ~ ๐๐๐ฆ๐จ๐ง๐๐ฌ๐ฌ ๐๐ ๐๐ก๐ ๐๐๐๐ฅ๐ฆ๐ฌ ๐๐ ๐๐ฅ๐๐๐ฉ (๐ ๐๐ฆ๐๐ฅ๐)
๐๐ง๐๐ฎ๐๐ข๐ง๐ ๐๐ฅ๐๐๐ฉ - ๐๐ง๐๐ฅ๐ข๐๐ญ๐ข๐ง๐ ๐๐ง๐ฌ๐จ๐ฆ๐ง๐ข๐ - ๐๐ซ๐๐๐ฆ ๐๐ซ๐จ๐ฉ๐ก๐๐๐ฒ - ๐๐๐ฌ๐ญ๐๐ฎ๐ฅ ๐๐ฅ๐ฎ๐ฆ๐๐๐ซ - ๐๐ข๐ ๐ก๐ญ๐ฆ๐๐ซ๐๐ฌ - ๐๐ซ๐๐๐ฆ ๐๐จ๐ง๐ญ๐ซ๐จ๐ฅ - ๐๐ซ๐๐๐ฆ ๐๐ง๐ญ๐๐ซ๐ฉ๐ซ๐๐ญ๐๐ญ๐ข๐จ๐ง.
๐๐๐๐ ~ ๐๐ข๐ฌ๐ญ๐ซ๐๐ฌ๐ฌ ๐๐ ๐๐ข๐ฌ๐๐ฌ๐ญ๐๐ซ (๐๐๐ฅ๐)
๐๐๐ซ๐ญ๐ก๐ช๐ฎ๐๐ค๐๐ฌ - ๐๐๐ญ๐ฎ๐ซ๐๐ฅ ๐๐ข๐ฌ๐๐ฌ๐ญ๐๐ซ๐ฌ - ๐๐ฏ๐๐ฅ๐๐ง๐๐ก๐๐ฌ - ๐๐๐ญ๐ฎ๐ซ๐๐ฅ ๐๐๐ง๐จ๐๐ข๐๐ - ๐๐ซ๐๐ฆ๐จ๐ซ๐ฌ - ๐๐๐ฌ๐ญ๐ซ๐ฎ๐๐ญ๐ข๐จ๐ง ๐๐ฒ ๐๐ญ๐จ๐ซ๐ฆ๐ฌ - ๐๐๐ฏ๐๐ฌ๐ญ๐๐ญ๐ข๐จ๐ง - ๐๐ข๐ฌ๐๐ฌ๐ญ๐๐ซ๐ฌ.
ยฉInversusCrux2019
๐๐๐๐๐ ~ ๐๐ป๐ฝ๐๐ธ๐ป๐ด ๐ซ๐ ๐๐ป๐ช๐ท๐ฌ๐ฒ๐ผ๐ฌ๐ธ ๐๐ธ๐๐ช
THE LEGACY OF A TRINITY OF JOURNEYS
TEXT 2 OF THE UNHOLY SCRIPTURES
As stated in the Preface to The Unholy Scriptures one of the extensive range of techniques used to explore the Black Arts of Traditional Satanism both past and present was that of Past Life Regression. This was not undertaken in the usual way through Hypnotism but rather through deep Meditation while under the influence of certain Demonic Spirits. This is my third Incarnation involved directly with the Satanic Arts (although many I visited included involvement in the Occult), this first of these was in the 1600s and the second the 1800s . . . other recollections contained involvement with Witchcraft, Voodoo and the Goetia among others. The Incarnation I delved into during the 1600s on into the 1700s revolved around participation in a Satanic Cabal which would be more correctly described and a Devil Worshiping Order. Much useful information regarding Demons, Black Magickal Arts and indeed Dark Witchcraft has been gleaned from this Incarnation, the past life in the 1800s was equally as useful regarding the uncovering of knowledge appertaining to Black Magick Rituals and Satanic Occult Arts which are not so easily discovered through normal methods of research. Teachings I received from my first Mentor Father Arundel however also offered much knowledge regarding the Old Practices of Diabolism and Classical Satanic Magick and Demonic Sorcery as he was High Magus over a Group which had been around since 1911 and contained texts of much older origin. Visions and knowledge picked up during the Incarnation visits through Demonic Meditation often confirmed teachings from Father Arundel and his colleagues and together with more traditional methods of research, study and practice have given me solid foundations for the compilation of a Book such as The Unholy Scriptures. Bother of the past incarnations were based in Europe - the first in Italy and France, the second in England as I am now although the last Incarnation recalled was in New Orleans during the late 1940s, my recollections from this Incarnation are vague but Satanism did not seem to be on the agenda as much as in previous lives although a strong practical interest in Voodoo and the Goetia did. Meditative Atavism, Past Life Regression and Demonic Communion are excellent portals into learning of the practiced Black Arts of yesteryear and those Dark Occult Operations which are rarely revealed beyond the walls of the secret Infernal Temples. Within the Writings of The Unholy Scriptures the beginning of entering into such practices are explained - all that I will say at this point is the main requirements are a willingness to immerse the self within the Demonic, a truly open mind, the ability to let the physical realm go and a strong desireย โto knowโ . . . but more on this later in the Book.
(c)BrotherProspero2019
A BRIEF DISCOURSE ON OLD WORLD SATANISM
TEXT 2 OF BEYOND THE INVERTED CROSS
Old World Satanism is a merging of Classical Demonology, Traditional Satanism, Devil Worship and the ancient practices of Black Magick. It draws heavily upon the Old Paths of Classical Satanism and Devil Worshiping Rites as practiced in the 1600s-1700s throughout Europe. It is a far darker tradition than the more modern Left Hand Path systems of Rational Satanism and Luciferianism, even darker that some modern forms of Theistic Satanism. It does not reject the labels of evil, unholy, blasphemous of other supposedly derogatory title attributed to it, adherents of Old World Satanism embrace such labels gladly recognizing them as indicators of their superior position above those who bathe in the light of apathy, subservience and denial. As with the Old Black Witches of Traditional Dark Witchcraft the Initiate of Old World Satanism fully embraces the position of outcast, the shadowy Occult figure that resides on the periphery of the foul social structure of Orthodox Religion and Conformist society. The Initiate of this Path has a deep hunger for the most darkest hidden and forbidden of Satanic Black Arts, a natural leaning to the Unholy, the Dark and the Demonic. They are unlike all others of the species we call humanity . . . Predators, Occultists and lone wolves often in possession of heightened Psychic skills, creative abilities and Magickal Power. Beyond this they have a deep connection with the Demons of Hell which is not experienced by others of the Left Hand Path who face more barriers in submiting themselves without question to the stygian forces of the Infernal. It is inevitable that the Path of Old World Satanism is very connected to the aesthetic of that time and so many of those who adhere to this form of Satanism often have a passionate appreciation for the art, literature, aesthetic and architecture of Old Europe as well as a strong connection to the Old Path of Traditional Witchcraft as performed in times long past. Old World Satanism is not a sojourn which will resonate with all of the Infernal, but for those with a deep and true connection with and interest in the Dark Gothic Aesthetic of times lost to memory and the traditions of Unholy Diabolism and Old Witchcraft and Sorcery this may well be a Path to explore. Its tenets are much alike to all forms of Theistic Satanism but they are veiled with the mysterious Arts and Aesthetic of Diabolism and Classical Demonic Satanism which has been forced into the shadows over the centuries through persecution and the need for secrecy. BEYOND THE INVERTED CROSS is a Book which seeks to shine a light into the shadows of this lost and dark sinister Satanic Tradition, to explore the hidden Arts of Devil Worship and Classical Satanism reinstating its position as a viable and ultimately powerful Path of Infernal beauty!
(c)Cathal2019

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