Michael: My father's no different than any other powerful man ā any man who's responsible for other people, like a senator or a president.
Kay: [laughs] You know how naĆÆve you sound?
Michael: Why?
Kay: Senators and presidents don't have men killed.
generations of the cavalieri family have held political sway in new venice for nearly a century; while its oldest scion, rafael, declined to follow the family path, its reputation is presently upheld in argentium by brothers león and cesare. rafaelās marriage to scilla cavalieri, a vampire of the xolotl bloodline and the recently ascended boss of the new venetian mafia, has further buoyed the cavalierisā status; politics, money, and the mafia in hand, there is no limit to their ambition.
nb: there are many references below to the new venetian government and mafia; the faction info on those will be released on the site tumblr soon. in the meantime, if you have any questions or would like more clarification, please let me know!
the first fc listed for each open face is pictured above. all names except rafaelās can be changed!
> CAVALIERIS.
the cavalieris are a wealthy and well-reputed human family in new venice. rafaelās decision to allow scilla to turn him was controversial within the family; historically, they are pro-human, with various levels of specist beliefs (some are members of the natural order). the cavalieris are happy to benefit from raf and scillaās mafia largesse, but do not view the xolotls as equal.
rafael cavalieri - open; 65 (appears 50), turned vampire approx. 30 years ago. a black sheep in his family who forged his own path in the sciences rather than join the government. he is responsible for many of the countryās breakthroughs in ichor experimentation during the war and after. married scilla over his familyās vocal disapproval and allowed her to turn him as an added fuck-you. fierce, intelligent, and uncompromising, but far more forgiving than his wife; theyāre a disastrous union, and presently estranged. loving father to vittoria and aryana cavalieri. face claim: jose maria yazpik, henry ian cusick, or open (must be latino).
león cavalieri - taken by dione; human. an established lobbyist, who has aided scilla in securing bribes and intelligence for the mafia in exchange for a hefty fee, in addition to smoothing out the attendant legal "wrinkles." natural order leanings. face claim: pedro pascal.
cesare cavalieri - taken by kels; human, 41. works in government alongside his brother, either as a member of parliament or a fellow lobbyist. charismatic, and clever, if in an accidental sort of way; more of a loose cannon than either of his brothers. the āfuncle.ā throws notoriously lavish parties that somehow donāt negate his populist appeal. face claim: diego luna.
> XOLOTLS.
the xolotls, with the exception of valentĆn and alejandro, are distant cousins of each other. they are united by their shared bloodline--all are xolotl vampires, and theyāve made their way to new venice to work with scilla. because they do not share blood with the cavalieris beyond scillaās daughter, arya, the relationship between the two families is fraught. rafael and gabriel are the āpeacemakersā of the two families, as scilla, frankly, both 1) lives for the drama and 2) finds it easier to manipulate each branch when theyāre focused on infighting.
gabriel ____ - open; vampire, appears mid 40s. initially brought to europe by scillaās father in a bid to wed them; she, being naturally averse to any proposition of her fatherās, spent the better part of a decade attempting to destroy gabriel. she eventually coaxed him to turn against her father and he has been her right-hand man since; they have a sibling-like bond of trust and loyalty (hard-won over the years). softer than scilla but in many ways more practical, heās often exasperated by his family, and is the only one of the xolotls who insists on the necessity of playing nice with the cavalieris. he believes in the reforms scilla and orion are implementing within the mafia, but preaches the need for patience, and for continued ācooperationā (read: bribes) with the government. face claim: gael garcia bernal or open (must be latino).
valentĆn ____ - taken by percy; vampire, appears early 40s. a closer cousin of gabriel who followed him over to new venice, to gabrielās chagrin. a hedonist; uses his mafia connections as a Get Out of Jail/Drugs Free card. seethingly jealous of scilla and gabriel and their positions in the mafia, and just crafty enough to be dangerous. has begun forming alliances in the pactum sanguine and makes no effort to mask his disdain for non-vampire species. though he privately believes that scilla is unfit to lead the mafia due to her marriage to a human, even a turned one, he manages (just barely) to fake the appearance of loyalty. due to his sybaritic lifestyle, neither scilla nor gabriel view him as a serious threat. face claim: edgar ramirez.
alejandro ____ - open; vampire, appears mid 20s. Ā valentĆnās son, though neither knew it until recently; he showed up in new venice a year ago upon learning of his claim to the xolotl bloodline, and no oneās been entirely sure what to do with him since. cannier than he appears and all too aware of his fatherās precarious position in the mafia. gabriel took pity on him and offered him a position among scillaās bodyguards, which alejandro accepted, but he aspires to gabrielās position one day. face claim: Ā manuel masalva, diego boneta, tyler posey, or open (must be latino).
orion campo - taken by connie; vampire. a prodigy; she should really be running a government somewhere, but is instead applying her sociopolitical acumen to help scilla reform the mafia. she feels the strongest about her xolotl roots out of all of the family members, and, as a result, dislikes the cavalieris because she feels like sheās helping to build an empire in their name. she has strong liberal sympathies and--unbeknownst to her family--is involved in lāombra. face claim: diane guerrero.
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200 prompts | 10. āWe canāt keep this up forever.ā | Steve/Tony | just read it you wonāt regret it i promise
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Tony can feel his hands trembling, his sweat running down his body, his eyes burning. He canāt do this anymore. Steve is beside him, looking like a man on a mission, but Tony knows itās too late.
āWe canāt keep this up forever,ā he pleads. To whom? He doesnāt know.
His body is burning, his lungs are screaming for oxygen, and Steve is calm beside him, way too calm for whatās happening around them. Tony closes his eyes, breathing in the metallic scent in the air. He wants to stop this, he has; he can feel his body giving in underneath him, the burn in his muscles more prominent, more painful.
āWe gotta keep going, Tony.ā Steveās voice is like a whisper; too close, too soft. It makes him nauseous, everything makes him nauseous right now. He needs to let go. He tells Steve so, and he looks at Tony like he canāt stomach the possibility of giving up. Itās okay, Tony thinks, Iāll do it alone. He gives Steve a reassuring smile, which isnāt returned.
And he does. Tony lets go.
Moments later, when Tony opens his eyes and looks up, he can barely make up the ghost of a smile in front of him. Natasha is kneeling beside him, a glass of water on her hand. She hands it to him slowly, and he takes it from her with trembling hands. He takes a sip, then drowns the whole glass like a starving man. His body feels tired, worn out. He can hear laughter around him, someoneās laughing with absolute mirth, and Tony knows itās done.
He did it. He lost.
āOh man, you should see your face,ā Clint says between laughs. āYou look worse than when we spar.ā
Tony rolls his eyes, handing the glass back to Nat, whoās chewing on some left popcorn, āIām forty eight, I have a heart condition.ā
Steve smiles at him, his eyes twinkling with amusement from where heās still keeping his position. āStill could use some training.ā
Tony groans, grabs some popcorn form Nat and throws it at Steve, whoās joined Clint in laugher. āBetrayed by my own husband, fucking great. Iām never playing twister again.ā
200 prompts | 146. āAre you okay?ā | Steve/Tony | angst, hurt no comfort, established relationship
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When Steve hands Tony the divorce papers, Tony breaks.
Itās not pretty. He just stares at the bunch of papers sitting on his desk, Steveās flawless and beautiful signature sprawled at the bottom of the documents. Tony feels like he canāt breathe; like all the air has gone out of the room. He feels like heās walking on air; like the floor is gone under his feet and heāll fall any second to his dead. He feels like heās lighter; his body feels empty, his mind is closed off, and heās pretty sure heās lost weight too. He feels like heās floating; floating in a sea of absolute despair, and he canāt ground himself no matter how hard he tries.
Steve is waiting, his face is hard, his eyes cold. He doesnāt look away from Tony, and Tony feels too small in his seat to even look at Steve in the eyes.
He doesnāt ask questions, does not dare. Since the moment they met, Tiny knew their relationship was doomed. Heās a mess, heās complicated, he falls easily and drags the people he loves with him. Heās not surprised, no. He knew this was coming. Heās the futurist, isnāt he? He knew.
That doesnāt mean it present hurt.
With his heart breaking, and his hands shaking, Tony signs.
It was all a lie, the thought strikes through his mind like thunder. All those whispered love promises, the mornings shared together, the nights lying awake hold each other through endless nightmares. All a lie. It was all a lie. Itās always been like this, hasnāt it? Life has never been nice to him, and if it has, then it has taken everything away afterward. Whatās the point of living a life that gives and takes back, but leaves him empty and lonely all the same?
Tony stares at the blank walls of the room as if they hold the answers he needs, the echo of his heartbeat only sound in the room he can hear. He stares and stares, and does his best to ignore Steveās presence.
āAre you okay?ā Steve asks at some point, but it sounds empty, a platitude, and Tony wants to laugh.
He says nothing.
Tony doesnāt understand. They made love just the night before, their hands clasped together as their ragged breaths and moans mingled in the darkness of their room. The light of the arc reactor glinting off their wedding rings, lips pressed together, bodies joined. It was beautiful.
And now?
Now Tony stares at the wall, unable to look away, unable to turn around. Heās trapped, just waiting for oblivion to take him. He closes his eyes, and evens his breath. He can feel Steveās presence beside him still, but he ignores it.
He ignores Steve.
If Tony hadnāt, maybe he could have noticed the strange patterns in the wall, noticed the strange color in Steveās eyes, the strange color in his skin, the weird notes in his voice. But he doesnāt.
hiiiiiiiiiiiiiiiiii cutie hope you like the gifset š„°š„°š„°š„°thank you for the request and have a cute weekend and hugs to youĀ ššš https://balduur.tumblr.com/post/185129346491
send me a number and a fandom and iāll make a gifset/picspam
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Hey, you are great! My promt is stony angst with 20: ā Please donāt hurt me like this. ā
200 prompts | 20. āPlease donāt hurt me like this.ā | Steve/Tony | angst, no happy ending, character death, tw blood
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Tony is trembling in the middle of the battlefield, frozen in place, unable to move. The hard rocks in the pavement are digging into his knees where heās kneeling, holding Steveās head in his lap. Tony can feel his chest constricting, his eyes prickling with unshed tears. He wants to scream, but thereās a knot in his throat, stopping his ragged sobs from ever reaching the ears of his lover. But Tony can see. And he stares.
Steveās eyes are open, and still unbelievably blue. A blue as deep as the ocean, that never failed to drag Tony in and drown him in the love pooling in those eyes. But now that he looks at them, he feels like he canāt breathe. Like heās drowning in a terrible sorrow - the last emotion he got to see in those eyes.
Steve was alive when Tony reached him. Still breathing, hard and wet, blood pooling around him where the iron rods went through his body, through his abdomen and chest. Steve had looked at Tony as he got rid of the Iron Man suit when he walked closer - his eyes had shined with a terror Tony had never seen in them, a terror that transformed into sorrow when Steve saw Tonyās crumbling face.
Steve cried. He cried as Tony held him and pleaded to whoever or whatever is above, Please donāt hurt me like this.
And he blames It, whatever It is, because this is too soon. This is not fair. Steve and him had plans. They had bought a farm together, a home for when they would retire after getting married in six months. They had everything planned, their future together had never been so promising. And they finally felt like they deserved it, after avenging for so many years, their time was close.
But now? Now Tony is holding onto Steveās corpse, caressing his face, petting his hair, trying to comfort him even though Steve stopped breathing a while ago. Heās still there, unable to leave him alone this awful place until help arrives, too late.
would you be interested in making some kh icons perhaps (preferably riku)? i LOVE ur icons :D totally cool if not !
hiiiiiiiiiiiiii
made a riku one here
http://balduur.tumblr.com/luniicons
will make some other ones in the next few days. march is a busy months for me :(((((((((( because of work :((((( but Iāll try to make them asap! hugs!!!!!