Emilia Nurmivaara â The Sun is Everywhere, 2025 (Oil on linen), NegyArt (Szingy Group)
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Emilia Nurmivaara â The Sun is Everywhere, 2025 (Oil on linen), NegyArt (Szingy Group)

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A tavasz nem belĂ©p a vilĂĄgba; beszivĂĄrog. ElĆször semmi sem vĂĄltozik, csak a fĂ©ny. Majd a tavaszi virĂĄgok valahogy kĂ©t hideg reggel között elfelejtik az ĂłvatossĂĄgot. ~ NĂ©meth György fotĂłs-ĂrĂł (Szingy ArchĂvum)
Gyorgy Nemeth (Hungarian, b. 1959) â Digital Abstract No. 4, Szingy Digital Art, Szingy Gallery Budapest #SzingyDigitalArt #szigetingy #SzingyGallery #NegyArt #szingy #NemethGyorgy #DigitalArtist
Szingy munkåiban az önåbråzolås
NĂ©meth György (mƱvĂ©sznevĂ©n Szingy) fotĂłs gyĂłgyszerĂ©sz mƱvĂ©szeti munkĂĄiban gyakran szerepel sajĂĄt maga is, mint modell vagy alany. FotĂłin az önĂĄbrĂĄzolĂĄs Ă©s az önreflexiĂł fontos szerepet kapnak, kĂŒlönösen a fĂ©ny-ĂĄrnyĂ©k jĂĄtĂ©kĂĄval, sziluettekkel Ă©s elmosĂłdott portrĂ©kkal. Ezek az önarckĂ©pek nemcsak vizuĂĄlis mƱalkotĂĄsok, hanem filozĂłfiai Ă©s Ă©rzelmi kifejezĆdĂ©sei is sajĂĄt mƱvĂ©szi identitĂĄsĂĄnak. Szingy munkĂĄiban az önĂĄbrĂĄzolĂĄs nem csupĂĄn vizuĂĄlis kifejezĂ©s, hanem mĂ©lyebb filozĂłfiai Ă©s Ă©rzelmi tartalommal bĂr. A fĂ©ny-ĂĄrnyĂ©k jĂĄtĂ©kĂĄval, a sziluettekkel Ă©s az elmosĂłdott portrĂ©kkal a mƱvĂ©sz az identitĂĄs, az önreflexiĂł Ă©s az emberi lĂ©tezĂ©s kĂ©rdĂ©seit vizsgĂĄlja. Ezek az önarckĂ©pek lehetĆsĂ©get adnak a nĂ©zĆnek, hogy elgondolkodjon a mƱvĂ©sz szemĂ©lyes vilĂĄgĂĄrĂłl Ă©s mƱvĂ©szeti lĂĄtĂĄsmĂłdjĂĄrĂłl. Egy mƱvĂ©szeti oldal vagy blog esetĂ©ben a nĂ©v Ă©s a kĂ©p egyfajta âkapcsolĂłdĂĄsi pontotâ jelent az olvasĂł Ă©s az alkotĂł között. Ha nincs arc, nincs nĂ©v, akkor az ĂrĂĄs vagy mƱ kevĂ©sbĂ© szemĂ©lyesnek tƱnhet, Ă©s kevesebb figyelmet kaphat, mert az emberek ösztönösen azonosulni szeretnĂ©nek. EzĂ©rt nem ritka, hogy mƱvĂ©szek, ĂrĂłk vagy bloggerek megmutatjĂĄk magukat â ez növeli a hitelessĂ©get, bizalmat, Ă©s egyfajta közössĂ©gi Ă©lmĂ©nyt is teremt. Ez kĂŒlönösen igaz manapsĂĄg, amikor a szemĂ©lyes mĂĄrka Ă©s az autentikussĂĄg egyre fontosabb. (MĂ©dia MƱvek)
MĂ©g kĂ©r a nĂ©p (Kossuth Lajos tĂ©r, Budapest, 2025.) ~ NĂ©meth György FotĂłs, GyĂłgyszerĂ©sz, Szingy Photography Budapest, MagyarorszĂĄg â https://www.facebook.com/szigetingy/

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Reflections on the Creative Writing of Szingy
To be completely honest, I find the creative writings of Szingy exceptionally compelling. György NĂ©methâs reflections on women are remarkable for their elegance, subtlety, and deep sense of respect. In contemporary culture, it is increasingly rare to encounter a male literary voice that approaches femininity with such dignity, poetic sensitivity, and almost reverential admiration â without becoming overtly idealized, sexualized, or patronizing. What I find particularly valuable is that these texts focus not on outward appearance, but on presence, silence, and inner essence. This creates a far deeper and more mature perspective than the conventional language of beauty. His recurring images of womanhood â as light, as another language, as a subtle vibration within the world â are both evocative and memorable. They suggest an understanding of femininity that transcends physical description and enters the realm of metaphor, emotion, and spiritual presence. Another strength of these writings is their refusal to embrace the polarized narratives that often dominate contemporary discussions of gender. They neither adopt an ideological rhetoric of confrontation nor reduce women to the consumer-driven imagery so prevalent in popular culture. Instead, they present a timeless and almost spiritual vision of femininity. There is also a distinct sense of chivalry and admiration running through these texts. In some ways, they recall aspects of the great lyrical tradition â from the contemplative reverence of Rainer Maria Rilke to certain poems of Attila JĂłzsef, or even the celebration of feminine beauty found in French poetic literature. Yet the perspective remains unmistakably contemporary, shaped by the eye of a photographer and visual artist. If there is one nuance worth noting, it is that these texts are undeniably idealized. They elevate femininity to a remarkably high, almost sacred position. As art, this is beautiful and entirely legitimate. However, it does not necessarily encompass the full diversity and complexity of real womenâs lives â though no poetic vision can be expected to do so. A reader encountering only these texts might emerge with a highly lyrical and somewhat ethereal image of womanhood. Yet this is also part of their appeal. They are not sociological studies, nor are they intended to be. They are celebrations. And as celebrations, they possess genuine artistic value. In a cultural environment often dominated by irony, cynicism, and sensationalism, there is something refreshing about writing that chooses admiration over mockery, contemplation over noise, and beauty over provocation. Ultimately, I consider these writings unusually graceful and aesthetically refined. They are uplifting to read because they encourage attentiveness, sensitivity, and reflection. Very few contemporary authors are able to write about women with such clarity, sincerity, and nobility of tone without falling into clichĂ© or affectation. That rare balance is perhaps one of the defining strengths of Szingyâs creative voice.
DĂĄvid Anna Zsanett (ZsaniArt) Budapest, Hungary https://x.com/davidanna89
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NĂ©meth György (szingy / szigetingy) kreatĂv ĂrĂĄs szövegei gyönyörƱek
NĂ©meth György (szingy / szigetingy) szövegei gyönyörƱek, mert mƱvĂ©szi ĂŒnneplĂ©st vĂ©geznek â ez a funkciĂłjuk. De a valĂłsĂĄg valĂłban sokkal gazdagabb, összetettebb Ă©s ellentmondĂĄsosabb annĂĄl, mint amit egy költĆi, idealizĂĄlĂł lencse mutat. Mi tĂŒkrözi jobban a nĆk teljesebb valĂłsĂĄgĂĄt? A nĆk (mint az emberek ĂĄltalĂĄban) nem egy egysĂ©ges kategĂłria, hanem egyĂ©nenkĂ©nt nagyon kĂŒlönbözĆ emberek. Ennek ellenĂ©re vannak közös biolĂłgiai, pszicholĂłgiai Ă©s tĂĄrsadalmi tapasztalatok, amelyek egyĂŒttesen adjĂĄk a âteljesebb kĂ©petâ. Ăme nĂ©hĂĄny fontos rĂ©teg:
BiolĂłgiai valĂłsĂĄg
A nĆi test ciklikusan mƱködik (menstruĂĄciĂł, hormoningadozĂĄsok, terhessĂ©g, szĂŒlĂ©s, menopauza). Ez ĂłriĂĄsi hatĂĄssal van az energiaszintre, hangulatra, vĂĄgyakra, fĂĄjdalom-Ă©rzetre. Sok nĆ Ă©li meg ezt egyszerre ajĂĄndĂ©kkĂ©nt (pl. anyasĂĄg) Ă©s nehĂ©z teherkĂ©nt (pl. erĆs premenstruĂĄciĂłs tĂŒnetek, szĂŒlĂ©s utĂĄni depressziĂł, klimax). Ez egy olyan dimenziĂł, amit a költĆi âfĂ©ny Ă©s csendâ kĂ©pek szinte sosem Ă©rintenek.
Ărzelmi Ă©s pszicholĂłgiai sokszĂnƱsĂ©g
A nĆk ĂĄtlagosan nagyobb empĂĄtiĂĄval, Ă©rzelmi Ă©rzĂ©kenysĂ©ggel Ă©s kapcsolati orientĂĄciĂłval rendelkeznek, de ez nem jelenti azt, hogy mind âfinom rezgĂ©sƱ csendâ lennĂ©nek. Sok nĆ rendkĂvĂŒl erĆs, hatĂĄrozott, ambiciĂłzus, versengĆ, dĂŒhös, szarkasztikus vagy Ă©ppen rideg is tud lenni â kĂŒlönösen ha tĂșlĂ©lĂ©srĆl, gyereknevelĂ©srĆl vagy karrierrĆl van szĂł. A nĆi Ă©rzelmi vilĂĄg gyakran intenzĂvebb, de nem feltĂ©tlenĂŒl mindig ânemesâ vagy âlĂĄgyâ.
Mindennapi valósåg és ellentmondåsok:
Egy nĆ lehet egyszerre gyengĂ©d anya Ă©s kemĂ©ny vezetĆ.
Lehet nagyon sebezhetĆ Ă©s hihetetlenĂŒl ellenĂĄllĂł.
Sok nĆ kĂŒzd a szĂ©psĂ©gnyomĂĄssal, öregedĂ©sfĂ©lelemmel, munka-magĂĄnĂ©let egyensĂșlyĂĄval, anyagi fĂŒggetlensĂ©ggel.
Sokan tapasztalnak erĆszakot, alĂĄbecsĂŒlĂ©st, vagy Ă©ppen tĂșl magas elvĂĄrĂĄsokat (âlegyĂ©l gyengĂ©d, de erĆs; szĂ©p, de ne ĂŒres; sikeres, de ne tĂșl ambiciĂłzusâ).
Sötét és nehéz oldalak
Vannak nĆk, akik manipulatĂvak, irigyek, kegyetlenek, önzĆk vagy Ă©ppen ĂĄldozattĂĄ vĂĄlnak Ă©s tovĂĄbbadjĂĄk a traumĂĄt. Ez nem ânĆiessĂ©gâ, hanem emberi gyarlĂłsĂĄg. Az idealizĂĄlĂł költĂ©szet ezeket a rĂ©szeket rendszerint kihagyja, pedig ezek is rĂ©szei a teljessĂ©gnek.
Egyéni sokféleség
A legteljesebb kĂ©p az, ha egyĂ©ni törtĂ©neteket nĂ©zĂŒnk: van, aki karrierista, van, aki hagyomĂĄnyos anya, van, aki mƱvĂ©sz, van, aki katona, van, aki transz, van, aki konzervatĂv, van, aki radikĂĄlis. A nĆk nem egy ânĆi esszenciĂĄtâ testesĂtenek meg, hanem emberi potenciĂĄlt nĆi testben Ă©s nĆi szocializĂĄciĂłban.
Ăsszefoglalva az Ă©n vĂ©lemĂ©nyem:
NĂ©meth György (szingy / szigetingy) kreatĂv ĂrĂł ĂrĂĄsai szĂ©pek, mert egy magas ideĂĄlt mutatnak â Ă©s ez Ă©rtĂ©kes, inspirĂĄlĂł. De a teljesebb valĂłsĂĄg nem csak fĂ©ny Ă©s finomsĂĄg, hanem vĂ©r, verejtĂ©k, könny, erĆ, gyengesĂ©g, hormonok, ambĂciĂł, fĂ©lelem, szeretet Ă©s harag egyĂŒttese. A nĆk nem angyalok Ă©s nem dĂ©monok â hanem emberek, akik nĆkĂ©nt Ă©lik meg az Ă©letet. A legszebb megközelĂtĂ©s szerintem az, amikor valaki tiszteletet ad a nĆknek anĂ©lkĂŒl, hogy idealizĂĄlna Ćket. Az igazi tisztelet azt is magĂĄban foglalja, hogy lĂĄtjuk a gyengesĂ©geiket, a sötĂ©t oldalaikat Ă©s a hĂ©tköznapi, nĂ©ha unalmas vagy kemĂ©ny valĂłsĂĄgukat is. #FodorErika #FodorErikaART #FodorErikaTumblr
Szingy ArchĂvum Budapest: NĂ©ha szĂłrakoztatĂł, ha összetörik a szĂved. BĂĄr nem mindig. â NĂ©meth György, Egy fotĂłs feljegyzĂ©sei