Jun 5
Art-trade with @dettan-arts, featuring their OC Syrinx (in an outfit of my making!) [Patreon][Linktree]
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Art-trade with @dettan-arts, featuring their OC Syrinx (in an outfit of my making!) [Patreon][Linktree]
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
no medical pictures either im not posting those, but instead for those curious i've drawn a doodle of the alien that's in my back 24/7 and why i've been more discouraged as of late when it comes to drawing
"PROXY PROM QUEENS".α.α
Ft: Regina & Mari
Since it's prom today at my highschool for us graduates and I don't get to go, I wanted to doodle at least MARI going.. plus an excuse to draw Regina, of course..
Bonus;
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Arthur Hacker RA (English, 1858-1919) Syrinx, 1892 Manchester Art Gallery
Syrinx, Ryan Larkin, 1965
Pan and Syrinx
Artist: Louis Dorigny (French, 1654-1742)
Date: Unknown
Medium: Oil on canvas
Collection: Private collection
Description
The work before us is a depiction of a mythological episode, the story of Pan and Syrinx, as told by Ovid (Metamorphoses, I: 691). The Latin poet situates the story in Arcadia, where the satyr-god sets out to pursue the nymph Syrinx, who is accustomed to "elude the satyrs chasing her, and the other sylvan deities". She flees from Pan "who thought he had her in his grasp", and as she finally reaches the river Ladon, "she begged her sisters of the water to transform her", as announced by the reeds in the foreground, symbolizing her fate and her ultimate appearance. The dynamic gesture of Pan, seizing Syrinx with one hand and parting the reeds with the other, and the close-up, di sotto in su viewing point, emphatically set the picture within a spectacular Baroque aesthetic that is typical of the artist's style. The contrast between the milky flesh of Syrinx and the tanned tonality of the satyr, whose body melds into the background from which he emerges, lends a marvellous rhythm to this pair of figures.