#susanmeiselas

Siempre hay una demente que no conoce la vergüenza | #susanmeiselas #photography #magnum #blackandwhite #morning #otrasdemencias

Nothing like waking up to the @nytimes Book Review Holiday Books issue and seeing SIX of our books made the list! Congrats to the publishers, artists, editors and curators who were chosen!⁠ ⁠ BEST PHOTOGRAPHY BOOKS, selected by @luxante⁠ ⁠ 1. 'Susan Meiselas: Carnival Strippers – Revisited' from @steidlverla & @coberlin⁠ Text by Felix Hoffmann and Abigail Solomon-Godeau⁠ ⁠ 2. 'Carrie Mae Weems: A Great Turn in the Possible' from D.A.P. & @mapfrefcultura⁠ Preface by Iris Dressler, Elvira Dyangani Ose. Text by LaCharles Ward, Fred Moten. Chronology and glossary by Raul Muñoz.⁠ ⁠ 3. 'Anastasia Samoylova & Walker Evans: Floridas' from @steidlverlag ⁠ Edited with text by David Campany. Text by Lauren Groff.⁠ ⁠ 4. 'Graciela Iturbide: Heliotropo 37' from @fondationcartier ⁠ ⁠ 5. 'Real Photo Postcards: Pictures from a Changing Nation' from @mfapublications @mfaboston⁠ By Lynda Klich and Benjamin Weiss. Contributions by Eric Moskowitz, Jeff L. Rosenheim, Annie Rudd, Christopher B. Steiner, Anna Tome.⁠ ⁠ BEST TRAVEL / CONTINENTAL, selected by @caleb_anelson⁠ 'Marilyn Nance: Last Day in Lagos' from @cara_the_org & @fourthwall_books⁠ Edited by Oluremi C. Onabanjo. Foreword by Julie Mehretu. Text by Antawan I. Byrd, Uchenna Ikonne, Tsitsi Ella Jaji. Afterword by Marilyn Nance. Bibliography by Zakiya Collier, Chisom Ilogu.⁠ ⁠ Read individual reviews via linkinbio⁠ ⁠ #nytimesgiftbook #nytimesbestphotobook #nytimesbesttravelbook⁠ @susanmeiselas #susanmeiselas #susanmeiselascarnivalstrippers #carnivalstrippers @higherpicturesgeneration @carriemaeweems #carriemaeweems #carriemaeweemsgreatturninthepossible #greatturninthepossible @dressleriris @edyanganiose @lacharles88 @jackshainman @galerie_barbara_thumm @fraenkelgallery ⁠#anasamoylova #anasamoylovafloridas @anasamoylova @davidcampany @legroff @gracielaiturbide #gracielaiturbide #heliotropo #gracielaiturbideheliotropo @edgie_agrees @pablolopezluz #iturbide #heliotropo37 ⁠ @metlalresearchcenter #realphotopostcards⁠ @lcklich @bweiss1967 @marilyn.nance #marilynnancephotoarchive #marilynnance #lastdayinlagos #festac77 @festac77archive @oluremi.onabanjo ⁠ ⁠ https://www.instagram.com/p/CltZB4RO3Ac/?igshid=NGJjMDIxMWI=

“I was riding a bicycle through my neighborhood in Little Italy nearly thirty-five years ago. Suddenly, a blast of light flashed into my eyes. Its source was a group of kids standing with a mirror, focusing the sun on my face, nearly blinding me. That was the day I met the Prince Street Girls, the name I gave the group that hung out on the nearby corner almost every day. I was the stranger who didn’t belong. Little Italy was mostly for Italians then.” Susan Meiselas —— This summer I discovered her photography in CO Berlin while delivering a package to museum and only today read the full story behind “Prince street girls” 🖤 #sundayart #magnumphotos #susanmeiselas #princestreetgirls https://www.instagram.com/p/ClLiFdoMLjM/?igshid=NGJjMDIxMWI=

Forthcoming in May from @steidlverla & @coberlin 'Susan Meiselas: Carnival Strippers – Revisited' is reviewed @bjp1854⁠ ⁠ @hannahabelhirsch writes: @susanmeiselas began working on her series 'Carnival Strippers' five decades ago, soon after turning 24. The year was 1972, and the photographer met a dark-haired stripper in the bathroom of a country fair. It was an encounter that “led to a journey of many returns,” as Meiselas describes it, and arguably one of the most significant photographic projects of the second half of the 20th century, which helped earn Meiselas membership to @magnumphotos⁠ ⁠ The making of 'Carnival Strippers' spanned four years and 15 different locations across America’s rural east coast as Meiselas followed the carnivals from town to town, documenting the lives of the dancers on stage and off. In 1976, the photographer collated the work into the historical photobook 'Carnival Strippers,' re-released in 2003.⁠ ⁠ 'Carnival Strippers Revisited' marks the third edition of the book. It comprises two separate publications: a revised version of Carnival Strippers complete with previously unpublished photographs, and a companion volume, 'Making Of,' which provides an insight into the work’s creation. “For decades, no one has looked at the box from which this collection of archival materials came,” writes Meiselas in one of the texts. “Viewing it now, I can remember the endless hours leading from months into a year, transcribing words by hand, excerpting quotes from many conversations onto file cards, then sitting on the floor and weaving those cards between images to create a narrative context.”⁠ ⁠ 'Making Of' provides an unprecedented insight into this process, comprising work prints, proofs with printer annotations, contact sheets, pages from Meiselas’ handwritten field notebook, selected correspondence with the project’s subjects, quotes from initial historical research, and typed transcriptions of extensive audio recordings.…"⁠ ⁠ Read the full review via linkinbio.⁠ ⁠ #susanmeiselas #susanmeiselascarnivalstrippers #carnivalstrippers #photobook https://www.instagram.com/p/CdBCYGtOJX3/?igshid=NGJjMDIxMWI=

Listen up!! #Repost @nearesttruth Ep. 277- Feeling incredibly lucky to speak with legend @susanmeiselas and @coberlin Chief Curator @felix_hoffmann_berlin about the new publication of Carnival Strippers that the two organized after revisiting Susan's archive. The double volume set published by @steidlverlag included a volume entitled The Making Of which gathers amazing archival material AND photographs in COLOR which gives new insight into the original work. It is a short but packed episode! Special thanks to Felix and @monikacondrea for helping to organize. #carnivalstrippers #susanmeiselas #felixhoffmann #bradfeuerhelm #nearesttruthpodcast #nearesttruth #steidl #magnumphotos #americanphotographer #americanphotography #photobook #artpodcast #photographypodcast https://www.instagram.com/p/CbsOOP5uGZ9/?utm_medium=tumblr

“The complexity of what was happening between men and women, the managers, the girls, the boyfriends, and the wives… there was a lot to make sense of…” ⁠ —Susan Meiselas⁠ ⁠ See photos and read about 'Susan Meiselas: Carnival Strippers – Revisited' — forthcoming from @steidlverlag — at @dazed via linkinbio.⁠ ⁠ Review by @ohnoitsemilyd⁠ ⁠ #susanmeiselas #susanmeiselascarnivalstrippers #carnivalstrippers @susanmeiselas #photobook @higherpicturesgeneration https://www.instagram.com/p/Cbf2a5WJIAn/?utm_medium=tumblr

Susan Meiselas (American, born 1948) Self-Portrait, 1971 #susanmeiselas #selfportrait #selfportraitphotography #selfportraiture #portraiture #blackandwhitephotography #blackandwhitephoto #noiretblancphotographie #photography #photo #blackandwhitephotographylovers #blackandwhitepicture #noiretblancphotography #portrait #portraitmood #portraitphotography #strange #weird #body #chair #ghost #transparent #interior https://www.instagram.com/p/CYpFoxnLTsI/?utm_medium=tumblr

https://www.harvardartmuseums.org/collections/object/332453