Otherworldly figures by the sea
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Otherworldly figures by the sea
Modified A.I. imagery 2025

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Where they go
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XENOMORPH ALIEN MARBLE 2 by Otto Rapp Via Flickr: Variation of a text-prompt generation in AI NIGHT CAFE stable diffusion. The text contained the words XENOMORPH, MARBLE, MICHELANGELO and WHITE. Prints available at my Pixels Shop: otto-rapp.pixels.com/featured/xenomorph-alien-marble-2-ot... PROMPT: white marble bust of a xenomorph alien, white marble sculpture carved by michelangelo, 80mm photograph in studio lighting

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Top of the Lake (TV series- BBC 2)
I watched the first episode of âTop of the Lakeâ with a sense of deja vu. It was first noticeable when the opening credits showed a waterfall between two mountains; then even more when the plot involving a missing girl (Tui) was revealed; but what confirmed my suspicions was the end credits playing over a photograph of Tui. It rang bells that reminded me instantly of another missing girl- Laura Palmer.
As I began the second episode (they were all on iplayer at the same time, so I could binge on them properly) it only became increasingly evident that the director, Jane Campion, was most definitely a fan of âTwin Peaksâ.
For those who havenât seen âTwin Peaksâ it is a cult classic detective series, created by David Lynch. It is the single most bizarre, but creative thing I have ever watched. Like âTop of the Lakeâ it is slow to get into (and there is WAY too much crying in the first episode) but donât let that put you off. In fact WATCH IT. Watch it now. Watch it even before you watch âTop of the Lakeâ (which was pretty brilliant too).
Maybe Iâm just a little odd, and so I look for similar mentalities in TVprograms; but it seems to me that there is a stifling focus on realism in modern TV drama. If it isnât especially likely that it could be happening in your own little world, then people (or at least TV companies) loose interest quickly. This is especially true in crime dramas and thrillers. It is at least partly understandable as they depend on the audienceâs fear factor, which wouldnât be anywhere near as high if they didnât have the insight that whatever is happening on screen could happen to themselves, or to someone they love. Yet I canât be the only one yearning for something different, something creative, something unlikely.
Usually I either have to delve into the past to find things like âTwin Peaksâ or âMonty Pythonâ; or into confusing Korean films to find something truly strange. At the moment I will only concede to two exceptions to this rule on British Television. One is âThe Mighty Booshâ, the other is âTop of the Lakeâ.
âTop of the Lakeâ on DVD: http://www.amazon.co.uk/Top-Lake-DVD-Cohen-Holloway/dp/B00B4F8K20/ref=sr_1_1?ie=UTF8&qid=1377021628&sr=8-1&keywords=top+of+the+lake
âTwin Peaksâ on DVD: http://www.amazon.co.uk/Twin-Peaks-Definitive-Edition-Version/dp/B0030IM458/ref=sr_1_1?ie=UTF8&qid=1377021663&sr=8-1&keywords=twin+peaks
I blog arts journalism at: http://imaseriousjournalistyouknow.wordpress.com