"S'gonna hurt," says the clockmaker around the tool in her mouth, and before Sable can ask any follow-up questions or even really brace itself, she prises.
It does hurt. It hurts really, really bad. Sable tries to pull away but the clockmaker has it by the wrist and she’s stronger than it and the pain sharpens and sharpens and turns inside-out and then suddenly goes, leaving in its wake a tender achey empty feeling.
A sob lurches in Sable's throat. "Ow," it says.
"Mm." The clockmaker clicks her tongue in sympathy and pats it on the shoulder, which makes it wobble a little in its chair. "Don't you worry, you're doing alright. A lot of dolls cry at that part." She takes its pointer finger between two of her own, gentle now, and curls it inwards like she's checking the joints for stick. "Sable, wasn't it?"
Sable's gaze lands on its arm, lying on the clockmaker's lap, turned belly-over at the elbow and opened right up and all the little piano strings inside glistening in the light and, oh, moving, and skitters off like touching a stove.
"Yes, Miss," it manages, making sure it only looks at her face, forward and not down. "Sable."
"Thought so." The clockmaker smiles at it over the... over the, um, open place. She’s reached its ring finger now. The corresponding doll-string slides in its housing. "Pretty name for a pretty doll.”
“... D-do you say that to every doll you work on, Miss?” Sable knows it shouldn’t tease, especially not now of all times, but the clockmaker is nice and only sort-of a person, so maybe it’s okay.
A raspy, clicking laugh. It is okay. “Just the nervous ones.”