Jun 15, 2015
I wrote about how writing in a digital space is a performance for the Walker Art Center’s #Superscript15 Conference.
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I wrote about how writing in a digital space is a performance for the Walker Art Center’s #Superscript15 Conference.
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We wrote a piece on what is lost when Black art critics are invisible for #Superscript15:
“We want to spark a conversation around the implications of the dearth of published critical interpretations of art from diverse perspectives. What is lost when Black art critics are invisible? We aim to cull together a collective of Black writers who are interested in interrogating the aforementioned spaces. Such a collective has been difficult to find en masse, but we are slowly growing a community (a much discussed #Superscript15 concept but not one we are willing to give up). We look forward to continuing the search and encouraging critical minds of color to be bold in interrogating arts and cultural normatives.”
HALIFAX, Nova Scotia — After a total mindfuck of a weekend at Superscript — of having the invaluable opportunity to participate in the first-ever Hyperallergic mentorship program, of racing to report on the weekend’s discussions, of cascading engagement with critics and editors both virtually and IRL, of being the furthest west I’d ever been — perhaps it is fitting that I began writing this attempt at a postscript in a note on my iPhone in airport terminals both with and sans-wifi, while hovering over grids of gradated green, ascending through strata of cumuli and back.
The Anxiety of Being a Critic on the Internet
Visibility in a surveillance state is not power.
Ayesha Siddiqi ( pushinghoopswithsticks ) #Superscript15
some necessary pushback against the spectacle of representation.
Lunch at the Dog House #hotdog #Goldfish #Superscript15
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Notes on Blue presents cleverly woven themes and cultural references in response to Jarman's Blue. #MoyraDavey #Superscript15