#superhorror

So I'm seeing a LOT of support toward Måneskin from people pretty much all around the globe by now and that made me so damn happy that I decided to make a post about some Italian bands from the alt-rock/metal scene I know/listen to that I think you (hopefully!!) would love as well <3

Måneskin

What's more to say about Måneskin? I've known them for ten seconds and they're already consuming my life. Peak bisexual energy. The lyrics are what I wish I could write; Damiano's voice is what I wish I sounded like; their instrumentals is what I wish my life was like; their aesthetic is how I wish I could dress like. God speed beautiful you bastards, can't wait to see you at the top of the world

IN NOME DEL PADRE ("In the name of the Father") is angry, sleazy and sinful, just like Damiano comparing himself to Jesus Christ in the lyrics for all the times he "died" (ergo the failed attempts to break through as a musician or, more generally, all the hardship he went through his life) but every time it was worth it (Son morto più di cento volte, mai morto invano trad. "I died more than one hundred times, but never in vain").

He states that he won't forget the past and all the people who doubted him, looked at him as if he was insane or didn't take him or his passion seriously because of his young age, that he'll never stop aiming for the sky (Toccare il cielo e tornare a mangiare asfalto trad. "To touch the sky and come back face down in the dirt"), that the stage isn't enough for him and he hungers for more (Ehi, fate spazio, fatene tanto /Che adesso non mi basta il mondo, non mi basta il palco trad. Hey, get out of my way/ Because the stage is not enough, the world is not enough for me). I get Mötley Crüe's Too Fast For Love era and Appetite for Destruction vibes from this, anyone else?

Go check out "Coraline" (heartbreaking ballad about a girl who grew up with huge insecurities in an unfriendly environment and great sensitivity to whom the singer offers a possibility to open up to him, pure poetry) and "Vent'anni" ("Twenty years", it's along the lines of In nome del Padre, talks about the youth who isn't taken seriously by others when they talk about their dreams, especially if that dream is to become a musician/artist, 10/10 very angry) if you haven't already! They're two of my favorite songs by them who am I kidding the whole fucking album is my favorite song by them

Afterhours

they're the spiritual fathers to Måneskin in a way (Afterhours' singer, Manuel Agnelli, was their coach when the band entered X-Factor's latest edition) and a pillar of Italy's indie scene. The singer looks a worryingly lot like Severus Snape but that adds to his decadent hero's charm

cryptic lyrics, haunting bassline, tormented voice: Male di Miele literally means "pain of honey" or "honeyache" (a juxtaposition that i find brilliant) and has been defined as "the italian Smells Like Teen Spirit" which I think is incredibly accurate

check out "Dentro Marilyn" ("Inside Marilyn") from their first album too to appreciate Manuel's vocal abilities at their fullest!

Superhorror

Previously named "Superhorrorfuck", they're the epitome of what I want the "Glam/Shock rock revival" to be like. Exhaggerated, flashy, just too much and unique in the modern scene, they resurrected what KISS, Mötley Crüe, Rob Zombie and Alice Cooper started back in the 70s and 80s: it doesn't take too long to realize where they took inspiration for their iconic makeup from! Edward's maniacal voice sounds like nails on a chalkboard (but, like, in a good way) accompained with loud, raw and hysterical guitars that make you feel like you snorted ten lines of coke. If Ed's appearance reminded you of a blond Marilyn Manson I'm pretty sure it was his intention.

Here's something from their latest album, came out in 2020, "Italians Die Better":

also little side note: THESE DUDES LITERALLY COME FROM MY OWN TOWN LMAO??? DO I NEED TO SAY MORE LIKE, I THINK THE GUITARIST WENT AT MY SAME HIGHSCHOOL AND I DIDN'T EVEN KNOW THAT IT'S SO FUCKING COOL

Subsonica

Coming straight from the 90s, another important band in the alternative/electronic italian scene. They all look like they could be my uncles, I trust them

Here's probably their most famous and recognizable song from 1999, "Tutti i miei sbagli" (All my mistakes):

Verdena

another military stone in the alternative/psychedelic rock/grunge scene in Italy, for fine connoisseurs only. if i had to choose only a word to describe them, i'd say "visionaries": every album of theirs is a trip to unexplored, indefinite territories that take you to an undescribable dimension (pretty sure their music is the closest to what overdosing on xanax feels like) and their lyrics don't necessarily make sense. either that or Alberto (the dude on the left in the pic who looks both like Charles Manson and your 14yo cousin who thinks he's a man bc he smokes and has one chesthair) is an alien sent from space and is speaking the language of the gods, but we don't have the means to understand what he's trying to communicate. either way, shit slaps, dude pls make another album

Their first single from 1999, Valvonauta ("Valvenaut"???? A valve astronaut??? I think???? idk man) (don't worry about trying to understand the meaning, more than 20 years have gone by since it came out and nobody has got it yet):

Tre allegri ragazzi morti

literally "Three Happy Dead Lads". Idk man they put me in a good mood while at the same time giving me nostalgia of memories I never had and times I never lived. Great listen if you want to have an existential crisis

if "Male di Miele" is the italian Smells Like Teen Spirit, I consider "Il Mondo Prima" (The World Before) to be the corrispondent to In Bloom: sounds like a very happy-go-lucky song but has a very dark and melancholic meaning behind the lyrics:

The Bastard Sons of Dioniso

Coming from Trentino Alto Adige, the Bastard Sons of Dionysus classified second place at the second edition of italian X-Factor. Their style is very... Theatrical? It's very unique. It's like if a group of renaissance minstrels who used to entertain the Gonzagas took a ride on the time machine (probably invented by Da Vinci, wouldn't be surprised if he thought about it back then or actually made some prototypes even) and got teleported in the future, where they discovered modern instruments but still talked about court life in their lyrics using the dialect of their own time. Oh and also they could kill you, don't test them. Basically Ezio Auditore's favourite band

Yes, L'amor Carnale ("Fleshly love") is about sex, but considered what I told you about them before, you can guess they put it more... Elegantly than say, Mötley Crüe and sleaze rock bands from the 80s 😂😂😂

Umberto Emo

*inhales deeply* now, how can I describe how much I love these boys. They're the equivalent of both having a nervous breakdown and shitposting on main at the same time. Their sound say Bring Me the Horizon but their lyrics say Children of Bodom. You laugh the whole time hearing the singer talking bullshit, but then he'd just scream something that hits you so hard you need to sit down and think about life, as if you were at a party and you were having the time of your life and idk getting drunk tits and dick out and getting head by that hot guy you always had a crush on, and all of a sudden the alarm goes off and you snap out of it realizing that oh you were just dreaming and you remember that you actually don't have any friends and the dude you thirst for has a girlfriend already. These rats from Verona's sewers are one of the few reasons that make me feel proud of where I come from. The only people who know about them are me, my best friend who introduced them to me, and probably their aunts and I wish they were known by SO MANY MORE people and that they had the success they deserved before they split up after such a short timespan of activity. Gone, but never forgotten 😔✊

"Dr. Bepis and Mr. Aids" is a very, very long piece (lasts about 9 minutes) but it is, in my opinion, the one that represents what Umberto Emo is all about the most. it's more of a rage filled medley, where they put all their drabbles and a lot of throwbacks to their other songs together. some of my favorite verses (that can be translated) include:

Datemi un sogno, un sogno banale/ tagliamoci un dito e facciamoci male (trad. "Give me a dream, a mundane dream / let's cut our fingers and let's hurt ourselves"),

Questa è la storia del cavallo omofobo, trottava al galoppo con in culo un microfono / Questa è la storia di Frate Agostino, girava nei bagni e ti offriva un pompino (trad. "This is the story of the horse that was a homophobe, he'd trot and gallop with in the ass a microphone / This is the story of Brother Augustine, he'd skulk in bathrooms and offer you a blowjob"),

Scusatemi per tutto questo, scusatemi ma non ci riesco / E in fin dei conti è colpa mia, in fin dei conti è colpa tua, in fin dei conti non importa / E domani siamo sabbia. (trad. "Forgive me for all of this, forgive me but I can't help it / And in the end it's my fault, in the end it's your fault, in the end it doesn't matter / And tomorrow we'll be sand."),

Io ho mangiato sassi per anni, senza sapere che gusto avessero/ Masticavo i miei stessi denti, privandomi del desiderio / Travolto dai ricordi, come sabbia in questo tempo (trad. "I have been eating rocks for years, without knowing their taste / I've been chewing my own teeth, depriving myself from the desire / Overwhelmed by memories, like sand of this time")

or the self depreciating, passive aggressive Sono ancora triste, quindi uso parole difficili tipo sesquipedale /Che schifo la punteggiatura (trad. I'm still sad, so I use complicated words, like sesquipedal / punctuation sucks)

and the timeless chorus Mario Giordano sei un rettiliano (trad. "Mario Giordano you're a reptilian" I don't know honestly what statement they wanted to make with this other than it rhymes lmao)

which as you can see, range from being completely demented to blasphemous to become a punch in the gut to complete and utter nonsense (and it's only one song!), but the majority of their verses could be simply translated as [angry italian unintelligible screaming] (which, honestly, is a mood anyway). I urge everyone who sees this to go listen to them (especially my italian mutuals) even if you can't understand shit of what they're talking about. I'm sure their music will transcend language barriers

Btw sorry not sorry for the wall of text, they just mean so much to me and I could write a 56 pages long essay about them and their lyrics 😭😭😭 other songs I recommend are Il fumo uccide ma è parte del piano ("Smoking kills but it's part of the plan", opening with "It's raining shit"), Barbara D'Urto (a play on words on an italian talk show host's name Barbara D'Urso,"urto" means bump, clash, collision, but it's also a way to describe someone who rubs you the wrong way), Qvando Cera Lvi (don't worry, the title is nothing but a mockery of the fascist slogan and the lyrics is the epitome of the demented) and idk, everything else they have really, which can all be found on YouTube

Punkreas

i included them almost exclusively because i love the pun they made with their name. as every good punk band out there, they remind you how much society sucks and that you should go against its rules no matter what while making you bang your head to their tunes

"Total disgust" is not only a mood and a critique to politicians and society's consumerism's ways in general, but also a punk rock banger from 1992:

Furor Gallico

Probably the only people from Milan I wouldn't hate on sight, "Gaelic Fury" is a folk metal band who I can't say for sure they have true Gaelic origins, but they sure wish they were born in that time (and if you didn't know, believe me when I tell you this particular metal subgenre is very big in Italy, especially in the northern regions). Their music will take you to distant places forgotten by man, and Davide is the creature of the enchanted forest who'll whisper his land's secrets to you through his lyrics

Diluvio ("Flood") is an inspired and evoking ballad about a man who loves rain and thunderstorms (can relate) in all its forms and at the same time an ode to the marvel of Nature when it unleashes its fury (I could write another whole essay about this song but I'm gonna restrain myself)

Other bands worth checking out bc tumblr doesn't let me add more than ten pics and ten audios in one post: Negrita (I define them the Italian Red Hot Chili Peppers, very chill they put you in a good mood), Litfiba (hard rock for dads), Linea 77 (another important punk rock band from the 90s), Caparezza (a peculiar man, it's hard to describe him lmao but he's a great songwriter and always tries to evolve his style), Rhapsody of Fire (inventors of Epic Power Metal. It's like Power Metal but with more dragons and Christopher Lee)

To anyone who joined me in this journey and stuck around till the end and checked out all the artists:

✨💕Thank you💕✨

I could kiss you rn I'd love to know which one was your favorite and talk about them!!

To anyone who read about only some of them and didn't listen to any or just some of the songs:

💖Thank you💖

I really hope you liked those you checked out!! Tell me what you think and don't be afraid to ask me about the lyrics or something!!

To anyone who couldn't handle the whole 34-pages-long essay and just scrolled past this post/couldn't be bothered to read my ramblings and just went for the songs:

💫💞Thank you💞💫

even only for your patience alone, sorry for clogging your dash with my bullshit lmao (not only with this post, just in general) and I hope you have a great day!!

Probably just what I was doing before. This was a project I started for me, I saw some dinosaur news and that got me thinking about my childhood as a huge dinosaur fan.

And I was a huge dinosaur fan because of Land Before Time as a kid and Jurassic Park as a teen, so I wanted to do something with one of those two franchises. But everyone constantly talks about Jurassic Park, and it's still getting new franchise installments (and I have no interest in any of the Jurassic World movies), while Land Before Time kinda died and no-one really talks about it anymore, outside of the first movie being in Don Bluth's resume.

And the idea to do liveblogs for it actually came from @tobiasdrake's liveblog of Dragon Ball back when we were regulars in the TV Tropes forums. I remembered how much I enjoyed reading those, especially the movie reviews. This wasn't even my first time trying to copy him there, I started a similar liveblog of One Piece years ago, but abandoned it after just a couple episodes, because 1000+ episodes is a LOT to commit to.

But I figured 14 movies is a lot less of a commitment, and I was also genuinely curious to see how they'd aged and the ones I hadn't seen before. So I decided to give it a shot.

I'm probably not going to start another liveblog again after Land Before Time. If I did, it would be... Yu Yu Hakusho. Don't hold me to that, that's a "maybe, leaning no", but that was the other series I was considering doing instead of One Piece when I tried it out. That was more because I wanted to do a breakdown of the differences between mediums and translations like Tobias was, and both of those series have pretty major differences.

If not Yu Yu Hakusho, it would probably be another anime/manga I'm not as familiar with. I did short reviews watching Akame Ga Kill not too long ago. I recently got the whole series of Code Geass from the library, I might do something for that.

But I'm probably not doing another liveblog. Remember, I was only intending to cover the movies, so I was thinking I'd finish in less than a year. If I hadn't been convinced to give the tv show a chance, I'd be done by now. This project was intended to be smaller than it has now turned into. But I'm not complaining. I've enjoyed covering the tv show so far, even the bad episodes, and I'm gonna follow-through on doing all of them. I've already started on episode 6.

But mainly I want to focus more on my own personal projects, trying to make them actually come to fruition and be, like, products that I can sell and make money from and make a career out of. The two projects that I have the most work done on (and are practical to actually make) are Bug Battle (an arthropod 2D fighting game) and SuperHorror (a 1st-person survival-horror puzzle mystery game set in a comic book-style superhero universe).

New Post has been published on https://www.tempi-dispari.it/2023/04/24/superhorror-la-liberta-urla-a-squarciagola/

Superhorror, la libertà urla a squarciagola

Non delude, anzi, il nuovo Superhorror. I nostri sono riusciti a tenere fede alle premesse dei singoli. Anzi. Sono andati ben oltre. Se ci aspettava un lavoro monolitico, tirato dall’inizio alla fine, si potrebbe rimanere spiazzati. Attenzione ai termini. Spiazzati, non, delusi. Impossibile rimanere delusi da questo disco. Il fatto che non sia monodirezionale è solo un bene. Afferma il carattere dei Superhorror come band completa e non solo come gruppo adrenalinico. Il problema dell’adrenalina è che crea assuefazione appiattendo le risposte. Con Devilish Whisper non accade.

Intendiamo, il disco corre a rotta di collo, senza freni un più di un’occasione. È la padronanza del mezzo a fare la differenza. I nostri non perdono mai il controllo. Anche alle velocità più folli la guida è ben sicura, mai tentennante. Mancanza che potrebbe far andare fuori strada. Invece, grazie ad un perfetto dosaggio di lento veloce, la macchina dei Superhorror resta sempre saldamente in pista. E corre talmente veloce da riuscire a raggiungere la vetta del gruppo dei migliori. Come espresso in occasione del singolo Devil’s love you, il solo modo per descrivere, almeno in parte, il loro suono, è fare riferimento a chi lo ha inventato.

E stiamo parlando di Crazy Lixx, Crash diet e compagnie discorrendo. Per far andare il mezzo esattamente dove si vuole è necessaria una grande tecnica. E non solo in termini strumentali. “Dettaglio” che ai nostri non fa difetto. Vuoi la complicità dei suoni, compressi al limite del thrash, ma i brani sono tutti costruiti in maniera magistrale. Molto bello Holy Water che verso i ¾ ha un cambio inaspettato e quantomai azzeccato. Superhorrorshow riporta subito su coordinate più consone. Chitarre pesantissime con riffing hard rock super taglienti. Lodevoli, in questo frangente come in altri parti del disco, l’utilizzo dei cori.

Adeguato e ottimamente dosato il solo di chitarra. Non una sciorinata di note, ma abbastanza incisivo da coinvolgere fino all’ultima nota. Il basso e la batteria sono i protagonisti della successiva Z World. Pur se affiancati, dopo un introduzione solitaria, dalle chitarre, sono loro a tenere in piedi la canzone. Notevole il break poco dopo la metà. In questo passaggio la batteria dà una ottima padronanza di sé. Non è un a solo, tuttavia in sede live ne potrebbe diventare l’introduzione. Devilish Theme è una strumentale in mid tempo incalzante, dissonante, solo baso e chitarra.

Potrebbe ricordare o essere utilizzata come base per un film di Tarantino. In un momento di particolare tensione. Dead girls are good fa ripartire la locomotiva Superhorror. Ritmi sostenuti, interventi di chitarra al fulmicotone. Non mancano i cambi di passo che rendono l’andamento molto più interessante. Molto ben architettato il finale rallentato. Della successiva Satan love you abbiamo ampiamente parlato nella recensione. Entra gamba tesa Church of IDGAF. Diretta, inarrestabile, senza freni. Puro e semplice rock and roll potente.

Più che lodevole il lavoro della batteria che di quando in quando abbandona l’accompagnamento classico per soffermarsi su fraseggi percussivi. Anche in questa ci sono passaggi inattesi. Subito dopo l’ottimo solo, si rallenta. Ma è solo una rincorsa verso il finale a piena velocità dove si presenta come accompagnamento un secondo intervento solista. La conclusione del disco è affidata a Back to graveyard. Mid tempo cadenzato. Basso in evidenza con un accompagnamento percussivo. Il brano è composto da diversi strati, molti stop and go. Lodevole il lavoro della chitarre, mai doma, sempre attiva macinando riff su riff. Il calo a ¾ perfettamente prepara alla sfuriata finale con ritornello, cori urlati e chitarre differenziate.

Concludendo. Come da premessa, non si può rimanere delusi da un disco di tale fatture. Adrenalina pura, senso di ribellione e di libertà. Ascoltandolo ci si immedesima facilmente nelle immagini descritte. La voce diventa la nostra voce che urla e si ribella. Che reclama il proprio spazio, che vuole uscire dagli schemi e dalla banalità. Ed è esattamente quello che questo disco trasmette. Le coordinate sono ben precise, ma non sono scontate, non sono canoniche. Un lavoro che anche al millesimo ascolto ancora scalderà il cuore, l’anima, farà ribollire il sangue e ci farà chiedere dove si fosse nascosta la nostra voglia di ribellione. Allora allentiamo la cravatta, spettiniamoci i capelli, arrotoliamo le maniche della camicia per far uscirei tatuaggi e buttiamoci a capofitto nella vita. In quella che vogliamo e non che gli altri vorrebbero per e da noi.

Il video del secondo singolo dei Superhorror, “Holy Water”, è disponibile su YouTube. La band afferma: “Dopo aver pubblicato ‘Satan Loves You’, una canzone in puro stile Superhorror, volevamo sperimentare qualcosa di più ‘cinematografico’, e ‘Holy Water’ è stata scelta come perfetta soundtrack per la storia che volevamo raccontare… speriamo che chi ci segue apprezzerà questo videoclip in stile…

New Post has been published on https://www.tempi-dispari.it/2023/03/29/superhorror-se-questo-e-lamore-di-satana-ben-venga/

Superhorror, se questo è l'amore di Satana, ben venga

Chi ha detto che l’hard rock non possa progredire? Sembrano urlare i Superhorror con il loro ultimo singolo Satan Loves You. Ed hanno ragione. La base è fortemente hard rock, ma lo ‘svolgimento’ del brano ingloba molteplici influenze. Prima su tutte una vena smaccatamente funkeggiante, quasi dance. Batteria in levare su riff aperti. La sezione ritmica resta comunque monolitica. La voce roca e graffiante. La chitarra nel solo urla a piena voce. Le direttive possono essere riscontrabili nell’ondata di band provenienti dal nord Europa che hanno saputo spingere in là il genere. Ai Supehorror non basta, però. Ci mettono del loro rendendo il sound personale e riconoscibile. Una canzone che, al di là del titolo, fa saltare fino all’ultimo secondo. L’entrata non è ‘a gamba tesa’. Anzi. È molto morbida. Arpeggio distorto in crescendo con l’ingresso della batteria. Da quel momento in poi un inarrestabile dancefloor. Possiamo sentirci qualche eco dei Poison più festaioli così come Crazy Lixx. Adrenalina, divertimento e rock and roll. E non c’è un calo. Il sali scendi di intensità è perfetto per l’andamento del brano. Notevole il rallentamento verso i ¾. La composizione si fa cadenzata su chitarre pesanti per poi riemergere con il ritornello che porta alla conclusione.

Come sempre un solo brano non è sufficiente per dare un punto di vista esaustivo ed esauriente. Possiamo tuttavia affermare che se questo è il biglietto del nuovo disco dei Superhorror, non ci si può che aspettare un lavoro notevole, allegro, potente, scanzonato ma non banale. Puro e semplice rock and roll in puro Superhorror style. Aspettiamo con trepidazione l’uscita del disco.