This Just In: Taking The Advice of a Complete Stranger Inspires Area Woman to Believe More in Herself
While I was hunting for videos on how to become a writer (instead of actually writing because, it me and I’m timid and always need a lot more nudging, oiling, and hand-holding to get started on stuff I want enough to scare me), I came across a Masterclass ad of Malcolm Gladwell introducing his online writing course. Gladwell said something along the lines of, “good writing is about delivering exceptionally nuanced ideas at an eighth grade writing level.” I actually grumbled out loud, feeling mighty disgruntled. Like a child caught out in a foolish act. He knows full well it was stupid, but is either too embarrassed or invested in the potential of that foolish act to admit it.
I’ve always been aware of how belaboring my writing style can be. It’s wordy, takes forever to get to a point, and the way there is convoluted at best. I know that. My writing could have been baroque if it had the aesthetic nuances of rhyme, reason, and ratio necessary to be admired as such. I suppose it may have been easier for me to fix it earlier on if it hadn’t been for my firm belief that this style is an actual reflection of my thoughts, feelings, and the processes through which the former becomes the latter, and vice versa.
And there, I did it again. See? Would an eighth grader care to read that sentence all the way through AND to understand what I’m trying to say? In any case, do YOU?
How else could I have said that, though? I guess that’s where I have much to learn.
Being aware of this, I’ve also been very self-conscious of writing (and often, of speaking. As M- once astutely observed in much appreciated candor: “I think your problem in verbal communication may be in that you edit yourself AS you’re speaking, as if you’re writing an essay”). I feared what people read or hear out of my pen or mouth would have them questioning my authenticity, and therefore my motive in writing or speaking at all. That I’m being pretentious, trying to sound much more more sophisticated or intellectual or compelling than I deserve. This led to too many moments of hesitation, second-guessing, and self-doubt in speaking and writing alike, by which means, my fears became self-actualizing prophecies. My lack of self-confidence wasn’t inspiring much confidence in my abilities in other people, and that made me all the less confident in my ability to inspire anything in anyone at all.
As it turns out, however, the impulse to change my ways in order to abate my own fears was never strong enough for me to actually change the way I write. I chose only to write and speak freely to those in my intimate circle whom I could trust to not judge me or accuse me of being an impostor. But now...heck, if Gladwell says this is how I must write, I simply OUGHT to try, right?
I honestly have no real depth of familiarity with Gladwell’s works besides a couple titles and the vaguest renditions of their premises. And even these tidbits, I’d gathered from passing voices and mentions in popular media, not from trusted individuals who’ve personally read or listened to him. I’ve listened to one episode of his podcast, Revisionist History, and was honestly not all that impressed with his closing remarks, though I enjoyed his approach to investigative storytelling. Frankly, I was disappointed enough to not go back for another episode since. So why would I want so badly to believe he was giving reliable advice? How did he manage to convince me--albeit not without the childlike reluctance I mentioned earlier--that perhaps I may find myself in a much better place to improve my writing if I took his advice and forfeit what I deem to be my authentic voice for something simpler and much more publicly digestible? I wasn’t even able to give myself that sort of satisfaction. So why him, of all people? And in an ad of all places? Really??
Because what he managed to do in that ad was not convince me of his veracity, but of the objective, no-brainer truth that I don’t need to read or listen to my thoughts to be able to know them. Everyone else does.Â
In any case, what’s Malcolm Gladwell without his avid readers and Podcast listeners?
I honestly don’t know if I’ll like any of his books. But his story pitches are certainly compelling. Even if I were capable of generating similar pitches, I’m not the one executing them from start to finish to critical acclaim. In the ad, he summarizes his book David and Goliath. Though I seriously doubt his claim that Goliath’s possible blindness (which is a common condition attributed to gigantism according to an endocrinologist he came to know) limited his ability to properly appreciate the world around him, the mere shift of perspective of attributing David’s victory, a classic Biblical story known not only to Christians worldwide, to the villain’s possible physical handicap rather than God’s incontrovertible favor for the protagonist was just so tantalizing. I want to learn from Gladwell because he seems to possess an unusual gift for weaving details that are often overlooked or left out into the fabric of what gives a particular idea, person, or being its irresistible essence and intrigue. It doesn’t matter if I disagree with his views; with the same techniques, my basket can display its own patterns and serve its purpose holding completely different fruit or color of yarn, or whatever else baskets are used to carry or contain. And borrowing Gladwell’s characteristic acuity and self-confidence, I could hopefully weave one to completion.
So I’m going to try putting my thoughts over a low heat, and with great care, intention, and patience, tend to it while it comes to a slow simmer. You know, dial it down a bit. Maybe it means leaving it for longer and giving it a stir only when absolutely necessary. To give others a taste and just breathe as I wait for them to respond without cramming in my last-minute, reactionary edits (a sprinkle of premature justification here, a dash of self-deprecating or self-discrediting modifiers there). To be conservative with my seasonings and trust in my whole ingredients to flavor the dish (a carrot’s a carrot and shall taste like a carrot). To slowly build my courage up to the point where I feel beyond pleased to be choking up $180 for an online class with a virtual stranger. As that may not be physically achievable for the remainder of my year of service commitment, maybe take these last months to read a few of his works and be prepared to discipline myself to learn from just reading instead.
Or, you know, maybe take these last months to actually write.Â
Yeah, that sounds like a reasonable point of departure towards becoming a better writer.
Yeah.
23:10 PST
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