#sugaregg

With a jangling rush of emo-grunge guitars and pummelling drums, Bully is most certainly not doing it ‘Just for Love.’

Recorded during the sessions for recent album, SUGAREGG, the track sees youthful angst and regret collide as vocalist/guitarist Alicia Bognanno remains defiant in the face of heartache, unwilling to give up her self-worth just to satisfy some romantic obligation.

I couldn’t agree more… (✿◠‿◠)

Read the review for Bully’s SUGAREGG here.

Have I reached that “Get off my lawn!” stage of life?

At 46, I’m certainly no spring chicken. But I’m still a looooooong ways from retirement age. 

Which is significant, because that’s the era in you life when you’ve got too little to do, and too much time to do it with. And thus banal trivialities, like errant lawn treading, reach DefCon 5 status and require an aggressive rebuke.

So, I guess I can assuage my fears on that front. Except, perhaps, went it comes to music. Because I’ve DEFINIATLEY lived long enough to reach the “I don’t really like any ‘new’ music” stage of life. 

In other words, I’m continuedly amazed how much new music appears every year, and how little of it I actually appreciate.

This year, however, I’m please to report that five albums made the cut. That said, don’t get your hopes up...

Four the bands/artists have been in the game for 25 years or more (in some cases, MUCH more).  Actually, only one entrant qualifies as “new.” And this outfit is punk rock “supergroup” of sorts. With a record that’s likely a one-off outing. 

Thus, my 2020 of “best of” rundown (yes, I realize I’m running behind on this. The procrastination struggle is REAL!) includes very little of what could be legitimately be called “new music.”

Anyway, enough with the blather, let’s dive in...

Fake Names, Fake Names

Other than the fact that famed punk-hardcore-and-early-emo guitarist Brian Baker (one-time Minor Threat bassist, Dag Nasty founder and guitarist, and current Bad Religion lead guitarist) is member, I didn’t know much about this band. But as a uuuuuuuge Baker fan, I couldn’t resist and bought the record strictly based on the strength of his punk “street cred.”

The purchase, however, proved a winning gambit as the album TOTALLY RAWKS. Moreover, it turns out Dennis Lyxzén, best known as the scorched earth lead singer of Swedish punk legends, the Refused, also contributes his vocal stylings to the record.

And the result is a glorious album filled with amped up guitar rock boasting classic DC Hardcore overtones and a tasteful dash of ‘90s alt-rock that reminds of just how musically amazing both eras were in their respective primes.

Sugaregg, Bully

Really only a “band” in name, Bully is actually a vehicle for singer-guitarist-song writer, Alicia Bognanno. Feeling called to a life in music, native Minnesotan Bognanno convinced her less than enthused parents to underwrite her enrollment in a recording engineering program. Meanwhile, Bognanno parlayed her schooling into an excuse to start a band, relocate to Nashville, and live out her rock ‘n roll dreams. Which, after a couple of albums, a good amount of buzz, and loads of pear respect, appear to be coming true.

Supported by a revolving cast of musicians, Bognanno has released three albums, including her latest, Sugaregg, since launching the project in 2011. And at the risk of sounding cliched, Bully’s grungy, ragged tones sound very much at home on the outfits current label, one time grunge hit-makers and Seattle institution, Subpop. 

Case in point, Sugaregg, like it’s two predecessors, is filled with noisy guitars and squalling vocals, delivered in Bognanno’s sandpaper growl, and tortured songs that detail no small measure of soul grinding pain.

Albeit rendered with irrepressibly catch hooks, like the ear worm I Don’t Know Where to Start. Meanwhile, I’ve been loving the record since it’s midyear release. And take a certain satisfaction knowing it could reasonably classified in the “newish music” category.

Father of All... Green Day

After nearly thirty years in the game, pop punk stalwarts Green Day are still at it. That said, they haven’t rested on their laurels, as their music has taken a few twists and turns of late. Shifts that have proven hit or miss for the band, especially of late.

Their three album compilation of a few years back -- Uno, Dose + Tres -- (which, personally, I loved) -- featured a decidedly power pop sound. Many fans, however, weren’t thrilled. And 2016′s Revolution Radio, with it’s more later Clash era,  straight ahead rock sound, didn’t energize their core fan-base, either.

Well, Father of All... is likely to continue aggravating the Green Day faithful. To my ears, however, its sounds are heavenly.

With a kitchen sink of influences, Billy and the boys toss in a bunch more power pop; ‘70s Bowie-esque glam rock (even going so far as to lift some “vocal inspiration” from the Gary Glitter hit, Doctor Who, on the track Oh Yeah); a Chuck Berry guitar rave up on Stab You in The Heart; and the album’s. centerpiece, I Was a Teenage Teenager, which positively oozes classic New Wave vibes.

Ultimately, what makes the album such a delight (to me anyway) is Green Day’s irrepressible charm. It’s there in every groove. And if you drop the disc in the tray and hit play with an open mind, you’ll find it impossible to wipe the grin off your satisfied mug.

Blue Hearts, Bob Mould

Having attained Punk Godfather status, as the co-founder of Husker Du, and the man that brought melody to punk rock, Bob Mould could have coasted on his well-deserved reputation.

Meanwhile, having released 22 albums (including his work with Husker Du + Sugar) Mr. Mould’s relentless work ethic could rival James Brown for the title, the Hardest Working Man in Show Business. 

Continuing down the hardworking path, Mould, and his Bob Mould Band eschewed their typical 2-3 year album cycle, releasing Blue Hearts barely a year after 2019′s Sunshine Rock.

No doubt a pandemic-influenced decision, with band’s normally relentless touring schedule toss out the window. But the results of this accelerate recording timetable are stunning, as Mould turns in perhaps his best album of the New Millennium.

With a bevy or roaring rockers and few choice ballads, Mould and band sound as vital and vivacious and driven as any Bob Mould back effort since his mid ‘90s outfit, Sugar.

Stand out track include American Crisis, a jittery rocker that speaks directly to the worldwide riots that erupted in wake of George Floyd’s death at the hands of Minneapolis police. And the ballads Forecast Rain, Mould’s plea to reverse humanity’s planet destroying ways, and the album’s opener, the delightfully moody, Heart on My Sleeve. 

Power Up, AC/DC

Given AC/DC is accused of “making the same album every time,” are there any surprises on the band’s 19th studio release?

You betcha! Chiefly that the band pulled together it’s (mostly) original lineup* and turned in their best album since 1990′s Razor’s Edge. 

Positively dripping with that “classic” AC/DC sound, Power Up has all the hallmarks fans have come to know and love: 

Drummer Phil Rudd’s uber-heavy behind the beat time-

Singer Brain Johnson’s nails on chalkboard wail

And of course, Angus Young’s comfortingly familiar guitar heroics

The ingredients are all there, and they sound as fresh, current, and powerful as when the group burst on the scene with their roaring 1975 debut, High Voltage. All of which makes Power Up a must-listen hard rock devotees!

*AC/DC has struggled through series of trying challenges over the past decade...

Co-founder, co-songwriter, and rhythm guitarist Malcolm Young left the band in 2014 overwhelmed by complications related to Alzheimer's and sadly died in 2017 at the age of 64. 

Singer Brian Johnson and drummer Phil Rudd sat out the band’s last tour -- Johnson sidelined by a debilitating hearing issue, while Rudd was ensnared in a bizarre attempted murder for hire plot (which I still don’t fully grasp). 

But rather than hang it up, which I advocated for at the time, the group soldiered on, and managed to put out yet another outstanding record. In other words, these old dogs might not have new tricks, but they can still impress with their classic moves.

Honorable Mention: Gigatron, Pearl Jam

Not sure if tacking on an “honorable mention” is cheating, but this is my blog, so I'll what I want, bub! Anyhoo, I haven’t actually heard all of Gigatron, the 11th studio album from Seattle Grunge stalwarts, Pearl Jam. Which is why I didn’t included it as a full fledged pick.

Dance of the Clairvoyants, the album’s lead single, however, piqued my interest when it dropped last spring. Stacked with sequenced synth lines and drum loops, the band is clearly still reaching for a new approach to augment the classicist rock sound the band has adopted over the past couple of decades.

Other stand out tunes, among the few I’ve heard, include Superblood Wolfmoon, (the album’s second sinlgle) and Take The Long Way, which both showcase Pearl Jam’s uncanny knack for merging a driving, ‘70s hard rock guitar dominant sound with a snarling punk attitude. Retrograde is another tasty ballad, in the now well-established vein of tasty Pearl Jam ballads.

Again, Gigatron only gets an honorable mentioned because I was neither motivated to buy nor listen to the whole thing. But it could be worthy of both. So maybe check it out?

What About You?

No doubt, you’re reading this list and saying to yourself: “what the fork is this guy’s problem? He totally l missed awesome record xyz!?”

And you’d be right. I did miss it. So enlighten me!