@suantrai commissioned me to draw Zemi for @wunipub. I had a blast with this skrunkly skrunk. Thank you!!
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@suantrai commissioned me to draw Zemi for @wunipub. I had a blast with this skrunkly skrunk. Thank you!!

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RE: the "that scene" ask game - Second Instar.
...Would you be surprised to hear that it wasn't the Unfolding?
It was his arrival at the base.
The original plan was for the Deenwood Compound to have locked down into DEFCON-1, and he's able to get inside via his prewar military clearance where the Furriers can't. I was enchanted with the haunting notion of a character's gruesome past still recognizing him no matter the time since it last laid eyes on him. I was significantly less enchanted that the plot broke down to "all he has to do is walk up to this building, and he gets both a leather coat on par with a higher-MK Railroad coat, and history's single most unethically-sourced chemistry book."
Olivia, the Rust Devils, and Bogey weren't in the picture in any way. I had intended some long-game tomfoolery with Sticks, but hadn't actually firmed up exactly what I intended to do about it until around the time 'Choly first enjoyed all the prewar trappings of the Deenwood Compound.
I've always loved to a fault the repeated trope in Fallout, where you trick a biometric scanner into thinking you're a whole entire Boston Mayor, just by flashing some long-dead schmuck's wallet. The irony has always been that 'Choly actually has clearance where he used to work.
(via https://www.youtube.com/watch?v=LqkuvFC8ZDo)
MĂ©av NĂ Mhaolchatha - SuantraĂ
Lyrics: CODAIL SUAN, MO CHAORA BHĂN, CODAIL SĂMH, A MHUIRNĂN MHILIS, LUIGH GO CIĂIN SA CHLIABHĂN,DĂN DO SHĂIL, A LEANBH DHĂLIS. RĂALTA GEALA ANOCHT AG LUASCADH INS AN SPĂIR, FUAIM NA COILLE AGUS CEOL NA HOĂCHE; FĂG UAIT AN OLAGĂN, NĂL GĂ AR BITH LEIS English: SLEEP SOUNDLY, MY WHITE LAMB, SLEEP DEEPLY, MY SWEET DARLING, LIE QUIETLY IN THE CRADLE, CLOSE YOUR EYES, MY FAITHFUL CHILD. BRIGHT STARS TONIGHT ARE ROCKING IN THE SKY, FOREST-SOUNDS AND NIGHT-MUSIC; LEAVE ASIDE YOUR LAMENTING, THERE IS NO NEED FOR IT ANYMORE
Suantrai - AnĂșna
The pen
The pen was a simple thing, just a run of the mill fountain pen. It had been used many times and, to the discerning fingertips of someone who knew what to look for, it bore the faintest of imprints where a pair of fingers had pressed as it skated furiously across paper, parchment, sometimes flesh. It had long since run dry and had no use whatsoever. Delicate fingers traced over the smooth surface, touched the faintest of imprints where those fingers had so long pressed, then closed around the pen. Eyes closed, the strikingly beautiful woman bowed her head over the pen. Then, as though she had not clutched it so tightly but a moment before, she set the pen aside and stood. She ran her hands over her clothes and hair, checking that everything was in its place. It was of course. She was never less than put together. A faint smile quirked her lips up, then blossomed over her face in a becoming, beguiling fashion until she was transformed once more into the seductress sheâd always been. The seductress sheâd always be. Sheâd only taken a bit of time off. For the owner of that pen. But he was gone now, and she moved on.
She crossed to the door with gliding steps and opened it smoothly. A man looked up from the bed in the next room. His Adamâs apple bobbed visibly as he gulped and his eyes raked up and down her hungrily, desperately.
On the desk in the room behind the woman, in a place of prominence among other trinkets of obvious value, lay the old, worn-out pen.
Without sparing a glance to the rear, she smiled and stepped into the room.Â

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SuantraĂ (Lullaby) || Katie McMahon
A New Year Blessing for everyone I know