Artists website
Teonna Elliott Art documents the portfolio of recent Salford Universty graduate artist Teonna Elliott.
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Artists website
Teonna Elliott Art documents the portfolio of recent Salford Universty graduate artist Teonna Elliott.

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I experimented with the body printing technique on some scrap wallpaper and painted into it using water based oil paint.
The paint sat on the surface much better and gave a better coverage, probably due to the textured coating of the wallpaper, than on the brown paper sample.
Again, I stayed 1cm away from the edge to allow the raw edge of the print to show through. It seems to stand out alot more on the wallpaper due to the pale background. This gives the illusion that the body is emerging and pressed up against the surface, simmilar to when you press skin up against glass.
Around the edge of the breasts, I have gone a little too far, forming a harsher line when adding in shadowing. I don't think this is as visually effective and may have been caused by returning back to a smaller brush for detailing.
The most successful aspect of this piece is the handprint. Using the shapes of the print to decipher where the hand dips in causing shadowing makes for a much more realistic hand print. I find hands most difficult to draw so the process offers me support in achieving accurate proportions.
These are the least successful of my body prints. The prints are sparse and the shapes barely represent the human form. To improve, I need to cover more body surface area with paint.
Body printing - the process
These images show the process of using my home studio (the bathroom) to print onto the wallpaper and brown paper sample sheets.
Doing this from home was quite difficult due to the inability to make too much mess, however, the process was personal and I preferred not to be nude in the university studios. I premeasured the lengths of wallpaper in the studio, this caused some complications when pinning the wallpaper to my home walls due to the height difficerent. I followed the same process as my smaller samples of roller diluted acrylic paint onto my body. Above you can see that I have tried to take more consideration into the colour I was working with. I needed to stay away from yellow which would too much into the background. I tried to mixed my own skin tone, however this was too plae when it dried. My third attempt reverted back to the idea of selecting a random premixed coloufrom the box.
For this pieces, i have integrated the subject into the wallpaper pattern. i have used paint and a small brush to place the subject in the pattern, interacting with the pattern and its subjects.
The pattern takes inspiration from the willow pattern (a pattern which usually depicts Chinese village life, reserved for western china pattern). However, rather than depicting orientalism, this wallpaper depicts western life. It shows both male and female subject in a country side like setting, fishing, talking and fetching water.
My subject reclines in the foreground of one of the tiny scenes, her pose inspired by le dejeuner sur l'herbe. I hae replaced the idealised caucasian woman with a woman of colour. I have also chosen to cover the subject with underwear rather than leave her completely nude. In the original, quite like my replication, the female subject gazes out of the painting, confidently confronting the audience with a stare. She is confident in her sexuality, as is my black female subject. she disconcerts herself with her surroundings in the background, unphased by her nakedness which starvingly contrasts with the formal, appropriate attire of the 18th century ladies in the background. These women are maids or lower class, doing the chores, but still they are regarded higher than a woman of colour would have been at this time.
Painting this was extremely difficult due to the small size. My focus this semester is to increase the size of my work, so creating this piece was an extreme oppisit to what i am trying to achieve, I used a pencil to mark out the shape, however i found the glossy surface of the paper difficult to draw on. i then used water based oil paint to add colour and tone.
It has been suggested to me that this piece resemble a where's wally game. Although she is the only woman of colour on the page, she blends in well with her pattern due to her size. This could show a change in todays society, an acceptance of dark skin, finding it harder to pick out black people because we no longer categorise them by the colour of their skin. On the other hand, it could represent the lack of diversity still experienced in some areas of the world.

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Explores the increasingly osmotic borders between video, installation, photographic, and performative art. on In Between Art Film…
In Between Art Film was established in 2012 to produce films and documentaries based on an interdisciplinary approach and exchange between the different artistic languages of our time.