Gloze and I dressed up for the campaign trail for Studio XXâs Election-themed Cabaret TollĂ©. Check out the full set here with visuals by Tyler Reekie <3Â

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Gloze and I dressed up for the campaign trail for Studio XXâs Election-themed Cabaret TollĂ©. Check out the full set here with visuals by Tyler Reekie <3Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
CfP:Â Digital emerging artist project
Studio XX
Labsessions 9 : Call for projects
DEADLINE: NOVEMBER 6, 2015
Digital emerging artistsâ project presentations Presented by the Society for Arts and Technology (SAT), the Conseil quĂ©bĂ©cois des arts mĂ©diatiques (CQAM), Agence TOPO, Eastern Bloc, ELEKTRA - BIAN, Labo NT2, OBORO, PRIM, Studio XX and VidĂ©ographe, Labsessions invite emerging artists working in the field of digital art to submit a new work-in-progress project for the 8th Labsessions event, taking place on Tuesday Januar 21th 2016, from 5-8pm at Studio XX.
Labsessions aim to support emerging artists working in digital arts, and to give them the opportunity to showcase the work they do. Those events are also a networking place for artists, digital art organizations attendees and for various cultural workers. Three projects will be selected and each artist will be invited to do a short presentation (or demo) in front of those attending the event. Following the presentations and question periods, the partner organizations will provide constructive criticism through written commentaries and suggestions which will be sent to the artist later on. In addition to the Labsessions, partner organizations might offer assistance to their sole discretion; which can take different forms depending on their respective mandate and resources (equipment loan, access to media labs, technical support, consultation or mentorship, access to an activity or a festival, etc.).
ELIGIBILITY CRITERIA âą You must be a Canadian emerging artist working in the field of digital art; âą Having an innovative project in progress; âą Only one project by edition; âą Meeting the deadline with an application form fully completed (PDF); âą Selected applicants should be ready to present their project to an audience for 15 minutes in English or French (pictures highly recommended). Word format ASSESSMENT CRITERIA âą Artistic quality and originality âą Ability to realize the project âą Possibility of dissemination and impact âą Application quality
Please send your application at [email protected] Application Deadline: November 6, 2015. The jury is composed of media arts organizationsâ representatives. Only applicants whose projects are selected will be contacted. Travel expenses will not be covered.
Instinct, Art And Accumulation: Gif Making / Internet Curation
Le Mois de la Photo à Montréal + Centre CLARK + Studio XX
Workshop with Dina Kelberman stemming from the projects presented at Centre CLARK for Le Mois de la Photo à Montréal Thursday, September 17, 6-8 pm at Studio XX
!!!Free admission!!! Required reservation: [email protected] 12 participants max
Stemming from the projects presented at CLARK for Mois de la Photo à Montréal, Dina Kelberman will host a discussion where concepts of curating and working with Internet will be explored through her work. Participants will also be taught the step-by-step process of using Photoshop to create animated GIFs.
Activity offered in English / Bilingual question period
The Thematic Section of issue 30 seeks to understand how the âinformatization of the bodyâ (van der Ploeg 2003) - once hailed as liberatory - became the lifeâs blood of ever nuanced forms of cyber-surveillance that target difference and produce new vulnerabilities for women, girls and transgender and genderqueer people online. What are the sexed and gendered elements of digitally mediated surveillance - and how do they manifest as a means of social control? How can a feminist and anti-capitalist critique of the Internet enclosure movement contribute to a freer, more egalitarian society - both online and off? Can explicitly feminist analyses challenge the surveillance state and the surveillance industry? What modes of resistance are available? And can we reclaim the Internet as a space and tool for liberation?
Studio XX - .DPI 30 CALL
Bienvenue au blogue du festival Les HTMlles 10 // Welcome to the blog of The HTMlles 10 festival
Les HTMlles 10 est un festival fĂ©ministe dâarts mĂ©diatiques et de culture numĂ©rique produit Ă MontrĂ©al par le Studio XX, centre dâartistes fĂ©ministe bilingue engagĂ© dans lâexploration, la crĂ©ation, la diffusion et la rĂ©flexion critique en art technologique. LancĂ© en 1997, le festival est une plateforme internationale dĂ©diĂ©e Ă la prĂ©sentation publique dâoeuvres dâarts mĂ©diatiques innovatrices et indĂ©pendantes, créées par des artistes sâauto-identifiant comme femmes, trans ou dissidents et dissidentes du genre et dĂ©voilant la crĂ©ation technologique contemporaine sous toutes ses facettes.
La 10e Ă©dition du festival Les HTMlles se fera sous le signe du risque. Risquer: gagner ou perdre, sâexposer Ă une possibilitĂ©âŠLe risque est un potentiel. Quâelle soit connotĂ©e positivement ou nĂ©gativement, lâidĂ©e de risque implique celles de lâĂ©valuation, de lâaction et de la rĂ©partition, et donc du pouvoir. Le mot « risque » a Ă©voluĂ© au cours de lâhistoire du capitalisme : le concept de « sociĂ©tĂ© du risque » pour sa part nâapparaĂźt quâil y a une vingtaine dâannĂ©es. Il a Ă©tĂ© utilisĂ© par des sociologues pour rendre compte de la maniĂšre dont la sociĂ©tĂ© moderne sâorganise autour de lâidĂ©e de risque, dans le sens de se prĂ©parer au futur (ce quâune sociĂ©tĂ© devrait ĂȘtre en mesure de gĂ©rer). Cependant, du moment oĂč on envisage ou imagine le futur, nous adoptons des comportements risquĂ©s.
Dans une pĂ©riode comme celle que nous vivons, Ă ce point critique, il est peut-ĂȘtre crucial de (se) questionner un tant soit peu. De quelle maniĂšre sâarticule aujourdâhui le langage utilisĂ© pour conceptualiser le risque? De quelle maniĂšre prend-on des risques aujourdâhui? Quels sont les diffĂ©rents niveaux de risque dans nos diverses (trans)actions? Quelle est la relation entre risque, technologie et pouvoir? Par quelles voies le risque est Ă la fois gĂ©rĂ© et créé? Comment est-il rĂ©parti? Depuis quand une personne « investi » -elle dans son avenir et quâest-ce que ça signifie rĂ©ellement? Aussi, quâont les artistes Ă en dire, de ce quâon nomme « crises » et « risques »? En quoi faire de lâart est-il risquĂ© aujourdâhui?
Ce blogue est un espace dédié à la réflexion critique autour de la notion du risque et de ses implications sur l'art médiatique féministe. Les bloggueuses et bloggueurs intéressés sur le thÚme sont invités à contribuer au blogue avec de nouveaux textes, des commentaires, des images ou du contenu audiovisuel. Vous pouvez nous rejoindre à : [email protected]. De plus, visitez-nous pour connaßtre encore plus le festival Les HTMlles 10 et les artistes qui feront partie de cet événement.
 Bienvenu-e-s à bord!
The HTMlles is a feminist festival of media arts and digital culture produced in Montreal by Studio XX, a bilingual feminist artist-run centre for technological exploration, creation and critique. Initiated in 1997, the HTMlles is an international platform dedicated to the presentation of womenâs, trans and gender non-conforming artistsâ independent media artworks from all facets of contemporary technological creation.
The 10th edition of The HTMlles will take up the notion of risk. To risk: to gain or to lose, to expose oneself to a possibilityâŠRisk is a potential. Whether used positively or negatively, the idea of risk implies that of evaluation, action and distribution, and thus, power. While the term âriskâ evolved with the development of capitalism, the concept of ârisk societyâ is about twenty years old and has been used by scholars to describe how modern society organizes around the idea of risk, that is, in response to a future (which society should be able to manage). By simply invoking or imagining the future, one immediately engages in risky behaviours.
In such a critical moment, it is perhaps crucial to ask (ourselves) some questions. How does the language of risk articulate itself today? What is at risk today? How can one take risks today? What are the different levels of risk in our various (trans)actions? What is the relationship between risk, technology and power? How is risk managed, created and distributed? Since when does one âinvestâ in oneâs future and what does it actually mean? What do artists have to say about these so-called risks and crises? How is making art risky today?
This blog is a space for critical reflection about the notion of risk, and its implications for feminist media arts. We invite all bloggers interested in the theme to contribute with posts, comments or audio/video material. You can connect with us at : [email protected]. Also, follow us to get to know more about The HTMlles festival and the artists who will take part in the event.
Welcome aboard!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Don't Forget Mom. Especially not this Sunday, designated Mother's Day by the powers that be. Remember back in elementary school, when we would shower Mom with poorly-made crafts? In Montreal, 18 established/emerging artists from a range of disciplines were asked to âmake a macaroni necklace.â The resulting multidisciplinary show is at Studio XX, until May 12 .Â
Colier de macaronis pour maman: May 5 â 12, Studio XX (4001 rue Berri, #201)
Presented by La Chemise Magazine.
Image: François LalumiĂšre âAu tĂ©lĂ©phone avec maman / On the Phone with Mumâ (Duct Tape, 2012)