#studio 180

Catherine, Princess of Wales, arrives at the British Fashion Council's British Design event to present Queen Elizabeth II Award in central London on 13 May 2025.

After first reading about Palma Violets in the NME back in May 2012 in which they recommended the band for fans of Echo and the Bunnymen, The Doors, and The Libertines’ house parties - I instantly became interested. Immediately I began searching the internet to find some form of evidence for the NME’s comparisons, however, it wasn’t until August when the official video for Best of Friends became available on YouTube. I was impressed and became extremely eager to hear what more they had to offer when they announced their debut album 180 – named after their studio in Lambeth – was to be released in March 2013. https://www.youtube.com/watch?v=poFXWUTEs1k The opening track Best of Friends makes it easy to see how somebody could make a connection between Palma Violets and Echo and the Bunnymen due to their similar psychedelic sound, however, I would say that the album as a whole has a lot more tinges of The Clash in there – from the fast paced tempo produced by drummer Will Doyle and almost aggressive chanting in Rattlesnake Highway to the eerie wolf calls in Last of the Summer Wine – it’s easy to see their influences.

In my opinion, the comparison that has been made to The Libertines is fairly inaccurate when considering their actual sound; whereas The Libertines were primarily a guitar band, perhaps the most unsung hero with this album is keyboardist Pete Mayhew who could be considered as being responsible for the overall semi-psychedelic sound to the band. Also, Sam Fryer’s vocals have an eerie sound to them which – along with the reverb - makes him sound almost alike Ian Curtis of Joy Division as opposed to Pete or Carl. Saying this though, a similar passion and ethos to The Libertines is definitely there. Johnny Bagga’ Donuts (track 8), is where bass player Chilli Jesson’s vocals really come into play; whereas throughout the rest of the album he is mainly responsible for backing vocals and harmonies, here is where he fully steps up as co-frontman. In a style which replicates The Who, Jesson lengthens consonants and sings with a passion and a sound that is more youthful to Fryer’s and therefore makes for a refreshing sound on the album.

The album finishes with the climatic 14, however, it doesn’t quite end there; like The Stone Roses, Blur, The Libertines and many more have done before them, Palma Violets sneak in a hidden track which goes by the self-explanatory name of Brand New Song. Like the rest of the album, the final song on 180 doesn’t specifically excel lyrically but it’s fun, fiery and makes for easy listening. It’s a brilliant effort for a debut album and I look forward for what else is to come from Palma Violets and more importantly, they give me hope for modern guitar music again. 

A one sentence summary? 180 is the sound of Joe Strummer and Mick Jones listening to Love Will Tear us Apart on a narrow boat... on the Thames... drinking Special Brew... in 2013.

Overall rating: 8.5/10

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Baker’s bakery by Studio 180, Tel Aviv – Israel

Baker’s bakery by Studio 180, Tel Aviv – Israel