' say hatter, do you believe in fairytales? ' eto idly muses, there's a pen in her left hand while the other hand leisurely has an index finger tapping on her messy desk in an empty rhythm. no words have been written on the manuscript for awhile not, rather she's lost in thought. while she had never intended to have an assistant, forced upon her by her editor, she'd grown accustomed to having sophie's company as the norm. ' what about happy endings? after the page ends the reader knows nothing.'
A preliminary question? Has curiosity finally bent you to care for my opinion, or has boredom truly rotten your sensibilities to even ask me such a thing?
Feigned or genuine, such traces of intentions blur with each encounter between the writer and her assistant. The two exist within proximity of another in a disordered bedroom. One with an unmoving pencil, tucked between fingers, and the other in an aimless sweep with the broom in her hands. Reserving her initial perplexion, brows furrowing already a sign of her surprise, the taller of the pair glosses over the books that lined that tall shelf in her superior's room.
Rays of the late-night city life of blue and white lights illuminate the dark bedroom through the tall twin, granting Sophie better sight. Though, to say it is an improvement would be a lie. The author's expressed carved by the LED lights of her laptop screen. Moss green eyes beseeching answer behind thin gray frames. Her indifference in tone contrasts the unreadable frown.
Monotony has taken a seat in her mind, a wary conclusion Sophie makes at the still untouched manuscript resting on the table. The minute details of each other are as important as it is dangerous. Even the computer screen is opened to a blank document; the enter line awaiting for writing blinking at a delayed interval.
Under a microscope's lens, Sophie is a specimen on a Petri dish for Eto's amusement. Her frigid dance partner had been the scalpel of her intents. Pointed edge screeches and scratches the glass dancefloor; the two partners never touch another but always a breath apart from another.
"Author, how considerate of you to inquire such a matter," she finally answers, catching herself staring a bit too longer than usual into the grey greens of Eto's eyes. Have you finally developed a heart and sentiment? How I wish, but that is far from the truth. "You shouldn't spoil with such favor, dear," sarcasm rich from her lips but kept at a minimum, "I might start to think you're fond of me in a human way."
Discarded sarcasm leaves her as her gaze softens, eyes retreating back to the pale windows.
Is not what they have now a fairytale? The clumsy yet wildly successful novelist Sen Takatsuki, a marvel and beauty for all in her eccentricities and her stern and quiet assistant, Sophie Hatter, a plainly yet towering sight next to Sen. Always at the ends of her shoes, like an animated shadow, the assistant gives chase and critical reminders of due dates and schedules while the writer yawns and nods her head, her mind drifting elsewhere. An arrangement like no other, where professionalism soon blurred into domestic - where Sophie's next bed had been in the family room or shared mattress and where she made two full plates of breakfast in the cramped kitchenette.
It was all nice to believe in, but it wasn't true.
"A fairytale is a nice framework, a nice thought," her words elusive as ever as her mind drifts. "It's a lesson and comfort, something that many seek out in trying to understand around them. It brings happiness and realizations too. We learn awfully a lot from reading either way."
In the illusion, Sophie reminds herself of the razor-sharp talons that hold her while pinning her down, roughly kissing her some nights. She reminds herself that a morsel of happiness is only but a rotting and delectable torn arm waiting in the fridge for the author.
That the same lips that whisper against her neck can easily grow wider and wider with sadistic pleasure - that jaw popping and extending wider and wider until rows of teeth tease her cervical muscles. Before devouring all flesh and veins underneath, gushing blood, all to sate an impulse from hunger.
It was an ending, wasn’t it? A happy one for someone, she supposed.
But, there was nothing salvageable for a no one like herself. There was no such thing as a passage or word worth someone's memory for a storyless girl like herself.
“Must the reader need to know what happens after the ending? When you finally close the book, all you see are glimpses of these characters in only a fragment of their life...For the most part, at least. Not all books are the same.”
“Humans are a hopeful kind, the moving kind. If they manage to find a promise of happiness somewhere, in whichever way they turn, they’ll head towards it. Someone would be able to find their own happy ending without experiencing it yet. That’s the drive inside us. Whether it’d be in the optimistic route or nihilistic route, well, that’s determined by the person.”
Always about the others and never about herself. Miss Hatter, will you care to ever share something about yourself?
Melancholy now dresses the small smile on her face. Her eyes return to the Author.
“But all that are words of an old woman, Author. I’m not sure what value you’d find in them.”
Yet the longer she watches Eto at her desk, the longer her smile loses its control and prettiness. It grows tired and tired as her heart pangs and aches in her fragile ribcage.
Wanting, wanting, wanting - wanting her, wanting that chance, wanting that sliver of happiness. But she cannot want.
It was nice to believe, but happy endings weren’t possible for them..