It was raining. Hard. And when there's heavy rain, there's lightning, and when there's lightning...there's thunder. John Walker hated the thunder. It was loud, and it reminded him of his late night military missions. He shot up in bed as the first roar of thunder rumbled through the tower. Groaning, he ran a hand over his face before covering his ears for a second. He felt pathetic. Weak. He definitely couldn't let any of the team find out he was scared. Ava and Yelena would never let him live that down.
A flash of lightning warned him about the incoming noise, and he covered his ears again instinctively. He winced as he heard the muffled noise. He shook his head in frustration and forced his hands down. You're a grown man, act like it. He scolded himself. He squinted in the thick darkness of his room before leaning over to his nightstand to turn on his lamp. A soft glow illuminated the space around him and he exhaled. As long as he could distract himself...he should be fine.
Another clap of thunder rang through the tower, and he shut his eyes and took a breath trying to block out some of the bad military memories. What he didn't expect was the knock at his door. His voice came out in a tired mumble. "Come in." He quickly rubbed his eyes and ran his fingers through his messy hair.
The door creaked open to reveal you. You were clad in an oversized t-shirt and some sleep shorts. He sat up straighter in bed, clearing his throat. His blue eyes scanned your body quickly before settling on your face. You looked frightened.
"Hey..." Your voice was soft. "I saw your light was on and...I just..." You scratched the top of your head nervously. "I'm scared of thunder. And you seemed like the strongest so..."
John blinked and rubbed the sleep out of his eyes before taking a deep breath. "Right...yeah. Come here." He gently pat the space beside him on the bed.
You closed the door behind you and walked over to his bed. The thunder roared again and you jumped slightly. "I hate it when it does that."
He had jumped as well but he hoped you didn't notice. "Yeah. Me too." He whispered.
Your eyes studied him as you curled yourself up on his bed. "Are you scared of the thunder?"
"What? Psh, no." He scoffed, though his eyes betrayed him slightly. He couldn't be weak in front of you, not when you came to him for comfort. "I'm a war hero. Thunder doesn't scare me."
He clenched his fists as another rumble of thunder echoed through the room. You noticed it and looked at him softly. "You know...you don't always have to be the tough guy."
John raised an eyebrow and laughed transparently. "I'm not scared."
"Don't lie to me John."
"Maybe I'm a little scared. It triggers bad memories from my time in the military. No one ever talks about the consequences of being a perfect soldier." He fiddled with his blanket and shrugged.
Before he could look up at you, he felt a warm embrace. You were hugging him. He stiffened for a second before relaxing and wrapping his arms around you. A shaky breath escaped his lips and you tightened your grip slightly.
"Being with someone helps a lot when I'm scared." You spoke quietly against his neck, and it sent pleasant shivers down his spine. He couldn't deny he felt an attraction to you ever since you joined the team. He just never thought you'd feel the same.
"Yeah...it's...nice." His fingers gently threaded through your hair and you hummed softly aginst him. This time when the thunder came around, he didn't flinch. He was too wrapped up in you for his mind to care.
"Mind if I stay here for the night?" The request sent a surge of warmth through his body.
"Of course." His voice came out more breathless than he intended, but his grip never loosened. He gently moved his hands across your back. "You know, if thunderstorms always bring you snuggling up to me...they might become my favorite thing."
This caused a laugh to come from you. "Thunderstorm cuddles sound like a great time."
He hummed, the sound rumbling softly against you. "You're right about that."
After a while of soft breaths and tight embrace, you spoke. "I don't think you're weak for being scared of thunder. In fact, it makes me feel a little better that I'm not the only one. And it says a lot about your character to try to comfort me when you're scared too."
His cheeks burned as he heard you, but he tried to brush it off. "Yeah yeah, whatever, Thanks. Just don't tell the others about this, yeah?"
"I won't. As long as we make these cuddles a regular thing."
He smiled at that. "I think I can arrange that princess." He gently nuzzled against your hair. "Not a problem at all."
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C's corner: Hi loves, here's a little John Walker drabble that came into mind while working on Fault Lines. Enjoy. ☺️🫶🏽
WARNINGS: fluff, friends to lovers, established relationship, married John Walker, first kiss flashback, kissing, emotional vulnerability, domestic intimacy, mutual pining, soft comfort, happy ending.
✍🏽WC: 645
John wakes before the sun, like he always does. Habit, muscle memory, the ghost of alarms that don't ring anymore. The room is still, soft with the slow rhythm of your breathing beside him.
Married.
The word still feels new in his mouth, like a promise he keeps testing to make sure it's real.
He turns carefully so he doesn't wake you. He doesn't need to see your face to know it. He's memorized it in pieces. The slope of your shoulder. The place at your neck where he presses his lips when the world gets too loud. The way you curl toward him in sleep like you've always known where you belong.
Funny thing is, it didn't start this way.
It started with coffee.
You were just... there. On missions, in briefings. Sitting on the hood of a transport truck, legs swinging, passing him a cup without asking how he took it. You argued with him like you weren't supposed to be impressed. Laughed at him when he got too serious. Stuck around after everyone else peeled off.
Friends, first. Real ones. The kind that notice when he's pushing too hard and call him on it. The kind that learn the weight he carries without trying to lift it for him.
Best friends, eventually.
The title settled between you without ceremony. Late night takeout, shared headphones. That look you gave him when he said something reckless, like you were bracing yourself to pull him back.
He didn't know when it became something dangerous. Something that sat just beneath his ribs and refused to be ignored.
He knows exactly when everything changed.
That night, at the safe house.
The mission that went sideways but didn't break you. The adrenaline still humming in his veins, the quiet after chaos pressing in too close. You were sitting on the floor, back against the couch, boots kicked off, staring at nothing.
"You okay?" he asked. Always that question. Always you.
You looked up at him and smiled, tired and real, the kind that stripped the armor right off his chest. "Yeah. You?"
He nodded, even though the answer was complicated.
You stood to leave. Said something easy. Something normal.
And he kissed you.
Not planned, not careful, just instinct. Like his body finally outran his fear.
He remembers the way you froze for half a second, surprise flickering across your face. He remembers the way his heart stuttered, already preparing for the fallout.
Then you kissed him back.
You let him.
Hands curling into his jacket like you were anchoring yourself, like you'd been waiting too. The kiss wasn't frantic. It was sure, solid. The kind that says, I see you, I choose this.
He pulled back first. He always does. "I'm sorry," he said, already bracing for the damage.
You shook your head, breath still uneven. "Don't be."
That was it. No dramatic confession, no undoing. Just a quiet agreement that the line had been crossed and neither of you wanted to step back.
The rest came slowly. Careful steps, honest conversations. Learning how to love without turning it into another mission to win or fail. You didn't fix him, you didn't try, you just stayed. Let him be John instead of what the world wanted him to represent.
Now, years later, he reaches out and rests his hand over yours in the dim morning light. Married, rings exchanged and lives braided together. Still choosing each other.
You shift, eyes fluttering open. "You staring again?" you murmur, voice rough with sleep.
He smiles, soft and unguarded. "Just thinking."
"About what?"
He leans in, presses a kiss to your knuckles, familiar, sacred. "How lucky I am that you let me kiss you that night."
You squeeze his hand, half-smiling, half-asleep. "Yeah," you whisper. "Me too."
And for once, the world feels quiet enough for that to be enough.
It was dark. The old cabin you and John had found in the middle of the forest wasn't ideal, but it was something. You two didn't exactly plan for your jet to be literally blasted out of the sky. And Bucky said there were no hostiles in the area. Liar. John's face was stern as he carried you across the threshold, the wooden boards groaning beneath him at the weight. He set you down on a chair carefully, you winced slightly.
John rummanged around the cabin before he found a lamp. He quickly lit it and walked back over to you. He grimaced. The soft light of the lamp illuminated your burn marks stretching across your waist. John had sustained some injuries as well, but they were minimal compared to yours. You saw his blue eyes staring at your wounds with...anger? You weren't sure.
"I'm fine." You breathed. "Just need some rest."
John's eyes snapped up to meet yours, and he scoffed. "You're not fine .You have 3rd degree burns crawling across your waist, Little Bird." He exhaled in frustration before kissing your forehead quickly and walking over to the sink to see if the water worked.
You sat there frozen. John had just kissed you. His lips had just touched your forehead. He didn't really seem to realize he had done it. You let out a breath and your eyes drifted to where he was readying suppilies to patch you up. You watched as his back muscles stretched and moved underneath his suit. He carried the items back over to where you were, his lips pressed in a hard line. He gently exhaled and brushed his fingers just above where the burn was. The touch sent soft shivers down your body. His blue eyes scanned your face as he retracted his hand.
"Sorry, did I hurt you?"
The words died in your throat, so you just shook your head. He nodded and began to work on you. After each wince or hitched breath, he'd whisper out a soft, "Sorry." or "Almost done, Little bird." His breath ghosting across your exposed skin. Though his eyebrows were knit in an angry line. He worked meticulously, like he had done this before. He probably had when he was in the military. He finished by securing a bandage over the burn. He brushed his fingers over the bandage, his eyes piercing into yours. The soft lamp light giving him an almost ethereal glow. His tongue went out to wet his lips and you watched with bated breath. His voice came out in a rough rumble.
"Little Bird, I--"
The comms crackled in both of your ears, breaking the moment. "Wal~.crrrrr....anyone...crrrrr...anyone there?"
John stood up quickly, his boots scuffing against the wood. He brought his finger to his comm. "Barnes you there? We're a little worse for wear but we're alive."
Bucky's voice crackled but came through. "Where are you guys?"
John squinted in the dim light of the cabin and glanced outside. "Not sure. About 6 klicks from where the jet crashed. South. We're currently in a run down cabin."
"Got it. Rescue team should be there by morning. Think you guys can handle that?"
John looked over to you. Your eyes looked tired and you were in pain, but he'd take care of you. "Yeah...that's fine."
"Okay, see you tomorrow, Walker." The comm went silent and John walked back over to you.
"You need rest."
He gently picked you up and his scent completely enveloped you. Pine, dust, and grease. It wasn't exactly unpleasan;, at this moment it made you feel safe. Secure. He carried you to a creaky bed and laid you comfortably. You winced slightly and his jaw ticked.
"It should've been me."
Your eyes traveled over his face. Hard. Angry. Though the anger was directed at himself. You spoke. "Yeah, but then you'd be whining about how bad it hurts."
His eyes narrowed. "Not true."
You laughed softly, but it soon turned into a wince. "Well, I'm glad it was me. I have the best doctor ever. Very attentive."
His fingers twitched, and he shook his head. "Whatever. I just don't like it when my teammates get hurt."
"Hey...I never said you were in love with me, calm down."
His eyes seemed to look into your soul. And he held your stare for a long moment. He swallowed hard before sighing. "You should sleep."
Not finding any more room to argue, you nodded and closed your eyes. "Night Walker."
His gaze traced your tired body. "Good night Little Bird."
C’s corner: Hi my loves, hope you’re having a lovely weekend. So yesterday was Wyatt Russell’s birthday, but I couldn’t post anything because… life 🫠 But here’s a little soft drabble I whipped up instead of cleaning. 🫣 I also have a True Brandywire little smut drabble that might make an appearance tomorrow… for now, enjoy my loves. 🫶🏽✨
"You’re pouting,” you announced from the kitchen, setting two mugs of coffee on the counter.
“I'm reflecting.”
“You sighed loud enough for the neighbors to file a noise complaint.”
John Walker looked up from where he’d sprawled across the couch, all broad shoulders and dramatic despair. His gray t-shirt stretched across his chest as he scrubbed a hand over his face.
“I turned forty.”
“I noticed.”
“I’m old.”
You blinked. Then laughed.
He looked personally offended. "I’m serious.”
“So am I.” You walked over, nudging one of his knees with yours. “You’re being ridiculous.”
“I’m a forty year old man.”
“Correct.”
“You could be dating someone younger.”
“I could.”
He frowned deeper.
“But instead,” you continued, climbing onto the couch beside him, “I’m dating the world’s most decorated professional overthinker.”
His lips twitched despite himself. "It isn’t funny.”
“It kind of is.”
“I’m getting wrinkles.”
You leaned in dramatically, squinting at his face. "Hm.”
“What?”
“I think that’s called smiling.”
He huffed. "I’ve got gray hair.”
“I see two.”
“Two too many.”
You reached up, threading your fingers through the short blond strands at his temple.
“They look good.”
“They make me look old.”
“They make you look distinguished.”
“They make me look like somebody’s dad.”
You grinned. "I fail to see the problem.”
He groaned, dropping his head against the back of the couch. "You deserve somebody your age.”
SUMMARY:
A lazy weekend turns into a cozy little project when you and John Walker decide to build a gingerbread house just to fend off boredom.
The weekend stretches out like warm taffy, slow and sticky and determined to be absolutely useless.
You're sprawled on the couch in one of John's old gray hoodies that you stole from him, legs tangled in a throw blanket, staring at the ceiling like it might offer entertainment if you squint hard enough.
John sits at the other end with a protein bar he's clearly not hungry for, rotating it between his fingers like he's trying to will it into becoming something fun.
"This is it," you say, voice dramatic. "This is how we die. Not in a blaze of glory. Just… slowly. By boredom."
John's mouth twitches. "I've survived worse."
"Name one."
He looks around the living room, then deadpans, "This conversation."
You toss a pillow at him. He catches it with one hand like he's catching incoming fire, utterly unbothered, which is rude of him.
A beat passes.
His eyes flick to you. "There's a gingerbread house I bought last time my son was here... we could built that."
You blink. "Are you… trying to fight me?"
"I'm trying to save you," he says, solemn as a man delivering a mission briefing. "Before you start narrating your own tragic downfall again."
You sit up. "Okay. Fine. But if it looks like a war crime, I'm blaming you."
John rises from the couch with the purposeful stride of someone about to enter hostile territory. "I'll accept that burden."
He returns from the kitchen with a boxed gingerbread kit tucked under his arm like a field manual. The box is obnoxiously cheerful, all cartoon frosting swirls and perfect little windows. It's so optimistic it feels like it's mocking you.
You take it from him and squint at the picture. "This is a lie."
"It's a goal."
"It's propaganda," you correct, and tear the box open.
Ten minutes later, the coffee table's been converted into a sugar coated construction site. There's a plastic tray. There are brittle gingerbread panels. There's a piping bag filled with icing that looks like it was engineered by someone who hates hands.
John reads the instructions with the intensity of a man disarming a bomb.
"You're taking this way too seriously," you observe.
His eyes don't leave the paper. "I don't lose to baked goods."
You snort. "It's not baked goods. It's… pre baked architecture."
John finally looks up. The way he does it makes your stomach do that little inconvenient flutter like it's trying to get involved. His gaze slides over you, slow and deliberate, and you feel the warmth of it like a hand at your waist.
"Architecture," he repeats. "So you're saying it needs a strong foundation."
You narrow your eyes. "Are you flirting with me over structural integrity?"
"Is it working?"
You lift the icing bag. "I'll decide after I see your piping technique."
His eyebrows jump, and then that grin hits his mouth, quick and dangerous, like it belongs on a man who knows exactly what he's doing with his hands and enjoys the knowledge a little too much.
"Alright," he says, leaning in. "Show me."
You cut the tip of the bag, pinch it between your fingers, and press. A thick ribbon of icing oozes out onto the tray with a sound like defeat.
John watches, his attention sharp. "You're squeezing too hard."
"I'm not squeezing too hard," you argue, squeezing harder out of spite.
The icing slumps like a sad glacier.
John reaches across you without warning, his forearm brushing your wrist. His touch is warm, steady. He guides your hand with quiet confidence, like this is just another drill and you're his trainee who refuses to follow directions.
"Ease up," he murmurs close to your ear. "Let it flow."
Your breath catches on the last word. Your hand does, in fact, relax. The icing line smooths out, neat and glossy.
You glance up at him. "You're enjoying being right."
"I always enjoy being right."
"That's not true."
John's eyes flick to your mouth, and the air turns… different. Not heavy exactly. More like charged. Like the room has decided to pay attention.
"It's mostly true," he amends.
You push the first wall panel into the icing bead and hold it upright. John takes the opposite panel, mirroring you.
For a few seconds you're both still, leaning toward the center, hands steady, faces closer than necessary for baked goods warfare.
It smells like cinnamon and sugar and the kind of quiet you only get when nothing is on fire.
"This is kind of nice," you admit.
John's mouth softens. "Yeah."
Then the wall wobbles.
"Hold it," he orders.
"I am holding it."
"It's leaning."
"It's expressing itself."
John's laugh is low and brief, like he tried to keep it in and failed. "You're making excuses for a gingerbread wall."
"You're yelling at a gingerbread wall."
He shoots you a look. "Focus."
You stick your tongue out at him, which is extremely mature and effective.
He stares for a second, then drops his gaze like he's counting to ten. "Do not make that face at me."
"What face?"
"That one." His voice roughens, just a notch. "The one that says you're about to cause problems."
You smile sweetly. "Me? Never."
"Liar."
The wall steadies. Together you press the pieces into place. John's hand brushes yours, knuckles grazing, and it shouldn't matter. It does anyway.
When the base finally holds, you sit back on your heels and exhale.
John rolls his shoulders like he just survived the final round of a competition. "See? Strong foundation."
You point a finger at him. "Do not turn this into a metaphor."
"I'm not turning it into anything."
"Your eyes are turning it into something."
His eyes flick up, shameless. "Maybe you're projecting."
"You're absolutely projecting," you counter, and reach for the icing bag again.
The roof panels come next. They're heavier than they look, and as soon as you try to set one in place, the walls begin to buckle like they've remembered they're made of cookies.
John braces the house with one hand while you pipe icing along the top edge with the other.
"Careful," he says, and his tone drops, softer. "Don't rush."
"I'm not rushing."
"You're rushing."
You make a face and press harder. The icing spurts out in a rebellious blob that lands on the corner… then arcs, traitorous, toward you.
A fleck smacks your upper lip.
You freeze.
John freezes too.
For a second, the only sound is the faint hum of the refrigerator and your say nothing stare turning into a silent standoff with the universe.
You lift your hand toward your mouth, but John catches your wrist.
"Don't," he says.
You blink at him. "Don't what?"
His gaze locks on your lip like it's a target he's been trained to hit, and suddenly all the playful energy sharpens into something quieter, closer, more dangerous than it has any right to be in a living room full of sprinkles.
"Don't wipe it," he repeats, voice low.
Your throat goes dry. "Why?"
John's mouth twitches like he's fighting a smile and losing. "Because."
"That's not an answer."
His eyes lift, meeting yours, and there's a heat there that makes your spine remember it has nerves. "Because I can't stop thinking about kissing it off."
For once, you don't have a quick comeback ready. Not a smart one, anyway.
Your heart does this ridiculous little thump like it wants to applaud.
You swallow. "John…"
He shifts closer, still holding your wrist, but gentle. Like he's asking without asking. His thumb presses lightly against your pulse point, and it's an unfair reminder that he can feel what you're feeling, can measure it.
Your lips part.
"You're getting distracted," you manage.
His eyes flick to the gingerbread house, held together by sheer will and icing, and then back to you. "Yeah," he says, completely unapologetic. "I am."
You tilt your chin up, daring. "So fix it."
John's expression changes, like something inside him settles. He leans in slowly, giving you time to stop him. You don't.
His mouth brushes yours first, soft, like a question. Then he shifts, precise, and kisses the icing from your lip with a gentle sweep that's somehow both sweet and indecently intimate. The taste of sugar blooms between you, and your hands forget what they were doing.
He pulls back just enough to look at you, close enough that you can feel his breath. "There," he murmurs. "Problem solved."
You stare at him, stunned into silence for half a heartbeat.
Then you lift your free hand, smear a tiny dab of icing on the corner of his mouth, and smile like an angel with a criminal record.
John blinks. "Did you just…"
"Problem created." you say sweetly.
His eyes narrow. "You're dangerous."
"Maybe."
He sets the gingerbread house down with extreme care, like he's placing a fragile artifact back into a museum, then turns fully toward you.
"Alright," he says, voice warm and warning all at once. "Now you're asking for it."
"What am I asking for?" you tease, even though the answer is obvious in the way he looks at you.
John leans in, and this time the kiss isn't a question. It's still gentle, still sweet, but there's a confident hunger to it that makes your breath tangle. He tastes like coffee and sugar and that quiet heat he keeps under control until he doesn't.
Your fingers slide into the hair at the nape of his neck, tugging lightly. He hums against your mouth, hand bracing at your waist, steadying you the way he steadied the walls.
When he finally pulls back, his forehead rests against yours, and he exhales like he's amused at himself.
"You know," he murmurs, "we're never finishing that house."
You glance at the cookie structure behind him, now slightly slanted, frosting dripping in a slow surrender. "It's fine."
John's mouth curves. "It's leaning."
"It's expressing itself," you repeat.
He laughs again, low and genuine, then kisses you once more, quick, like punctuation.
"Next weekend," he says, "we do something less dangerous."
You raise an eyebrow. "Less dangerous than gingerbread?"
John's eyes flick to your mouth, lingering like he's filing the memory away for later. "Less dangerous than you with icing."
You nudge his shoulder with yours. "Coward."
He tightens his hand at your waist, pulling you a little closer, and his smile turns softer.
"Yeah," he says, like it's a confession and a promise. "Only around you."
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C's corner: Hi loves, I feel like I’ve been neglecting my tumblr lately. I’ve been super stressed, adulting has been kicking my ass, but I’ve decided this is NOT how the rest of my 2026 will be. Anyway, here’s a little blurb from a side short fic I am thinking about writing. Enjoy.
John hated lying to you. Even by omission. It sat wrong in his chest, a pressure that made him restless and sharp around the edges.
But he couldn’t tell you. Not yet.
Not until it was right.
Not until he could kneel in front of you without a single doubt that the moment would be worthy of the way you had rearranged his life without even trying.
He pulled the ring box out once, finally, and opened it.
The diamond caught the light, simple and elegant, chosen because it reminded him of you. Strong without being loud. Brilliant without trying.
John swallowed hard.
“Soon,” he murmured to the empty room, like a promise he was afraid to break.
Outside the door, down the hall, you were starting to wonder why the man who used to look at you like home now looked like he was preparing for impact.
And John had no idea that his silence was already writing a very different story in your head.
C's corner: Hello loves ❤️ So… I got a little carried away with this chapter. But honestly? John and Em needed this. After everything they’ve been carrying, they deserved a moment to just be soft with each other. Messy, emotional, tender, and finally honest in the way only they can be.
Thank you so much for all the love on this story so far. Every like, comment, reblog, and tag means so much to me, and to all of my followers, thank you for sticking with me and my emotionally complicated little corner of the internet.
I hope you enjoy this one. John and Em are deep in the feelings trenches now, and honestly… so am I. 🫶🏽✨
This is written in second POV, but reader will have a name, Mara Hart, it won't be used often, but will pop up every now and then, especially her nickname, Em, and from here on out Hart.
WARNINGS: 18+ only, MDNI, explicit sexual content, first time together, emotional intimacy, love confessions, mentions of grief, mentions of past violence/killings, military pressure/investigation, anxiety, guilt, trauma, protective john walker, soft aftercare, john being painfully tender.
✍🏽 WC: 11.7K+
SUMMARY:
After another long day pulls John away from you, worry and longing follow you straight to his apartment. What starts as checking in on him turns into something softer, heavier, and harder to ignore, as both of you are forced to face the feelings growing between you and the ghosts still lingering in the room.
TAGS: @iwritefanfictionsnottragedies, @quantumlethe, @qvicksilversass, @daylightandthedreamer, @mencantaleer, @amnatreal, @sebastians-love, @spectralexiletrace, @weasleyswizarding-wheezes, @lilulicious (to be added to the tag list CLICK HERE)
The church smells like floor cleaner, coffee, and old wood. It should be grounding, usually, it is.
The scrape of folding chairs across linoleum. The low murmur of volunteers sorting donation bins. The distant laugh of someone in the kitchen who has no idea the world has ever ended, or maybe knows and has simply learned how to laugh anyway.
You should be thinking about the stack of canned goods in front of you. You should be checking expiration dates, organizing labels forward, keeping count the way you promised Sister Agnes you would.
Instead, you are thinking about John Walker's hands. Because apparently your brain has no sense of community service.
You stare down at a can of green beans and see his apartment instead. The couch. The forgotten report. His mouth against your throat. His voice saying girlfriend into a military phone call like he had carved the word into stone before anyone could take it from him.
You had almost crossed a line.
No.
You had walked right up to the line, pressed your hands against its chest, and asked if it wanted to come closer.
If that phone had not rung, you know exactly what would have happened.
Your face warms in the church supply room. 'Perfect. Wonderful. Very holy.' you think. You set the can down too hard.
Across the table, Sister Agnes looks up over the rim of her glasses. She is tying little paper tags onto donation bags with the calm precision of someone who could probably shame a demon back into the ground with one look. "Everything all right, dear?"
You blink. "Yes."
She eyes the can.
You glance down at it. The green beans are dented now.
You smile weakly. "Aggressive sorting."
Sister Agnes hums, slow and deeply unconvinced. "Careful. Even vegetables deserve mercy."
"I'll apologize to them."
"See that you do."
There is no judgment in her voice. Somehow that makes it worse. She simply gives you one more look, gentle and knowing enough to peel paint, before going back to her donation bags.
You exhale through your nose and press both hands flat to the table. 'Get a grip, Mara.'
The problem is, you don't want a grip. You want John. The thought doesn't arrive gently. It lands heavy and honest in the center of you, no disguise, no exit strategy.
You want him.
His hands. His mouth. His rough little sounds when you touch that freckle on his ear. The careful way he asks if you're okay even when his whole body is shaking with the effort of holding back. The warmth of him in bed beside you, steady and alive, one arm always finding you sometime in the night like he's checking that you're still there.
You want him, and you're almost certain John wants you too.
You saw it in his eyes before the call interrupted. You felt it in his hands beneath your shirt. You heard it in his voice when he said your name like it cost him something.
Your fingers drift to your chest without permission. The wolf charm rests beneath your shirt, warm from your skin. You slip it free and hold it between your fingers.
For a moment, the church noise dulls around you.
The charm catches the light, small and familiar, and grief rises in you the way it always does. Not sharp enough to cut you open today. Not gentle enough to ignore either.
"I still love you," you whisper.
The words are so quiet they barely exist. You bring the charm to your lips and kiss it.
It's not a confession you need forgiven, not an apology, just the truth.
You love Bucky. Some part of you always will. That love sits in the marrow of who you became after the world broke apart. It's stitched into the old version of you, the one who survived on ghosts and knives and promises no one else could hear.
And still...
You love the way John looks at you like he's relieved you walked into the room. You love the way his apartment has started to hold your shape. You love the way he lets you be haunted without trying to exorcise you.
You love him too. The realization sits in you quietly. Just waiting for you to stop looking away.
Your phone pings in your back pocket. Your heart makes one stupid, hopeful little leap before you can stop it.
You pull it out.
John: I'm sorry, love. Got held up at base. I'm not going to make it to the church today.
Another message appears before you can type.
John: I'll call you when I can.
You stare at the screen.
You knew this would happen. You felt it coming all morning, that ugly little pressure behind your ribs every time you checked the door and saw someone who was not him. Base has been swallowing him whole lately. Free days. Nights. Mornings that were supposed to be his. Hours that were supposed to belong to neither mission nor report nor special review.
The military keeps taking pieces of him and calling it duty. You hate it.
You hate that he sounds sorry when he has no control over it. You hate that you can picture him standing somewhere fluorescent and sterile, jaw tight, shoulders squared, saying yes sir while someone else decides what part of his life gets to belong to him.
You type back before anger can turn into something sharper.
You: It's okay. Be careful.
Then, because you're trying to be a person who says what she means before the world punishes her for waiting,
You: I miss you.
The little delivered note appears. You lock the phone and slide it away.
For a second, you let your fingers close around the charm again. Then you tuck it beneath your shirt, pick up another can, and try not to dent this one too.
By the time evening starts smearing gold across the parking lot, most of the volunteers have gone home. The church doors are propped open behind you. The last of the supply tables are folded and stacked.
You and Lemar are clearing the parking lot. Which mostly means you are picking up empty water bottles while Lemar carries three folding chairs at once because he likes being useful and irritating about it.
"You know," he says, balancing the chairs against his hip, "for a place of worship, this parking lot has a real talent for collecting trash."
You stab a paper cup with the grabber in your hand. "Maybe the trash is seeking redemption."
"That cup looks beyond saving."
"You would know."
Lemar pauses. "Was that an insult?"
"You'll figure it out."
He grins. "There she is."
You roll your eyes and drop the cup into the trash bag.
Lemar shifts the chairs higher in his arms. "You've been quiet today."
"I'm volunteering. Quiet is allowed."
"With you? Suspicious."
"I can be quiet."
"Yeah, when you're plotting."
You look at him. "Do you want me to start plotting?"
"No, ma'am." He lifts one chair like a shield. "I choose life."
You huff despite yourself and tie the trash bag closed.
For a minute, the two of you move in silence. Comfortable silence, the kind that has earned its place. Lemar has always been too good at standing beside your damage without poking it just to see what color it bleeds.
That makes him dangerous in a different way.
You glance toward the street. Then at him. "Can you give me a ride?"
Lemar doesn't even try to hide his smile.
You regret speaking instantly.
"To where?" he asks, voice already too innocent.
You narrow your eyes. "Don't."
"I don't know what you mean."
"Yes, you do."
"I'm simply asking for the destination. Very normal. Very logistical."
"John's place."
Lemar's smile becomes a full event. The man has never met a moment he could not turn into a weapon.
"Hmm," he says.
You point at him. "No."
"I didn't say anything."
"You said hmm."
"Hmm is not a crime."
"It is when you do it like that."
"Like what?"
"Like you're about to put on a bonnet and gossip from a porch."
Lemar laughs, bright and loud, and the sound bounces off the church brick. "Trouble," he says, "you have a key to the man's apartment and still ask me to drive you over there like this is a neutral errand."
You grab another empty bottle off the pavement. "It is a neutral errand."
"Right."
"I am going to check on him."
"Very neutral."
"He has been stuck at base all day."
"Mm-hmm."
"He might be tired."
"Naturally."
"And someone should make sure he hasn't worked himself into the floor."
"Someone."
You glare at him. "You are enjoying this way too much."
"I'm enjoying it a normal amount."
"There is nothing normal happening on your face right now."
Lemar presses a hand to his chest. "That hurts. This is my concerned face."
"That is your I know something and I'm about to make it everyone's problem face."
He laughs again and finally starts walking toward his truck. "Come on. I'll take you to your neutral errand."
You follow him. "You are never meeting anyone I date ever again."
"Too late. I knew John before you did."
"That is exactly the problem."
He tosses the chairs into the back of the truck and looks over at you. The teasing softens, not gone, just lowered. "He text you?"
You look down at the trash bag twisted in your hand. "Yeah."
"Base?"
"Yeah."
Lemar's jaw tightens for half a second.
You see it. He knows you see it. Neither of you says anything until you're both in the truck and the church starts shrinking in the rearview mirror.
The ride begins with the radio low. Some old R & B song hums through the speakers. Lemar taps two fingers against the steering wheel, less to the beat and more because stillness doesn't suit him when he's worried.
You watch streetlights flick on one by one. For a while, you let the quiet sit. Then you ask the question that has been clawing at the inside of your chest since John's phone call days ago.
"Do you think they know?"
Lemar's fingers stop tapping. He doesn't look at you right away. "Know what?"
You turn your face toward the window. Your reflection looks back at you from the glass, faint and ghostlike. "My past."
The truck rolls through a green light. Lemar's voice changes when he answers. Less playful now. All brother, all soldier. "Mara."
"The killings," you say, because if you don't say it cleanly, it will grow teeth. "The people I killed after the Blip. What I was doing when John and I met. When you found me."
Lemar is quiet.
You remember that night too well.
The warehouse stink of blood and dust. The sound of your own breathing, too calm for what you had done. You had been a ghost wearing skin, a girl sharpened into a weapon by loss, grief packed so deep inside you that mercy had felt like a language from another country.
John had looked at you like he could see the wound beneath the blade. Lemar had looked at John like, what the hell are we walking into? Neither of them had turned you in.
"They don't know," Lemar says.
You look at him.
His eyes stay on the road, but his voice is certain enough to put steel in the air. "John and I never made a report."
Your throat tightens.
He continues, steady. "Not about you. Not about what happened. Not about who you were before or what you did. In our files, that whole thing is smoke. Bad intel, dead end, nothing actionable."
"Lemar."
"I mean it." He glances at you then. "You're a ghost in our reports."
The words should comfort you, they do, a little. They also chill something old inside you. A ghost. You have been that for so long.
"I don't know if that matters anymore," you say.
"It matters."
"They asked John about me."
His mouth tightens.
You watch his hands on the steering wheel. "He didn't tell you?"
"He said they asked questions." Lemar exhales through his nose. "He didn't say details."
"They asked how long he knew me. What I was to him."
"Yeah," Lemar says quietly. "That tracks."
Your stomach twists. "With what?"
"I don't know yet."
"Don't do that."
"What?"
"That soldier voice." You turn toward him fully. "The one where you pretend uncertainty is strategy."
Lemar's mouth pulls into a humorless smile. "Learned from the best."
"John?"
"No," he says. "You."
That shuts you up.
The truck moves through the evening, tires whispering over pavement.
You stare at your hands.
"They can ask whatever they want," you say. "It doesn't change what happened."
"No. It doesn't."
"And if they find out, if they dig deep enough, if some buried thing crawls its way out..." You swallow. "I'm prepared for the consequences."
Lemar's head turns sharply toward you before he forces his eyes back to the road. "No."
You blink. "No?"
"No," he repeats. "I hate when you talk like that."
"Like what?"
"Like you already signed the sentencing papers in your head."
Your jaw tightens. "I'm being realistic."
"You're being cruel to yourself and calling it realism because it sounds more respectable."
The words land harder than you expect. You look out the window again.
Lemar softens, but only slightly. "Prepared doesn't mean deserving, Mara."
You close your eyes. "Don't."
"I'm serious."
"I know you are. That's why I said don't."
He sighs. "You did terrible things."
Your eyes open.
He doesn't flinch from it. That's the thing about Lemar, he can be kind without lying. It makes the kindness harder to survive.
"You did," he says. "And you also survived something that tore the world apart, both can be true. But don't sit there and act like consequences are the same as justice. They're not always."
You stare at him.
He keeps driving.
After a long moment, you say, "I hate when you're emotionally competent."
He smiles a little. "I know."
"It's unsettling."
"I contain multitudes."
You huff, but the laugh barely makes it out.
Lemar reaches over and taps his knuckles lightly against your knee. Quick. Brotherly. There and gone.
"He won't let them use you," he says.
You look down at where his hand was.
"And neither will I."
The threat in his voice is soft. It makes your chest ache.
"Thanks," you whisper.
He gives you a sideways glance, trying to pull the moment back from the edge before it becomes too tender to survive.
"Also, for the record, if you and John ever break up, I'm keeping you in the divorce."
You blink. Then you laugh, sudden and real.
"There's no divorce, idiot."
"I'm just saying, I was your brother first."
"You were never my brother."
He looks offended. "That is hurtful."
"You assigned yourself the role."
"And I have performed it beautifully."
"True, you are driving me to my boyfriend's apartment while bullying me."
"That's premium brother service."
You shake your head, but you are still smiling when his truck pulls up outside John's building.
Lemar puts it in park and looks up at the windows.
For a second, the teasing vanishes again.
"You sure you're okay?"
You follow his gaze. One of the windows is lit. John is home. The sight loosens something in your chest before you can stop it.
"Yeah," you say. "I'm okay."
Lemar looks at you.
You sigh. "I will be."
He accepts that because he knows it's the best truth you have.
He gets out with you anyway.
"I can walk myself upstairs," you say.
"I know."
"Then why are you getting out?"
"Because I want to see his face when you use the key."
You stop on the sidewalk and glare.
Lemar grins. "What? I've earned joy."
"You've earned silence."
"Never cared for it."
You mutter something unkind under your breath and head inside. Lemar follows, delighted.
The elevator ride is unbearable because he keeps looking at you. You stare straight ahead.
"Stop."
"I'm not doing anything."
"You're looking at me emotionally."
"That's your thing."
"I learned it from John."
"You two are terrible influences on each other."
You glance at him. "And you're loving every second."
"Deeply."
When you reach John's door, you pull the key from your pocket. It still feels strange in your hand. Not bad strange, terrifying strange, soft strange. The kind of strange that makes your ribs feel too small for your heart.
You unlock the door.
Lemar makes a sound behind you.
You turn before opening it. "No."
He presses his lips together.
"Do not say anything."
He holds up both hands.
"You're vibrating."
"I am full of support."
"You are full of something."
You push the door open before he can answer.
John is already there.
He stands near the hallway, towel in one hand, running it through damp hair. He has on a dark T-shirt and sweatpants, feet bare, shoulders loose in a way they only get when he's home and trying to pretend the rest of the world is not chewing through his patience.
He looks up at the sound of the door.
For half a second, his face is all soldier.
Then he sees you.
The tension around his eyes eases. His mouth softens. His hand stills with the towel half lifted, and the warmth that moves through his expression is so open that you almost forget Lemar is behind you.
"Hey," John says.
You step inside like you have every right to. Because apparently, you do now.
"Hi."
John's eyes flick past you to Lemar, then back to you. Amusement ghosts across his face. "You bring backup?"
Lemar steps in behind you. "Chauffeur. Emotional witness. General public nuisance."
Without looking back, you say, "At least you're self-aware."
"Barely," Lemar says.
John's mouth twitches.
You walk straight to him, rise onto your toes, and kiss him. Quick and soft. Possessive enough to make your own stomach flip.
When you pull back, John is looking at you like you just turned the lights on inside his chest.
Unfortunately, Lemar exists.
You glance over your shoulder at him. "Not a word."
Lemar holds both hands up, eyes wide with theatrical innocence. "I didn't say anything."
"You were about to."
"I was going to say I'm leaving."
"You were not."
"I was eventually going to get there."
John laughs under his breath.
You point at him. "Do not encourage him."
"I breathed."
"You both use that excuse. I hate it."
Lemar grins at John. "For the record, this was apparently a neutral errand."
Your face warms. "Lemar."
"What? I'm supporting the narrative."
"You are seconds away from losing speaking privileges."
He looks between you and John, grin softening into something far too knowing. "She's mean when she's in love."
The apartment goes still.
Your entire body heats.
John's eyes flick to you.
Lemar's grin falters just enough to prove he knows he poked something soft. Then he clears his throat and takes one step back. "I'm leaving now."
"Great idea," you say too quickly.
John's eyes flick to you.
You look anywhere but at his face. "I'm going to take a quick shower," you tell him. "Lemar, thanks for the ride."
Lemar salutes you badly.
You glare at him because that is safer than any other expression. Then you escape down the hall before the apartment can grow more feelings.
The bathroom door shuts behind you. For a second, you stand there with both hands on the sink. Your reflection looks flushed. Nervous. Alive in a way that still catches you off guard sometimes.
You turn on the shower.
In the living room, John watches the hallway long after the bathroom door closes.
Lemar sees it. The man has made a hobby out of noticing what John tries to hide.
"You good?" Lemar asks.
John looks back at him. "Yeah."
"That was convincing."
John tosses the towel over his shoulder. "What?"
Lemar's teasing fades. There is no clean way into it, so he just steps through.
"She's worried about you."
John's jaw tightens. "Lemar."
"No. I'm saying it because she won't." Lemar keeps his voice low. "She's worried about all this military bullshit you're wrapped up in. The special review. The questions. You getting called in on days you're supposed to be off. She's acting like she can take whatever comes, but that doesn't mean she's not scared."
John looks toward the hall again. A muscle works in his jaw. "I know."
"Do you?"
John's eyes come back to him, sharp now.
Lemar doesn't back up, he never has.
John exhales and drags a hand over his damp hair. "I know she's worried."
"She asked me if they knew about her."
John goes very still.
Lemar's expression hardens. "About what happened after the Blip. About what you and I walked into."
John's voice drops. "What did you say?"
"I told her the truth. We never made a report. She's a ghost in our files."
John looks down. The words don't soothe him the way they should. Because now the military is asking questions about a ghost. And John doesn't like ghosts becoming targets.
Lemar steps closer. "You need to talk to her."
"I will."
"Don't just tell her everything's fine."
John's mouth tightens.
Lemar raises his brows. "That face means you were absolutely going to tell her everything's fine."
"I can handle it."
"I know you can handle a lot." Lemar's voice softens, but only a fraction. "That's not the same as letting her in."
John looks toward the hallway again.
The shower is running now.
He can picture you in there too easily. Wet hair. His soap on your skin. That look you get when you're pretending not to worry because you think worry is another burden someone else has to carry.
His chest tightens.
"I'll talk to her," he says.
Lemar studies him. Then, because he is Lemar and apparently allergic to ending anything with clean sincerity, he tilts his head toward the hallway.
"So," he says, "she has a key now."
John blinks at him. "What?"
"I'm just saying. Key to the apartment. Showing up after church. Kissing you like she pays rent here."
John narrows his eyes. "Lemar."
Lemar lifts both hands. "I'm observing."
"Get out."
"Gladly. Some of us respect boundaries."
John gives him a look.
Lemar's grin flashes. "Recent development. I'm proud of it."
"Goodnight, Lemar."
"Goodnight, boyfriend."
John's ears go faintly pink.
Lemar sees it, brightens, and wisely leaves before John can throw something at him.
The apartment quiets after the door closes.
John stands there for a moment, listening to the shower, feeling the shape of everything pressing in from all sides.
Base. The review. The questions. You.
You, who walked into his apartment with a key and kissed him like coming home. You, who loved a ghost and somehow still looked at him like he was something worth reaching for.
His hand curls once at his side. He's going to handle this, he has to.
When you come out of the shower, you are wearing one of John's oversized shirts and your shorts.
Of course, the shirt is his. Of course, it hangs off one shoulder. Of course, John Walker, decorated soldier, trained officer, certified man with working lungs, forgets how to breathe.
You walk into the room rubbing a towel through your hair, bare feet quiet against the floor. The shirt slips a little lower with each step, exposing the curve of your shoulder and the strap of your top underneath.
John is standing near the couch. He looks at you, then your shoulder. Then very deliberately back at your face like he's trying to be noble and losing a private war.
You notice. Your mouth curves. "What?"
"Nothing."
"That was not nothing."
"You're wearing my shirt."
"I wear your shirts all the time."
"I know."
"You keep looking surprised."
"I keep surviving it."
The words slip out before he can stop them.
Your smile softens in that dangerous way, the one that makes him feel seen and undone at the same time. You step closer. "Surviving?"
"Barely."
Your face warms, but you don't look away.
John reaches for you slowly, his fingers brush your exposed shoulder. A soft, careful touch.
Your breath catches.
John's thumb moves once over your skin. "You're cold," he murmurs.
"I just got out of the shower."
"Mm."
"That was an explanation, not an invitation to look concerned."
His mouth curves faintly. "I'm always going to look concerned."
"Sounds exhausting."
"Sometimes."
Your eyes lift to his. The air shifts slowly, the way a tide changes while pretending to be still.
John's hand stays on your shoulder, warm against the cool damp of your skin. His thumb traces a small path there, over and over, and your body betrays you by leaning into it.
He sees that too. But instead of kissing you, instead of letting the heat catch, he draws in a breath. "Lemar told me what you asked him."
Your eyes close for half a second. When they open, the softness is still there, but now it has armor around it. "I'm never telling Lemar anything again."
John's mouth twitches. "He cares about you."
"He has a terrible way of showing it."
"He drove you here."
"He mocked me the entire way."
"That's how he shows affection."
"I noticed. It's a hostile love language."
John smiles, but it fades quickly. His hand slides from your shoulder to the side of your neck.
"Everything's under control," he says.
You stare at him.
John already knows that look. It's the one that means you have found a weak point in his sentence and are preparing to stab it.
"Is it?" you ask.
"Yes."
"John."
"I mean it."
"You got called into base on your free day again. The military's asking questions about me. Lemar looks like someone shoved classified dread into his pockets." You step closer, fingers curling lightly around his wrist. "And you want me to believe everything is under control?"
His jaw tightens.
You soften your voice. "I care about you."
That hits him harder than the accusation would have. You see it land. The way his eyes change. The way his throat works once. The way his hand stills against your neck.
You lift both hands and cradle his face. "I care about you," you repeat, quieter. "That's what makes me worry about all this special review crap."
John closes his eyes for half a breath. When he opens them, the soldier has not disappeared. He's still there, still braced, still ready to shoulder the weight alone because that is what he was trained to do and praised for doing and punished for failing at.
But the man beneath him is tired.
Your chest aches. "Talk to me," you say.
He looks at you for a long moment. Then he covers one of your hands with his. "I don't know what they're looking for yet."
The honesty is small, but it matters.
You nod.
"They're reviewing my conduct. My reports. My recent operations. They're asking questions that don't line up with what they said this was supposed to be." His thumb brushes over your knuckles. "And now they're asking about you."
"Because of me?"
"No."
"You don't know that."
His expression hardens. "I know you're not the problem."
"That's sweet."
"It's true."
"Those aren't always the same thing."
"Mara."
The name comes out rough.
You stroke your thumbs along his cheeks. "I'm not saying I'm the problem. I'm saying I have been one before."
His face changes. "Don't do that."
"Do what?"
"Talk about yourself like evidence."
The words knock something loose in you. For a moment, you cannot answer.
John leans his forehead against yours. "I can't tell you not to worry," he says. "That would be stupid."
"Mm. Growth."
His mouth twitches against restraint. "But I need you to know I'm not going to let them turn you into leverage."
Your breath catches.
"They don't get to use you to get to me," he continues, voice low. "And they don't get to use me to scare you."
You close your eyes for a moment. "I'm prepared," you whisper.
John pulls back enough to look at you. "I know you are."
You blink at him.
He doesn't say it like Lemar did. He doesn't argue. He doesn't soften the truth until it becomes something easier. He simply sees you.
"But you don't have to prepare alone," he says.
Your throat tightens. You hate him a little for that.
"You're getting dangerously good at saying the right thing," you murmur.
His eyes soften. "Only with you."
You drop your hands from his face before you do something humiliating like cry over emotional competence.
John catches one of your hands before it falls completely. His gaze moves over your face, searching. Then, because he must sense you're one tender sentence away from dissolving, he changes the subject.
"So," he says quietly.
You look at him. "So?"
His thumb moves over the back of your hand. "You used your key."
The shift is so soft, so carefully placed, that for a second all you can do is stare at him.
Then your face warms.
"I did."
John looks toward the front door, then back at you. "Felt kind of natural."
"Don't get emotional about a key."
"I'm not."
"You are."
His mouth twitches. "Maybe a little."
You narrow your eyes. "You and Lemar are unbearable in different fonts."
"He said this was a neutral errand."
"Lemar says a lot of things."
"He also called me boyfriend."
Your eyes close slowly. "I'm going to kill him."
John's smile finally breaks through. It's small, tired, and unfairly beautiful. "He seemed proud of himself."
"He should mind his business."
"He never has."
"He should start."
John's fingers lace with yours. You look down at them, then back up.
The room has gone softer at the edges. The worry is still there. It hasn't left. It sits in the corner like a patient animal with too many teeth.
But John is here. Warm. Barefoot. Damp-haired. Looking at you like you're the only thing in the room he understands.
You tug lightly on his hand.
"Come to bed."
His eyes darken. Not all at once. Not crudely. Just enough.
"Mara."
"What?" You lift your brows. "We share a bed now."
His mouth curves. "Yeah, we do."
"Very domestic of us."
"Terrifying."
"Deeply." You step backward, pulling him with you. "Come on."
The warmth returns first. Then the heat beneath it. Then the careful pause he always gives you, even now, even after weeks of shared beds and stolen shirts and kisses that have been getting less innocent by the day.
"You sure?" he asks.
You step closer until your body nearly brushes his. "Yes."
John's hands tighten at your waist.
"Okay," he says softly.
Then he kisses you soft enough that it almost hurts.
His mouth moves over yours with the kind of patience that makes your knees unreliable, one hand sliding from your waist to your lower back while the other comes up to cradle the side of your neck. He walks you backward carefully, not rushing, not pushing, just guiding you toward the hallway as if the apartment has narrowed to the path between his mouth and the bedroom.
You go willingly.
Your arms wrap around his neck, fingers sliding into the damp hair at his nape. He makes a quiet sound when your nails graze lightly there, and you smile against his mouth because you are becoming terrible with power.
John notices. "You're proud of yourself again," he murmurs.
"A little."
His mouth brushes yours. "Problem."
You huff a small laugh and slide your fingers higher. You find his left ear.
John's breath catches before you even touch the freckle.
Your smile deepens. "Already?"
"Hart."
There it is, that warning with no ammunition.
Your thumb brushes over the tiny freckle on his earlobe. John stops walking for half a second. The sound he makes is low, quiet, almost helpless. It moves through you in a warm, wicked little bloom.
"You are so easy there," you whisper.
His eyes open, dark and narrowed. "Keep talking."
"Is that a threat?"
"No." His hand slides lower on your back, pulling you a fraction closer. "It's a warning."
You brush the freckle again.
John's jaw flexes. Then his mouth is on yours again, hotter now, less patient.
You stumble backward into the bedroom, laughing softly against his lips when your heel catches the edge of the rug. John catches you immediately, one arm firm around your waist, the other braced at your side.
"Careful," he murmurs.
You look up at him.
The word hangs strangely between you. You have both been so careful. Careful with grief, with want, with the ghost under your shirt and the soldier beneath his skin. Careful has kept you safe. Careful has also become a door neither of you knows how to open without breaking something.
You lift your hand to his face. "I'm here."
His eyes search yours.
Then his mouth softens, and he kisses you again, deeper.
He walks you back until your legs hit the edge of the bed. You sit, tugging him with you by the front of his shirt. John follows with a low breath, one knee sinking into the mattress beside your thigh as he leans over you.
His hand cups your jaw. His thumb traces your cheek.
"You tell me if you want me to stop," he says.
You nod.
His eyes sharpen slightly.
You swallow. "I will."
"Promise me."
The demand should annoy you. It doesn't. Not when his voice is rough with want and still threaded with restraint. Not when his body is asking for you and his first instinct is still to make sure you know the door is open.
You touch his cheek. "I promise."
John exhales, then his mouth lowers to your shoulder.
The shirt has slipped again, leaving skin bare to the cool air and his warm breath. His lips brush the curve first, a barely-there touch that sends a shiver through you. Then he kisses you properly, open-mouthed and slow, right where your shoulder slopes toward your neck.
Your head tips back before you can stop it. A soft sigh leaves you.
Pleased.
John stills for the smallest second, then he does it again.
Your fingers tighten in his shirt. "John."
His name sounds different like this. Less like a warning. More like permission.
His mouth moves along your exposed shoulder, patient and devastating, each kiss placed with maddening care. His hand settles on your bare leg, warm against your thigh, thumb brushing once over your skin.
You breathe in sharply.
He looks up immediately. "Okay?"
You nod, already reaching for him. "Yes."
His gaze stays on yours for another beat, making sure.
Then his hand moves again, slow over your thigh, his palm callused and warm, sliding carefully until his fingers curl at your hip. He kisses you as he does it, mouth returning to yours, and you fall back onto the bed, pulling him down with you.
John follows. Always careful with his weight. Always aware of where his hands are, where your body is beneath his, how much room you have to move.
You hate how much that undoes you.
His body settles over yours, one hand braced beside your head, the other still on your hip. Your legs shift around him naturally now, no panic in the movement, no apology.
Just want, just the heat of him and the familiar weight of his breathing against yours.
Your hands slide under the hem of his shirt, fingers pressing to the hard warmth of his back.
John groans into your mouth.
The sound sparks through you. "There it is," you breathe.
He pulls back just enough to look at you, eyes dark. "You like that too much."
"I like a lot of things too much."
His mouth curves, but the smile shakes at the edges when your hands move over his skin.
"Yeah?" he asks.
You nod, then lift your hips slightly beneath him.
John's eyes close. His breath leaves him in a rough exhale.
Your own sound follows, small and helpless, when his hand slides beneath the edge of the shirt you stole from him.
His fingers find your waist first. Warm skin to warm skin.
You both go still.
It's not the first time he has touched you there.
These past few weeks have shifted things between you, kiss by kiss, touch by touch, the line between comfort and hunger thinning until you can barely see where one ends and the other begins.
His hands have learned your waist, your ribs, the dip of your back.
Your hands have learned the weight of his shoulders, the warmth of his stomach, the soft, secret sound he makes when your mouth finds his left ear.
Nothing has crossed that final line. But innocence has packed a bag and fled the apartment.
John's hand slides higher beneath your shirt, over the skin of your side, thumb tracing the curve of your ribs. Your back arches slightly, a pleased moan slipping from your mouth before you can trap it.
His eyes snap to yours.
There's heat in them, but also something else. Wonder. Tenderness. That quiet, dangerous awe he gets sometimes, as if he still cannot believe you're here beneath him, touching him back.
"Don't look at me like that," you whisper.
His hand pauses. "Like what?"
"Like that."
His mouth lowers to your jaw. "Can't help it."
You turn your face, catching his mouth again before he can make you feel anything too large for your chest.
The kiss burns hotter.
His hand moves under the shirt again, slow and deliberate, pushing the fabric higher just enough for his palm to spread over your bare stomach. You stiffen for half a second.
John feels it immediately. He stops. His mouth leaves yours.
"Love?"
You open your eyes. The concern in his face nearly breaks you.
"I'm okay," you say.
His gaze searches yours.
You place your hand over his, holding it there against your skin. Against the place where grief has lived in a language no one else could read.
His expression shifts.
He understands. Not all of it, no one can, but enough.
His thumb moves once. Soft and reverent. The touch is not apology this time. Not pity or fear.
Just love before the word has arrived.
You pull him back down.
John kisses you with a sound low in his throat, and the heat returns, threaded now with something so tender it makes your eyes burn. His hand stays beneath your shirt. His fingers trace your side, your waist, your ribs.
Every touch asks, every breath listens.
And you answer.
With the arch of your body. With your hands in his hair. With the soft sounds you no longer try to swallow because you have learned what they do to him.
A small moan escapes when his mouth returns to your shoulder, when his teeth graze lightly over the skin there, not enough to hurt, just enough to make your fingers dig into his back.
John groans against you. "God."
You smile, dazed and warm. "What?"
His mouth brushes your skin. "Those sounds."
Your face heats. "Don't."
"I can't." He lifts his head, eyes heavy-lidded and bright with something unguarded. "I like the sounds you make for me."
The words move through you, molten and sudden.
You tug at his shirt before either of you can get lost in the size of that feeling.
"Off."
His mouth stills against your skin.
When he lifts his head, the corner of his mouth curves. "Bossy."
"You like it."
His gaze drops to your mouth. "Yeah."
He pulls back long enough to strip the shirt over his head.
You have seen him shirtless before. In the mornings, after showers. Half-asleep in blue-gray light while you pretended not to stare because you had dignity, allegedly.
This is not the same.
Not with him over you like this. Not with his chest rising hard, skin warm under the lamp glow, every line of him familiar and new at once.
Your hands go to him immediately.
John's breath catches when your palms slide over his chest, then lower, over the tense plane of his stomach. His control slips by degrees, betrayed by the sharp inhale when your nails drag lightly over his ribs.
You look up. "Oh."
His eyes narrow. "Don't."
You smile, slow and delighted. "There?"
"Hart."
You do it again.
John groans, low and helpless, his head dipping toward your shoulder. The sound moves through you like heat through metal.
"You make sounds too," you murmur.
His laugh breaks against your skin, rough and breathless. "Apparently."
"I like them."
He lifts his head, eyes darker now. "Yeah?"
You nod.
Something hungry flashes over his face. Then his mouth is on yours again, and he kisses you until every clever word scatters out of your head.
His hands find the hem of the shirt you are wearing, his shirt.
You lift your arms.
John pulls it up slowly, his knuckles brushing your stomach, your ribs, the lower curve of your breasts. He keeps his eyes on yours until the last possible second. Then the shirt is gone, and the air touches you everywhere.
For one heartbeat, you want to cover yourself.
Because your body has been a battlefield. A shelter. A weapon. A graveyard. Because being seen has never been simple.
John sees the flicker.
He catches both your wrists before you can move them inward and brings your hands to his mouth. He kisses your knuckles one by one.
"You're beautiful," he says.
Your chest pulls tight. "Don't say it like that."
"Like what?"
"Like you mean it."
He lowers your hands back to the bed on either side of your head and leans over you, his mouth near yours.
"I do."
The words burn.
You close your eyes, but John kisses them open again, one soft touch beneath your brow, then your cheek, then your mouth.
His lips move lower.
Your breath catches as he kisses the line of your jaw, the hollow beneath your ear, the place where your pulse is betraying you. His mouth drifts to your throat, reverent and slow, and then he stops.
Not because of you.
Because of the charm.
The little wolf rests against your chest, caught in the lamplight between your bare skin and his gaze.
For a second, the room changes shape.
John doesn't touch it. He only looks at it, then at you.
The silence is gentle, but it still cuts.
Your hand rises to the charm before you can think better of it. The metal is warm from your skin.
Bucky's ghost. Bucky's memory. Bucky's love.
Still there.
Still yours.
Still resting over your heart while John looks at you like he wants to be careful with every broken, breathing part of you.
Your throat tightens.
John's voice is quiet. "Love." He swallows. "You don't have to do anything."
The kindness of that almost hurts worse.
Your fingers curl around the charm. "I know."
"I mean it." His hand comes up, not to take it, just to rest beside yours on your chest, warm and steady. "I don't want you to feel like you have to choose."
Your eyes sting.
You look down at the little wolf, thumb brushing over the familiar shape. For a moment, you are somewhere else. Somewhere colder. Somewhere full of grief and blood and all the prayers you never said out loud.
Then John's thumb strokes once over your skin.
You breathe in. "I'm not choosing between ghosts and the living."
John's expression tightens, like the words have found somewhere soft in him and pressed.
You reach behind your neck with unsteady fingers. The clasp is small, suddenly stubborn, and your hand trembles once before John carefully covers it with his.
"Let me?"
You nod.
He shifts closer, his fingers brushing your hair aside with aching care. He unfastens the chain slowly, like the necklace is something sacred, not an obstacle. Like grief deserves gentleness even when you are setting it down.
The clasp gives.
The wolf charm slips into his palm.
John looks at it for a second, then back at you.
"You sure?"
You take the charm from him and press the cool metal to your lips. Your eyes close for half a breath. Then you set it carefully on the nightstand. Just resting there, safe in the low light.
When you look back at John, your chest feels unbearably bare.
No chain.
No metal.
No memory between your skin and his hands.
Only you.
Only him.
Your voice is soft when it comes. "Tonight, I want to be here with only you."
John's breath leaves him like something in him has come undone.
For a moment, he only looks at you.
His eyes are dark and bright, his face open in a way that makes your ribs ache.
Then he lowers himself over you again.
Skin to skin.
The contact steals every thought.
His chest presses to yours, warm and solid against the place the charm used to rest. His mouth finds yours, and when you kiss him back, something in you opens wider than fear.
John's hand curls at your hip. "You're here," he whispers against your mouth.
You slide your fingers into his hair. "I'm here."
His forehead drops to yours. "And I've got you."
You believe him.
The air between you changes.
Not all at once. Not sharply. It softens first, then warms, then deepens into something that makes your heart beat too hard.
John looks at the bare place on your chest where the charm used to rest.
Then he looks at you.
"I love you."
For a second, you forget there is a body beneath your skin. You forget the bed under your back, the warmth of his hand at your side, the careful tremble in his breath.
All you know is the shape of those three words.
They do not sound clean when he says them. Not perfect or polished. They sound dragged out of him, rough around the edges, too honest to be pretty. Like they had been living in his chest for weeks and finally broke the lock.
John is still above you. He looks like he has already accepted that the words are yours now, whether you keep them or hand them back. His thumb brushes beneath your eye once, careful and afraid and so warm it hurts.
"John," you whisper.
His name is all you have.
His throat works. "I didn't mean to scare you."
You shake your head. "You didn't."
His eyes search yours, still uncertain, still open in a way that makes something deep inside you ache. You have seen John Walker angry. You have seen him proud. You have seen him brave, stubborn, exhausted, protective enough to make your own fear bare its teeth.
But this is different.
This is John with his armor on the floor and his heart in his hands.
You lift your fingers from his hair and trace the side of his face. The movement is slow, because everything feels breakable now. His cheekbone. His breath. The space between his mouth and yours.
"I don't know what to do with that," you admit.
The truth lands softly.
John's eyes flicker, but he does not pull away.
"Okay," he says.
Just that.
Not wounded. Not demanding. Not trying to stuff the words back where they came from.
You almost hate him for that. For being patient when it would be easier if he pushed. Easier if he gave you something to fight, something to resent, something sharp enough to hide behind.
But John only lowers his forehead to yours and breathes you in like even your confusion is something he can hold.
"You don't have to say anything back," he murmurs.
Your throat tightens. "That's not fair."
His mouth brushes yours, barely a kiss. "I know."
"No." You close your eyes. "I mean you being good about it. That's not fair."
You feel his smile against your mouth.
"I'll try to be worse next time."
A laugh breaks out of you before you can stop it. It comes out shaky, almost wet, and John kisses the corner of your mouth like he loves that sound too.
Then the heat returns slowly through the cracks tenderness left open.
His body is still over yours, warm and solid. His hand rests against your side like he is afraid to move without permission now that the words have changed the room. Your legs are still tangled around him. Your fingers are still at his face.
And you want him.
God, you want him.
It is different now. Deeper. It does not crawl across your skin. It sinks beneath it, fills the hollow places, turns your heartbeat into something heavy and bright.
You tilt your face and kiss him.
John freezes for half a breath.
Then he kisses you back, slow at first, like he's letting you set the terms of this new world. His mouth moves carefully over yours, but his breath shakes when your tongue brushes his, and that tiny loss of control sends heat pouring through you.
You slide your hand down his chest, feeling the hard beat of his heart beneath your palm.
His hand flexes at your waist.
You kiss him harder.
John makes a low sound into your mouth, restraint fraying. You feel it in his shoulders, in the way his body lowers over yours, in the careful pressure of his hips settling between your thighs.
Your back arches.
Both of you inhale at once.
"Love," he breathes, pulling back just enough to look at you. "We don't have to."
Your fingers curl against his skin. "I know."
"I don't want you to feel like this has to happen because of what I said."
Something inside you softens so violently it nearly undoes you. You cup his jaw. "John."
He goes still.
"I want you."
The words leave you quietly, but they hit him hard. His eyes darken. His mouth parts slightly. His fingers press into your skin.
You see the exact second he tries to make himself behave.
You decide, with great seriousness, to ruin that.
You lift your hips again, slow and deliberate.
John's eyes close. A rough breath tears out of him. "Mara."
"I want this," you whisper. "I want you."
When he opens his eyes, the look in them is almost too much.
Desire, yes. Enough to set the room on fire. But beneath it, something reverent. Something astonished. As if he has been handed something fragile and holy and is terrified his hands are too rough for it.
You pull him down by the back of his neck.
His mouth meets yours again, and this time there is no pretending the kiss is only a kiss.
John's hand cups your breast, his thumb brushing over you with a slowness that makes your breath fracture. He pauses, watching your face, learning the sound, learning the shape of your reaction beneath his palm.
His mouth follows.
Your back arches off the bed.
The sound that leaves you is not careful. It is not quiet enough. It is raw and soft and yours, and John reacts like it has gone straight through him. His hand grips your waist. His mouth becomes hotter, slower, patient in a way that makes your thighs tighten around his hips.
He stops. Looks up. Checks.
You nod before he can ask.
"Yes."
His mouth lowers again.
You learn him too.
The way his breathing changes when your nails scrape lightly over his back. The way his stomach tightens when your hand drifts lower. The way that tiny freckle on his ear still has the power to ruin him completely.
You reach for it.
John catches your wrist, eyes dark.
"Careful," he warns.
You are breathing hard, lips parted, body warm under his.
"You keep saying that."
His thumb moves over your pulse. "Because you don't listen."
"You like that too."
His mouth curves, but the smile disappears when you lift your head and kiss the freckle instead.
John shudders. A deep, broken sound pulls out of him, and his hips press down into yours before he can stop himself.
The contact makes you both gasp.
John looks at you.
There is no hiding what he wants now. No disguising it behind teasing, no wrapping it in restraint until it looks safer than it is.
He wants you.
All of you.
And you want the same.
Your hand slides down his chest to the waistband of his sweatpants.
He catches your wrist again, but this time his grip is weaker. Less warning. More plea.
"Mara."
You look at him. "Yes."
His jaw works. "Say it again."
Your heart stumbles.
You understand what he is asking. Not because he does not believe you. Because he needs to hear it with the world narrowed to this bed, this choice, this final step.
You lift your other hand to his face. "Yes, John."
His eyes close briefly.
When they open, something in them has changed.
Not control lost.
Control offered.
He kisses you then, deep and slow, and his hands move to your shorts. He does not remove them at first. He hooks his fingers in the waistband and waits. You lift your hips. That is all the answer he needs.
He draws them down your legs with care, mouth following the path of fabric and skin. He kisses your thigh, your knee, the inside of your calf, so tenderly that your throat tightens even as heat curls low in your belly.
When he comes back up the bed, you reach for him.
He lets you.
Your fingers push at his waistband, and this time he helps, shedding the last of his clothes with a breathless kind of impatience that makes you smile despite the pounding of your heart.
Then he is above you again. Skin to skin. The contact steals every thought.
John's chest presses to yours. His thigh slides between your legs. His hand curls at your hip, and the heat of him settles against you in a way that makes you gasp into his mouth.
He goes still immediately. "You okay?"
You nod, but your voice comes out shaky. "Yes."
His forehead drops to yours. "We can stop."
"I don't want to stop."
His eyes search yours.
You hold his gaze. "I don't want to stop."
The air leaves him in a slow, trembling breath. "Okay."
His mouth finds yours again as his hand moves between your bodies. The first touch makes you jolt from the sudden bright rush of sensation. John stills, learning you, waiting until your body eases beneath him.
"Tell me," he murmurs.
You swallow hard. "Softer."
His touch shifts instantly.
Your eyes close. "There."
He does it again.
Your fingers dig into his shoulders.
John watches your face like it is the only map he needs. He learns pressure. Rhythm. The places that make your breathing hitch and your hips lift toward his hand. He learns the little broken sound that leaves you when he touches you just right, and when he hears it, his own control fractures.
"Love," he says, voice rough.
You open your eyes.
He looks wrecked. Beautifully, painfully wrecked.
You reach for him too, fingers wrapping carefully around him. John groans, burying his face against your neck, his whole body shuddering at the touch.
You go still, startled by the power of it.
He laughs once against your skin, breathless and undone. "Don't stop."
So you don't.
You learn him by the sounds he cannot hide. By the way his hips move into your hand. By the tension in his arms, the heat of his mouth at your throat, the way his voice goes low and uneven when he says your name.
"Mara."
You love the sound. You love that it belongs to this moment, to his skin beneath your hands and his breath breaking against your jaw.
John pulls back enough to open the nightstand drawer with an unsteady hand. He finds protection, then pauses, looking down at you.
You nod before he can ask.
He prepares himself with shaking fingers, and the sight of him like that, careful even in his hunger, nearly undoes you.
Then he settles between your thighs again.
The whole room seems to hold its breath.
John leans down and kisses you once. A promise before the crossing.
"You tell me if anything feels wrong," he says against your mouth.
You brush his damp hair back from his forehead. "I will."
"I mean it."
"I know." You wrap your arms around his neck. "John."
His eyes meet yours.
"I trust you."
Something in his face breaks open.
He kisses you again, and as he does, he begins to push inside so slow your breath catches and holds.
Your fingers tighten at the back of his neck. John stills at once, body trembling over yours.
"Love?"
You breathe through it, eyes closed.
Not pain exactly. Pressure. Stretch. The overwhelming intimacy of being opened to someone who is looking at you like you are not something taken, but something received.
"I'm okay," you whisper.
His mouth brushes your cheek. "Look at me."
You open your eyes.
He's right there. Close enough that you can see the gold caught in his lashes from the lamplight. Close enough that his breath is yours. Close enough that the fear doesn't have room to grow teeth.
He moves another inch.
Your body yields slowly.
His jaw clenches. A rough sound slips from him, restrained and desperate.
"God," he breathes. "Mara."
You cup his face, keeping him with you.
He stops when he is fully inside.
Both of you go still.
There's no noise for a moment except your breathing.
You feel full of him. Surrounded by him. Held open not only by his body, but by the enormity of this choice, this trust, this warmth you have allowed into a room grief used to own alone.
John is shaking.
You realize it with a strange little ache. His arms are braced on either side of you, muscles tight, every inch of him holding back.
You stroke your thumb over his cheek. "You're shaking."
His laugh is barely sound. "Trying not to move."
The admission sends heat through you.
You shift beneath him experimentally.
His eyes close. His head drops forward with a low groan. You feel him everywhere. The sound makes your body clench around him.
John's breath breaks.
"Fuck," he whispers, and then immediately kisses your cheek like he has to apologize with his mouth.
You almost laugh, but the laugh turns into a gasp when he moves, just a little. A slow pull, a careful return.
Your whole body responds. Your nails press into his shoulders.
John watches you. "Okay?"
You nod quickly. "Again."
His eyes darken.
He moves again, still slow, still careful, but deeper this time. The sensation rolls through you, warm and startling and intimate enough to make your eyes burn.
He learns you one movement at a time.
Slow at first.
Listening to every breath.
Stopping when your body tenses. Continuing when your hips rise to meet him. Adjusting until the angle makes your mouth fall open and a moan spill out, helpless and sweet.
"There," you gasp.
John's control slips visibly.
His hand slides beneath your thigh, lifting it higher against his hip. The next thrust reaches something deeper, brighter, and your back arches off the bed.
John groans with you.
"There?" he asks, voice ruined.
You nod, breathless. "Yes. John, there."
He does it again and again.
The rhythm builds slowly. His body moves into yours with increasing certainty, and yours answers, hips lifting, thighs tightening around him, hands roaming over the damp heat of his back.
You learn the weight of him. The drag of him. The way his mouth searches for yours whenever the feeling threatens to become too much. The way he murmurs your name against your skin like he is trying to keep himself anchored. The way his hand finds yours on the mattress and laces your fingers together when your breath starts to shake.
You learn that he loves your shoulder. He returns to it again and again, kissing the bare curve like he has found a place of worship there.
You learn that the light scrape of your nails down his spine makes his rhythm falter. You learn that when you whisper his name right against his ear, John Walker loses the thread of every disciplined thought he has ever had.
And he learns you.
The place at your hip that makes you shiver. The pressure you like. The rhythm that pulls sounds from you faster than pride can catch them. The way your breath hitches right before pleasure crests too high.
His hand slips between your bodies again.
Your eyes fly open. "John."
"I've got you," he whispers.
He changes the angle of his hips, keeps moving inside you, and touches you at the same time.
The world narrows to sensation.
Heat.
Pressure.
His body over yours.
His voice in your ear.
"That's it, love," he murmurs, rough and tender. "Let me hear you."
Your body trembles.
You don't swallow the sound this time. You let it leave you.
John groans like it ruins him.
The pleasure builds, slow and relentless, coiling tighter with every stroke of his fingers and every deep movement of his body inside yours. You cling to him, breath breaking, face turned against his neck, your mouth finding any skin it can reach.
His pulse beats beneath your lips.
Alive.
Here.
Yours for this moment.
And there is nothing between you now. Nothing but his body, his breath, his hand wrapped around yours.
The pleasure gathers under your skin, rolls through your hips, your stomach, your chest.
John feels the change in you and follows it, his mouth at your throat.
"That's it," he whispers. "Let go. I've got you."
You believe him.
That's what breaks you open.
Not only the pleasure, though God, there is so much of it. Not only the way he moves inside you, deep and sure now, learning the rhythm that makes you fall apart beneath him.
It's the tenderness, the steadiness, he way he keeps one hand in yours while he takes you apart.
Your body tightens. Your breath catches.
John feels it. His voice goes rough. "Love?"
You cannot answer.
You can only cling to him as the pleasure crests, sudden and overwhelming, pulling a broken moan from your throat. Your whole body trembles beneath his. Your thighs lock around him. Your nails dig into his back as wave after wave rolls through you, bright and blinding and too much to hold in silence.
John watches you come apart.
The look on his face almost undoes you a second time.
Awe.
Hunger.
Love.
His rhythm falters, but he keeps moving, slower now, carrying you through it while you shake against him.
"That's my girl," he breathes, voice wrecked.
The words hit something deep. Possessive, but gentle. Reverent, not claiming what you have not given.
And tonight, you have given so much.
You pull his mouth to yours. John groans into the kiss. His body tenses above you, his control finally fraying to its last thread.
"Where are you?" you whisper against his mouth.
His eyes open, confused and dark.
You cup his face. "Stay with me."
The words do to him what his did to you.
His breath breaks.
"I'm with you," he says.
Then he lets go.
His hips press deep, his whole body shuddering as release overtakes him. A low, raw groan tears from his chest, your name caught inside it. He buries his face against your neck, shaking through it, holding you close without crushing you.
You hold him, one hand in his hair the other spread across his back. You hold him while he comes back to himself.
For a long time, neither of you moves.
The room is warm and dim around you. The sheets are tangled around your legs. Your skin is damp. John's breathing slowly steadies against your shoulder.
He is still inside you, still close, but the urgency has softened into something quieter, almost sacred.
Eventually, he lifts his head. His face is flushed. His hair is a disaster. His eyes are too soft for your survival.
"Are you okay?" he asks.
You nod, but he waits.
So you answer properly. "I'm okay."
His thumb brushes your cheek. "Any pain?"
You shake your head. "No."
"You sure?"
"John."
"I'm checking."
"I know." You touch his mouth with your fingertips. "I'm okay."
Only then does he exhale.
He kisses you once, soft and grateful, then carefully shifts away to take care of the condom and clean himself up. The loss of his warmth makes you shiver, and before you can complain, he is back with a damp cloth and that serious expression that means he has decided aftercare is now a military operation.
You stare at him.
He pauses. "What?"
"You're very focused."
His ears go pink. "I want to do it right."
The tenderness of that nearly kills you.
You let him clean you with gentle hands. Let him kiss your knee, your hip, the inside of your wrist when your fingers brush his. Let him pull the blankets back and gather you against his chest like he has been waiting his whole life to learn exactly how you fit there.
You end up half on top of him, cheek against his bare chest, one leg tangled over his. His heartbeat is still fast beneath your ear.
Your wolf charm rests on the nightstand. You look at it for a while.
John follows your gaze but says nothing. His hand moves slowly over your back.
"I'll get it for you," he says quietly.
Your throat tightens. You press your lips to his chest.
"Not yet."
His hand stills.
Then it resumes, careful and warm.
"Okay."
The silence stretches.
You trace a lazy line over his ribs, smiling faintly when his stomach tightens under your touch.
"Still sensitive there," you murmur.
John huffs a laugh into your hair. "Don't start."
You lift your head and look at him.
He looks exhausted now. Soft. Younger somehow, with the fight gone from his face and only the man left behind.
The man who loved you before you were ready to know what to do with it.
Something opens in your chest.
Quietly.
Completely.
John sees the change before you speak. His hand comes up, brushing hair away from your face.
"What?" he whispers.
You look at him for a long moment.
Then you lean down and kiss him.
It's not hungry this time. Not a question, not a distraction.
It's answer.
When you pull back, your mouth stays close to his. Your voice shakes.
You say it anyway.
"I love you."
John goes completely still.
You feel the words move through him before his face changes. His breath catches first. Then his eyes, widening slightly, shining in the low light. His hand tightens at your back like he is afraid he imagined it.
You smile, small and tearful.
"I love you," you say again, softer but steadier now. "I don't know what that means tomorrow. I don't know how to make it simple. I can't promise I won't be scared."
John's eyes search yours, raw and bright.
"But I love you," you whisper. "Tonight, I know that."
His face breaks. Not fully, John is still John. Even undone, he tries to hold himself together.
But you see it.
The way relief moves through him. The way wonder follows. The way all that careful restraint collapses into something tender enough to make your own eyes burn.
He pulls you down to him and kisses you.
Once.
Twice.
A third time, longer, his hand cradling the back of your head.
When he finally speaks, his voice is rough. "Say it again later."
You laugh softly against his mouth. "Demanding."
"Please."
That ruins you.
You touch his cheek. "I will."
John closes his eyes and presses his forehead to yours.
Outside, the city keeps moving. Somewhere beyond the apartment, the military waits with its questions, its reports, its special reviews, its teeth hidden behind official language.
But here, in John's bed, with your charm resting on the nightstand and his heart beating beneath your hand, the world narrows to his skin, your breath, the truth between you.
For tonight, there are no ghosts in the bed.
Only John.
Only you.
Only love, terrifying and warm, finally spoken out loud.
C's corner: Hi loves, this chapter is definitely one of those calm-before-the-storm chapters, but I promise it’s doing more than just letting Mara and John breathe for a second. We have maybe two or three more chapters before we start moving into the Endgame / time heist era, and I am both excited and emotionally afraid because once canon starts knocking, it will not be polite. For now, I’m letting them have the warmth. The apartment. The teasing. The illusion that love might be enough to keep the world from barging in.
It won’t. But they don’t know that yet. 🥲
As always, thank you so much to everyone reading, commenting, yelling, suffering, and sticking with this story. I appreciate you all more than you know. 🫶🏽✨
This is written in second POV, but reader will have a name, Mara Hart, it won't be used often, but will pop up every now and then, especially her nickname, Em, and from here on out Hart.
WARNINGS: grief, emotional vulnerability, mild angst, suggestive kissing, language, military-related tension, mentions of past violence
✍🏽 WC: 10K+
SUMMARY:
You try to keep your heart under control, but John Walker keeps making that impossible. Between stolen moments, soft confessions, and the slow comfort of becoming part of each other’s lives, you begin to let yourself want something warm again. But healing is never clean, and just as things start to feel steady, the outside world begins pressing its fingers against the edges.
TAGS: @iwritefanfictionsnottragedies, @quantumlethe, @qvicksilversass, @daylightandthedreamer, @mencantaleer, @amnatreal, @sebastians-love, @spectralexiletrace, @weasleyswizarding-wheezes (to be added to the tag list CLICK HERE)
The next day, you decide the compound is trying to eat you alive.
Not literally. The walls are not shifting. The floor is not opening beneath you. No alarms are blaring, no missions are calling, no one is bleeding in the hallway.
Which, somehow, makes it worse. Because silence gives your brain room. And your brain, traitorous little bastard that it is, has decided to use every available inch of that room to think about John Walker.
John in his kitchen. John's hands at your waist. John's mouth against your neck. John saying love like the word had been pulled out of him with teeth.
So you stay busy, you stand in the church parking lot with a clipboard in your hand, staring at a stack of supply crates like they might offer divine intervention.
Your phone sits heavy in your back pocket. You know because you have checked it approximately six hundred times since leaving the compound. You haven't texted him. You haven't called him. You haven't even opened the thread just to stare at his name, which you feel should count as a major personal victory.
Except now you are doing something worse.
You are inventing reasons.
A lot of reasons.
Maybe you could ask if he got home safe last night... No. He texted you.
Maybe you could ask if he ate breakfast... Absolutely not. What are you, his commanding officer in charge of toast?
Maybe you could tell him you forgot something at his apartment... Dangerous. Also a lie. Unless dignity counts, in which case yes, you left that all over his kitchen counter.
You press the clipboard against your chest and shut your eyes.
"Get a fucking grip, Mara," you mutter.
"Talking to yourself again, Trouble?"
You nearly jump out of your skin.
The clipboard slips halfway out of your hand before you clutch it to your chest like it is the only thing standing between you and public humiliation. You whip around and find Lemar standing a few feet away, arms crossed, expression far too pleased with himself.
"Jesus, Lemar." You glare at him. "Are you trying to give me a heart attack?"
He holds up both hands. "I said your name twice."
"You materialized."
"I walked."
"You stalked."
"I approached with regular human feet."
"You approached like a government secret."
Lemar's grin spreads. "You know, for someone who claims not to be hiding anything, you were looking pretty suspicious over here."
"I'm working."
"You were staring at canned beans like they owed you money."
"They do."
"Sure." His eyes drop briefly to your pocket. "How's your phone?"
Your glare sharpens. "My phone is fine."
"Uh-huh."
"Don't."
"I didn't say anything."
"You thought it loudly."
"That's because my thoughts have stage presence."
You point the clipboard at him. "Your thoughts need a muzzle."
Lemar laughs, bright and easy, and the sound chips at some of the tension sitting between your ribs. Annoying. He's annoying. He's also impossible not to love a little for it.
"Where's John?" you ask before you can stop yourself.
Lemar's grin turns slow.
You immediately regret breathing.
He opens his mouth, probably to ruin your entire life, but another voice cuts in behind him.
"Everything okay?"
Your body reacts before your brain gives permission.
Heat moves through you first, then awareness, then that terrible little flutter in your stomach you have no intention of admitting to anyone ever.
John walks toward you from the supply truck, sleeves pushed up, posture easy in a way that's probably fake and still devastating. The sunlight hits the side of his face, turns his hair warm at the edges, catches on the line of his jaw.
You hate him a little for having a jaw. For existing in a parking lot like that should be allowed.
Lemar looks between you and John. Then his entire expression transforms into delight.
"Everything's great," Lemar says.
You narrow your eyes at him. "Is it?"
"Fantastic."
John's gaze flicks to you. Something softens there immediately, quick enough that maybe no one else would catch it.
Unfortunately, Lemar is standing right there with his little emotional binoculars.
John doesn't seem to care. That's new, terrifyingly new.
He steps closer, eyes on your face. "Hi."
One word. Two letters. Somehow catastrophic.
You shift your grip on the clipboard. "Hi."
His mouth curves.
"How are the supplies treating you?"
You stare at him. "The supplies?"
"You looked intense."
"She was threatening beans," Lemar supplies helpfully.
"I was not threatening beans."
"You had murder in your eyes."
"I always have murder in my eyes. That's just my face."
John's smile deepens, and it's so warm, so openly fond, that your brain briefly trips down a staircase.
"You're cute when you're defensive," he says.
The parking lot goes silent, not actually.
But in your tiny corner of the world, everything stops. Your face burns.
Lemar inhales sharply.
"Oh," he says, sounding thrilled. "We're doing this now?"
You look at John. "Really?"
John's eyes stay on yours. "What?"
"You're just adding fuel to the flame."
"Worth it."
Lemar claps once. "I love growth."
You turn on him. "Don't you have supplies to unload?"
"I do," he says, backing away with the grin of a man who has been given a gift basket full of ammunition. "And I'm going to do that because I am a helpful, mature adult who absolutely will not bring this up later."
"You're going to bring this up before lunch."
"Before lunch feels ambitious," Lemar says. "I'm thinking ten minutes."
"Lemar."
"Going!"
He turns, still laughing, and heads toward the truck.
You watch him go with narrowed eyes. "He's going to be insufferable."
John steps closer, not too close, but close enough that the air changes anyway.
"He already was," John says.
You huff. "You're making him worse."
"I know."
"That's your defense?"
His hand reaches for yours.
Your breath catches before you can stop it.
He takes your hand gently, thumb brushing over your knuckles like he has every right and still cannot believe he gets to do it. "It's worth it," he says, voice lower now, "just to see you blush."
The heat in your face becomes unforgivable.
"I am not blushing."
"Okay."
"I'm not."
"Sure."
"You're very smug for a man standing in a church parking lot."
His thumb moves again over your hand. "Only because you make it easy."
You stare at him, heart doing something stupid behind your ribs.
Absolutely not, you need to steer this conversation somewhere safe before your mouth betrays you, before your face stages a confession, before Lemar circles back with popcorn and a legal pad.
"So," you say quickly, pulling in a breath. "You're just here to drop off supplies?"
John watches you for a second, clearly noticing the change in subject. Mercifully, he lets you have it.
"Yeah. Drop-off, check in, then back to base."
Your chest dips before you can stop it. You hope it doesn't show.
It probably shows.
John's expression shifts, soft at the edges. His hand tightens around yours by the smallest amount.
Then he asks, "Do you want to come over tonight?"
Yes, you mind supplies, yes you will abandon every crate in this parking lot and sprint across Brooklyn barefoot if necessary.
You don't say that out loud.
Instead, you swallow and ask, "Is that okay?"
John's brows draw together slightly, like the question hurts him.
"Yeah," he says. "It's okay."
You look down at your joined hands. "I don't want to just... show up in your space all the time."
"My apartment feels more alive with you in it."
There it is, the killing blow.
Your face heats so fast you almost get angry about it.
John sees it, his mouth curves again, quieter this time.
You tug lightly at his hand. "You are a problem."
"I've been told."
"I'm serious."
"So am I."
That stills you.
The teasing slips, not fully gone, but softened by the way he looks at you. Like he means every word. Like the apartment had been too quiet after you left. Like your absence had taken something with it.
Your throat tightens.
You should say something careful. Something reasonable. Something that doesn't make this more than either of you are ready to name.
Then John turns slightly, glancing toward the truck where Lemar is currently pretending not to watch you both with the subtlety of a fireworks display.
And that's when you see it.
A tiny freckle on his left earlobe. Small. Almost ridiculous. Barely there.
The world should not tilt over something that small.
Your eyes catch on it, and suddenly you want to touch it.
Not his hand. Not his chest. Not his jaw, though God knows that jaw has been offending you in public for several minutes.
That freckle.
You want to press your thumb to it. You want to know if he makes a sound. You want to find out if that tiny mark can undo him the way his mouth against your shoulder nearly undid you.
Your fingers flex around his.
John notices. His gaze comes back to your face. "What?"
"Nothing."
"That was not nothing."
"It was."
"You're a terrible liar."
"You're a terrible influence."
His smile flickers. "Yeah?"
You stare at him.
Something inside you shifts.
Yesterday, you were careful. Last night, you tried to be careful and still ended up on his kitchen counter with his hands on your waist and your breath stolen out of your chest.
Careful hasn't saved you from wanting him. Careful hasn't stopped his voice from living under your skin. Careful has only made you ache longer.
So you stop.
You take one step closer, lift your free hand to the front of his shirt, and pull him down.
John reacts immediately.
A sharp inhale. A brief, stunned stillness.
Then his hand slips from yours to your waist, firm and warm, while the other comes up carefully to the side of your neck. The kiss is not wild. Not here, not in the open, not with Lemar absolutely somewhere pretending to organize canned goods while spiritually levitating.
But it's not shy either.
Your mouth meets his with intent, and John answers like he has been waiting all morning for permission to stop pretending he was composed.
His thumb brushes the side of your neck.
Your fingers tighten in his shirt.
For one bright, reckless second, the parking lot disappears.
Just John.
Warm. Solid. Careful until you give him reason not to be.
When you part, both of you are breathing a little differently.
His forehead nearly touches yours. His hand stays at your waist. Yours stays curled at the back of his neck, because apparently your body has decided this is where your hand belongs now.
John's voice comes out low. "Hi."
You bite down on a smile. "You said that already."
"Thought it deserved another try."
"Better the second time?"
His eyes drop to your mouth.
"Much."
You should step back.
Instead, your gaze shifts again to his left ear.
That tiny freckle. Waiting there like a dare.
You lift your hand slowly, giving yourself every chance to stop, you don't.
Your fingertips brush the side of his neck first, then slide higher, gentle over the edge of his jaw, until your thumb finds that tiny mark on his earlobe.
John goes completely still. Then the smallest sound leaves him.
Low. Surprised. Barely there.
But you hear it, oh, you hear it.
It drops into your chest and locks itself in a little golden box with your name carved into the lid.
Mine.
The thought arrives before you can soften it. That sound is yours.
Your thumb brushes the freckle again, softer this time, testing.
John's hand tightens at your waist.
His eyes darken.
"Hart," he says, and there's warning in it, but not enough of one.
Your stomach flips.
He almost never calls you that. Not unless something in him has been knocked off balance.
Very interesting.
You tilt your head. "What?"
His gaze narrows slightly, though the effect is badly undermined by the faint flush creeping up his neck.
"You're not playing fair."
You smile before you can stop it. A dangerous smile. A delighted one. A well, well, well, look what I found kind of smile.
"You started it."
John lets out a breath that sounds almost like a laugh, except rougher. His thumb presses once at your waist, a small answer, a small confession.
From behind the truck, something clatters loudly.
Lemar's voice follows immediately. "I'm fine! No one investigate!"
You close your eyes.
John drops his head slightly, mouth twitching against restraint.
"I'm going to kill him." You whisper
"He'll deserve it."
Lemar calls out, "For the record, I heard nothing, saw nothing, and support everything!"
You pull back from John just enough to glare toward the truck. "Lemar!"
"What?" Lemar appears from behind a stack of boxes, face absolutely full of innocence and lies. "I'm unloading supplies. Like a helpful, mature adult."
John coughs into his fist.
You turn your glare on him. "Don't encourage him."
"I'm not."
"You laughed."
"I breathed."
"You betrayed me."
John leans closer, voice dropping just for you. "I'll make it up to you tonight."
Every thought in your head shuts off.
Lemar, mercifully, does not hear that part. Or if he does, he values his life enough to pretend otherwise.
John watches the effect of his words land, and something smug, soft, and devastating crosses his face.
You point at him, though your finger lacks conviction. "Problem."
His hand finds yours again. "Yeah," he says, thumb brushing your knuckles. "But you're still coming over."
It is not a question.
It should annoy you. It does a little.
Mostly, it makes warmth uncurl under your ribs.
You squeeze his hand once. "I'm still coming over."
John's expression changes.
The flirting stays, but beneath it comes something quieter. Something almost relieved.
"Good," he says.
For a moment, neither of you moves.
The church parking lot continues around you, indifferent and holy in its own cracked way. Supplies being unloaded. Volunteers calling to one another. Lemar loudly pretending not to hover.
And you stand there with John's hand in yours, his mouth still warm on yours, his tiny freckle now cataloged somewhere deep inside you like a secret you have no intention of giving back.
Careful has left the building. You're not sure what comes next. You only know that tonight, you are going to his apartment.
And John Walker is looking at you like he already cannot wait to open the door.
By the time you make it back to the compound, your phone feels less like an object and more like a weaponized accusation.
You have stared at his last message like it might hatch into something useful if you looked at it long enough.
The message is not even dramatic.
John: I'll see you tonight.
That is it.
Four normal words. Barely even a sentence with ambition.
And still, you have been staring at it like it kicked down the front door of your self-control and took your dignity hostage.
You stand in the compound kitchen with your hip against the counter, phone in hand, thumb hovering over the screen. Natasha is at the table with a mug of coffee and an expression that says she has been watching you spiral for at least three minutes.
Possibly longer.
Natasha doesn't announce herself when she observes someone. She simply appears in the ecosystem, silent and devastating, like judgment with red hair.
"You're looking at that phone like it betrayed you," she says.
You jolt. The phone nearly slips out of your hand.
"Jesus."
She lifts her mug. "Not quite."
You press a hand to your chest. "Does everyone in my life sneak now?"
"I was sitting here when you walked in."
"That's worse."
"How is that worse?"
"Because it means I'm losing awareness."
"No," she says calmly. "It means you're distracted."
You narrow your eyes.
Natasha takes a slow sip of coffee. Her gaze drops to your phone, then returns to your face.
You flip the phone facedown against the counter too fast.
Natasha's mouth moves. Not a smile exactly. Something more dangerous because it's almost one.
You point at her. "Don't."
"I didn't say anything."
"You're thinking loudly."
"Interesting accusation from someone who just tried to hide her phone from me like it was classified material."
"It is classified."
"Is John classified now?"
Your face burns immediately. Absolute traitor.
Natasha's almost-smile becomes real. Tiny, sharp and merciless.
You groan and drop your forehead against the cabinet beside you. "I'm hopeless."
"I didn't say that."
"I am." Your voice comes muffled against the wood. "I'm hopelessly in too deep with John Walker."
The words stumble into the kitchen wearing no armor at all.
For a second, everything goes quiet.
No hum of conversation in thehallway. Just that sentence, sitting between you and Natasha like a little flare.
You lift your head carefully.
Natasha is looking at you differently now. Her fingers curl around her mug. "I know."
Your throat tightens. "You know?"
"Mara."
The way she says your name almost makes you look away.
"You came back last night with his hands still written all over your silence," she says gently. "And today you walked in staring at your phone like the screen personally wounded you."
You huff a small, embarrassed laugh. "That obvious?"
"To me?" Natasha's face softens by another impossible fraction. "Yes."
You swallow and glance down at the counter.
Your phone is still facedown. Cowardly little rectangle.
"I don't know what I'm doing," you admit.
Natasha says nothing.
That's one of the things that makes her dangerous. She knows when silence will pull more truth out of someone than a question ever could.
You rub your thumb along the edge of the counter.
"I keep waiting for it to feel wrong," you say quietly. "Not complicated. It already feels complicated. It feels like trying to walk through a room full of tripwires while holding something made of glass." You breathe out. "But wrong. I keep waiting for it to feel like betrayal."
Natasha watches you.
Your voice drops. "And it doesn't."
The confession lands softly, but it shakes something in you anyway.
"It feels scary," you continue. "It feels reckless. It feels like I am standing too close to something warm after years of freezing and I don't know if I'm allowed to want it."
Natasha's expression shifts. Her gaze flickers to your chest, to where the wolf charm rests beneath your shirt, unseen but never absent.
Then she looks back at your face. "You are allowed to want to be alive," she says.
Your throat closes.
The kitchen blurs for half a second.
"Nat."
She sets her mug down, carefully, like any sudden sound might crack you open. "I'm glad," she says. "That you're slowly healing."
The words are too much, too gentle.
Too close to the tender, bruised part of you that still doesn't know what to do with kindness unless it's wrapped in sarcasm or emergency medical intervention.
So naturally, you panic.
"I'm going to his place again tonight," you blurt.
Natasha blinks. Then her face does the tiniest thing.
The emotional moment, delicate and dangerous, slips on a banana peel and lands face-first in the kitchen.
You close your eyes. "That was not my smoothest subject change."
"No," she says. "But it was effective."
"Please forget I said anything."
"I won't."
"Great."
Natasha leans back in her chair, the softness still there but tucked neatly beneath a layer of amusement. "You should pack an overnight bag."
Your eyes fly open. "Excuse me?"
"Just in case."
"Natasha."
"What?"
"I am not packing an overnight bag."
She raises an eyebrow. "Why not?"
"Because that is presumptuous."
"You slept there last night."
"That was different."
"Because you did not pack?"
You glare at her. "Because grief was involved."
Natasha gives you a look.
You point at her. "Do not weaponize logic against me."
"It's one of my better skills."
"I'm not packing a bag."
"Okay."
"I'm serious."
"I believe you."
"You sound like you don't believe me."
Natasha picks up her mug again. "I believe that you are not packing a bag today."
You stare at her.
She drinks her coffee with the serene cruelty of someone who knows exactly what she has done.
You grab your phone from the counter. "I hate it here."
"No, you don't."
"I do."
"You're smiling."
"I'm grimacing emotionally."
"Of course."
You tuck your phone into your pocket with more force than necessary. "I'm going to change."
"And not pack an overnight bag."
"Correct."
Natasha hums.
You take three steps toward the hall, then turn back. "Not today."
Her mouth curves.
You point at her again. "Do not look pleased."
"I would never."
"You are a liar."
"One of my better skills," she repeats.
You leave before she can make it worse.
By the time you reach John's building, your nerves have turned into a small orchestra of poorly supervised raccoons.
You stand outside the entrance with your hand hovering near the buzzer.
Ridiculous.
You were kissing him in a church parking lot hours ago. You had your hands on his neck. You touched that freckle. You heard that sound.
You press the buzzer.
For two seconds, nothing happens.
Then John's voice comes through the speaker, low and familiar.
"Yeah?"
Your stomach does something humiliating.
"It's me."
A pause.
Then, softer, "Come up."
The door buzzes.
You step inside.
The elevator ride feels too long and too short at the same time. Every floor number changes with the slow cruelty of a machine that knows you are walking directly toward trouble and has decided to make you marinate in it.
By the time you reach his door, your pulse is in your throat.
You barely lift your hand before the door opens.
John is there.
Dark shirt. Jeans. Hair still slightly damp like he showered not long ago. Sleeves pushed up enough to show his forearms, because apparently the universe has chosen violence.
His eyes move over you once.
Enough that heat curls low in your stomach and your fingers tighten around the strap of your jacket.
"Hi," he says.
You breathe out. "Hi."
For one heartbeat, neither of you moves.
The old version of this moment would have been careful. A step inside. A polite question. A safe distance while both of you pretended there was not a live wire stretched between your bodies.
Neither of you reaches for careful.
John steps back just enough to let you in, and the second you cross the threshold, his hand catches yours.
The door closes behind you. You barely hear it because John is already pulling you to him.
Certain and immediate.
Like the whole day has been one long exercise in restraint and now that you're here, inside his apartment, with no parking lot and no Lemar and no supplies pretending to be witnesses, he's done pretending too.
His mouth finds yours.
Your body answers before thought can catch up.
The kiss is warm, deep, and startlingly familiar for something still so new. Your hands go to his chest first, fingers curling into his shirt. His hands find your waist, drawing you closer until the line between greeting and confession disappears entirely.
You make a small sound against his mouth.
John breathes in sharply.
That is all it takes.
The kiss changes.
Still controlled, but barely. The kind of barely that makes your knees remember they have never been trustworthy structures.
He turns you gently, walking you back without breaking the kiss, one hand sliding from your waist to your lower back. You feel the door behind you before your brain catches the movement.
John pulls back half an inch. His eyes search yours, dark and careful despite the heat in them.
"Okay?" he asks.
You nod.
His gaze sharpens.
You swallow. "Yes."
"Good," he murmurs.
Then he kisses you again.
Your jacket slips from one shoulder. You don't care. Your phone presses awkwardly against your hip. You don't care. The entire world could politely collapse outside his apartment and you would ask it to keep the noise down.
John's hands stay at your waist, but there's nothing hesitant about them now. They hold, they guide, they confess in pressure what his mouth has not yet said.
You slide one hand up his chest, over his shoulder, along the side of his neck.
He knows what you're doing before you reach it.
You feel the exact second he realizes.
His breath catches.
Your thumb finds the tiny freckle on his left earlobe. That lovely, dangerous little mark. You touch it gently.
John makes that sound again. Low and quiet. Ruined around the edges. A delicious little fracture in all his discipline.
Your entire body lights up. "There it is," you whisper before you can stop yourself.
John's hand tightens at your waist. His eyes open against yours, pupils blown dark. "Hart."
The warning should work better than it does.
Unfortunately for him, it only makes your stomach flip.
You brush the freckle again, slower.
His jaw flexes. "Don't start something you can't finish," he says, voice rough.
Your breath catches.
For half a second, the words hang there, hot enough to burn fingerprints into the air.
Then your mouth curves. "You started it."
John stares at you. Then something in him gives way.
His mouth returns to yours, deeper this time, the kiss hungry in a way that steals the shape of every sensible thought you might have had. Your hands slide into his hair. His fingers press into your waist, warm through your shirt, and you arch into him before you can talk yourself out of it.
The door is solid behind you, John is solid in front of you. The combination is catastrophic.
He kisses like he's trying to stay honorable and losing ground inch by inch. You kiss him like you're done making that easy for him.
Your fingers tug gently at the hair near the nape of his neck. John exhales against your mouth, almost a groan.
It rolls through you, sharp and sweet.
You chase it.
Your thumb returns to his ear, grazing the freckle again, and his hand slides from your waist to brace against the door beside your head.
The apartment narrows to the heat of him.
His chest against yours. His breath mixing with yours. The faint scent of soap on his skin. The sound of him trying not to lose himself.
Then his mouth leaves yours.
You nearly protest but you don't get the chance.
John's lips brush the corner of your mouth, then your cheek, then the line of your jaw. Slow and careful at first, still asking without words.
Your fingers tighten in his hair. He takes that as answer.
His mouth moves along your jaw, warm and deliberate, and your head falls back against the door before you can stop it. The movement opens your throat to him, gives him more room, more access, more of the skin your body has apparently decided belongs under his mouth.
John goes still for half a breath.
You feel him looking at you. Feel the restraint fighting its final tiny war.
Then he lowers his head again. His lips find the place beneath your jaw where your pulse is betraying you.
The sound that leaves you should be humiliating. It is soft, needy, and wrecked. It belongs to some version of you with less pride and more honesty.
You don't care anymore, not even a little.
John hears it, his whole body reacts.
His hand tightens at your waist, the other still braced beside your head. He exhales against your skin, rough and unsteady, and the feel of it sends heat rushing through you so fast you forget how to stand like a normal person.
"Love," he murmurs against your throat.
Your eyes flutter shut.
That word.
That voice.
That mouth.
It should be illegal for a man to contain this many problems in one body.
"What?" you manage, though it comes out less like a question and more like surrender wearing borrowed clothes.
John's lips brush your skin when he answers. "You keep making those sounds."
Your face burns. "Don't mention it."
His mouth moves higher, back to your jaw. "I'm trying very hard not to."
"You're failing."
"I know."
The admission is so rough, so honest, that your fingers curl tighter in his hair.
He kisses your jaw again, slower now, as if he has discovered a new way to test your composure and intends to conduct a thorough investigation. His nose brushes your cheek. His breath warms your skin. His body stays close enough to make thought difficult, but not so close that you feel trapped.
Even like this, even with your back to the door and his hands on you, John leaves you room.
The realization slides through the heat like something softer.
He wants you.
God, he wants you.
You can feel it in the tension of his shoulders, in the way his breath catches when you touch him, in the careful pressure of his hands. But he's still holding himself back for you. Waiting for every yes, listening for every no.
Your chest aches with it.
You turn your face toward his, catching his mouth again.
This kiss is messier.
You are done with being composed. Done with pretending you can stand here with his mouth on your skin and still be some clean, untouched version of yourself who doesn't want too much.
You want his hands. His mouth. His little sounds. His apartment. The way he looks at you like you are both a blessing and a battlefield. You want so much it scares you.
So you kiss him harder.
John answers immediately, a low sound caught in his throat. His hand slips beneath the edge of your jacket, palm warm against your side through the thin fabric of your shirt.
You shiver.
He notices, he always does. His mouth slows. His forehead rests against yours. Both of you are breathing hard.
"You okay?" he asks.
His voice is wrecked but it's also tender enough to break something.
You open your eyes.
He's close. Too close and somehow not close enough. His pupils are dark, his mouth flushed, his hair mussed where your fingers have been. That tiny freckle sits on his earlobe like a secret you have already stolen twice.
You lift your thumb to it again. This time, you don't tease. You touch it softly, almost fondly.
John's eyes close for half a second. There's that sound again, quieter now. Less ruined, more helpless.
Yours.
You smile, small and breathless. "I'm okay," you whisper.
His eyes open. The heat is still there. The hunger, the restraint stretched thin, but so is the softness.
"Yeah?"
You nod. "Yeah."
His hand moves from your waist to your cheek, thumb brushing once beneath your eye.
For a second, the apartment goes still around you.
The door at your back. John in front of you. The whole world on the other side, loud and waiting and cruel in all the ways it knows how to be.
But here, in this narrow space, there's only his hand on your face and the faint tremor in his breath when you touch something as small as a freckle.
You tilt your head, brushing your mouth over his again.
A gentle kiss this time. Almost sweet, almost safe.
John pulls back just enough to look at you. "You came back," he says quietly.
Something in your chest twists.
Not because he sounds surprised exactly. Because he sounds like he tried not to hope too loudly.
You swallow. "I said I would."
"I know."
Your thumb traces the edge of his ear, careful over that tiny mark. "Then stop looking at me like I performed a miracle."
His mouth softens. "Maybe it feels like one."
Your breath catches.
The tenderness is too sharp, too sudden. A blade wrapped in velvet.
You should make a joke. You should say something ridiculous before your heart starts speaking without supervision.
Instead, you let the truth sit there just for a second. Then you tug lightly at the front of his shirt. "Are you going to let me stand by the door all night?"
His expression shifts. Heat returns, so does that almost-smile, faint and dangerous.
"No," he says, voice low.
His hand slides down to yours. He steps back, giving you room to move, but his fingers stay threaded through yours.
You look down at your joined hands then back at him.
Ther's no pretending now. No careful distance. No polite little lie either of you can hide behind.
You came here because you wanted him and John knows.
He looks at you like he knows. Like he is trying to decide whether to kiss you again in the hallway or drag himself into better behavior by sheer force of will.
You make the decision harder by brushing your thumb over his freckle one last time.
John exhales, eyes darkening. "Hart," he says.
You smile. "What?"
His gaze drops to your mouth. "You're trouble."
You pause, then your smile widens. "No," you say, stepping closer until your chest nearly brushes his. "That's Lemar's name for me."
John's eyes flick back to yours.
For a heartbeat, something unreadable passes through his face.
Then his mouth curves, slow and warm. "Then what are you?"
Your hand settles against the side of his neck.
You don't have an answer. Not one that doesn't scare you. So you rise onto your toes and kiss him instead.
The weeks don't fix you. That would be too easy. Grief is not a bruise that fades politely because something good has touched it. It doesn't see John Walker's hand in yours and decide to pack its bags. It doesn't vanish because you laugh more, sleep better, or wake some mornings with your chest feeling less like an abandoned house.
It stays.
It lingers in quiet places. In support group chairs. In the space beneath your shirt where the wolf charm rests against your skin. In the sudden ache that comes when someone says Bucky's name, or when Steve's face goes distant in that way you recognize because your own reflection has worn it too often.
But something changes, you change. Not all at once, just small things.
John's hand finding yours when he walks beside you.
Your toothbrush appearing beside his sink.
The extra coffee mug he buys without telling you, pretending it was just there, like mugs spontaneously generate in cabinets when emotionally repressed soldiers fall in love.
The way you start knowing which floorboard in his apartment creaks. The way he starts keeping the pasta you like in the cabinet. The way his place stops feeling like somewhere you visit and starts feeling like somewhere that sighs when you arrive.
He visits you at the compound sometimes too.
Not often at first. The compound still has its own atmosphere, too large and echoing, a place full of ghosts wearing official badges. John walks into it like a man stepping onto a battlefield he has not been briefed on, shoulders straight, jaw set, polite in a way that makes Natasha look amused and you feel dangerously fond.
The first time he meets Steve Rogers there, you nearly choke on your coffee.
John freezes, actually freezes.
It happens in the common area on a Tuesday afternoon, because of course the universe would choose a random Tuesday to humble a decorated captain. Steve walks in wearing a gray shirt and the tired expression of a man who has carried too much history on his back and still says hello like he means it.
"John," you say, trying very hard not to smile, "this is Steve."
John's posture changes by one entire military rank.
"Captain Rogers," he says.
Steve's mouth curves faintly. "Steve is fine."
John nods once. "Yes, sir."
You press your lips together.
Natasha, sitting across the room, slowly lowers her book.
Steve's smile deepens just a little. "Really. Steve."
"Right," John says. "Steve. Sir."
You make a strangled sound into your mug.
John's eyes flick toward you, betrayed.
Natasha's eyebrows lift in exquisite delight.
Steve, who is either kind or enjoying this more than he lets on, offers his hand. "Good to meet you."
John shakes it like the entire concept of America is watching.
"You too," John says, voice very controlled. "It's an honor."
You can't help it, you laugh.
John's ears go faintly pink.
Steve glances at you. "Something funny?"
"No," you say immediately. "Nothing."
Natasha hums from the couch. "Very convincing."
John gives you a look.
You shrug, helpless. "You should've seen Lemar when he met him."
John's eyes narrow.
"He was weird about it too," you say.
"I was not weird," John says.
Natasha closes her book. "You called him sir twice after he told you not to."
John looks at her.
Natasha looks back, serene and lethal.
Steve's mouth twitches.
You sip your coffee to hide your grin.
Later, when John walks you down the hall, he mutters, "That was not my best work."
You lean into his side. "It was adorable."
His hand tightens around yours. "Do not tell Lemar."
"I am absolutely telling Lemar."
"Em."
"You called Steve Rogers sir five times in under a minute."
"I have respect for chain of command."
"He is not your chain of command."
"He's Captain America."
"Not anymore."
John looks mildly offended by the technicality. "That doesn't just go away."
You look up at him, softer now. No, you think. Some things don't just go away.
John catches the shift in your face. He always does. His thumb brushes over your knuckles once.
You say nothing.
He doesn't ask.
That's another thing you learn about him.
John can be forceful with the world, with expectations, with rules, with whatever impossible standard he has nailed into his own ribs. But he's careful with your grief.
He picks you up from support group on Wednesdays when he can.
He never makes a big deal about it. Never asks what you said in the circle before you're ready. Never pushes when your eyes are red and your voice has gone thin at the edges.
He just waits outside in his truck, leaning against the passenger side with his arms crossed, looking like every stern military warning sign ever printed, until he sees you.
Then his whole face changes. Every time. Like he has been holding his breath and didn't know he was doing it until you came out.
The first time, you almost turn around and walk back inside because the tenderness of it is unbearable.
Instead, you walk to him.
He opens the door for you.
You stare at him.
"What?" he asks.
"You're doing the thing."
"What thing?"
"The gentleman thing."
He looks down at the open door, then back at you. "I can close it again."
"Don't you dare."
His mouth curves. "Get in, love."
You hate how easily you obey. You hate it less when he gets in beside you and reaches across the console, palm open. You put your hand in his.
That becomes a rhythm too.
Support group, John waiting outside, your fingers tangled with his on the drive.
Sometimes you talk. Sometimes you don't. Sometimes you cry quietly while looking out the window, and he keeps his hand in yours like a promise he has no intention of announcing.
Sometimes, when the grief is lighter, you make fun of his radio presets until he threatens to leave you on the side of the road.
"You wouldn't," you say.
"I might."
"You'd miss me before the next traffic light."
He glances over. "Yeah, I would."
You look at him. His eyes stay on the road, but his thumb moves over your hand. The words land softly. Just truth, set down between you without ceremony. You look out the window before your face can betray you.
You spend most of your time at his apartment after that.
It happens gradually, then all at once.
A sweater over the back of his chair. A book on his coffee table. A bottle of shampoo and conditioner in his shower because the military sadness soap he owns makes your hair feel like straw and regret. A hair tie on his nightstand. Your favorite tea in his cabinet. Your shoes by the door.
Little traces of you everywhere, bright little fingerprints left across the careful order of his life.
John notices all of it. You know because he never moves any of it. Not even the hair tie.
The overnight bag appears after Natasha looks at you one morning over her coffee and says, "You are not fooling anyone."
You look down at yourself. John's shirt. Your jeans from yesterday. "I am fooling several people," you say.
"You are fooling no one."
"I might be fooling Steve."
"Steve is being polite."
You squint at her. "That's worse."
"Pack a bag."
"I have clothes."
"At John's?"
You open your mouth then close it.
Natasha smiles into her coffee.
Two days later, you bring an overnight bag to John's apartment and drop it beside his bedroom dresser like it doesn't mean anything.
John looks at it. Then at you. Then back at the bag.
"Don't," you warn.
"I didn't say anything."
"You are looking at it emotionally."
His mouth twitches. "Am I?"
"Yes."
"I'll work on that."
You point at him. "This doesn't mean anything."
"Okay."
"I just got tired of stealing your clothes."
John's gaze drops briefly to the shirt you are currently wearing.
His shirt.
You both look at it.
The room goes quiet.
You clear your throat. "This is unrelated."
"Completely."
"Exactly."
He nods, very solemn. "You brought an overnight bag so you could keep wearing my shirts."
"That is not what I said."
"It's what happened."
"You are insufferable."
His smile warms slowly. "You still came over."
You glare at him.
He kisses you before you can pretend you're angry.
The bag stays. You barely use it.
Your own sleeping clothes sit folded inside like a well-intentioned suggestion from a version of you who has never experienced the simple luxury of sleeping in John Walker's T-shirt.
His shirts are softer, warmer. They smell like him, clean soap and laundry detergent and that quiet warmth beneath it that always makes your chest ache.
So you wear them every night you stay.
John never complains.
He does, however, lose the ability to function normally for several seconds each time he sees you in one. You consider that a fair trade.
Still, there's guilt. Not the old guilt. Not the sharp, punishing kind that used to crawl under your skin and make every good thing feel stolen.
This one's quieter.
Natasha sits alone in the compound when you leave.
The building is too big for one person. Too full of empty rooms and ghosts and echoes that never learned when to stop speaking. You know that kind of silence. You hate the thought of leaving her inside it.
"You know I can stay tonight," you tell her one evening, standing near the kitchen doorway with your jacket in your hand.
Natasha looks up from cleaning a knife with the kind of calm precision that would scare a lesser person.
It scares you a normal amount.
"You have plans."
"I can cancel."
She studies you for a moment, then sets the knife down. "Mara."
You shift your weight. "What?"
"I'm not a child."
"I didn't say you were."
"I'm also not lonely in a tragic tower, waiting for you to rescue me from my own dramatic lighting."
You blink.
"That was very specific."
"You were thinking it."
"I was not thinking dramatic lighting."
"You were thinking something close."
You sigh and lean against the doorway. "It just feels wrong sometimes. Leaving you here."
Natasha's expression softens, though she tries to hide it by reaching for a towel.
"I lived alone before you," she says.
"I know."
"And I'll be fine when you spend nights somewhere else."
You look down.
She stands and crosses the kitchen, stopping in front of you. Her hand comes up, quick and gentle, tugging at the collar of your jacket like she is fixing an excuse you are wearing wrong.
"You are allowed to have something that makes you want to leave the house," she says.
Your throat tightens. "Nat."
"And for the record," she adds, "you come back lighter."
You look at her then.
Her face is careful, but not closed. There's affection there, quiet and steady, the kind she rarely puts on display because Natasha's love has always been better at action than announcement.
"That matters," she says.
You swallow hard. "I still worry."
"I know."
"I'll always worry."
Her mouth curves faintly. "Good. Keeps you annoying."
You laugh despite yourself.
She gives your collar one last tug and steps back. "Go."
"You sure?"
"Mara."
"Okay, okay."
You leave before you can make it more emotional, because apparently your main survival tactic is fleeing tenderness like it is an active grenade.
John buzzes you in before you can press the button a second time.
He opens the apartment door with his phone tucked between his shoulder and ear, mouth set in concentration, fingers already flipping through a report in his other hand.
You step inside quietly.
He looks up.
The focused line of his brow softens instantly. Relief. Want. That quiet warmth that makes the whole damn world feel steadier. Home, even if neither of you has dared say the word out loud.
"I'll call you back," he says into the phone, eyes locked on you.
A pause on the other end.
"No. Tomorrow is fine." His gaze drops to your mouth for half a second, then back up. "Yeah. Understood."
He hangs up and exhales like he's been holding that breath since you texted him earlier. The phone lands on the coffee table with a soft thud.
"Busy?" you ask, shrugging out of your jacket and hanging it beside his.
"Report."
"Boring?"
"Extremely." He drops back onto the couch, already skimming through the papers again.
"Important?"
"Unfortunately." His mouth curves just slightly, that half-smirk you love. "Give me ten minutes. Tops."
You walk over, slow and deliberate. "That's what you said twenty minutes ago when you texted."
He glances up, eyes tracing the way you move. "It was true then."
"It's a lot less true now." You stop right in front of him, close enough that your knee brushes his thigh.
His mouth curves, but his gaze drops stubbornly back to the report. "Ten minutes."
You sit beside him anyway, thigh pressed to his. For about thirty seconds, you behave. A personal record, really.
John reads with that familiar furrowed brow, one elbow hooked over the back of the couch. His sleeves are pushed up to his forearms, apparently an act of war against your self-control. Lamplight traces the sharp line of his jaw, the curve of his ear, and the small freckle on his left earlobe.
Your freckle. Not his anymore.
You stare.
John turns a page without looking at you. "You're staring."
"I'm not."
"You are."
"You're reading. How would you even know?"
His mouth twitches. "I always know when you're staring."
"That sounds like paranoia."
"That sounds like experience." He finally lifts his eyes, just a fraction. "Hart."
The name lands warm in your chest. "What?"
"Let me finish the report."
"I'm not doing anything."
"You're thinking about doing something." His voice has that slight rasp now, the one that gives him away.
You smile, slow and innocent. That, apparently, is enough.
John looks at you fully. Big mistake.
Whatever warning he meant to give dies on his lips the second your eyes meet. You lift your hand. His gaze follows it, then snaps back to your face, knowing, already braced.
Before he can protest, your fingers brush the side of his neck. His breath catches, just barely. You slide higher, gentle, reverent, until your thumb finds that tiny freckle on his earlobe.
John's eyes flutter shut for half a second.
A low, soft sound slips from his throat, that tiny fracture in his discipline. The sound that's only ever for you.
It melts through you like warm honey.
You have both learned by now that there are certain things you no longer need to ask. Not because permission has disappeared but because trust has grown in its place.
You know the difference between hesitation and invitation. You know the way John's hands open for you before they touch. You know the way his breath changes when he wants you closer. You know that if either of you says stop, everything stops.
So you don't ask before moving.
You swing one leg over him and settle into his lap, the report crinkling forgotten between you. The new position brings your bodies into closer alignment, hips settling against his. John's eyes open. For one delicious second, he looks completely betrayed by the fact that paperwork has failed to protect him.
"Mara."
"Still reading?" you ask, voice already lower than it was a second ago.
His gaze drops to your mouth. Dark. Hungry.
"No."
"Good."
You kiss him, and it's immediate fire. No slow build tonight. You're already burning, and John reacts instantly, the report abandoned blindly as his hands reach for the coffee table with very little dignity before letting the papers slide onto it. Both of his hands fall to your hips, gripping harder this time, pulling you down against him as his mouth moves against yours like he has been waiting through every phone call, every page, every line of that report just to get here.
The kiss is hungry from the start, mouths parting, tongues meeting in a slow, deep glide that makes you both groan. Your hands slide into his hair, tugging, and he answers with a rough sound that vibrates through his chest into yours.
You smile against his mouth.
He notices. His hands flex at your hips, fingers digging in. "You're proud of yourself."
"A little," you breathe, then roll your hips once, slow and deliberate.
John's head tips back against the couch with a low, helpless groan. "Em..."
The sound goes straight through you.
"You're distracting," he manages, voice already rough.
"You invited me over."
"I was trying to work."
"That was your first mistake."
His laugh catches low in his chest, but it dies the second you kiss him again, deeper this time. You leave his mouth to trail hot, open-mouthed kisses along his jaw, and he exhales sharply.
"Jesus," he mutters, the word half-groan.
You reach his ear. Your lips brush the freckle.
John's whole body goes tense beneath you. A broken sound leaves him, low and wrecked, and his hands slide down to your thighs, gripping hard.
"Mara," he warns, voice scraped raw.
You hum against his skin. "What?"
His fingers press into your thighs. "You know what."
You kiss the freckle again, then gently scrape your teeth over it.
John shudders violently, hips jerking up into yours. A rough moan tears out of him. "Fuck..."
You smile against his ear. "I love that sound."
"You're gonna kill me," he breathes, voice shaking.
"Good."
John turns his head and catches your mouth again, kissing you like he's lost the last thread of patience. One second you're in his lap, the next, the room tilts as he moves with careful strength, rolling you beneath him on the couch. His weight settles over you, one thigh sliding between yours, and you both groan at the new pressure.
He stops immediately, breathing hard, eyes searching yours. "Okay?" he asks, voice hoarse.
You nod, already pulling him back down. "Yes. John..."
He kisses you before you finish, hungrier now, the kiss messy and deep. The couch dips beneath your bodies. His hand braces beside your head, the other gripping your hip as you arch up into him. He groans into your mouth, the sound low and filthy, and you chase it, legs wrapping around his waist to pull him closer.
"God, you feel good," he murmurs against your lips, then kisses you again before you can answer.
Your hands roam over his shoulders, down his back, nails dragging lightly through his shirt. John's mouth leaves yours to trace your jaw, your throat, and you tip your head back with a soft moan.
"There," you breathe. "Right there."
He obliges, lips and tongue working that spot until you're trembling beneath him. His hand slips beneath the hem of your shirt, palm warm and broad against your stomach, then higher, fingers splaying over your ribs. The touch makes you arch harder, a broken sound slipping out of you.
John lifts his head just enough to look at you, eyes dark, mouth flushed.
"You keep making those sounds," he says, voice rough with want, "and I'm not gonna be able to think straight."
"Then don't think," you whisper, tugging him back down.
He goes willingly, kissing you deeper, his hand stroking slow, deliberate lines along your ribs while his hips press into yours in a slow, grinding rhythm that makes you both moan. The sounds are quiet but constant now, your soft gasps, his low groans, the wet slide of mouths meeting again and again.
At one point he pulls back just enough to rest his forehead against yours, breathing hard.
"You're shaking," he murmurs, thumb stroking your cheek.
"So are you," you answer, voice breathless.
He huffs a laugh that turns into a groan when you roll your hips up to meet him again. "Yeah. I am."
His mouth finds yours once more, slower this time but no less intense, tongues sliding together as his hand keeps exploring under your shirt, mapping every inch of skin he can reach. You kiss along his jaw again, finding that freckle one more time, and the sound he makes is almost pained with pleasure.
"Jesus... Em..."
"I know," you whisper against his ear. "I know."
He captures your mouth again, kissing you like he can't get enough, like every sound you make belongs to him. His hand tightens on your hip, pulling you harder against him, and the low, desperate groan that leaves him makes heat flood through you so fast you forget how to breathe.
You're both lost in it, hands gripping, mouths moving, soft moans and rough groans filling the space between kisses, when his phone rings.
The sound slices through the apartment like a blade.
You both freeze.
John's forehead drops to your shoulder with a frustrated, broken sound that is half groan, half laugh.
"You have got to be kidding me," you whisper, voice wrecked.
He doesn't move for a second, just breathes against your neck, his hand still under your shirt, thumb stroking absent circles on your skin like he can't quite make himself stop touching you.
"If that's Lemar," you say, still breathless, "he has the worst timing in the entire universe."
John huffs against your throat, the sound almost a moan. "I'm going to kill him."
His phone keeps ringing.
He finally lifts his head, eyes dark and glassy, hair completely mussed from your hands. He looks wrecked. Beautiful. Yours.
"I should answer that," he says, but he doesn't move.
You slide your hand up to his left ear, thumb brushing the freckle one last time.
John's eyes flutter shut and a low, helpless sound leaves him.
"John."
"Yeah."
"Answer the phone."
He groans, long and low, then pushes himself up on shaky arms.
He reaches blindly for the phone, still hovering over you, and glances at the screen.
The change is immediate. His face closes. His posture shifts. Something in his shoulders locks into place, sharp and practiced. The warmth doesn't leave his eyes entirely, but the soldier steps forward inside him.
"It's not Lemar," he says.
Your stomach tightens.
He sits back slowly, giving you room, and answers the call.
"Walker."
You push yourself up on your elbows, shirt still rucked slightly at your waist, skin cooling where his hand had been.
John stands and walks toward the window. Not far, but far enough.
His back is to you for a moment, one hand at his hip, the other holding the phone to his ear. The city light catches against the glass, turning his reflection faint and ghostlike.
"Yes, sir," he says.
Your body goes still. 'Military.' You sit up fully and tug your shirt down, suddenly aware of the room, the report, the way desire can vanish beneath the weight of one phone call.
John listens. His jaw tightens. "No, sir. I understand."
A pause.
His eyes flick to the window, but you can see his reflection. The crease between his brows deepens.
"I submitted that last week."
Another pause.
His hand curls briefly at his side. "Yes, sir."
Then silence, longer this time.
You watch him.
Something shifts in John's face, confusion, then something colder. He turns just enough for his eyes to meet yours over his shoulder. The look hits you like a drop in altitude.
"Yes," he says slowly into the phone. "I know her."
Your breath stalls.
The apartment suddenly feels too big, too quiet.
John's gaze stays locked on you. His voice drops, firm and steady. "She's my girlfriend."
The word lands like a quiet detonation.
Girlfriend.
The first time. Not teasing. Not whispered against your skin. Not under Lemar's grinning supervision. He says it to the military like an unshakeable fact, like something he will defend with or without permission.
Your heart stumbles hard.
John looks away first, jaw tight. "No, sir. There's nothing to report." A pause. His fingers flex around the phone. "With all due respect, I'm not sure what you're asking."
The silence on the other end stretches, tinny and poisonous.
John's posture straightens further, shoulders rigid. "Yes, sir. Understood." Another beat. "I'll be there."
Your stomach drops.
He glances at you. "No. Tomorrow morning is fine." A final, clipped "Yes, sir," and he hangs up.
For a long moment he doesn't move, phone still in hand, staring out the window. His reflection in the glass looks ready to crack.
"John?"
He turns. The mask he tries to pull on is late and sloppy.
"What did they ask you?" you say.
"Nothing."
You stare at him until he looks away.
"John."
He exhales through his nose and drags a hand over his mouth. "They asked about you."
The words drop heavy between you.
"About me how?"
"Name. Background. How long I've known you. What our relationship is." His jaw flexes. "I told them the truth."
Your skin prickles. Old instincts wake up, sharp, familiar, dangerous. Alleys. Bodies. Blood. The years you spent becoming a ghost.
"Why?" you ask, keeping your voice even.
"I don't know." The answer comes too sharp. He hears it and softens, but the worry stays. "I don't know."
He sets the phone on the windowsill with deliberate care. Too careful. That's how you know it's bad.
John is worried. Tactical, protective, angry worry, not the gentle kind he soothes with a hand on your back. This is the kind that makes him stand like he's already between you and a threat.
"Don't worry about it," he says.
You blink. "John. You're standing by the window looking like someone just handed you a live grenade with my name on it."
His expression flickers, almost amused despite everything.
"I'll handle it."
"Handle what, exactly?"
His mouth shuts. That's the part he hates, not knowing.
You stand and cross the room slowly. He watches you approach, torn between pulling you close and keeping whatever this is locked outside the door. When you stop in front of him, you don't push. Not yet. Instead you take his hand.
His fingers close around yours, too tight at first, then deliberately gentler. "Sorry," he murmurs.
You shake your head. "Don't."
His eyes search your face. "I don't like this."
"I noticed." You press your free hand to his chest, feeling the hard, rapid thump beneath your palm. "Hey."
He looks down at your hand.
You don't lie and say it's fine. You both know better. Instead, you shift the subject with the only mercy you have.
"So..." Your voice comes out lighter than you feel. "Girlfriend?"
John stills.
The hard line of his shoulders softens almost comically. His eyes snap back to yours, surprised, a little embarrassed, and warm.
"That's what you're focusing on right now?"
"Yes." You smile. "You called me your girlfriend. To the military."
His ears go faintly pink. You glance at the left one, your freckle sitting there like it belongs to you.
John catches you looking and gives you a warning look that has zero authority behind it right now.
"First time you've said it out loud," you murmur.
"Yeah." His throat works as he swallows. "I meant it." No hesitation. Just steady certainty.
Dangerous man.
"You could have asked me first," you tease, no real bite.
"I know."
"You just assigned me the title."
His mouth twitches. "That's one way to put it."
"Very official." You step closer, thumb brushing over that freckle on his earlobe.
John's breath catches. That soft, low sound slips out again, yours, always yours.
Your smile gentles. "Does this mean I can start calling you boyfriend?"
For a second he just looks at you. Then the fight drains from his face, leaving the man beneath the Captain. Not all the worry, just enough for this.
"Yeah," he says quietly. "You can."
"Yeah?"
His mouth curves, small and helpless. "Yeah."
"Boyfriend," you test, soft and deliberate.
John closes his eyes for half a second, like the word lands somewhere unguarded. When he opens them, the look he gives you is warm enough to push the military call farther away.
"Girlfriend," he answers, voice low.
Your stomach flips. You try not to smile, you fail.
John notices, of course he does. He leans in slowly, giving you time, and kisses you. This one is quiet. A seal, a promise pressed into skin. His hand cups your cheek; yours stays over his heart.
When he pulls back, forehead resting against yours, he whispers, "I'll find out why they asked."
The worry is still there, under the warmth.
"I know," you breathe.
"I won't let anything happen to you."
You don't tell him he can't promise that. Instead you brush your thumb over his freckle again.
His breath hitches.
"Then you'd better get used to having a girlfriend who asks questions."
John's mouth curves against yours. "Bossy."
"You like it."
His eyes soften. "Yeah. I do."
The phone stays silent on the windowsill. The report lies forgotten. The worry lingers.