#slowburnfix

Getting requests again to finish the ending.

Thank you!

Yea… I know guys, I’m sorry. I just do not have time right now, and to be honest, I’m not watching the show anymore. Not since S3. That original arc was amazing. Pity they trashed it after The Director. Don’t get me started on that.

I have no idea what their direction is anymore, and really not interested. Think about it, if this were the original, where are the comics, the promos, the long detailed story insight?

Doesn’t exist anymore because they no longer reassure their audience, their fans…ah Sony made such a mess of things.

I wish Diego the best especially after he’s out of his contract. If he gets more scenes with Spader than just 60 seconds or less, that’s a good thing, I just do not have any faith. Two years they gave him no storyline and for what? A failed spin off they’re still pushing on viewers.

There haven’t been any real, Ressler and Liz scenes since S3. Doubt that changes because Boone and Klattenhoff have amazing chemistry, and that’s a distraction if you’re pushing a different agenda.

I just don’t like the show anymore, and not many in the industry watch either. That’s Bokenkamp/Eisendrath’s fault.

But at least they get paid the Netflix deal, and promote Sony in house actors- if you’re not on Sony’s list, you get nothing. That to me is bad business.JMO

To save Clarke, and protect Liz,  Reddington amps his war on Victor and Katarina. Fox and the task force use their new black site to locate two mysterious Russian ghost soldiers imprisoned by Katarina. In Georgia, Jacob faces the consequences from his actions when Max bargains with the devil to save Gina. Meanwhile the fall out from Tel Aviv sends Fox to pay a surprising visit to Ressler’s mother, while Liz, preparing to give birth, frantically copes, sending a lifeline to Clarke. In Moscow, Clarke deals with her assault, and Victor and Katarina have opposing agendas for their two prisoners. 

Something you may or may not realize. The Prima Ballerina Assoluta performed for dignitaries, kings and queens, high level politicians for the Soviet Union in the Bolshoi Theatre. Swan Lake defined Politics in Russia for over a century, primarily used as a drug to numb and mesmerize all who viewed it-Gorbachev, Stalin, Lenin, Kruschev, and yes Putin, used the ballet to manipulate an alliance. When you appeared with the Dictator of the hour…You were “allies”

After the Soviet Union fell, as a comfort to its citizens, Swan Lake appeared on every channel continuously for 24 hours.

In the Blacklist mythology, Reddington lured to see Swan Lake…and fell for “Odette” the beautiful princess transformed into a Swan by an evil sorcerer, Siegfried her valiant tried and true promised to love only her for all eternity: her mark was made when the sorcerer learned of this he had Siegfried fooled to profess love to Odile and betrayed his love. Vowing to love her for all eternity came with a price:

Death.

Hopefully this crystallizes for some-destruction through seduction. Red never refers to the United States as his country. He says, “your country.” A ballerina spy who met all the game changers and a way to America. This IMO should’ve been the spin off. Red and Katarina’s love spans years of her trying to follow him to America. Once she did, the sorcerer wanted revenge…thanks to all the people Red betrayed for one Ballerina, their desire was met on Xmas Eve.

Bokenkamp’s plan for Keenler, plays out in a similar way. Donald has broken rules for one woman: liz. Just as Reddington broke all rules for one ballerina.

Here’s the synopsis and hints to the new arc: A deadly explosion in Tel Aviv puts a strain on national security, and rocks the lives of Taskforce forever. With Victor’s help, Katarina wages war on Reddington as he takes necessary steps to protect Liz and her unborn child.

I’ll post it in a few. There are three timelines: two in the past, then in the present.

We do a backstory on Reddington’s life and how he meets Katarina/how he and Carla begin. Stories should always use its core list of characters to tell it’s past in order to explain its future.