@slaysgodâ: evaine leblanc
  They say there is no nobility in Noxus Prime.
  Everything should be meritocratic, from the smallest peasantâs earnings to those sitting in the spire as Grand General and adjacent. That to live is to work, and to work is to prosper. Such meritocracy that Khada Jhin, today Vane Pazzolo, passes by a throng of beggars the near instant he steps off his carriage, on strangled cobbles and fraught stonework. But when is reality not often disappointing?
  Heâs come seeking answers.
  Pazzolo, before he became a mask for Jhin to wear, had been one of those mythical aristocrats on the eastern seaboard of Noxus. Father a winemaker, or some other boring thing, but Pazzolo had no love for the vineyard and used it as a front to finance such sympathetic activities as tracking down forbidden books which with to summon monsters from other dimensions in profane rituals. It was neither the books nor the monsters which motivated Jhinâs benefactors to take Pazzolo off the board, instead that when offered a rose of his own, Pazzolo staunchly refused. Not as pragmatic as this Golden Demon, it would seem. Nevertheless, his body made for rather the fine tapestry, when it dried.
  Jhin has no love for Noxus. Its claims of meritocracy ring as hollow as Ioniaâs to pacifism, and thatâs just trite. Still, he admits that the war did plenty to showcase his countrymenâs renewed appetite for carnage (yours truly included), and thatâs worth some respect. Itâs s shame then that so much of Noxus is as unimaginative as it is, what with the iron steeples and skulls strewn about the place as if repetition somehow made it more ghastly as opposed to irritating. But, again, when is reality not often disappointing?
  People are here to kill him.
  Jhin senses it from aboveâheartbeats. First, a second, a third andâhe smilesâa fourth. Must have been waiting for him since he came off the carriage. Itâs raining, and gently does Jhin pull his hood down and let the rain filter through his hair. He can hear an arrow being notched.
  The performance, unsurprisingly, doesnât last for long. Short and sweet, as Jhin is sometimes receptive toâtogether he has collected them into a lovely amalgam of parts, gold and porcelain, that will be to the horrific delight of whomever fortunate enough to find it next. The art, though perfect as always, isnât whatâs important here. This is:
  An invitation, found with one of the assassins and written on iridescent vellum. Signed with a rose.
  Seems like for once, Khada Jhinâs about to be an expected guest.
  The riddle contained on the vellum was not difficult to decipher, nor did Jhin expect that it would be. Little more than necessary precaution and mood-setting, heâd suppose. He finds the empty abbey with relative ease, taking out the loose stone to reveal steps under the altar. Nor does he believe this to be anywhere but a transient site for this particular meetingâhe knows better of his benefactors than to ever think theyâd show him the belly of the beast willingly.
  Jhin descends the steps, the underground heâs presented with rife with a musty odor and the impression of being far, far older than the abbey built above it. Whispers of magic are plentiful here, buzzing in Jhinâs ear like cicadas. Smoke⊠and mirrors. He ignores his own reflection.
  âPale lady,â Jhin announces. âSuppose itâs time weâve met in person.â