@slackerphilosopher // continued.
Henry was still staring at the painting, still unable to shake the uncanny resemblance. They did say that everyone has about seven doppelgangers out there, so maybe some people had historical doppelgangers? Regardless, it was still a pretty freaky coincidence.
âYeah, probably. Seriously though, looks like he could have been your ancestor or something.â He looked at the description. âPrince, huh? You secretly royalty?â
He turned to Andrei with a playful smile, but it was clear the other wasnât in a joking mood, exactly. In fact, he lookedâŚHenry didnât know if he had a word for how the other looked, just really bothered somehow. That was somehow more confusing than the painting. There were plenty of ways to explain that. So why did it seem to be freaking Andrei out so much?
âHey, you okay?â
HEÂ LOOKSÂ LIKEÂ HEÂ HASÂ SEENÂ AÂ GHOSTÂ :Â and he has, but andrei cannot allow henry to know any of this. memories awhirl within his head threaten to break the fragile mask he wears above the pain so many lives have carved ---- none so terrible as those first and most personal scars. he has never trusted a home because of the man in that picture, never felt safe, never escaped . . .
his throat is tight and his palms are cold and uncomfortable. he rubs them against his pants, and shrugs, as though this means nothing to him at all.
â russian princes in the nineteenth century were not royalty. â this, something he knows instinctively of a position he has left so far behind him ( the century following had scrubbed with iron bristles the nobility from his hands and left them bleeding ) should not sound suspicious, except that he says it without any apparent thought.
â itâs just a likeness anyways. â a deep breath is discreetly taken, and his weight rests in his heel. his hands find stillness knotted behind his back. â the real person probably didnât even look like this. â
( he did, and the painting is exact in every harshness, in every hard line. itâs like his father could reach out and take him by the arm and drag him back into a ruthless and lonely childhood. )Â









