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BubbleScope 360 Degree add on for Phone Add on
BubbleScope is a clever optical attachment for your smartphone which lets you take full 360 degree photos and video with your phone camera. The device uses the BubblePix software to do the smart stuff, and it also features a tripod mount on the base to capture higher quality images under different conditions.
The developers are looking for funding right now, so there’s no guarantee that the product will see the light of day, but if it does I can see it being quite a cool gift for the right kind of people, especially as it’s expected to retail for around £50 a unit.
Maybe you’re young enough to remember Blue’s Clues, or old enough to have a little one hanging on the mystery-solving adventures of Steve and Blue as you read this. If, by any chance, Blue’s Clues happens to be on in the background, try this experiment: watch and see how long the camera holds on a single shot.
You will, by design, be waiting a long time. The child psychologists who helped create Blue discovered that young viewers don’t know what to do with cuts and edits; they understand them as a new scene, not the same scene shot from a different angle, and they’re soon too confused to keep up. So the Blue’s Clues camera almost always holds steady, in a series of long and deliberate takes.
On the grown-up channels, the camera can do more—but only because we’ve already learned the complicated visual grammar that makes the camera make sense. Think of the long list of visual cues we take for granted. How do we know, without struggling to process the fact, that a scene shot from three angles by three cameras is the same scene? How can we tell the difference in emotional register between a series of rapid-fire cuts and a single, slow, agonizing take? Who says that a series of short shots often indicates the passage of time? As much as we may take these conventions for granted, as natural as their emotional associations might seem to us, they make sense largely because we’ve had “practice.”
- Rob Goodman, Zooming Out: How Writers Create Our Visual Grammar