#silicondreams

Hey yknow, while I’m still here, I might as well share some of my newer art from the past few days.

In the liminal hours between midnight and dawn, when screens glow like modern altars, Nina Wilson communes with her most faithful companion. The Australian artist known as Ninajirachi has forged an intimate relationship with technology that transcends mere utility—it becomes worship, obsession, love.

Her debut album "I Love My Computer" emerges from this digital devotion, a testament to the profound connection between human consciousness and silicon dreams. Wilson's journey began in childhood, drawn to the hypnotic pull of Madeon's "Pop Culture"—a track that crystallized her understanding of electronic music's transformative power.

"My computer has always defined my output," Wilson confesses, her words carrying the weight of digital prophecy. The machine becomes extension of self, each component a sacred relic in her creative ritual. From the width of trackpads to the processing power humming beneath plastic shells, every element shapes the music that flows through fiber optic veins.

The album pulses with tracks like "iPod Touch," evoking memories of late-night YouTube pilgrimages and the discovery of forgotten sonic territories. "Fuck My Computer" makes literal the intimate bond between artist and instrument, while "Battery Death" explores the anxiety of disconnection—when power fades and the digital umbilical cord severs.

Wilson's sound draws from the maximalist tradition of early Porter Robinson and Skrillex, yet her approach feels distinctly contemporary. This is music born from isolation, crafted in bedrooms where the only light comes from monitor glow. It speaks to a generation raised on screens, finding genuine emotion in artificial constructs.

The album's most revealing moment arrives with "Sing Good," where Wilson strips away pretense to examine her core motivation. Despite feeling disconnected from traditional music scenes, she discovered that creation itself provides salvation. The computer becomes confessor, collaborator, and congregation rolled into one.

In an era where artificial intelligence threatens to replace human creativity, Ninajirachi offers a different vision—one where technology amplifies rather than diminishes our humanity. Her digital devotion reveals that the most profound connections often occur not between people, but between consciousness and the tools that extend our reach into impossible realms.