It has been suggested that literary genres can be associated with basic bodily processes: tragedy—death comedy—sex satire—defecation And pastoral romance? surely—napping.
rachel eisendrath, gallery of clouds

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It has been suggested that literary genres can be associated with basic bodily processes: tragedy—death comedy—sex satire—defecation And pastoral romance? surely—napping.
rachel eisendrath, gallery of clouds

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even when the little crimson buskins come off...
I learned about inigo jones's book about stonehenge late last night* and felt such indescribable things reading this passage. please try to understand. 1620 you are william herbert sending for inigo jones because you are talking to king james about stonehenge. 1621 your cousin slash lover slash possible secret wife publishes a book where the climactic scene has the character who is you disappear at "a place made round like a crown of mighty stones" (it's stonehenge) with your armor hacked into pieces and your horse dead and also a huge wild boar and blood is everywhere. then one of the stones has a handle on it and the character who is your cousin slash lover opens the door and has a vision of you in hell for cheating on her. can't decide if it would be funnier if you've already read this and have to have a normal conversation with the king about stonehenge with the knowledge in your mind that your cousin slash lover wrote this or if you only learn about it when it gets published
Lord, crack their teeth; Lord, crush these lions’ jaws; So let them sink as water in the sand: When deadly bow their aiming fury draws, Shiver the shaft ere past the shooter’s hand. So make them melt as the dishousèd snail Or as the embryo, whose vital band Breaks ere it holds, and formless eyes do fail To see the sun, though brought to lightful land.
from mary sidney herbert, countess of pembroke’s translation of psalm 58 in the sidney psalter (ca. 1599)
“Lady,” quoth I, “your words most sweetly kind Have easy made whatever erst I bare, But what is left of you to live behind. Therefore to know this [is] my only care, If slow or swift shall come our meeting-day.” She parting said, “As my conjectures are, Thou without me long time on earth shalt stay.”
the final lines of petrarch’s triumph of death in a translation by mary sidney herbert, countess of pembroke (ca. 1600)
– Quant’io soffersi mai, soave e leve–– dissi––m’ha fatto il parlar dolce e pio; ma ’l viver senza voi m’è duro e greve. Però saper vorrei, madonna, s’io son per tardi seguirvi, o se per tempo. Ella, già mossa, disse: – Al creder mio, tu starai in terra senza me gran tempo.

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As an example of the kind of historical background to which I devote attention, consider the international array of diplomats and courtiers that came together for the marriage of Queen Mary Tudor and Prince Philip of Spain in July of 1554. This group includes the henchman of the late King Edward VI, Henry Sidney (1529-86), who named two of his children, Philip and Mary, in honor of the marriage; the second Marquis of the Valley of Oaxaca and son of the conqueror of Mexico, MartĂn CortĂ©s (1532-89); the future ambassador to France and England, Bernardino de Mendoza (1541?-1604), who would report Philip Sidney’s doings to King Philip II thirty years later; and the prince’s confidant, GĂłmez Suárez de Figueroa, the fifth Count of Feria, who was the third cousin once removed of the adolescent mestizo in Cuzco later to rename himself the Inca Garcilaso de la Vega, and who would become Philip Sidney’s cousin by marriage. We tend to think insensibly of these historical figures as occupying discrete worlds, and certainly scholarship has colluded in keeping them apart, but I will argue that they personify the emergence of a transatlantic European society behind many works and events in this period.
from the introduction to roland greene’s unrequited conquests: love and empire in the colonial americas, 1999
When I remember these things, I pour out my soul in me: for I had gone with the multitude, I went with them to the house of God, with the voice of joy and praise, with a multitude that kept holyday.
psalm 42:4 in the king james versionÂ
My heart melts rememb’ring so, How in troops I wont to go: Leading them, his praises singing, Holy dance to God’s house bringing.
the same verse as translated by philip sidneyÂ