SubCulture Take 5 / Shaina Taub
A big thank you to Shaina Taub of the Shaina Taub Trio for answering our SubCulture Take 5 Questions. Shaina is a muscian, singer, songwriter, actress and all around talented young artist with a lot for us to learn from. The Shaina Taub Trio is Shaina Taub, Mike Brun and Jacob Colin Cohen--don't miss their inventive, whimsical sound on 11/18 at Subculture. Tickets are still available for what's going to be a very special evening:Ā http://ticketf.ly/1cg7kf9Ā
We are just "beside ourselves" with this catchy tune below.
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SubCulture: Who are you major musical influences?
Shaina Taub: Stevie Wonder, Paul Simon, Billy Joel, Joni Mitchell, Randy Newman, and Stephen Sondheim Ā are my main gods. Lately, Krystle Warren and Jamie Cullum have been big influences as well. Iām most regularly inspired by the incredible community of singer/songwriters Iāve encountered here in New York - thereās truly amazing music being written and shared nightly in this city.
SC: Describe your first live performance- (was it a school talent show? Ā local battle of the bands? open mic at a coffeehouse?). Ā Ā Ā
ST: Iāve been performing as a singer since I was very young, but my first performance of my original songs was at a college open mic night. I had finally finished two whole songs and I got to play them for a very supportive and lovely crowd of friends and classmates in the common room of our arts building. It was a great way to kick it all off. Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā
SC: What is your favorite song to perform?
ST:Ā A friend of mine asked to me write a song about animals for a fundraiser concert she was producing to benefit a farm sanctuary upstate. At first I wasnāt too jazzed by the idea, but I ended up writing a story song about a bear and an otter that has become a very meaningful piece to me. I love to perform it because itās so intimate and conversational, and hopefully takes the listener on a miniature yet epic journey through these animalsā lives. I havenāt performed it in over a year, but I plan to bring it back for my SubCulture show on the 18th!
SC: That's great--we can't wait to hear it! If you could perform with one artist (dead or alive) who would it be? Ā
ST: Itās a tie for Carole King or Barbra Streisand. Third place goes to Cole Porter.
SC: What is your process when writing a song?
ST:Ā I almost always start with lyrics. Recently, Iāve found creating melody for the words away from the piano to be very fruitful. Then I bring it back to the keyboard to arrange it. I'm an obsessive re-writer - all of my songs go through many drafts. Iām always writing down lyric snippets in my journal and recording short voice memos on my phone. I like to keep a running ābankā of these mini, unformed ideas to trigger me when I sit down to write.
A big part of my writing process is cultivating a regular, daily practice, not just random, sporadic occurrences when inspiration happens to strike. Twyla Tharp wrote a wonderful book called The Creative Habit that opened my mind to the importance of routine to craft.
Another significant element of my process is taking in other peopleās work. Listening to albums, seeing live shows. To me, making art is two parts intake, one part output. I think thereās this myth that we create art in a void and that listening to one another is stealing, or being derivative. I think listening is inheriting, and our responsibility as creative people. Music is one big game of telephone, a creative conversation evolving over generations. I think that good songwriting is just good listening, then good editing, then good arranging. As Pete Seeger said, all songwriters are ālinks in a chain.ā Picasso said great artists steal - I say great artists listen and arrange.
SC: That's a really great way to think of creating in general--on that note, Ā what is your favorite album of all time?
ST: The album Iāve listened to most consistently since I was little is The Miseducation of Lauryn Hill. It continues to speak to me every single time, and was somehow equally relevant to me as a ten year old as it is now as a twenty-five year old.
SC: On a typical Friday night I am....
ST: Performing in Natasha, Pierre & The Great Comet of 1812! Itās an incredibly beautiful electro-pop opera currently running on 45th Street in the Theater District at Kazino, a pop-up Russian supper club built especially for the show. I play the role of Princess Mary eight performances a week. I learned accordion for this production, which has been a blast.
SC: What advice would you give young, aspiring musicians?
ST: I am still a young, aspiring musician myself, but what I would say to my peers is: Community is our greatest commodity. Mutual inspiration - not competition - support each other. I recently had the privilege of giving a talk at a TEDx conference about a songwriter's circle I've been hosting for a few years, and it's a good representation of my overall philosophy. Check it out here: TEDxNYU Talk: Why Artistic Communities Are Crucial to Creativity










