And the poem Has set me softly down beside you. The poem is you.
John Ashbery, excerpt of “Paradoxes and Oxymorons”, in Shadow Train

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And the poem Has set me softly down beside you. The poem is you.
John Ashbery, excerpt of “Paradoxes and Oxymorons”, in Shadow Train

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A poem by John Ashbery
Or in My Throat
To the poet as a basement quilt, but perhaps To some reader a latticework of regrets, through which You can see the funny street, with the ends of cars and the dust, The thing we always forget to put in. For him
The two ends were the same except that he was in one Looking at the other, and all his grief stemmed from that: There was no way of appreciating anything else, how polite People were for instance, and the dream, reversed, became
A swift nightmare of starlight on frozen puddles in some Dread waste. Yet you always hear How they are coming along. Someone always has a letter From one of them, asking to be remembered to the boys, and all. That’s why I quit and took up writing poetry instead. It’s clean, it’s relaxing, it doesn’t squirt juice all over Something you were certain of a minute ago and now your own face Is a stranger and no one can tell you it’s true. Hey, stupid!
John Ashbery (1927-2017)
There is no freedom, and no freedom from freedom.
John Ashbery on golf
What with the Masters starting today:
This protected summer of high, white clouds, a new golf star
Flashes like confetti across the intoxicating early part
Of summer, almost to the end of August.
- Qualm
Ambrosius, suffering from misfortune, seeks happiness in the companionship of Joe, and in playing golf.
- ...by an Earthquake
Now, according to some sources,
new golfing trends are a commodity
along with silence, and sweetness.
Doucement, doucement...
- Strange Cinema
And when an elf
sits on a golf tee before you, and someone
behind you asks to play through: then, then
it doesn't matter much which of the old gypsy crones is
really a princess in disguise, with flowing
chocolate braids, and olive-dusted complexion!
- Irresolutions on a Theme of La Rochefoucald

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This poem is concerned with language on a very plain level. Look at it talking to you. You look out a window Or pretend to fidget. You have it but you don’t have it. You miss it, it misses you. You miss each other. The poem is sad because it wants to be yours, and cannot. What’s a plain level? It is that and other things, Bringing a system of them into play. Play? Well, actually, yes, but I consider play to be A deeper outside thing, a dreamed role-pattern, As in the division of grace these long August days Without proof. Open-ended. And before you know It gets lost in the steam and chatter of typewriters. It has been played once more. I think you exist only To tease me into doing it, on your level, and then you aren’t there Or have adopted a different attitude. And the poem Has set me softly down beside you. The poem is you.
John Ashbery, Paradoxes and Oxymorons
Paradoxes and Oxymorons
by John Ashberry
This poem is concerned with language on a very plain level.
Look at it talking to you. You look out a window
Or pretend to fidget. You have it but you don't have it.
You miss it, it misses you. You miss each other.
The poem is sad because it wants to be yours, and cannot.
What's a plain level? It is that and other things,
Bringing a system of them into play. Play?
Well, actually, yes, but I consider play to be
A deeper outside thing, a dreamed role-pattern,
As in the division of grace these long August days
Without proof. Open-ended. And before you know
It gets lost in the steam and chatter of typewriters.
It has been played once more. I think you exist only
To tease me into doing it, on your level, and then you aren't there
Or have adopted a different attitude. And the poem
Has set me softly down beside you. The poem is you.