A Monk Sips Morning Tea by Matsuo Basho
A monk sips morning tea, it's quiet, the chrysanthemum's flowering.

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A Monk Sips Morning Tea by Matsuo Basho
A monk sips morning tea, it's quiet, the chrysanthemum's flowering.

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Strawberrying (by May Swenson)
My hands are murder-red. Many a plump head drops on the heap in the basket. Or, ripe to bursting, they might be hearts, matching the blackbird’s wing-fleck.
We’re picking near the shore, the morning sunny, a slight wind moving rough-veined leaves our hands rumple among. Fingers find by feel the ready fruit in clusters. Here and there, their squishy wounds. . . . Flesh was perfect yesterday. . . . June was for gorging. . . . sweet hearts young and firm before decay.
“Take only the biggest, and not too ripe,” a mother calls to her girl and boy, barefoot in the furrows. “Don’t step on any. Don’t change rows. Don’t eat too many.” Mesmerized by the largesse, the children squat and pull and pick handfuls of rich scarlets, half for the baskets, half for avid mouths. Soon, whole faces are stained.
When, hidden away in a damp hollow under mouldy leaves, I come upon a clump of heart-shapes once red, now spiderspit-gray, intact but empty, still attached to their dead stems— families smothered as at Pompeii —I rise and stretch. I eat one more big ripe lopped head. Red-handed, I leave the field.
In the Station of the Metro by Ezra Pound
In the apparition of these faces in the crowd; Petals on wet, black bough.
Valentine by Carol Ann Duffy
Not a red rose or a satin heart.
I give you an onion. It is a moon wrapped in brown paper. It promises light like the careful undressing of love.
Here. It will blind you with tears like a lover. It will make your reflection a wobbling photo of grief.
I am trying to be truthful.
Not a cute card or a kissogram.
I give you an onion. Its fierce kiss will stay on your lips, possessive and faithful as we are, for as long as we are.
Take it. Its platinum loops shrink to a wedding ring, if you like. Lethal. Its scent will cling to your fingers, cling to your knife.
Dulce et decorum est (By Wilfren Owen)
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning.
In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,— My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.

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Death in the family (by Julie Hill Alger)
They call it stroke. Two we loved were stunned by that same blow of cudgel or axe to the brow. Lost on the earth they left our circle broken.
One spent five months falling from our grasp mute, her grace, wit, beauty erased. Her green eyes gazed at us as if asking, as if aware, as if hers. One night she slipped away; machinery of mercy brought her back to die more slowly. At long last she escaped.
Our collie dog fared better. A lesser creature, she had to spend only one day drifting and reeling, her brown eyes beseeching. Then she was tenderly lifted, laid on a table, praised, petted and set free.
Those winter sundays (by Robert Hayden)
Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking. When the rooms were warm, he’d call, and slowly I would rise and dress, fearing the chronic angers of that house,
Speaking indifferently to him, who had driven out the cold and polished my good shoes as well. What did I know, what did I know of love’s austere and lonely offices?
View from a window (By Alfian Sa’at)
looking outÂ
at the next block at the curtains on the next block
at shadows opening cupboards and closing them, noiselessly at housewives washing dishes framed by socks on window grilles at wooden slots for air-cons at rusty holders for washing poles
is to feel as if one is viewing a wall at a columbarium
at ghosts behind plaques hunting for their souls in drawers, in woks in the television box