#scripti

ProHaber Scripti+Haber Botu+Geniş Arayüz

GENEL ÖZELLİKLER

Haber İçerik;

Haber Ekleme – Düzenleme – Silme

Resimlere Anasayfa için ve Haber Detay için olmak üzere ftp ye resim upload edebilme.

Haberler İçin kısa özet (Spot) bölümü

Manşet – Son Dakika – Slide Haber – Manşet Yan Taraf gibi haber yeri bölümleri

Renkli haber başlıgı ekleme

Kategoriye Göre Haber Ekleme

Kategori İçerik;

Kategori Ekleme – Düzenleme – Silme

Kategori…

SCOTT is sitting down at a table, he is waiting patiently. MIKE approaches him and stands next to him.

MIKE: You Scott?

SCOTT nods.

MIKE: Ah, nice to meet you, I’m Mike. I run things around here.

MIKE holds out his hand, SCOTT does also. They shake hands.

EFFECT (TITLE): RED MATTER PRODUCTIONS

INT. CORRIDOR

MIKE and SCOTT are walking down the corridor.

MIKE: Right, so I’ll just show you around today.

SCOTT: (nervously) Yeah, ok.

MIKE walks over to a doorway, the door is open and they both look in.

MIKE: For starters, this is where some of the patients stay.

SCOTT: (nervous) Ah… interesting.

EFFECT (TITLE): IGNITE PRODUCTIONS

MIKE: You can walk in if you like, there’s no-one in this one.

SCOTT walks in and looks around.

EFFECT (TITLE): PRESENTS

SCOTT takes out his phone and begins to type on his phone.

MIKE: You making notes?

SCOTT: Yeah.

MIKE nods and looks around. SCOTT is still typing on his phone.

MIKE: What are you writing?

SCOTT: Looks cosy.

EFFECT (TITLE): “THE INFLUENCE”                 DIRECTED BY CONNOR CHADWICK AND HARRIET BUTCHER                 STORY BY HARRIET BUTCHER                 WRITTEN BY HARRIET BUTCHER AND CONNOR CHADWICK                 EDITED BY CONNOR CHADWICK AND HARRIET BUTCHER

INT. OFFICE

The BOSS is sitting down at the office, writing down in a book, in a purple shirt. MIKE walks in, he looks at the BOSS strangely, but walks over to him.

MIKE: (lips twitch in a smile) Casual Friday, is it?

BOSS: (looks up) Something like that, yeah.

MIKE: The new intern came in today, he’s just eating lunch in the cafeteria right now.

BOSS: Are you sure that’s wise?

MIKE: (confused) Why wouldn’t it be?

BOSS: Aren’t some patients going on their break soon?

MIKE: Yeah, but they won’t do anything, most of them are under sedation due to their nature. He also needs to see what it’s like.

BOSS: Well, I’m not getting sued or anything if he gets attacked.

MIKE: Fair enough.

MIKE walks off and walks out of the room, the BOSS continues to write.

INT. CAFETERIA

SCOTT is sitting down at the table, he is typing on his phone and he closes his phone and puts it down on the table. He looks around; it is a mix between busy and quiet. He is looking around and KEEGAN walks over to SCOTT and sits next to him. SCOTT blinks with astonishment as he eyes KEEGAN.

INT. OFFICE

The BOSS walks out of his office.

INT. CORRIDOR

The BOSS walks down the corridor and out of the corridor.

INT. OTHER CORRIDOR

He hears something, he stops, then turns around and walks back into the corridor.

INT. CORRIDOR

The BOSS walks slowly down the corridor back towards his office. SCOTT is standing outside his office.

BOSS: You’re the intern, right?

SCOTT: (surprised) Uhh… yeah.

BOSS: what are you doing here?

SCOTT: I need to quickly talk to you about something.

INT. OFFICE

SCOTT: You know the essay I’m doing?

BOSS: On St. Terrance Hospital, yeah?

SCOTT: I’d like to base it around Keegan.

The BOSS’s eyes widen.

BOSS: I wouldn’t advise that.

SCOTT: Why?

BOSS: He’s not the most… well, he’s not the safest person to be around.

SCOTT: Oh, how come?

BOSS: He’s here because he killed a few people. Today was one of the only days he was allowed out to have lunch with people. What did he do to make you interested?

SCOTT: Well, he sat next to me and spoke to me, he was telling about his story and how he ended up here. I thought he would be a good subject to write about.

BOSS: I would advise you not to.

SCOTT: Well, how am I going to write my essay?

BOSS: Myself and Mike are around to talk to you whenever you want.

SCOTT: Alright, (takes out phone) why are you dressed so casually?

BOSS: It’s meant to be my day off, but I came here so I could make sure you had a nice time here.

SCOTT: Right, ok (types on his phone)

INT. CELL

MIKE is standing in the cell, looking outside of the window. SCOTT walks in.

MIKE: (turns to SCOTT) You alright, Scott?

SCOTT: Yeah, can I ask you a few questions?

MIKE: Sure.

SCOTT gets out his phone to type on.

MIKE: Soooo, what made you write an essay on this place?

SCOTT: I’ve got a…. no, never mind.

MIKE: No, go on, it’s fine.

SCOTT: No, it doesn’t matter.

MIKE: Do you know someone here?

SCOTT: (pauses) Something like that.

MIKE: Ah, don’t worry about it.

SCOTT: So… ermmmm (Checks phone) What made you want to have this job?

INT. OFFICE – NIGHT

The BOSS is sitting down at his desk. He yawns. MIKE walks in.

MIKE: Night boss.

BOSS: Yeah, night.

MIKE: You get your days off now, don’t you?

BOSS: Yeah. I got about two weeks off.

MIKE: Well, have a good one, I’ll try and keep the place running whilst you’re gone.

BOSS: (stands up and gets his coat) Cheers.

  INT. CAR PARK

The BOSS walks through the car park, he yawns again. He walks up the ramp and stops. SCOTT is standing there.

BOSS: Scott? Is that you?

SCOTT stares at the BOSS.

BOSS: Er.. Scott?

SCOTT runs at the BOSS.

IMMEDIATE CUT.

FADE IN.

A clip from “The Struggle” plays, it’s of Scott shaking in a cell.

EFFECT (TITLE): THREE MONTHS LATER.

MIKE: So what do you think?

BOSS: now that you say that, I think he should be kept in for longer.

MIKE: Why?

BOSS: He has split personality disorder, why do you think I’m saying this?

MIKE: Well, he’s been getting better, I’m pretty sure Tyler’s gone.

BOSS: You sure about that?

The BOSS turns away and walks off.

INT. MIKE’S OFFICE

MIKE: (on the phone) Yeah, he came by today. (PAUSES) Yeah. (PAUSES) I can’t do that to him, he’s getting weaker but I know he can fight this. (PAUSES) Yeah, I agree. (PAUSES) Yeah, I mean, if we could just find the time and funding… (PAUSES) Alright, fine.

MIKE hangs up.

INT. CELL

SCOTT looks around his cell.

INT. MIKE’S OFFICE

MIKE: (On the phone) Hello Tim, it’s Mike. (PAUSES) Yeah, can you do me a favour and sign Scott out please? (PAUSES) Yeah, Scott’s going, yeah. He’s being released today. (PAUSES) yeah, alright, thanks for that. Alright, bye.

MIKE hangs up.

INT. CORRIDOR

SCOTT is sitting down at a table outside his cell. MIKE walks up to him and shakes his hand.

MIKE: Scott, I’m very proud of you, Scott. You’ve overcome most obstacles that not many of us can do. Your time here is up. I’m proud of you.

MIKE walks SCOTT down the corridor.

MIKE: I’d just like to.. well, I’ll come to the exit with you anyway,and we’ll get you on your way to a new life, a better you hopefully. You are our best patient.

MIKE and SCOTT continue to walk down the corridor.

INT. OFFICE

BOSS: (on the phone) Are you kidding me? He’s been let out?

The BOSS hangs up and walks out of the room.

BOSS: For gods sake, Mike.

INT. CORRIDOR

The BOSS runs up to SCOTT’s cell.

BOSS: Shit.

The BOSS turns around and runs back down the corridor, then out of the corridor then onwards down the stairs, he runs down to the fire exit and the fire exit explodes. The BOSS is thrown back, he gets up, looking at the devastation, before getting up and running into the fire exit.

INT. FIRE EXIT

The BOSS runs in and stops. He gasps.

BOSS: I’m so sorry, Mike… Scott’s still out there.

BOSS walks out and through the fire exit.

INT. CAR PARK

The BOSS runs out and looks around quickly.

BOSS: Damn it.

The BOSS runs back indoors.

INT. OFFICE

The BOSS is on the phone.

BOSS: Find him, he must still be in the area.

Footsteps can be heard, he gets out a gun and stands up. SCOTT walks in and turns off the lights. The BOSS lifts up the gun quickly but is blinded as he can’t see. After a few seconds, the lights turn back on and SCOTT is behind the BOSS.

SCOTT: Boo.

The BOSS jumps around quickly.

IMMEDIATE CUT.

FADE IN.

EXT. STREET

SCOTT walks down the street, now wearing his leather jacket and his new haircut, like before. SCOTT looks around, then walks off.

LONG SHOT: SCOTT WALKING AWAY.