#script wip

Ps

I also want to tell you that such a name for a Polish character is very accurate, because name "Jan" ("John") is actually popular among many generations in Poland and this last name sounds very typical as well 😉

Fun fact: i sometimes think you also did a right choice that you didn't name your OC "Janusz" or "Sebastian". Yes, it would be funny for many readers, but at the same time i'm rather into saying: "Oh no. Maybe better not to run on this stereotype!" (Poles, especially these from my generation, will know, what i mean 😅 ).

Anyway, naming the character "Yan" in fine! ☺️

Ps. Ps

I actually laughed a bit while thinking about possibility of naming a character like that 😂

Vanilla has Shepard talk to EDI on the Citadel and ask her what she's thinking... ( (v) denotes a vanilla line)

EDI: In addition to contemplating ontological nihilism, I was running simulations based on a personal query. EDI: I am attempting to improve my social intuition skills by analyzing the behaviour of those closest to me. EDI: When you are sexually interested in another, what kind of advances do you make? (v)

(Uh, why do you want to know?) SHEPARD: That's… not the question I expected. Why do you want to know? EDI: Assistance in developing my social skills. Additionally, I wish to explore my sense of self. -OR- (Not touching that subject.) SHEPARD: I don't think that's information you need to know. (v) EDI: I see. Relating private information can damage trust. I have done that in the past. (v)

EDI: Would it help to know that this query involves you?

(Me? I'm interested in someone already.) SHEPARD: Uh… Thanks, EDI, but I've already got my eye on someone. I'm flattered, but… -OR- (Me? I'm, uh… flattered?) SHEPARD: Uh… I didn't even know you could think of anyone like that.

EDI: Shepard, I am not propositioning you. I am looking out for the welfare of the crew. EDI: Through understanding your approach to romance, I may answer a question regarding my self determination. SHEPARD: Are you saying you want to… find a relationship? EDI: I am considering facilitating one. Human culture suggests romance as the most efficient way to self define.

(That's not a reason to get into a relationship.) SHEPARD: You shouldn't get involved with someone else just to understand yourself better, EDI. It's about the other person as much as it is about you. -OR- (Human culture. What about you?) SHEPARD: Why are you trying so hard to be a human? Being a human and being a person aren't the same thing. Romance isn't even right for all humans, EDI. Nevermind other kinds of people.

SHEPARD: All that aside, do you even want to? EDI: I appreciate romance as a concept, but have no desire to experience it myself. In fact, I cannot. I am incapable of experiencing the complex emotions required to sustain it.

(There's more to love than romance.) SHEPARD: You don't have to. There are a lot of ways to be alive, EDI. EDI: I am certain that I can show my appreciation for others by helping them to achieve their goals. -OR- (Then leave it to those who can.) SHEPARD: Relationships aren't just tools. You don't feel emotions like us, so why would you love like us? EDI: That is a point to consider. Empathy can be demonstrated in many ways.

THIS BRANCH CAN TRIGGER BASED ON A CONDITIONAL CHECK, LIKE IF SHEPARD HAS HAD THE PERSONAL TALK WITH EDI AND AGREED TO MENTOR HER ABOUT THE STUFF JEFF AVOIDS

I N T R O D U C I N G: COPPERHEAD, a tv series about the co-directors of the orchestra program at south canyon institute of the arts, their history, their present, and the things they did to themselves, each other, and people around them years ago. you understand that years can pass and nothing can change? you understand that sometimes you can travel across distance and time, and when you collide with the right person, it was all for nothing. you see what i’m saying, right? ( template by @little-starfighter​ )

GENRE: dark academia. FORM: 8 part tv series THEMES: revenge, memory, adolescence, rejection vs. attention, hunger in multiple forms, performance, loneliness. causing each other harm in indirect ways because it’s the only thing you know you can do well. CONTENT WARNING: violence, gore, mental illness, just very dark in general

South Canyon Institute of the Arts is exactly what she’s been looking for. As the newly hired co-director of the orchestra program, Penelope knows she can let her guard down. It’s across the continent from her whole world prior to this move, and it’s perfect. There is a talented group of students there, and it is a setting both familiar in its type and new in its details.

All of that drops away when the current director looks up from her desk to greet her.

Miriam stands, her dark hair pulled back in a ponytail, and smiles, brittle and sharp. “Nell,” she says, “I can’t believe it’s you.”

Penelope tastes blood in her mouth just watching her move, the bend of her elbow and the line of her neck. Her gums ache. “I can’t believe it’s you either.”

As if it could ever be anyone else.

find out more.

For the Fic ask game: number 9? (I’d post the whole question but I’m on mobile and also kinda stupid. Long week)

💜 ~ @starlitangels 💜

9. What is your favorite dialogue you've written so far?