Some Themes That Make It Into  The Darkling’s arc in Rule of Wolves:

 POWER & SAVING THE GRISHA:

As always, we saw that Alina has an influence on him. He allowed himself to be more vulnerable with her because he saw her as his equal. But that influence is about the need of having his power and the life he endured be understood rather than romance. Both of them have experienced the greed that comes with THAT kind of power, but they always had an ideological conflict. Alina did not draw the line on personal sacrifice but she was always trying to help the people. She would sacrifice her life and her powers. He wouldn’t… Or would he?

In Rule of Wolves, Alina poses a question that he thinks he has an answer to: Why does he have to be the savior? What about everything other people have done for his country? His answer is ‘power’. If HE who is special, who has all that power, all that experience, then who is going to make a difference?

There is a contradiction here. This is a man who genuinely cares, but whose idealism is an echo of the caring person he’d once been. It has become hollow.

 The Darkling, by the age of 13, had changed hundreds of names and moved constantly, had been hunted by his own people, betrayed by people he’d tried to help and had to resort to self-harm in order to survive. That was when he promised he’d create a sanctuary for The Grisha.

And then he lived centuries of wars, betrayals and setbacks. He gave and gave until he had enough and went completely off the rails. His people were his aim, but he became so desperate that he crossed every line. He turned from a mentor to a puppetmaster. His was so fixated on the idea of ending the wars that he could not see that he was employing the same methods he was trying to end.

The more he lived, the more he left pieces of himself behind because he could not go on otherwise.

He thought that by ruling, by becoming king and weaponizing the fold, he would end all wars. He still wants to be the savior.

  BEING UNAPOLOGETIC & ‘NOTHING LEFT’

 Even when he dies, Aleksander does not repent, but at the same time he is very much aware of having committed atrocities and even during his last moment with Alina he does not apologize.

After all, that’s what he learned since he was a child. Baghra was his teacher and he was an apt pupil:

 His awareness of having crossed the line is obvious by the fact that he did not want a grave. He knew it’d be desecrated. Even though he was not sorry for trying, he knew that without having achieved his end nothing could begin to excuse what he’d done. He knew how hated he was.

There would be nothing left of him; no physical remnants, no legacy, and only one person to mourn the person he could have been. He leaves the world with this knowledge.

His true name is erased.

Being in his head, we see that, upon his return he is thinking of himself as Aleksander while using a different name (Yuri’s) once more. He is still hiding, and as long as he has to hide, the world is not as he wants it. As long as he’s hiding he can’t leave a legacy behind.

So based on what we know of his actions and of the way he’s loves, I think that

- the Darkling wanting to see Alina and to be understood by her, but being resistant to her morality and crossing her one more time to take his powers back,

- being accustomed to hardship and to biding his time,

-underestimating Nikolai and the triumvirate and seeing them as weak individuals instead of considering them as a strong unit,

- using Yuri’s name but still thinking of himself as Aleksander,

-taking advantage of the Starless to make his dramatic return while saving Ravka and gaining the people’s gratitude and worship,

-wanting Ravka to win and aiding Nikolai when because HE couldn’t win single-handedly and he didn’t want to lose but still thinking that, since the bells had been destroyed, HE was a batter option to lead.

are very much in character.

There are three major things about his arc that readers may consider to be out of character:

a)      The Darkling helping Zoya rise as a queen/

b)      Aleksander choosing to sacrifice himself to stop the blight.

c)       The public revelation of his name.

So let’s examine them one by one.

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a)      Aiding the rise of the Dragon Queen.

Aleksander questions both Zoya and Nikolai. He considers them children, one two weak to embrace her powers when she could be among the strongest Grisha who have ever lived and the other too immature to use his political power for anything more than playing pirate. In fact he thinks they are ‘dangerous to him and to his country’.

 During the last battle Aleksander is forced to consider things that he hadn’t before.

One is the question Alina posed to him. Is HE the only one who can save them? The other can be summed up with Mal’s joke: ‘You’re rusty old man’.

 After he snapped and decided that he must rule and that he has to use the Fold, Aleksander pursued his goal single-mindedly. But war changed around him. People moved from swords, to guns, to bombs, but Aleksander’s power was constant, reliable. And then THIS was and Rasmus’ Hajefetla came. The Darkling thought he could give them victory but he HAD his power and couldn’t use it.

But even when everything seems lost, Nikolai fights and is ready to sacrifice everything. Slowly, the Darkling’s view of Nikolai shifts throughout the book.

He sees how Nikolai cares for all his people. How he was strong enough to embrace the monster and to make sacrifices and he helps him. But even then, after the bells are destroyed, he still thinks that he is the best chance his country has and steps back.

But the second miracle does happen. The Darkling had dismissed Zoya as a girl who couldn’t open her heard and embrace her power, but she opens the door. She saves the day both with her strength and with her mercy. She makes the show of power that The Darkling himself made to do and she exceeds his expectations.

And at that moment, Zoya could have been seen as a monster, a witch, all the things that Grisha had been hated for. So The Darkling chooses to give the push the people need; to be the one to break them out of their shock and push them to the direction that suits Ravka before anyone else does: ‘Sankta Zoya’.

And when he makes a stand in her favor when she gets accepted as a queen:

1) Even though I don’t believe he still thought of Zoya as a pawn at this point, I DO believe that he had realized how showing his allegiance might give him a potential opening to call in a favor if he ever needed it.

2) Helping her makes sense because even he would be able to see that a Grisha who has military, political and religious power and who has immeasurable power that could only grow gives Ravka its best chance.

3) He has the opportunity to further Ravka’s political stability while getting rid of the Apparat, whom he despises both because he betrayed him personally and because he is a rat who keeps endangering the Grisha and even Ravka as a whole.

He used all the influence he had left.

b)      EXISTENTIAL CRISIS AND SELF-SACRIFICE

Throughout Rule of Wolves, The Darkling goes through an existential crisis. He is trying to remain the same, to keep to his old practices, but by the end of the book he understands that the world has changed and he has to change in some way too. He does not have a complete change of heart. People are mostly set in their personality by their adulthood and a tiger easily changing its striped after centuries would be completely unrealistic. Neither are his crimes glossed over. But the reasons he sacrifices himself are woven throughout the story.

-A theme throughout the story is that we started in Shadow And Bone from ‘the age of Grisha power is coming to an end’ and went to ‘the age of Saints is upon us’. What is the main difference between Grisha and Saints? It’s faith. It’s the way the ‘saints’ are accepted and worshipped for their power and sacrifice. The Darkling wants to be loved. He wants for his sacrifices to be recognized.

In a single scene we see both his inability to adjust to the world he finds himself in and his need for his efforts to be recognized. Because he DID give his life for Ravka. He did so, from his perspective, when he was killed during the Civil War, but he also did by not having really had peace or REALLY lived his life since he was a child.

In the main trilogy he was bitter about the Otkazats’ya easily turning on Grisha. He was bitter about how Grisha were treated by the rulers of Ravka. The Grisha had to bow but the Saints are the ones that people bowed to. Faith is the only thing that may allow them to stop hiding. So he wants to be a Saint. He didn’t manage to earn it in battle, so he must find another way.

The Darkling approaches The Starless, but even as he tries to have more rally behind him he is disappointed in his new following. During his first POV chapter he says that he will “teach the world awe”. But it’s made clear that his is not enough for him. His followers BELIEVE but their belief is hollow. They are afraid of who he truly is, they barely believe in everything he stood for. They are awed, easily manageable, but they do not care about the Grisha. They do not care about Ravka the way he does. They do not see him when he’s right in front of them, making him want to scream that he is there, that he exists, and when one glimpses behind Yuri’s mask he sees ‘evil’.

What he wants is devotion because of what he’s tried to do, not blind faith. He feels unseen; faded. Moreover, he still hides while he thought he didn’t have to. Initially he thinks that he can finally choose to be himself and to reclaim his true name: ‘The oldest of them: Aleksander. He had no reason to hide his strangeness anymore. Saints were meant to live forever.’ But he falls into old patterns. He is ‘Yuri’; he is in hiding once more.

-The Darkling DOES NOT LOVE HIS POWER in itself. He loves the strength it gives him, the feeling of being special, but he does not enjoy the darkness, despite embracing the color black or having previously chosen dark rooms for himself.

“He wanted to be out of the darkness, back beneath the watery winter sun.”

“He only wished that it wasn’t winter. He wanted to turn his face

to the sun and feel it warm him. The cold frightened him now. It felt like

death, like the long silence of not being, without sense of time or place, only

the understanding that he must hold on, that someday, there would be an end

to the terrible stillness. He’d been a long time in the dark.”

Even in his previous life, he was mesmerized by the beauty of the world.

And now he has to face THE BLIGHT: A consequence to him coming back, which, based on the fact that it expanded THE MOMENT he used his power to kill one of his followers, is connected to him growing stronger and using his power. This power, which is similar to the Fold, is independent of him and untamed in the world and creates wastelands, ruining the country that he tried to save. In fact, it is compared to a vampire; to a creature that needs blood to be sustained. It destroys all the things that Aleksander dehumanized himself to fight for and all the things he found beautiful in the world.

Even when it doesn’t touch HIM, he doesn’t know why; if it’s because this plague recognizes something in him, or if he’s so ruined that it doesn’t have a taste for him. And both scenarios show an alienation from his power. His feelings of being whole because of his power have being tainted by something he had never experienced before.

And how could he, who represents the lack of stars, the darkness, be valued and not just feared? 

For the Starless Saint to become the people’s salvation the darkness that spreads across the land must be defeated by his own power of darkness, 

In the original trilogy the theme of the Darkling falling into servitude of his own power was touched upon. 

In RoW it was furthered. And Aleksander has made his decision:

Never again a servant; not even to his own power. 

 WITH THE DARKLING’S SACRIFICE:

1)      He saves Ravka and allows back into the world and into the fold all the colors and the light that he used to love about it. But more importantly, At some point he mentions that “human life is worth preserving. But human lives? They come and go like so much chaff, never tipping the scales.” By holding back the Blight he ensures that human life is preserved.

2) His arc of existential crisis is resolved because he finds purpose, which he lacked after seeing that he was not enough to win the war and to create by himself the world he had craved) and saves his country in a way that only HE could, even if that wasn’t ruling. The vision Aleksander, the forgotten boy, had is aided in a way that serves the vanity of The Darkling, the eternal being he became.

3) Leigh brings full circle the theme of balance. “You were meant to be my balance”, he had told Alina. But THAT assumption was SO wrong and presumptuous. It was entitled. But finally he makes a sacrifice to be his own balance and to control what he unleashed. He caused pain and he endures pain. He was responsible for the Fold and for the Blight and he counterbalances the distraction they brought to the land and stops them from threatening Ravka.

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c)       ‘MY NAME IS ALEKSANDER MOROZOVA’.

Some say that The Darkling publically revealing his name was out of character; probably because the only revealed it to Alina and did not want others to know it.  

So let’s have a throwback to what we know. 

As ‘The Starless’, the Darkling is the only unnamed saint other than the Saint of the Book, who has no memory. The theme of a name being essential to memory is constant throughout Aleksander’s arc

‘A boy’s name given up; almost forgotten.’

“It’s my own name I’m afraid of forgetting.”

In Ruin and Rising, The Darkling dying nameless serves a purpose. Alina gives him the kindness for not giving people a name to extol. He entrusted it to her and she does not betray that trust.

What I find interesting is that, in The Demon in the Wood, Baghra tells him:

He had given his name to Alina who, in a twisted way, was the closest person to his heart at that point, because he considered it his equal and in his twisted way.

To become a saint, to be worshipped, to save Ravka, to not be forgotten he has to share this piece of his heart; of himself. He has to let people read it. He considered Zoya weak because she was afraid of her heard but she was strong enough to ‘open the door’.