Poor Personās Shop, Rich Personās Shop
Culture is in your body before you can put a name to it. There is a sort of mysticism in waking from a lazy nap, crust in your sleep-addled eyes, as the scent of something familiarāfood tied to a place you may never have lived, cooked the way it was taught to be cookedāfills the room. While you were asleep, the world went on without you: dinner prepared through habit and labor, games from someone elseās hometown played, the television murmuring in a language that does not fully belong to you. These small rituals, sustained by work and repetition, teach you who you are before you learn how to name it.
Then there is that good morning that comesāsarcasm, maybe, or sincerity. Either way, you are welcomed to the table, where there is an exchange of languages that has become its own ragged, messy vernacular, shaped as much by necessity as by affection. Your grandmother asks you something in a language you have to do manual work to understand. Where is the line drawn between one culture or another, between the lives that stay and the lives that leave? Rose Luās All Who Live on Islands is a collection of essays that tells the story of family, migration, and identity. The first essay is titled ē©·äŗŗåŗćåÆäŗŗåŗ, translating to poor personās shop, rich personās shop, telling the story of a dichotomy between classes.
This dichotomy sharpens when Lu describes taking her buāuahāher grandmotherāto the poor personās shop. It is cheaper there, yes, but more importantly, it is known. Despite being in English, the shelves speak a language buāuah has been fluent in all her life. Meanwhile, Luās mother stays behind at their Whanganui dairy, tending to the small shop that has become both livelihood and legacy. These spaces exist side by side, both familiar in their own ways, telling the story of a family built on work. As Lu says: āMy family was poor, but we were the type of poor you could work your way out of.ā
At the end of the essay, Lu talks to Buāuah about her life away from home, in Wellington. asks her a question so simple it carries the weight of a lifetime: poor personās shop or rich personās shop? The question does not demand an answer so much as it opens a reckoning. Lu understands then that her wealth cannot be measured only in dollars. As she says, it is present in her ability to spend twenty dollars on a meal made entirely of eggs, but more profoundly it is present in the freedoms buāuah never touched. She can read and write for a living. She can travel and cross borders and see the world. Her independence is not accidental; rather it is the result of sacrifices made long before her.
I realize that the choices our grandparents and parents make are often acts of faith rather than certainty. They narrow their lives so ours might expand. Migration, labor, and sacrifice are not abstract virtues but daily decisions that accumulate into possibility. To make it out, then, is not simply to escape hardship, but to live deliberatelyāto turn inheritance into movement, and gratitude into action. It is to carry home with you, even as you walk far enough away to become someone new.












