#rolinga

acá en la izquierda tiene un pañuelo rolinga

Round 1, Match 82 — Brutalism vs. Rolinga

Brutalism, also known as Brutalist Architecture, is an architectural movement that branched off the modernist movement during the 1950s. It began in the United Kingdom, where it was often used for rebuilding projects after World War II. Brutalism began to expand and develop internationally and reached its peak in the 1960s and 70s. It emerged as a reaction against the nostalgia of 1940s architecture. Brutalist buildings are known for their their use of raw, exposed materials, especially unfinished concrete (béton brut in French), which is the namesake of the style. They often have a monumental and imposing appearance, with large, blocky shapes. Function is very important in Brutalist design, so the buildings are often minimalist, simple, and practical, without unnecessary decorations. Many Brutalist buildings were made using prefabricated parts and repeated modules. Brutalism was often used for public buildings like housing projects, government offices, and cultural centers.

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Rolinga is an urban youth subculture that emerged in Argentina in the late 1980s and peaked in the mid-1990s, centered on a deep devotion to the British band The Rolling Stones. The aesthetic is a direct imitation of the band's 1970s style, particularly that of Mick Jagger, and is defined by its androgynous look. Key fashion elements include flared jeans, band t-shirts (especially with the "tongue and lips" logo), and platform sneakers, but the most iconic feature is the haircut: a long, shaggy mullet with a thick fringe, known locally as the flequillo rolinga. The subculture is also tied to a specific subgenre of Argentine rock music called "rock rolinga," which emulates the blues-based sound of The Stones. The movement is strongly associated with a working-class, suburban, and neighborhood-centric (barrio) identity, often intertwined with football culture.

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