Pink Floyd, live at the Empire Pool, Wembley, November 1974
It's the weekend. So, relax, kick back, and enjoy the Floyd at their peak, playing all of DSOTM along with early versions of tunes off Wish You Were Here and Animals.
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Whole lotta doom and gloom in 2021. But here's some of the good kind of Doom & Gloom. Live recordings from across the decades! Read on to get caught up with the D&G exclusive upload kinda things from the past 12 months. In case you've missed some of these, I've gone ahead and replaced expired links. This year marks 12 years of Doom & Gloom From The Tomb. Hope you've enjoyed the ride. Keep on sailing.
Pharoah Sanders - The Jazz Workshop, Boston, Massachusetts, November 3, 1973
Pharoah effortlessly turns this basement club into an extremely cosmic zone, stretching way out, but always carrying the audience along with him.
Rahsaan Roland Kirk & the Vibration Society - The Jazz Workshop, Boston, Massachusetts, October 31, 1972
“If I pass through this land and split offa this earth, and I find somebody puttin’ my music out on bootleg, I got some cats and sisters gonna take care of ya with some karate chops and some knives."
Herbie Hancock - The Jazz Workshop, Boston, Massachusetts, March 22, 1973
With synth madman Dr. Patrick Gleason in tow (plus a dude named Scorch on congas), the group takes the Boylston Street basement club into the outer reaches of the cosmos. The groove remains strong, however, with Buster Williams and Billy Hart laying down a thick and greasy foundation for everyone else to blast off from. Amazing jams.
Bob Dylan - Spokane Arena, Spokane, Washington, October 5, 2001
A fantastic Crystal Cat recording and a fantastic performance from the Campbell / Sexton / Kemper era NET band, with a bunch of song debuts and Bob in fine form. I can remember getting CDRs of this gig in the mail just a few weeks later, which seemed like a minor miracle at the time — like “Love And Theft” itself!
The Band - The Music Inn, Lenox, Massachusetts, September 26, 1976
The Band would soon be dancing its Last Waltz, but they all sound as good as ever at the Music Inn, as captured on a very nice audience tape. Danko in particular is on fire, vocally and instrumentally, and the mix gives us a little bit more of Manuel’s piano as a treat.
Sun Ra and His Arkestra - The Grotto, New Haven, Connecticut, June 14 & November 12, 1986
Almost twenty African-American musicians, resplendent in shiny flowing robes and sequined caps, were shoehorned on the Grotto stage in June, 1986. They greeted the audience with a furious roll of drums, followed by the modal yodel and chromatic squeal of a synthesizer imitating a reed—an oboe or alto sax—and then zipping into an ascending siren noise like a spaceship in a sci-fi flick thrusting into hyperspace.
Fairport Convention - Royal Festival Hall, London, England, February 14, 1970
Fairport at this stage was debuting their Full House lineup / repertoire. That band’s saga is always kind of amazing to me. At the end of 1969, they lost a key co-founder and creative force (Ashley Hutchings) and the greatest singer of all time (Sandy Denny). Other groups would hang it up at that point — but instead, they just somehow became even more awesome.
Sandy Denny - The Bitter End, New York City, February 5, 1972
In January, we played the Bitter End in New York, with twenty-three-year-old Jackson Browne opening. He was obviously something special, with amazing maturity of voice and songwriting, and a genial human being. Between sets, we would repair next door to Nobody’s Bar, sawdust on the floor and Tapestry on the jukebox. One night, the guy on the door at the club told us that Bob Dylan was in the house. If there was one sure way of ruining Sandy’s set, it had just happened. I’d never seen her so nervous, self-conscious and clumsy on stage. Bob slipped away before the set ended. — Richard Thompson
Richard & Linda Thompson - New Merlin’s Cave, London, England, November 27, 1973
Another trip back to Richard Thompson's early days with Linda and Simon Nicol, when the trio was touring folk clubs and pubs as Sour Grapes. This audience tape is far from pristine, but it’s not bad either, capturing the Grapes trying to calm a rambunctious crowd. And mostly failing!
Black Francis - McCabe’s Guitar Shop, Santa Monica, California, March 22, 1990
Black Francis, AKA Frank Black, AKA Charles Thompson IV on Pico Boulevard. The Pixies frontman was out on the west coast at the time recording Bossanova, and he takes the opportunity to debut a bunch of that LP during the course of his 80+ minute set, plus a wide range of old faves and obscurities.
Frank Black - McCabe’s Guitar Shop, Santa Monica, California, May 27, 1994
The Pixies were kaputt for the time being and Frank had quickly built up an entirely new repertoire — apart from a handful of covers, this 29-song set is drawn from his two solo albums, 1993’s self-titled debut and the then-just-released Teenager of the Year, plus assorted b-sides. These records are, in my humble opinion, just as good as Black’s original work with the Pixies, capping off an astonishing eight-year run for the songwriter. To my mind, his early solo releases are kind of like a West Coast speculative fiction novel mixed with wry memoir, looking back at a weird southern California past and forward to an apocalyptic future.
Frank Black - McCabe’s Guitar Shop, Santa Monica, California, September 21, 1996
Throughout, Frank is extremely relaxed, chatty and expressive. At this point, he had almost completely left behind any trace of the Pixies … except that he breaks out a lovely “Wave of Mutilation” in the middle of this set. I remember that seeming like a bit of a miracle at the time.
Lou Reed - Various Radio Interviews, 1976
Lou is pretty forthcoming and chill, relatively speaking — I think the most spicy he gets is when one DJ asks if he likes The Tubes. Lou does not like The Tubes! Things he does like: New York City, Jimmy Carter, Zuma … and Sandy Denny!
Lou Reed’s Metal Machine Trio - Royal Festival Hall, London, England, April 19, 2010
A night of deep noise! Will this tape of Lou’s Metal Machine Trio ease your worried mind? Maybe, maybe not. But here it is if you need it. In the mid-2000s, Lou joined forces with Sarth Calhoun and Ulrich Krieger to bring his classic 1975 double LP Metal Machine Music to the stage — at long last! Like last week’s Zorn/Anderson collab, this is Reed reclaiming his avant-garde roots, leaving songform behind for the moment and heading straight into the heart of the sun.
Lou Reed - Festival Des Vieilles Charrues, Carhaix, France, July 17, 2011
The overall sound is kinda like a throwback to the Take No Prisoners / Everyman Band days. The setlist at this outdoor festival gig adds to the vibe as well; after a curveball opening “Who Loves The Sun,” Lou leads the band into some very rarely played 1970s numbers: “Senselessly Cruel” from Rock and Roll Heart and “All Through The Night” from The Bells. The latter tune, stretched out over 12 minutes, is a mindless endless boogie, just a vamp repeated on and on into infinity. Pretty good, though! “I wanna take you higher!” Lou bellows at one point, really feeling it.
Lou Reed - Heineken Music Hall, Amsterdam, Netherlands, June 14, 2012
And how about Lou himself? He sounds both fragile and defiant, raging against the dying of the light, full of passionate intensity — surely some Revelation is at hand! He also sounds like he’s enjoying himself, especially on the Lulu tracks, spitting out those incredibly nasty lyrics with glee. But the quieter moments are great, too — Magic and Loss’s “Cremation” is given an almost Irish folk feel, Lou venturing into the slipstream: “The coal black sea waits for me,” he sings, perhaps knowing that the end is near.
John Cale - VPRO Studio, Hilversum, The Netherlands, September 10, 1975 (or 1974?)
In the mid-1980s, John Cale released a live album called John Cale Comes Alive! This radio broadcast from the mid-1970s is more like John Cale Comes Undone! The songwriter is in an angry, combative mood, arguing with the Dutch DJ, refusing to answer his questions, giving him a very hard time. Not coincidentally, Cale also sounds very drunk.
Neil Young - Carnegie Hall, New York City, December 5, 1970
A kinda prickly Neil dealing with annoying fans, feeling a bit out of place in such a legendary venue, perhaps. His whole family was there, too, so he was a little stressed. Even Jack Nicholson showed up, according to Bob Young’s account.
Neil Young - Macky Auditorium, Boulder, Colorado, January 27, 1971
Neil Young incites a riot in Boulder! Well, maybe not exactly. Thanks to a bunch of counterfeit tickets that were sold to unsuspecting fans, a big crowd got rowdy and the cops were called in. Must’ve been a wild winter night on the Hill.
Neil Young - KMET Radio Interview With B. Mitchell Reed, September 1973
In September of 1973, Neil Young went to the radio interview — but he didn’t end up alone at the microphone! KMET DJ B. Mitchell Reed was there to chat for about an hour or so. Young doesn’t sound wasted and woozy — he’s pretty lucid, actually, gamely entertaining Reed’s many questions.
Neil Young & Crazy Horse - The Forum, Inglewood, California, November 4, 1976
This tape has made the rounds over the decades as Old Man’s Fancy; it’s a decent audience recording of a rowdy gig, Neil sounding loose and lively. The electric set is where the sparks really fly, whether on a vicious, vivid “Down By The River” or a swirling, soaring “Like A Hurricane.” Best of all might be the moment at the end of “Drive Back” when Young blasts an insane, dissonant skronk directly into the frontal lobes of the Forum audience. Nasty!
Neil Young with The Trans Band - The Catalyst, Santa Cruz, California, August 13, 1982
Now, when we think of this Neil era, we usually think of his Trans alter ego prowling the stage with a headset and shades, singing “Computer Age” and “Sample and Hold.” But that was not really the focus of his ‘82 shows — they actually boasted very fan-friendly setlists. Plenty of greatest hits, played by a kind of supergroup of Neil’s former collaborators. It’s as though Young looked back at all his previous bands and grabbed some players at random: Bruce Palmer from the Buffalo Springfield, Ralph Molina from Crazy Horse, Ben Keith from the Stray Gators, Nils Lofgren from the Santa Monica Flyers, Joe Lala from CSNY / Stills-Young Band …
Neil Young & Crazy Horse - The Old Princeton Landing, Princeton-By-The-Sea, California, June 9, 1996
This is the Horse at their most laid-back and exploratory, playing plenty of deep cuts and jamming the night away — the first set kicks off with “Cowgirl in the Sand” and the last set ends with “Down By The River” if you need convincing.
Neil Young & Crazy Horse - Werchter Festival, Werchter, Belgium, July 7, 1996
[There was] a sense of grace and dignity about what they were doing … an incredible verve and energy. It was very moving, watching them work under the moon … This grand old man of American rock, a pioneer loaded with integrity … [Young and Crazy Horse] were turning around, like in a tribal circle, very slowly. And it seemed to me that they were doing that to catch back their dreams, to find youth again, to not allow the energy to escape. — David Bowie
Neil Young & Crazy Horse - The Catalyst, Santa Cruz, California, May 19, 1997
Seems like Neil was briefly trying to incorporate Mirror Ball material into the Horse repertoire — there are five songs from that album represented here. And they sound good! “I’m The Ocean” is particularly on point … but strangely, Neil’s only played that song a handful more times since. There are also some new tunes — two versions of the still-unreleased “Modern World,” and beautiful readings of “Horseshoe Man” and “Out of Control.” Is there an unreleased 1997 Crazy Horse album somewhere in the vaults? I’m starting this rumor, even if that album only existed for a couple of weeks in Neil’s mind.
Jonathan Richman & The Modern Lovers - The Kitchen, New York City, March 1975
The solid audience tape here features OG Modern Lover Ernie Brooks, Andy and Jonathan Paley, Jody Thaxter, and Miranda Remington backing Richman on a set of classic oldies and charming originals (some of which remain unreleased), all performed sans amplification. Although he turns down a request for “Pale Blue Eyes,” the Velvets still loomed large for Jonathan — towards the end of the remarkable 10-minute “Roadrunner” that closes the show, someone adds a sawing Cale-like viola drone. Jonathan had hypnotized the audience yet again.
Stephen Malkmus & The Jicks - Graceland, Seattle, Washington, June 1, 2002
The Jicks hit the sweet spot between well-rehearsed and very very loose, making for an extremely fun listen, with a lot of Malkmus guitar heroics — check out the soaring solos on "Church On White" and "One Percent of One." The whole thing falls apart marvelously at the end when SM takes over on drums and John Moen takes to the mic for a medley of "Satellite of Love" > "You Ain't Goin' Nowhere" > "Let's Spend The Night Together." Times are gonna change, you will be amazed.
Richard Hell and the Voidoids - Great American Saloon, New Haven, Connecticut, Spring 1979 / November 5, 1979
Richard Hell spewed forth his free associative punk poetry like a yelping junkie chihuahua. Freed of playing bass, he leapt around the postage stamp-sized stage at New Haven’s Great American Saloon — formerly the Oxford Ale House — wailing that I was child / who wanted love that was wild / though tight as slow motion / but crazed with devotion in “Love Comes In Spurts and I was sayin let me out of here before I was / ever born. It’s such a gamble when you get a face in the anthemic classic “Blank Generation.” “We’re gonna be brief but intense,” he announced before the start of the second set one night — the perfect summary of the Voidoid’s career. Such as it was.
Richard Hell & The Voidoids - The Longhorn, Minneapolis, Minnesota, July 31, 1979
Two sets of Richard Hell & The Voidoids at the Longhorn, back in the summer of ‘79. Ferocious stuff, with the blistering Quine / Julian twin guitar attack in full effect.
Richard Hell - The Grotto, New Haven, Connecticut, March 9, 1985
This was a short-lived combo fronted by Richard Hell. I don’t think it ever even had a “band name.” As I recall it, Hell played bass and sang, Anton Fier was on drums, Jody Harris played guitar and Ned Harvey was on saxophone. Despite the excessive time spent tuning between songs — Hell even introduces “Jody Harris on tuning pegs” — it’s a cool rarity by a punk legend.
Jon Hassell w/ David Rosenboom - Music Gallery, Toronto, Canada, October 9, 1976
One of the earliest live recordings of Hassell, duetting with tabla-ist David Rosenboom in Toronto, right around the time of Vernal Equinox, the composer's landmark debut LP. A beautiful half-hour of raga-esque modes.
The Feelies - Irving Plaza, New York City, February 14, 1980
The Feelies at their Crazy Rhythms-era height, incredibly propulsive and precise, playing their debut LP in its entirety (in slightly adjusted running order).
Ghost - Terrastock, Pell Chafee Performance Center, Providence, Rhode Island, April 23, 2006
Over the course of 70+ masterful minutes, Ghost takes us from free-form improv abstractions to lean-mean psych, from pastoral balladry to cosmic jams. Don’t think twice — descend into the Hypnotic Underworld!
Joe Henderson Quintet - The Happy Medium, Chicago, Illinois, August 1974
This sounds like a radio broadcast — starts out a little rough but improves quickly, capturing a scintillating show from Joe and co. Not sure if the saxophonist recorded with this particular lineup, but they sound killer as they stretch out and lock in over the course of 90 very nice minutes.
The Incredible String Band - Corries Folk Festival, Edinburgh, Scotland, August 1, 1967
On stage, the Increds would change instruments after every song, with who played what sometimes varying from performance to performance. Then everything had to be miked, which meant that it could take an hour to get through three songs — but I loved all of it. — Richard Thompson
Luna - The Sinclair, Cambridge, Massachusetts, August 25, 2018 / The Warehouse, Fairfield, Connecticut, August 26, 2018
The band play an energetic set to a full house of devoted fans loudly cheering and singing along, a mix of Luna favorites from throughout the band’s career and covers.
Air - International New Jazz Festival, Moers, Germany, May 29, 1977
More than hour’s worth of sun-kissed free jazz, packed with adventure, melody and curiosity. Organic music!
Alex Chilton - Richard Frey’s Loft, 246 Bowery, New York City, November 1, 1977
An audio verite document of the one and only Alex Chilton playing records late into the night at a pal’s loft back in ‘77. The pal was Richard Frey, a CBGB scene fixture — he hit “record” on his tape machine and captured the moment, as Chilton spins Sam the Sham, the Mindbenders, the Beatles, the Beach Boys and many more!
Grant Lee Phillips - Club Passim, Cambridge, Massachusetts, August 11, 2019
Even though Phillips’ stuff generally leans toward the melancholy, he remains fairly hilarious in between those sad songs, keeping the audience in stitches throughout. Things get especially good when opener Phillip B. Price comes onstage to lend a hand on backing vocals. “Perhaps there’s nothing more manly than two adult men singing high falsetto together,” Phillips quips.
Epica - 2011-06-24 Graspop Metal Meeting, Dessel, Belgium
Epica
2011-06-24
Graspop Metal Meeting
Dessel
Belgium
Size: 2.55GB
Format: NTSC DVD VOB
Source: PRO
Rating: 5-/5
Setlist (According to Setlist.fm):
Resign to Surrender
Sensorium
Unleashed
Martyr of the Free Word
The Obsessive Devotion
Quietus
Cry for the Moon
Sancta Terra
Consign to Oblivion
Length: 1:02:01
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Marilyn Manson - 1992-07-31 Plus Five Lounge, Davie, FL., USA (W-Spooky Kids)
Marilyn Manson - 1993-04-17 The Squeeze, Fort Lauderdale, FL. USA
Marilyn Manson - 1994-11-08 Dane County Coliseum, Madison, WI. USA
Marilyn Manson - 1997-05-18 Dynamo Festival, Eindhoven, Netherlands
Marilyn Manson - 2001-01-13 Universal Amphiltheatre, Universal City, CA., USA [Ed Davis]
Marilyn Manson - 2001-01-31 Sporthalle, Hamburg, Germany
Marilyn Manson - 2001-08-26 Reading Festival, Reading, UK [AO]
Marilyn Manson - 2001-08-30 Two Days A Week Festival, Weisen, Germany [AO]
Marilyn Manson - 2007-06-22 Southside Festival, Neuhausen ob Eck, Germany [-SoG-]
Marilyn Manson - 2008-02-22 Wiltern Theatre, Los Angeles, CA., USA [Hazekiah]
Marilyn Manson - 2008-02-23 Wiltern Theatre, Los Angeles, CA., USA [Hazekiah]
Marilyn Manson - 2013-01-30 Hamilton Place, Hamilton, ON., Canada [krewechief]
Marilyn Manson - 2015-01-23 Electric Factory, Philadelphia , PA., USA [Dubbledee]
Marilyn Manson - 2015-01-28 House Of Blues, Boston, MA., USA
DVD:
Marilyn Manson - 1991-08-11 Plus 5 Lounge, Davie, FL., USA
Marilyn Manson - 1991-10-26 Weekends, Boca Raton, FL., USA
Marilyn Manson - 1992-08-01 Plus 5 Lounge, Davie, FL., USA
Marilyn Manson - 1994-10-01 San Jose State Auditorium, San Jose, CA., USA
Marilyn Manson - 1994-11-05 Southern Illinois University Arena, Carbondale, IL., USA
Marilyn Manson - 1994-11-09 Assembly Hall, University Of Illinois, Champagne, IL., USA
Marilyn Manson - 1994-11-20 Miami Arena, Miami, FL., USA
Marilyn Manson - 1995-01-14 The Backroom, Austin, TX., USA
Marilyn Manson - 1995-02-10 Pearl Street Nightclub, Northampton, MA., USA
Marilyn Manson - 1996-01-06 Starz, Allentown, PA., USA
Marilyn Manson - 1996-01-19 The Asylum, Toledo, OH., USA
Marilyn Manson - 1996-10-22 The Warehouse, Toronto, Ontario, Canada
Marilyn Manson - 1996-10-23 The Metropolis, Montreal, QC., Canada (1st GEN)
Marilyn Manson - 1996-10-23 The Metropolis, Montreal, QC., Canada (HI8 Master)
Marilyn Manson - 2013-06-18 Sovereign Center, Reading, PA., USA [rcsguy664 & RIP Productions] (2 CAM)
Marilyn Manson - 1990-00-00 Ft. Lauderdale, FL., USA
Marilyn Manson & The Spooky Kids
Unknown Venue
Fort Lauderdale, FL
1990-xx-xx (either 1990-11-15 or 1990-07-27)
Setlist
Intro / Meat For A Queen
Strange Same Dogma
My Monkey
Son Of Man
IV-TV
Junk The Magic Dragon
Cake & Sodomy
Red (In My) Head
Dune Buggy
White Knuckles
My Monkey > People Who Died