Gallery Text for MAMOTH, London: 'Robert Brambora: Lucy'
I wrote the press release for Robert Brambora's exhibition 'Lucy' at MAMOTH in London. You can read it here.
seen from Italy
seen from United States
seen from United States
seen from Russia

seen from Austria
seen from Netherlands
seen from T1

seen from Australia

seen from France
seen from Australia
seen from China
seen from China
seen from Argentina
seen from Netherlands

seen from Norway
seen from China
seen from United States
seen from China
seen from Norway
seen from South Korea
Gallery Text for MAMOTH, London: 'Robert Brambora: Lucy'
I wrote the press release for Robert Brambora's exhibition 'Lucy' at MAMOTH in London. You can read it here.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
ROBERT BRAMBORA @robertbrambora Exhibition: La Ballade des Sardines / Die Liebe der Sardinen @sanstitre2016 Postponed dure to covid19 For his second solo exhibition with Sans titre (2016), Robert Brambora proposes a project entirely devoted to painting, divided into two sections. In the first section, the artist has placed four paintings, linked by the subject of fire: a car consumed by flames, the burning of the Notre Dame cathedral, a mysterious naked figure flying from his vehicle, seeming to precipitously escape from a burning building, and finally, a group of dancers united around a blaze. In doing so, Brambora inventories different perspectives associated with fire and whose images systematically return to us: riots, national drama, personal history, rituals. Formally, the scenes are seen through screens, and the composition sometimes allows a viewer to discern the hands that hold them. This mise en abyme is a way for Brambora to exacerbate the distance between the subject and the spectator. In such a way, the space left by the artist between the action and the emotion permits a viewer the distance necessary to question the reality of the images, the meaning they create, their causes, their consequences. The works of the second section of the exhibition take the form of the silhouette of an embrace. They are juxtaposed with the paintings of the first section and seem to comprise a counterpoint. Brambora here represents intimacy, private life, a sense of sanctuary. These are no longer scenes of the outside world but interior perspectives. The artist develops a new body of work which refers to still life tradition, replacing it in the context of a contemporary apartment. The images evoke different moments and sentiments linked to relationships, notably amorous ones, between individuals: sometimes painful, dark, luminous, outrageous... 📷 Aurélien Mole #robertbrambora #sanstitre2016 #painting (en Galerie Sans-titre) https://www.instagram.com/p/CALN2NplG3l/?igshid=bec2aj3hpghc