The Paris Review :: @parisreview
“When people would ask me—and sometimes they did—to write about them, I’d reply, ‘First, break my heart.’”
—Robert Glück
seen from United States
seen from United Kingdom

seen from United States

seen from Germany
seen from Russia
seen from United States
seen from Latvia

seen from Germany
seen from China
seen from United States
seen from China
seen from Brazil

seen from Argentina

seen from United States

seen from United Kingdom

seen from United States
seen from Germany

seen from United Kingdom
seen from United States

seen from United States
The Paris Review :: @parisreview
“When people would ask me—and sometimes they did—to write about them, I’d reply, ‘First, break my heart.’”
—Robert Glück

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Inner life is a kind of greed, desire, a form of personal profit.
Robert Gluck, Margery Kempe
Gender is the extent we go to in order to be loved.
Margery Kempe by Robert Gluck
The threat of physical violence makes one part of the whole. College and my literary education agreed that I should see myself as a random conjunction of life’s possibilities, certainly an enviable, luxurious point of view. But it’s hard to draw on that as a model when four men are chasing you down the street.
from Sanchez and Day by Robert Glück
I thought that each book I put into the world eliminated me from some approval, especially in the form of a job. What hiring committee would choose me? Instead, I got the perfect job, so what is the moral? Write what you want.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
- robert gluck, about ed
from Margery Kempe by Robert Gluck
Robert Glück, his partner, painter Ed Aulerich-Sugai, 1974