#rigel 7

Honorable Mentions: “Treehouse of Horror II”, “Treehouse of Horror VIII”, and “Treehouse of Horror X”

Number Five: “Treehouse of Horror VII” (Season 8, Episode 1; 1996)

Although “The Thing and I” was a strong first segment, I enjoyed it least in “Treehouse of Horror VII”. Don’t get me wrong, I thought the story was pretty funny, I just like the second and third stories better. However, I do have a bone to pick with the ending of “The Thing and I”. Instead of confining Bart to the attic, why not keep both Hugo and Bart around after they discovered Bart was the evil twin? I mean, the family already lived with Bart for 10 years. They might as well kept the mistake going.

“The Genesis Tub” was amusing.  It may be the creative in me, but I really enjoy the concept of creating your own world and overseeing it.  Still, I felt the ending of “The Genesis Tub” was a bit abrupt.  I feel like the writers could have done so much more with the concept of Lisa creating and ruling her own Universe. Maybe she could have assaulted Bart with more fighter pilots. Maybe she could have built a massive ray gun a la the ray gun seen in “Citizen Kang”.  The ideas are limitless.

Speaking of “Citizen Kang”, this story is one of my favorites in the entire Treehouse of Horror series.  It's a brilliant satirical take on elections in the United States and the country’s politicians.  I especially like how the writers make fun of our ridiculous two-party system.  Like really, are our only choices between a drooling, Gangreen Gang, cyclops squid, and his twin sister?  Ross Perot should have brought up Kang’s and Kodos’ emails.  That always works.

Number Four: “Treehouse of Horror III” (Season 4, Episode 5; 1992)

Akin to my feelings about “Treehouse of Horror VII”, I’m only a big fan of two of the three segments in “Treehouse of Horror III”.  “King Homer” was just a’ight to me. Granted, the segment did have a great exchange between Mr. Smithers and Mr. Burns about the former’s distaste of seamen and women mixing.  Yet overall, I didn’t get a kick out of this story as much as I did the other two.

“Clown Without Pity” is a parody of the lauded Twilight Zone episode “Living Doll”.  This segment had its share of funny jokes, particularly the line from Patty about losing the remaining thread of her heterosexuality after seeing Homer horrifically run through the house butt naked.  I also like how the key to turning off the Krusty doll’s murderous rage, is switching the lever from “evil” to “good”.  Like, what happens if the lever accidentally switches back?  What if it breaks and he gets stuck on “evil”?  Take the doll back and get a refund!  Like, what are y’all doing?!

Finally, there is “Dial ‘Z’ for Zombie”.  No matter how self-aware I am about the absurdity of my kinemortophobia (fear of zombies), I still have it.  That is why I hated this segment as a child.  But as a grown woman, I find this story very funny.  It’s a pretty simple zombie story, but the jokes strewn throughout are what make it a highlight of the series.  The joke about Homer being immune to the zombies because he lacks brains is one that stands out in particular.  Also, what are George Washington, Albert Einstein, and William Shakespeare even doing in Springfield?

Number Three: “Treehouse of Horror IV” (Season 5, Episode 5; 1993)

Choosing between “Treehouse of Horror IV” and “Treehouse of Horror V” as my second favorite episode of the series was the hardest.  Ultimately, I prefer V ever so slightly over IV, but IV is a heavyweight in its own right.  “The Devil and Homer Simpson” shows just how far our dimwitted protagonist is willing to go to get his favorite, sugary snack.  You got to be desperate as all hell to sell your soul for a donut!  Other than Homer’s enjoyment of his ironic punishment, the best part of the segment is the trial itself.  The Devil’s voir dire game is trash.  How do you select the jury and still lose the case?  Never hire this man for anything.

“Terror at 5 ½ Feet” is yet another hilarious spin on an old Twilight Zone classic. This parody of “Nightmare at 20,000 Feet” stays true to the basic horror elements and story structure as the original tale, but, of course, adds its own Simpsons brand of humor to it. However, unlike the original, Bart is still tormented by the gremlin after he’s hauled off to the psych ward.  Side note, Ned Flanders really took a lot of L’s in this episode.

I’ve never seen nor read the original Dracula, so I do not know how faithful “Bart Simpson’s Dracula” is to the original story.  Well, I guess that doesn’t really matter here because this story is so funny and scary that it holds your attention from beginning to end.  From the super happy fun slide that leads to the vampires in the basement to Homer staking Mr. Burns (Burnscula?) in the crotch, this story provides many laughs that make this story a classic.  Also, the plot twist that Marge (Margecula?) is really the head vampire is funny as hell.  Sorry if that was a spoiler but in fairness, this episode is 26 years old now.

Number Two: “Treehouse of Horror V” (Season 6, Episode 6; 1994)

“Treehouse of Horror V” is solid from beginning to end.  “The Shinning” is firmly in my top five list of favorite Treehouse of Horror segments.  This segment has several hilarious moments, from Homer taking three days to make the voyage to the cabin due to his forgetfulness to the blood not getting off at the right floor, to that scene where the complete lack of television and beer made Homer go . . . something . . . hmm.  Well, anyway, I can definitely say that every time I watch “The Shinning”, I’m feelin’ fine.

“The Shinning” is not the only highlight of this episode.  Homer’s time-traveling escapade in “Time and Punishment” introduced us to numerous interesting alternative timelines that ultimately drove Homer to a pure state of “IDGAF” at the end.  Still sucks that he missed out on that donut rain.  That timeline would have smacked!  

This episode’s final segment, “Nightmare Cafeteria”, truly is the stuff of nightmares. I mean, it’s super funny now that I’m grown, but this segment used to legitimately scare me as a child.  It also didn’t help that I was a fat kid.  Like, imagine living your best life and then the next moment, you’re Ms. Wilson’s Fried Adri.  Woo, chile.

Number One: “Treehouse of Horror” (Season 2, Episode 3; 1990)

It’s often said that nothing beats the original, and in the case of Treehouse of Horror episodes, this sentiment rings true.  The very first Treehouse of Horror is the greatest episode of the series.  One of the highlights of this episode is the dulcet baritone of James Earl Jones as the mover, Serak the Preparer, and the narrator of “The Raven”.

The first segment “Bad Dream House” is a comedic spin on the classic haunted house movie trope.  The quintessential 80s style horror music that accompanies the story throughout greatly adds to the mood of the piece without overdoing it.  The conclusion of “Bad Dream House” is what makes this story so funny.  The house destroys itself rather than live with the Simpsons. I don’t know what it feels like to be curved by a house, but it must make you feel all kinds of insecure.  

“Hungry Are the Damned” is our first introduction to Treehouse staples Kang and Kodos.  It is also our introduction to the sorely missed Serak the Preparer, who definitely needs to return at least once in this series.  This segment parodies the classic Twilight Zone episode “To Serve Man” and gives us a humorous plot twist at the end.  I suppose this episode also serves as a sort of origin story of Kang’s and Kodos’ beef with mankind because this is the only episode where they are genuinely nice.  Dang, all Lisa had to do was sit down and eat her food. Literally.

Finally, there is “The Raven”, which is absolutely my favorite segment in any Treehouse of Horror Episode.  What I like most about “The Raven” is how the crew manages to add comedy to the piece without losing any of the mystique of Edgar Allen Poe’s riveting poetry.  It also made this poem a bit easier to understand, which I greatly appreciate.  It’s a refined piece of television without the pompousness of the bourgeois.  In short, I like it.