When it comes to individual scenes, there’s a number of routes you can take with editing. Some involve smaller changes - rewriting pieces here and there to help patch up characterization issues or awkward flow. Others involve completely rewriting the scene to account for larger changes made elsewhere in the story. 

The first steps in my method involve looking at my outline; figuring out what the scene’s coming before and after, and what it needs to accomplish. Oftentimes I’ll have written out notes regarding more scene-specific details I need to pay attention to, so I review those.

Then comes what I like to call the pre-edit. This is where I go through the scene as it appeared in my first draft and mark it up with notes to refer to when I’m editing the scene. Common notes include: 

Cut - for anything ranging from paragraphs to sentences to even an entire page

Clean up - basically if there’s paragraphs that are just hard to read, I’ll keep in mind for the rewrite that I need to make that section a little more streamlined. Sometimes it’s awkward wording or weird grammar, other times it’s meandering paragraphs or places where I just loop back around and around the same ideas multiple times.

NO - this is usually accompanied by something a bit more specific, but it’s usually if something is blatantly wrong in the context it’s being used, it’s melodramatic, or it’s out of character.

Show ___ - for anything I sort of glossed over in the first draft that needs to be dramatized. 

Keep - I usually reserve this for at most a sentence or two, but it’s for when I’ve got a visual or metaphor that I really like and think I can make work in the new version of my scene.

Voice - for places where a character speaks in a way they really shouldn’t, or if my narrative voice slipped into something weird.

Formatting - I often see places where I have weird sentences or I need to make paragraph breaks or I spelled something wrong. For the developmental edit, these aren’t of much consequence, but if I come across something, I’ll make a note of it and move on rather than blatantly ignore it (it just kinda feels weird to me). This is one of those notes where you could completely skip it for now and you’d be fine. 

While pre-editing the whole manuscript in one go (as opposed to flipping between rewriting scenes and doing pre-edits) could be faster, I find that it’s easier to do pre-edits with the context of my newly rewritten scenes. Also, breaking it into chunks means I view the scenes in a much more fluid nature. Aka, I can rearrange pieces of several individual scenes in and amongst each other far more easily. Experiment with what works best for you :)

Next step: rewrite the scene. Depending on how clean your drafts are, you may not have to do this. However, since I had a major learning curve over the course of writing my first draft, a lot of the writing comes off as amateurish enough that I’ve rewritten all (save for one) of my scenes, at least during my first pass. Rewriting means I’m a lot more inclined to really get into the character’s heads and write them more accurately, and I don’t have much of an excuse for not changing little things as I pass them. I find I can get much more substantial changes this way. Basically, for rewrites, have either a printed copy of your scene, or go split-screen and write the scene while constantly going over your pre-edit notes. 

At least in my personal experience, I’ve had to rewrite 90% or more of my scenes going from my first draft to my second draft. To be fair, I didn’t really know how story structure worked when I started, and my author voice was all over the place, but it’s still been a major step in the process.

The first thing to do is mark up your original scene - places that you want to clean up, beats you want to reorder, where you want scenes to mesh together if you’re combining them, where you want the scene to split into two if you’re seperating it, paragraphs or sentences to cut, information you want to move elsewhere, things like that. This is useful both as a brainstorming tool - as you’re getting into the mindset of changing stuff around, but it’s also going to make rewriting the scene so much easier since you have a lot of the details about what you want to do with it right there.

Then write your scene beat by beat, referencing the appropriate part of your first draft scene for things you want to include/leave out. For chunks in your first draft that you liked, you may be able to type them all in pretty much virbatum. For sections that you needed to clean up, read through it again, and then try to write that section so it’s tidier (this is when referencing really helps, as you have all the information you want to include in the section right there).

Only know you love him when you let him go...