#reneisance

Thank you Wikipedia...

I just want to say- Listen for the "Commentary Echo," and the soprano's ornamentation... it's amazing.

(No castrati were used in the making of this music)

"Miserere mei, Deus" (Latin: "Have mercy on me, O God") by Italian composer Gregorio Allegri, is a setting of Psalm 51 (50) composed during the reign of Pope Urban VIII, probably during the 1630s, for use in the Sistine Chapel 

Performed by Harry Christophers' London based professional ensemble of choir and period instruments orchestra The Sixteen, for the British public.The Sixteen sought to recreate one of the original interpretations of Allegri's masterpiece, based on original transcripts of the first documented notations by Allegri.

Interesting history....

Three authorised copies of the work were distributed prior to 1770 – to the Holy Roman Emperor Leopold I, to the King of Portugal, and to Padre (Giovanni Battista) Martini.[1] However, none of them succeeded in capturing the beauty of the Miserere as performed annually in the Sistine Chapel. According to the popular story (backed up by family letters), the fourteen-year-old Mozart was visiting Rome, when he first heard the piece during the Wednesday service. Later that day, he wrote it down entirely from memory, returning to the Chapel that Friday to make minor corrections. Some time during his travels, he met the British historian Dr Charles Burney, who obtained the piece from him and took it to London, where it was published in 1771. Once the piece was published, the ban was lifted; Mozart was summoned to Rome by the Pope, only instead of excommunicating the boy, the Pope showered praises on him for his feat of musical genius. The work was also transcribed by Felix Mendelssohn in 1831 and Franz Liszt, and various other 18th and 19th century sources survive. Since the lifting of the ban, Allegri's Miserere has become one of the most popular a cappella choral works now performed.

Part II