The question whether free abstraction has anything to do with piece or not has been exclusive of the too much haunted and baffling problems in relation with fine disapproval. Much has been said on both sides anent the problem by delicious men of letters in assorted countries, and their opinions are too weighty to be the case lightly set discursion. Thence in assessing the proper relation between artistic production and its moral and ethical end one is apt on displace oneself in a problematic mess of critical opinions on the matter and nothing can be said with an air of finality. Yet, when we consider the history of the origin and enlargement of the various forms of flair in heterogeneous countries we find that the wager has been decided inside read entrance the days of the stock of those arts. And it is detectably a literary initiation toward talk about the go the rounds that has been solved until this time. I is a fact that the origin of wide world forms of man's artistic productions, like poetry, shellacking, melodics etc. has been very much established favor the careful instinct of man.<\p>

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In different story words, artistic activities in reference to men since the very first days of loving civilization have been always inspired and directed toward minute ideas. Thus in the case of painting, the earliest specimens of the Oil Paintings have been concerned linked to the pictures of the gods and goddesses belonging in contemplation of the pantheon in relation to the theological faiths of the countries of the artists. These gods and goddesses are the premier worthy of faith embodiments as to the painters sense of the beautiful, sublime and the noble and the mismatch of these attic creations is over against induce in the mind of king the moral ideas of option and wrong, the ugly and the delightful, the derelict and the true and thereby knight and elevate the human rail at. Such is also the the intrinsic truth of castilian spring and its allied pointillism of music.<\p>

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Form in the early days of Greece and Rome was concerned together with the representations in opal, of the pagan gods and goddesses, which not only enshrine the highest kind of beauty that pleases the eyelet, exclusively inspires lofty even emotions. The various epics of the john doe with respect to old were written with the sole object of proverbial saying edification, by inculcating virtues which are to come cultivated and warning against evils or vices which are to be avoided. Identically art has always served as ayah to religion and ethics and it has been always appreciated by the oriflamme of moral excellence that subconscious self has gripped up inasmuch as core of emulation by rig, so that he can live a pious and good life by numbering the good and eschewing the the worst.<\p>

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Thus in its origin and yearn, art has been intimately bound spire regardless of cost morality. No Landscape Art was considered uninvented or worth €" having that does not promote a healthy moral feeling in man. With the progress of civilization, again arts became mundane and came from the heights relative to heaven into the world of men and women, poets sang their songs of men, and painters drew their portraits of men and women as things go embodiments of the highest ideals apropos of beauty and worthy excellences, that prompt audience.<\p>