Hey! I've been struggling with how to incorporate my antagonist into the story. She is supposed to be "active" in the background so I was thinking about my mc seeing her in the news. She shouldn't, with a few exceptions, be part of any scenes until the very end when the mc and her meet to resolve things. It's a story that revolves around human relationships (betrayal is very present) and political scandals if that helps. Thank you if you choose this ask š»
Well, I think that considering you say that it is about human relationships and betrayal, you could show the effect of the antagonistās actions and develop her through those avenues -- people will know of the antagonist and what sheās up to, and people would likely want to get and share information about what sheās doing.
I donāt know the details of your story, but I think it would probably be reasonable for your protagonist to be told by a third partyĀ āoh, have you heard what Antagonist has been up to? Hereās the latest--ā and whether this is true or not and whether this person is being honest or not, that is going to mean that your antagonistās actions are an active force in the story.
There are a few things that youāll want to consider:
What is the relationship between the antagonist and the protagonist at the beginning?Ā
Are they perfect strangers, or did they know each other from some previous meeting?Ā
What did they think of each other at the time?Ā
Do they have any standing/ established disagreements or bitterness between them?
When you know the initial relationship between them, or lack thereof, then you can figure out how your protagonistās opinion of this person will change when theyāre given new information.
As well as this, youād want to consider what the protagonist feels about the people that they are getting this information from -- Are they being told something by someone they trust, or someone they donāt? Is it someone they know well or someone they only met recently? These are factors that will affect how trustworthy your protagonist believes this information is.
In a political story I can imagine a number of scenarios that might occur that would make your antagonistās actions to be at the forefront of the protagonistās attention even while the antagonist is absent.
Whether your protagonist is acting on news reports, or on rumours, or on information fromĀ ātrusted sourcesā, or from, perhaps, documents or letters from the antagonist, etc, there are probably going to be times when information is faulty, or given in bad faith, and there will probably be people who attempt to leverage the enmity between the protagonist and antagonist for their own benefit (say, someone that the protagonist trusts enough to listen to, but who is feeding misinformation to sway the protagonistās actions to their own benefit).
Iām not personally a big fan of political thrillers, and so I canāt give you many recommendations for further reading, although there is some parallel to murder mysteries, especially serial killer stories -- a detective working on finding a killer when all they have to go on is the information they collect after the killer has been and gone.
I will also just add that you have a great opportunity here for a dramatic confrontation toward the end of the story, which could be really exciting. I hope it goes well for you.
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