Angel dusts
Yes because of the rain world dust motif but no because angels aren't real due to the Slugcat not believing in Catholicism!
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Angel dusts
Yes because of the rain world dust motif but no because angels aren't real due to the Slugcat not believing in Catholicism!

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can you talk about bi rain as a performer/dancer? if you haven't already. i vaguely knew of him when i started listening to him (e.g. knew his name/hit songs) but it wasn't until 30sexy did i actually start listening to him more and became a fan. but like, i didn't know that was his flop era. when he had his resurgence in 2020, he talked about how he was seen as a joke and im like wait what no 30sexy is good i swear i have taste in music it's such a fitting song for someone like him.
absolutely i can talk more about rain!! i wrote a post a very long time ago here talking about the similarities between taemin and rain and there's another one here about kai and rain.
honestly it's kind of funny to think of 30sexy as his flop era now because it has really direct lines of influence to taemin's solo career. like taemin really just straight up jacked the pinstriped/jumpsuit suit look TWICE, once for his nippon budokan 2017 tour and again for dream concert 2019. 30sexy is one of rain's best songs but conceptually it was both slightly ahead and slightly behind of its time. he was the first (i think? logistically i think he had to be) big male solo artist to launch a comeback after military service (back when it was actually two years) and he was the first to really wholeheartedly embrace his age like that. the idol industry is very much a young man's game (and still is) and i'm not sure there's ever going to be a point where the majority of promoting idols are in the uppers of the age category. part of this is by nature of the rigours of the industry, part of it is mandatory service, and the other part of it is the fact that people wanna have personal lives outside of their jobs. although there were groups doing 'mature' concepts from 2011-2013 like tvxq and shinhwa, i think it was a trend that rain didn't quite manage to catch the edge of, because it was a trend that lived and died while he was enlisted. by the time he was back and had a comeback prepared, the trend had already started to turn, and he was also taking a risk bucking a lot of the typical conventions of an idol: he was publically in a relationship, and he was acknowledging the fact that he was old(er than the norm). but someone always has to be first, and he flopped in order for others to......tread very trepidatiously.
i think that he's had a resurgence in 2020 because we've finally hit that loop of the nostalgia cycle where the zoomers are finding the mid 2000s trendy as opposed to just being cringe, which they still are for everyone else. the new millenium was full of exaggeration in fashion and in mannerism and was the heyday of the performance pop star; everything was larger than life because that's the way performance worked. there wasn't a lot of space for subtlety anywhere because the only type of performance was for 480p max crt tvs or stadiums. social media isn't as ubiquitous as it is now, and the internet itself was radically different: rain's career is older than youtube. there was no way to directly reach an audience the way that there is now. if the way idols and artists communicating with their audiences (with the content and style of their art, i should specify, not like, actual communicating) now is regular talking, the mid 2000s is screaming through a megaphone. you can relay a lot more information in a lot less time and with way more accessibility and accuracy. the times have evolved, and i think it's totally fair to call rain a relic of a bygone era but like, complimentary. i don't think that invalidates him or his achievements, and even if he did have a slump for a while, he's also evolved along with it. i've mentioned before that there doesn't need to be anyone to occupy the same niche that he did, and that's fine, he's still got huge influential sway, especially over second and third gen idols; taemin may have worn a crop top in the idea mv in nov 2020 but i'll bet money that it was rain rolling up to music shows with everything but his tits out in january that really kickstarted the trend.
do you watch/listen to bi rain? what do you think of him as a dancer/performer? and how does he compare to taemin (taemin mentioned before that bi rain was the reason why he wanted to become an idol)?
i live!!! sorry anon i hope you're still around somewhere, i disappeared because i had to finish my final portfolio for my master's degree! but it's submitted now and i'm done thinking about it and i may still have a bunch of work to do but instead i'm going to focus on having opinions on kpop again!!
i love rain!!! i do listen to him! 30sexy is on my 'blast ur fucking face off' playlist because i have absolutely no self control and he’s constantly furthering my men-look-their-hottest-after-25 agenda. also we love a man in cuban heels.
i don't know that i would like, compare taemin and rain as in which one of them is a better dancer, because they're both equally skilled and rain's influence is extremely obvious in everything taemin does. which is unsurprising because duh, it's rain. he’s the blueprint for male dance soloist. i mentioned him with taemin and boa as being my personal top dancers in kpop because they have all had insanely long careers, where they have had the time to establish personal style and aesthetic. instead of comparing them in terms of who is better, I think it's more interesting to compare them in terms of how they interpret the same source material. despite sharing so much (both dance-based male soloists) they have both very clearly tailored their personal styles to provide a distinct viewing experience. rain is very old school hip hop and popping, and his dancing is generally more reflective in shape to that old school style. also his performance aesthetic is very hetero man camp. he’s fucking stacked and so insanely handsome, he’s exactly the physical type to be able to capitalize on being a ‘masculine ideal’ (this is in quotes not as a negative, just as there are no set definitions on what a masculine ideal is), and that’s what he does. he does it very deftly, also; i’ve never found him to be over the top or cringeworthy in his extreme hetero-performativity (speaking as a known bisexual) and that’s always a danger in entertainment. he’s earnest about it in all the best ways, which is exactly what you need to achieve full camp.
taemin, obviously, can't do the same things rain can, aesthetically. he’s never going to have that type of body, and his relationship to the public perception of his gender is much more fraught, so he’s had to synthesize a totally different personal style using the same tool. his dances more frequently use unorthodox shapes and movements; he’s aware of the power of his body in the same way that rain is aware of his, he just utilizes it in the way that’s best suited for it. the themes in taemin’s solo work are also more unorthodox (haha!), and in line with my own practice as an artist, which leads him to stand out more in my mind, but that doesn’t mean that i don’t admire rain’s artistry and enjoy his content.
duude im so fri*cking red right now...