If sf is the exploration of all the constraints thrown up by history – the web of counternalities and anti-dialectics which human production has itself produced – then fantasy is the other side of the coin and a celebration of human creative power and freedom which becomes idealistic only by virtue of the omission of precisely those material and historical constraints. I propose to read magic, then, not as some facile plot device (which it no doubt becomes in the great bulk of mediocre fantasy production) but, rather, as a gure for the enlargement of human powers and their passage to the limit, their actualisation of everything latent and virtual in the stunted human organism of the present.
Fredric Jameson, Radical Fantasy (2002), 278.









