#psychogoth

Alice during her science years

this is my first time using firealpca and I'm gonna some art while I'm using firealpca. so yeah i hope you like it

Hello everyone since I got too excited to show you my comic in the early month of Halloween so I got another thing to show you which is my first DTIYS art. Now time for the rules 1. It’s ok if you change little bit of her position or add something to the art as long as it looks a bit similar to my original 2. Please save this picture to compare the two pictures of your awesome drawing and my original artwork that started this 3. PLEASE GIVE CREDIT AND DON’T STEAL MY ART!!! And last and important rule have fun and get creative ^^ the dead line is November 3rd

Industrial music, in all its many subgenres, is a genre that hasn't had a load of attention in the brony music community. One of the earliest blasts of EBM was Andy Feelin's classic Rainbow Factory remix. Very authentic old school Wumpscut / Leather Strip feel to this track. Other musicians like Psychogoth (who seems to prefer Darkwave) followed with some additional tracks, such as his EBM remix of For the New Lunar Republic. Tarby should be an obvious musician to recommend for his NIN-influenced Industrial Rock. Tracks like the completely electro industrial Nightmare Night and the guitar heavy Rejected (and other tracks from E.S.C.A.P.E.) are both examples of how diverse he can be in this approach. Some musicians have briefly flirted with the style only to move on to others. Freewave did so on the heavy electrobass remix of Ragequit, his Industrial Rock remix of Pony Confessions, and the EBM sound of Sound Issues. FlutterRex has done a great job mixing bits of industrial with atmospheric dubstep to create a great fusion. Tracks like the Pinkamina inspired Eosin Waste and Th3 Cupc4ke5 are good examples of this in action. Likewise Kyoga has flirted with atmospheric industrial on such tracks as We The Beasts. Pinkie's Hacksaw spent some time making industrial tracks on Soundcloud but never moved those works to a bigger audience and more developed sound. Achehole did industrial rock far removed from the standard NIN influence but definitely fitting a punk meets industrial style. Tracks like Lovebug and Stay Outta My Shed were a unique departure for their 3 track EP but like many new brony musicians they never quite caught on to be seen by the intended audience. The future of industrial (a pretty broad genre) in the brony scene lies with the newest musicians and their recent activity. They show a passion for it, and in doing so they've found a way to stick out in a crowded music scene simply by making it, as there are simply not that many other bronies joining in. Two musicians have done one track in that style recently and hopefully may continue to do more. CrowCaller added a much needed feminine touch and with great vocals to boot. Comparisons to Angelspit in I Need Your Love seem pretty legit. With only one track on her channel the only way is up. 3ternal also recently did a great Aggrotech remix of This Day Aria and has shown interest in making more. If she sticks to the style (and with that being her first EQD appearance, she might), expect more great things to come. Far more dedication rests in our next three musicians; D1SCORDANT3 has done a variety of electro-industrial instrumental tracks. The best of which is probably Feed but several tracks show off that dedication to their own particular style. What's needed next is likely adding vocals samples or a vocalist and taking their music to the next logical step. Nero Revanchrist has done a variety of genres but many variants of industrial in particular. With the EBM of Party With Pinkamina, and the Industrial Metal of his Rainbow Factory Remix, there's a track for every flavor of it. With views of most tracks only in the double digits, its clear that their music is currently well overlooked. Injustrial seems the most prolific and adept of this new batch of Industrial bronies. Tracks like the SweetieBot inspired Electronic Devastation and Fox News vs Bronies Stand Your Ground feature some great harsh Electro and borderline Aggrotech. His greatest strength is that he's building and developing his style (often using distorted vocals and samples) and using some needed variety within a big parent genre instead of wallowing in a small comfort zone. He's also doing a much better job of storytelling, getting MLP to fit a genre that doesn't naturally fit industrial music. Hopefully his continued success and perseverance will give brony industrial music the face its needed to get a wider audience.