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Dei Culti Oscuri, by Giovanni Gabello. In octavo, Genova, 1791. My Lovecraftian grimoire made in 1991 with Amiga and dot matrix printer. Free PDF download from my blog https://in-tenebris-scriptus.blogspot.com/2014/08/dei-culti-oscuri-1791.html (and, if you like, a small PayPal donation if you enjoyed it).
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Si dice che l'esperienza diretta della guerra produca solo due categorie di uomini: i sofferenti e i morti. Dei primi, ne abbiamo un campionario immenso e non sono oggetto di questa lezione.
I morti, invece, non solo solamente i morti – come quello disteso sul tavolo – ma tutti quei vivi a cui sia stato asportato il presente e il futuro. La signora del dolore tiene prigioniero questo tempo sottratto ed è nostro scopo precipuo scoprire il luogo di questa detenzione. Noi, dunque, ci rivolgiamo ai morti. Se non altro, a coloro che possono ancora essere salvati.
(Boron Meivellanis, "Anatomia dell'animo umano")
- pseudobiblium dal mio romanzo "Il giardino degli spazi ritorti"
EN
It is said that the direct experience of war produces only two categories of men: the suffering and the dead. Of the former, we possess an immense sample, and they are not the subject of this lecture.
The dead, however, are not only the dead—such as the one lying on the table—but all those living beings from whom the present and the future have been excised. The Lady of Pain holds this stolen time captive, and it is our primary aim to discover the place of this detention.
Thus, we turn to the dead. If nothing else, to those who may still be saved.
(Boron Meivellanis, Anatomy of the Human Soul)
- pseudobiblia from my novel "The Garden of Twisted Spaces"
"Dei Culti Oscuri. di Giovanni Gabello. In octavo, Genova, 1791" pseudobiblium by Andrea Bonazzi, 1991. Info and free PDF version: in-tenebris-scriptus.blogspot.com. "I made my pseudobiblium Dei Culti Oscuri (literally, Concerning the Dark Cults) in 1991, as a practical support for my Lovecraftian role-playing games. A pseudo-XVII century pastiche in 250 pages (8x6 in.), it collects the most varied Cthulhu Mythos data from games and books, with few personal touches, written in a fake archaic Italian language. This book was composed with an Amiga 500 home computer, printed in only four copies with an old 9-pin dot matrix printer, and roughly bound in leather (nobody was skinned alive for the binding of these tomes, I assure you)."
