This drink, blood, war! All of this to forget! Forget her... forget myself!
PONNIYIN SELVAN: I (2022) dir. by Mani Ratnam
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This drink, blood, war! All of this to forget! Forget her... forget myself!
PONNIYIN SELVAN: I (2022) dir. by Mani Ratnam

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Listen the moment in Ponniyin Selvan when Nandini sees her younger self on the throne???? I HAD CHILLS
mani ratnam spearheading jayam ravis himbofication was not in my 2022 bingo but here we are i guess
Moon, Donāt Rise Tonight - PS:1 Fanfiction
This is the first fic for Ponniyin Selvan that I--or anyone--have put on AO3. Hereās the link. Please let me know if you have comments!Ā
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Vanthiyadevan reached back over his shoulder and froze, fingers closing around empty space rather than his horse's reins.Ā
Semban?
He caught a familiar flash of brown out of the corner of his eye just as he began to turn around. The horse had stayed back a little ways behind him, lingering in the market and taking an interest in a number of garlands that swung gently where they hung.Ā
Either the non-existent breeze had moved them, or they were swinging because someone had gotten curious and started pulling and tugging at them.Ā
Vanthiyadevan brushed some stray curls from his face, chest rising in a small sighā knowing his horse, the odds that they were facing the latter situation were a little too high.Ā
"Semban!"Ā
He dodged an ox cart and got there just before Semban could interfere with a pile of jasmine blossoms as they sat unattended, waiting to be strung. But the horse knocked some to the ground anyway, and Vanthiyadevan found himself gesturing a wordless apology to the woman stringing the garlands as he pulled Semban away, mindful of the woman's young children as they rushed to gather the fallen buds at his feet as though they were playing a game.
Semban bobbed his head as he followed, evidently pleased with himself. The end of some coir netting was tucked in his mouth, and tangled in the material below was a small basket that spun precariously a few feet off the ground.Ā Ā Ā
Vanthiyadevan stopped in the middle of the road, shaking his head as he brought his face close to Semban's.Ā
āYou can't just do things like this,ā he said as he stroked his horseās neck, a bit of affection slipping into his voice despite himself. āI know Iāve told you.āĀ
He bent down and carefully retrieved the hanging basket, tucking it under his arm as he gently pulled the coir netting from Sembanās mouth.Ā
āNow where did you get thisā¦āĀ
His eyes scanned the crowd, looking past stacks of tender young jackfruit and baskets of pori, waiting for an irate man or woman to come marching towards him out from some market stall at any moment now.Ā
Preferably whoever came marching forward to claim the basket would be a woman.Ā And preferably a woman not holding something she intended to whack him with.Ā
Though maybe Iād deserve it for causing her trouble, Vanthiyadevan thought, a wry smile on his face.Ā
He patted Sembanās cheek. No, he wouldnāt really mind, regardless of who came to claim the basket. Of all the women in the world, from Cheena in the east and Yavana far to the west, from the sparkling coast of Lanka up to the mountains where Lord Shivaās abode crowned the splendid Himalaya, there was only one woman who captured his thoughts now.Ā
But no one materialized to come for the basket, woman or no.
Well, he would just have to go find the owner and return it in person then. He balanced it in one hand and peaked beneath the lid, half expecting to hear someone in the distance cry out to Muruga once they came to the entirely reasonable conclusion that someone had absconded with their goods in broad daylight and was now helping himself to them.Ā
Inside the basket were a dozen sesame urundai, dark and sweet with palm jaggery, all nestled together over a banana leaf.Ā
And then someoneāsomeone who sounded suspiciously like Nambiādid cry out, but not with Murugaās name on his lips.
Vanthiyadevan peered around in the direction Nambiās voice had come from, back towards the kiosk hung with garlands of fragrant jasmine. Above it rose the vimanam of a small brick temple, the care and skill of its Chozha artisans visible even at a distance; it was the closest temple in the immediate area that a devout Vaishnavite like Nambi might find his heart drawn to visit.Ā Ā
Sure enough, Nambi soon emerged from beneath the temple gate, clutching his clothes so that he wouldnāt trip in his hurry.Ā
The clothes were dropped the instant he saw Vanthiyadevan, and he immediately brandished his staff with worrying vigor.
āHave you been telling stories about Kannan and how he ran off with the gopisā butter as a child, Nambi?ā Vanthiyadevan called out, counting on his smile and good mood to diffuse the situation. āSemban mustāve been listening and, well, he got the wrong idea!āĀ
Nambi huffed and grabbed the basket from Vanthiyadevanās hands, checking to be sure all urundai were still present.Ā
āThe leela is a completely different situation, thambi. The butter is bhaktiā thought and emotion purified and turned into love, like butter churned from pure milk!ā he retorted. For a moment Vanthiyadevan was worried heād jab him with his staff, but Nambi merely threatened him and stopped short of actually doing it. āRemember how Andal yearned to offer Krishna a hundred pots of butter, and a hundred pots of sweet rice?ā
āI thought you told me never to listen to Andalās poems?ā He raised an eyebrow and gave Nambi a friendly slap on the shoulder. āOr Iād abandon life as a warrior and my service to the Chozha kingdom, and devote myself to the service of Narayana right then and there? Then instead of you following me around everywhere like the bad spy we both know you areāāĀ
Nambi threw up a hand and rolled his eyes at the accusation.Ā
āāyouād take me to all the great Vishnu temples, and weād offer Andalās hundred pots of rice and freshly-churned butter together.āĀ
Vanthiyadevan pat Sembanās flanks as though reassuring the horse that he would of course come too.
Nambi just stared at them both, and by the look on his face, Vanthiyadevan figured he was probably on the verge of starting some theological explanation that would somehow turn into a useless, lighthearted argument.Ā
Well, from Vanthiyadevanās perspective, thatās what it would be.
Luckily the Vaishnavite thought better of it.Ā
āYes,ā Nambi grumbled, still irritable. āIf only you could stop your horse from running off with somebodyās prasadam like a thief and just⦠getting into trouble in general.āĀ
āSemban is excellent at getting out of trouble too,ā Vanthiyadevan said, gathering up the horseās reins. āOn the battlefield, I mean.ā
He noticed a procession coming up the road and pulled Semban towards him, walking off to the side a little to move out of the way of whoever was in the approaching palanquin.
āAre you admitting youāre not some sort of great warrior?ā Nambi said, gathering up his staff and the urundai basket to follow him.
Vanthiyadevan might have felt slightly wounded by that comment if anybody else had been listening.
āSometimes you have to call a strategic retreat and regroup elsewhere. Itās better to live to fight another day than die and give up a real shot at victory,ā he said. āBut someone like you shouldnāt have to worry about tactics and war and the details of something that involves so much violence and death.āĀ
āWell you know, thambi, the Arthashastra actually discussesāā
Then Vanthiyadevan jumped forward to grab the basket of urundai, pulling Nambi by proxy out of the path of a group of goats who were carelessly charging down the road, fleeing the coming procession.Ā
Nambi had let go of the urundai basket, leaving Vanthiyadevan holding it as he ignored the goats and launched into a discussion of the Mahabharata and old Tamil literature and other works whose names Vanthiyadevan didnāt catch.
Heād stopped paying attention entirely; he was rooted to the spot, and his heart leapt in his chest like a deer fleeing a hunterās arrow.Ā
Mere meters away, the palanquin had halted, its occupant pulling back the cloth that separated her from Vanthiyadevan and the rest of the world.
Kundavai.Ā
The entire world shrunk, and there was just her, himself, and the space between them.Ā
She gave him a subtle smile, her dark eyes glinting with a mind as sharp as his sword that made her all the more beautiful, a jewel whose heart the sun had set aflame.Ā
She called out to him and the basket of sesame urundai nearly slipped from his hands, Kundavaiās voice sweeter than all the jaggery in the world
Moon, donāt rise tonight, he thought. In her face shines all the light I need.
Loved how Ar.Rahman made this old stotram into a masterpiece that people would listen for decades. This man is insanely talented!! *Chef's kiss š*

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(Some of) my Favourite Shots from Ponniyin Selvan: 1
Directed by: Mani Ratnam
A thousand years ago before the dawn of the Golden Era, a comet appeared in the Chozha sky. The oracles foretold the comet demanded the sacrifice of royal Chozha blood. Rivalry gripped the kingdom. The sea grew turbulent. Treachery invaded the palace.
PONNIYIN SELVAN: I (2022) dir. by Mani Ratnam