Synchronicity 16
Notes: After hitting brick wall, restructure! So, that one’s a bit of Frankenstein’s Monster. Introducing: Remnant, references to past happenings that were supposed to be referenced much, much later, and morally (VERY) questionable actions (if you get the reference). Jack’s still high on morphine.
Previous parts under this one link: gyromitra-esculenta(.)tumblr(.)com/post/173374189022/synchronicity-15
Jack grimaces when from behind the APC a figure shambles out, a man in a stained dress shirt with a suitcase held in his right hand. Something unsettling in how strangely his neck twists to the left.
"I wonder, Sunshine," the Beast teases, "fight or flight?"
***
(…) And all I see is war path ahead of me Each and every step I welcome readily And if my lack of fear bring the death of me Let the spirits of my ancestors envelop me (…)
His fingers still grip the rifle, the knuckles white on the dark surface of the gun, and he still stares into dark crimson eyes. The last words reverberate between them – him and the Beast – the talk of ashes and charred bones left in their collective wake somehow does not sound like merely a pretty metaphor anymore. Jack swallows back another question and slowly lifts himself off the floor.
The walker is gone in the minutes that had trickled by and he tries somehow to justify its lack of awareness of his own position – was he shielded by the structure or was a single signature not worth the hassle, or, maybe, the interference had messed with the mech’s systems?
There is also a different possibility, one that now is not as far-fetched as one would imagine otherwise, and he knows it’s the morphine talking as he glances back to the Beast.
"I’m dead, aren’t I?"
"Now, what makes you say such a thing, Sunshine?" The Beast tilts its maw to the side, playfully contrarian – yet under the light timbre something darker lurks with the intensity of razor-sharp fangs biting into the nape of his neck.
"This is limbo. Tartarus. The ceaseless punishment," Jack shakes his head, picks up the pace.
"Do tell me, Sunshine, how does one escape from such a predicament?" The Beast now keeps his stride slinking forward at his side, the words simultaneously mocking and paternalistic.
"One doesn’t."
"One doesn’t unless one has their own guide," the Beast chortles.
"I don’t remember ever being so goddamn fucking vague."
"You’re learning yet, Sunshine. You're learning yet."
"Goddamn fucking morphine," Jack murmurs. His vision is focused and swimming at the same time. His breath coils around his tongue with a taste of rusted iron. "If you're my guide, I'm fucking lost."
"Oh, Sunshine, did I ever aspire to such a title?" The barbwire lull of the laughter pierces his ears together with the roar of the fire, and the smell of burning plastic and artificial fabrics suddenly becomes dominant. The plane.
One wing is broken off and missing, the other is buried deep in a collapsed building. The fuselage is smashed into three neat pieces - the tail rests sideways on the street.
The inside of the craft is still on fire and the asphalt is soaked by fuel. No bodies. No blood. The luggage is strewn around. No body parts. Nothing. There's a ripped in half pink suitcase in front of him with a small plastic hand sticking out of the bundled clothes.
"Who's there? Please!" A woman. Jack turns towards the voice and a greenish silhouette swivels there with its hands outstretched as if fumbling in the darkness. A child cries. "Please, say something!"
"They're all dead," Jack whispers taking a step back.
"Yes, they are, and it was us who killed them, Sunshine, or did you so conveniently forget?" The Beast seethes with smug satisfaction. "Only ash and charred bones, no evidence and no witnesses," it hisses as it focuses the glare of its crimson eyes on him, like he is a mere insect under its scrutiny, "this is what remains in our wake. This is," it bares its fangs in a feral growl as it punctuates every word, "what we are, what we were, and what we are to become yet again."
"No," Jack backs further, a stumbling step after a stumbling step, away from the encroaching darkness that swallows him only to spit him out in a green-lit hell. "No."
His fingers move over the panel covered with a delicate synthetic mesh designed to evaporate on blast. A child cries. The explosive arms without a sound. The goggles give him fleeting vertigo with a split-second delay of the processed image.
"Please, say something!" The woman moves in his direction, slightly off to the side, and Jack evades her. The carpet muffles his steps. "I know someone's here!"
The child is still crying. A man screams in anger somewhere down the corridor.
"One. Two. Three. Boom," the Beast intones with a static of bad reception raising in the background - its voice morphs into that of a newscaster, "...that Mehdi Benjelloun has just claimed the responsibility for the bombing for..."
White noise. Everything drowns in white noise. The clock is ticking. The hands do not move, do not even strain, and the room is white.
"Mr. Morrison," the psychiatrist whose name he cannot recall smiles, the kind of impersonal smile one could expect from a professional detached from the situation. "Did the change in the prescription have any adversarial effects? Any notable differences you have experienced regarding your frame of mind?"
The Beast stings behind his teeth, scrapes the sides of his throat, looks through his eyes.
"No. Can’t think of any. Can’t…" Jack turns his gaze to the tree in the painting hanging above the vibrant ficus to his left, to the maelstrom of the painted sky behind it. The rapid strokes of the brush give it an illusion of a slow deliberate motion. "Felt worse for the first week but I don’t think I really thought about killing myself since then."
"That’s good to hear," the man types something on the keyboard.
"You redecorated."
"Excuse me?"
"This picture, it’s new. It’s different from the one before."
The doctor looks at him quizzically, maybe even slightly alarmed. The Beast whispers of danger, a hissing kind of murmur seeping into his thoughts.
"And what do you see in the picture, Mr. Morrison?"
"Morbid landscape with a tree," Jack swallows, eyes darting to the other side, searching for a route of escape from some undefined peril that now sits heavy on his shoulders. Its claws dig deep enough below his collarbone to draw blood that seeps through and stains the fabric.
"Visual hallucinations. This merits additional evaluation." The man extends his hand under the desk and the Beast roars in fury, it roars as everything is white noise again.
The white room. The chair is covered in dark rust, no - not rust - old dried blood, cracking and flaking off. The infernal ticking thunders louder and louder until he wants to scream just to drown it away.
"Getting lost in your own head again, Sunshine? We can't have that, not yet," the Beast whispers. "Inhale." Inhale. "Count." Count to five. Count against the ticking. Don't lose focus. "Exhale." He exhales, slowly pushes the air out of his lungs. "Remember..."
"Remember my training," Jack repeats opening his eyes - when had he closed them? The plane is yet again in front of him but in the meantime, he must have passed it. The cockpit looks almost intact - if not for the missing panes of glass and something still sparking inside.
He's hunched behind a concrete barrier - it seems the street had been closed off to the traffic before. Jack leans to the side to observe the plaza. There are several cars and a bus, one unmarked APC lying on its side. Recreational area primarily. He can see a bright red restaurant umbrella halfway thrown through a display window. A lot of bodies on the ground he can safely identify as Blackwatch personnel.
Jack grimaces when from behind the APC a figure shambles out, a man in a stained dress shirt with a suitcase held in his right hand. Something unsettling in how strangely his neck twists to the left.
"I wonder, Sunshine," the Beast teases, "fight or flight?"
The man turns away and Jack mentally reconstructs the area mapping the best route. He licks his lips, runs his tongue over the chapped skin. Changes the grip on the Patten and moves hunched - eyes darting between the man and the ground - trying to find safe footing. Seconds he measures in breaths trickle by as he makes his way towards an overturned cart painted with happy pastels now greyed with settled ash.
Jack stops to take another look at his surroundings. Crumbled building blocks the nearest street - he could climb over the rubble but the prospect is risky especially if he wants to avoid meeting the civilian or whatever else the man with the suitcase actually is.
Slowly, as the figure disappears behind the APC, Jack raises. Maybe he can circle him. A blink, and the man stands before him in a cloud of swirling black ash. No. Not a man anymore. Something that used to be human. The lower jaw is missing, the eyes are white, the broiled skin sloughs off the meat.
The creature shrieks with an unearthly tone; the wave of sound hits with a multitude of stabs and knocks the breath out of him. Jack falters and almost drops the rifle, scrambles to regain his composure.
Twisting tendrils of purplish light lash out but not towards him, no, to the side, and with growing dread he sees a body dragged upwards with the entrails flopping from under the vest, and limbs swinging in disjointed tugs like a ragdoll shaken erratically by attached strings. It raises the gun and turns towards him. Jack ducks behind the collapsed decorative gazebo. Bullets thunder against the cement.
A shriek again, his vision darkness for a second, and another body joins in the puppet dance. Shots spray wildly in a wide swipe rising clusters of dust where they hit.
Jack emerges quickly from the side and aims at the closest enemy. Two shots send the helmet flying, the third one shatters the brow, and the glowing tethers snap as the body hits the ground.
It’s not enough, the strings spring out from the creature anew and latch onto the fallen cadaver, sink and dig into the flesh, and bring it upright again.
"A resourceful abomination, isn’t she?" The Beast rumbles with glee, its presence growing, enveloping him, and mucous darkness shifting against his skin. The taste of mildew and rot steals into his mouth. "She tests our patience. We will kill her."
"We will kill her," Jack echoes as yet another puppet joins the fray.
"We will grind down her bones between our teeth," the Beast purrs. Claws rest over his hands, and then he runs between the bullets sailing with deadly grace through the air.
The Beast keeps his pace; the loud empty thumps explode in the sudden eerie silence as its paws hit against the pavement rising up clouds of ash. It bares its fangs, its maw low to the ground, and then it jumps through the motionless air swamped in the iridescent afterglow.
The Beast’s jaws close around the creature’s neck with a nauseating crunch. It turns and twists thrashing its head from side to side until meat, tendons, and bones separate. Mutilated head rips off and freezes midflight in the air.
With a snap, the movement resumes. Hunks of meat hit the ground with wet squelches, the violet tendrils dissipate, and the risen corpses fall over once again.
The Beast roars triumphantly, and Jack, with his hands buried to the elbows in the creature’s clawed apart chest smiles mirroring its expression: all teeth and savagery.














