I had to.

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I had to.

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As someone who stopped reading the manga where the anime stopped at season 2, from little spoilers I've seen, Fushi becomes a very messy character (not in a bad way, they just make... bad decisions). Is this something that I should be worried about that makes Fushi come across as out of character? Because it seems like Fushi tries to act like a god at times, when previously they very much did not like being uplifted as such. I suppose I just worry that I'm about to read a Fushi that becomes some sort of liar who harms the people around them. Although, I probably should just bite the bullet and start reading the series again to gather my own opinion 😅 Change tends to scare me though, especially for characters I hold very beloved, lol. I apologize for this weird ask, but I admire the way you look into this story without a black and white lense and how in depth you see a lot of the characters.
Thank you so much for asking this question! Not only does it touch on a subject that I’m very enthusiastic about, I think Fushi’s seemingly random personality change is one of the things people find most confusing about the present era. So, this is actually perfect timing! Like you said, it’s so different from how they behave in the previous part of the story that it looks almost out of character. But! I actually think all of Fushi’s actions in the present era are extensions of the same traits that they’ve always had. The difference is, the consequences are altered by their new circumstances.
First, let’s examine Fushi how suddenly starts acting like a god. During the previous era, Hayase and the Guardians were the ones who first started treating them as such. And Fushi hated that because 1) it’s Hayase, but more importantly—2) they wanted to live as a human. Being the Guardians' god would mean relinquishing their human lifestyle and no longer being around people who were accepting of their weaknesses.
Chapter #25: The Beholder narrates Fushi's decision to take on a human lifestyle in Takunaha.
But Fushi gives up on this themselves sometime during the two hundred fifty year period between when Pioran died and when they met Kahaku. They become convinced that their existence was the reason the nokkers keep killing people, and that they’re undeserving of a normal human life. They isolated themselves for forty years, and only started to integrate into society again with the compromise that they would never stick in one place for very long.
They were convinced that they brought harm to people just by existing. So, they responded in two ways: one was to punish themselves for that by refraining from the thing they longed for, companionship. The other was to try and compensate for that harm by minimizing it as much as possible.
Chapter #61: Fushi explains their system for moving around during the two hundred year time-skip.
During this period, Fushi notably doesn’t engage in altruism like they used to, and doesn’t make any attempt to hunt nokkers themselves. They’re not even trying to help people, which speaks to how completely sure they are that any involvement with them would end badly.
The one who introduced the idea that Fushi’s non-humanness could actually be a good thing was Bon. He had a new perspective, which was that all of the things about Fushi that prevented them from living a normal life were actually gifts meant to be shared with other people.
Chapter #63: Bon shares the philosophy that he learned from Tonari.
With Bon’s encouragement, Fushi found that they liked being able to help the people who approached them for favors. They weren’t adverse to being a god if it had a positive result. So, they were actually open to that idea a lot earlier on than the present era, and it’s not even the Guardians’ fault for once. Bon made good use of Fushi’s reputation and connection to the Guardians, then bolstered it even further—and Fushi wasn’t unhappy about this (like they might have been if it had happened earlier), because this was the proof that they were still needed. They had a reason to exist again.
Chapter #65: Fushi tells Bon about their plan in Uralis.
Fushi’s renewed vow to help as many people as possible was what landed them in Renril, promising to save an entire city. But in order to keep that promise, Fushi had to become as close to all-knowing and all-powerful as possible. In that fight and the months leading up to it, Fushi didn't eat or sleep. At this point, Fushi’s reason for existing—to save people—started to outweigh their humble dream of living as a human.
So, About that Shot of Kahaku in the Opening
In the middle of a sequence of all of the Immortal Comrades (that's their official title, yes they have an Official Title) in their past lives coupled with them settling into the modern world, this random fucking frame of Kahaku shows up for one second and then disappears.
(This is normally where I would make some comment about how idiotic he looks, but I decided that would be bad form since he's dead and all.)
Now, they chose to include Kahaku and not any of the other, very important characters who were impactful to Fushi yet no longer with them in this modern era (the nameless boy, Parona, Rean), so that's probably on purpose, yeah? Given that the sequence Kahaku's been inserted into the middle of is so specific, it's not terribly hard to imagine what the anime staff are trying to imply:
"Kahaku is an honorary member of Fushi's Immortal Comrades."
But does the story actually substantiate this claim, or is it just wishful thinking?
It does—quite a bit, actually. To be more specific, I think that not only would Fushi have resurrected Kahaku if he hadn't reincarnated already, they actually tried to do it.
Let's look at what's shown up in the anime already: Fushi and Mizuha's first meeting!
I am once again asking the me of two years ago what possessed me to not post fully completed art.
(I'm pretty sure this was inspired by @neyko saying an animatic of Pink in the Night would be cool.)
"School...!?" "Work...!!" "Taxes!?"
They can only do school, work, and taxes in this current age!
ガッコウ、カイシャ、ノウゼイがやれるのは現世だけ! #不滅のあなたへ#TOYOURETERNITY

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I tried so hard to think of a funny caption but it was starting to take longer than it did to actually draw the art.
Bonus screen-cap redraw from episode 1:
I love Yuuki.
The person who can become my number one is—
私のいちばんになれるのは #不滅のあなたへ#TOYOURETERNITY
Hello, after 2+ years! I last sent in an ask (about Kahaku) when season 2 of To Your Eternity was airing, and suddenly found your posts in my feed again, coincidentally when season 3 just started! Did you know the voice actor for Hanna is the same one they had for Parona? Do you think this was done on purpose by the voice casting director, or was this VA simply chosen again for her talent? I feel like there’s something to look into, though I don’t have the words to properly explain it. Basically I think she’s meant to represent someone who had a relationship(?) or association with Hayase and her descendants/reincarnations. Do you think there could be anything to choosing the same VA?
Hiya! Good to see you!
Yeah, I actually did know! In this case, words might not explain it, but pictures definitely do.
Although Hayase's and her successors are the only ones to reincarnate so prolifically, they're not gatekeeping that ability. Anyone (excluding Fushi) can do it. Aiko and Yuuki are probably both reincarnations of Bon's sister and brother, as well.
(And they have the same VAs, too!)
According to some extra material, Pokoa liked Kahaku's face so much that she decided to find a husband in Yanome, so the Aoki family is probably distantly descended from her. Yuuki and Torta look nothing alike, so that one was probably a decision that the anime staff made. But Fushi even alludes to Pokoa and Aiko's resemblance when they refer to themselves as Yuuki's sister in her form before correcting it, ahahaha!
Sorry for the tangent. But to answer your question: yes. There is a pretty straightforward meaning to Hanna and Parona's resemblance. Hanna is Parona's reincarnation, so they share the same physical characteristics, including their voice. But I also think the decision to put Hayase and Parona's reincarnations in such close proximity to each other was deliberate. Although they have a complicated relationship, they definitely don't hate each other. I think it serves to solidify the fact that Hayase's reincarnations don't inherit her feelings—whether those feelings are love or grudges.
Even if their actions might sometimes be outwardly similar to their previous incarnation's, Mizuha (and Hanna) have their own unique motivations that can't just be written off as genetic dispositions. Hanna being a reincarnation is supposed to remind the audience that she and Mizuha are their own people (not that it's working so far). So I also think a character analysis that treats Hanna as her own person completely independent of Parona is going to have far more meat on it than one that relies on her being a reincarnation.
Hope this was helpful!