tuesday januray 17th, 1989.
"Last night, Shrike Heights has faced one of our hazardous Winter blizzards, resulting in many buildings being snowed in. Shrike Mall finds itself yet again in trouble, its employees being trapped inside the building with four of the serial killers who are still currently at large. There are reported to be at least four dead and many others severely injured. Police were called during the attack, but unfortunately it took some time to enter the mall while officers cleared enough snow to get the mall doors open. Officers remained with victims while one attempted to apprehend one of the perpetrators, and theyâve been missing since. Some locals are questioning the reason for the mall to have remained open during such dangerous weather, but officials say that no laws have been broken, and that the attack likely would have happened regardless of weather conditions. Please contact the police department if you see anything suspicious or if you know of the whereabouts of the missing officer."
monday january 16th, 1989.
The new year has begun, the year of 1989, though for Shrike Heights, it doesnât feel like a fresh start or a clean slate. The horrors of the last two years still have a hold over every residentâs mind, and just as the year before began, none of these crimes have been brought to a close. The year feels unresolved; the residents try their best to move forward despite the nagging weight that makes it impossible to escape the past.Â
Snow falls heavily over the small town; a blizzard is incoming, and itâs already disastrously snowy out. Warnings have been issued since the night before, for residents to stay inside of their homes when possible, and for the most part, the town listens. Almost all who are braving the elements tonight are those required at work, with few others out there with them.Â
A young boy stands in the streets of Old Shrike. Heâs too young to be needed outside of his home for work, but still, he stands there as if the heavy snowfall and vicious wind isnât almost knocking him over. With all of his strength, he nails a piece of laminated paper to a telephone pole.Â
MISSING, it reads in large red letters, written in a juvenile handwriting that matches the boy. Underneath the writing is a photograph of a smart looking teenage boy with a grin almost as blinding as the snow, and beneath that, all of his details. The boy sniffs in the cold, his face numb, but onwards he treks.Â
Passing the next house to the next telephone pole, an old man emerging from his home is followed by his door slamming shut with a great gust of wind. Despite being bundled up in many winter layers, his crooked body struggles to shuffle forward on his porch. âIn a blizzard?!â His voice is wheezy, and only just strong enough to reach the footpath. âGet home, boy!â He calls, genuine concern for the child on his wrinkled and aged face.Â
âI know!â The boy shouts back, much more power behind his voice, still preserved in youth. âI just really need to find my brother.â Desperation is in his tone and on the young face thatâs blotchy and numbed by the freezing conditions. He continues forward, and he continues nailing the posters on any available surface for as long as he can withstand the cold.
The unfortunate reality is that this boy isnât the only person who is missing a loved one; heâs not the only resident of Shrike Heights who had to spend the holiday season and the new year without every member of his family; heâs not the only person who is worried sick enough to face a blizzard, just on the off chance that more posters will help the search.Â
More and more people in Shrike Heights are going missing, most without a single trace. Thereâs speculation that people are leaving Shrike in order to escape the possibility of becoming victims in the next attack, but the families and friends of these missing people fight against the theory; so many of those who are lost would never do such a thing. Some speculate that itâs the town authorities who have started the rumours about people leaving town voluntarily, so they donât seem liable for more tragedy, but no matter how much they speak out on it, their voices will never be as loud as the likes of Mayor Sweeney.
The town is left only to hope that âmissingâ isnât a new synonym for âmurderedâ, though there isnât much evidence against it. Even Tracksâ owner Owen OâHanrahan is still missing, and as he was last seen being actively attacked by the killers at the end of summer carnival, many wonder if thatâs the fate all missing folk met.Â
For the rest of the town, life in Shrike Heights goes on, even despite obstacles like business owners such as Owen being gone. While the blizzard outside grows fiercer and fiercer, Shrike Mall continues to operate. Many stores have decided to close up a little early in order to escape the dangerous conditions on their journey home, but unfortunately not all establishments are able to close, and not all employees are able to find themselves in the warmth and safety of their homes so soon.Â
Some employees, in fact, are only arriving at Shrike Mall. Romulus Davies is one of the unlucky ones; he opts to work the late shifts at the mall as he runs his furniture store during the day. He stands in the hallway that leads to the storage room containing his equipment, having run into Michael Webb on his way, not in any rush to get to work while his body still needs to defrost from the bitter cold.Â
âThe groundâs slipperier inside the entrance of this place than it is out. All the snow everyoneâs walked in has melted and left such a damn mess.â Romy complains, shaking his head with mild annoyance.
Michael smiles sympathetically. Getting stuck with frustrating jobs in his own position at the mall, he can understand the annoyance. âAt least hardly anyone else is gonna be coming in here now.â Now that most of the establishments are closed for the night, he means.Â
Romy nods their head. âRight.â He takes another step in the right direction. âYou stuck here for much longer? Long enough to take a look at the cigarette machine, at least?â The cigarette machine in question is the same one that was used to injure Soren Chen last year; it no longer resides in the same place, and itâs been repaired before, but still, the way the mechanisms jam inside of it remind those who know what happened that night of the horrors.Â
âJust packing up the rest of my shit now, so I can head out right after taking a look at it.â Heâs one step ahead of Romyâs request. âYouâd be surprised how many complaints we get about it, even though itâs not the only one we have around the place.âÂ
Not wanting to prevent Michael from leaving the mall as soon as he can, Romy concludes the conversation, going to collect his equipment. He decides to clean up the entrance first; the last thing they need is for some poor employee to slip and break something just when theyâre about to make it out alive. They push the wheeled cart through the maintenance hallways, back out to the front of the mall, though they stop when they see the scene.Â
Large snowy footsteps have walked wide strides into the mall. Theyâre fresh, the snow is yet to melt, and Romy easily concludes the messy mall visitor must have only just walked out of view. He moves forward again. The footprints have been made with large boots; Romy figures it must have been a member of the security team, and while more mess isnât ideal, he canât stay mad at the idea of more protection.Â
As Romy sweeps the unmelted snow and the water towards the door, Michael appears once again, holding his large tool bag, on his way to the cigarette machine on the other side of the mall. âBeen here for not even five minutes, and someone else has already made more mess for me.â Romy updates him, complaining again, but this time laughing. Thereâs nothing they can do about it; thatâs the job they signed up for, like it or not.Â
Before Michael can respond, both mall employees have their attention grabbed by the sound of a loud commotion echoing through the vast, empty spaces of the mostly closed mall. It sounds as though weight is being thrown around, and itâs far too loud and abrupt to be the sound of employees doing their job. Suddenly the commotion is added to by the sound of ear piercing metal against metal, and then, a blood curdling scream sounds.Â
Romy and Michael both drop their equipment, moving into the middle of the space, looking around for the source with concern and shock on their faces. They scan their surroundings until they stand back to back, but everything has fallen silent. All that can be heard is their breathing, slightly louder than usual - though it might only sound louder as they listen so intently.Â
It feels like the silence lasts a lifetime, but then Zach Porter comes into view, running from around the corner, dragging one leg behind him uncomfortably as he flees. His eyes meet Romy and Michael, and he begins to scream. âRun! Run!â His voice is strained and jagged; the pain is obvious. As he comes closer, Romy and Michael realise that heâs covered in blood, but their attention is quickly pulled away from the victim as the Jack-O-Lantern killer comes into view.
The killer is covered in blood, too, and itâs obvious whose it is. Romy begins to stammer, before finally stringing together a coherent sentence. âI let him walk right in, I, holy shit-â The boots that left enormous prints on the ground werenât left by a guard, they were left by the masked perpetrator who wields his large carving knife.
âStop. Donât.â Michael doesnât want Romy to take any blame, not only because he isnât to blame, but because they have no time for such a thing when they need to prioritise getting out of harm's way. Zach screams at them to run again, and Michael nods, reaching over to take hold of Romyâs arm. âWe need to get out of here, come on-â
âNo!â Romy stumbles back, looking even more fearful now. âMy sisterâs working! My sisterâs here, sheâs at Donnaâs! I canât-â He stumbles back again, out of Michaelâs grip, watching the killer and the victim come closer and closer. He looks to Michael, as if for an answer, and his fear mirrors Romyâs.
âFuck. My sisterâs here too.â He had almost forgotten that Samantha took up an extra shift tonight, and that she was his ride home. âWe have to get them, come on.â Michael directs, knowing they have no time to waste. The two make a run for it, towards the escalator that leads to the first floor, where both of their sisters are.Â
Michael leads the way, afraid but seemingly better than the other while under pressure; Romy follows closely behind. To get to the escalator, they have to run towards the Jack-O-Lantern, but the killer is further away; the two are hoping theyâll be able to make it up to level one before the killer can reach the path himself. They seem to have a good chance of making it - that is, until they both falter at the sight of the killer catching Zach. The Jack-O-Lantern viciously kicks him down, and Zach is knocked unconscious as his head smacks against the linoleum floor.Â
Romy and Michael keep going, running up the escalator as quickly as possible. Michael looks to be nothing but determined, looking only ahead, but as Romy looks back to the killer and his victim; Jack plunges his knife into the manâs wrist, just as he regains consciousness and begins to move. Romy trips in shock, but catches themself and is able to keep going without putting too much distance in between themself and Michael.Â
They reach level one more breathless than they would like, but they keep going, heading towards Life Rose On. As they approach the store, Michael is relieved to see his sister Samantha Webb outside of it, clicking the last lock shut, ready to head out. She doesnât realise that thereâs anything sinister going on in the mall until she hears the heavy footsteps and loud breathing.
Immediately upon hearing the noise, her head turns quickly, her breath catching in her throat, and she knows. Samantha hasnât been physically injured by a killer herself, but she has encountered the Hunter before - in the very place she stands now - and with all of the other mall attacks, she doesnât have to think twice or ask questions to know that thereâs a very bad situation unfolding in the enormous building tonight.Â
Michael reaches her first, catching his breath while placing his hands on her shoulders. âThereâs a killer downstairs.â Thereâs no easier way to break the news to her, not when the matter is time sensitive. âRomy, go get your sister.â He prompts. Romy doesnât even take the time to respond before he takes off running again. âWe have to get out of here now, he just killed someone and I-âÂ
Samantha cuts him off. âWhat about everyone else in the mall? Iâm not the last to close up, there are other people around, other stores open- Theyâre in danger, and I canât- We canât- We need to-â Sheâs speaking far too fast for her brain to find the right words. âIf theyâre in danger we need to help them get out of here safely, too.â Sheâs beginning to panic. Having watched Posey Bryant be attacked right in front of her eyes, and having been unable to do anything to prevent the injuries, Samantha knows what survivors' guilt feels like, and she canât stomach the thought of letting more people be attacked like that.
âSam, we need to get out alive.â Michael isnât as eager to risk his own life - along with his sisterâs - for the sake of people he mightnât have even met before. He doesnât feel right about making a foolish plan, especially not when he believes anyone else in this position would just run.
Despite not having come to an agreement, the siblings have no more time to talk about it as Samantha catches sight of the Jack-O-Lantern killer stepping to the top of the escalator. She jumps back in horror, then reaches out to take the hand of her brother, and they run.Â
While the Webbâs have their short lived debate, Romy finds himself in Donnaâs swiftly. Itâs clearly closed, though not yet properly, a couple of front lights left on to illuminate Marina Davies and Noah Cohen, who has just come from his own workplace. âI hate walking out by myself when itâs dark.â Marina tells Noah, the two planning on making their way out of the mall together, but their conversation is cut short as they see Romy. Much like Samantha, they both know something is wrong.Â
âThereâs a killer.â Romy has to break the news as abruptly as Michael did. âDownstairs, he just-â Unlike Michael, who cleverly kept his eyes forward as he fled, Romy was witness to the full gruesome attack on Zach, and heâs rendered unable to speak properly as he feels such intense shock. âWe need to get out of here.â He concludes simply.
Marina and Noah share a look of unease and shock, though despite their mirrored expressions, it affects Noah on a different level. This isnât the first time heâs found himself so close to a killer, in a crime scene unfolding; heâs been through an attack before, similarly to Samantha, and he shares her panic and her dread. This canât be happening, not again.Â
âYouâre joking.â Marina steps forward as she speaks. She knows Romy would never joke about such a thing, but she desperately wants this to not be real.Â
âI really fucking wish I was.â The despair in Romyâs voice echoes through Donnaâs, and the reality of the situation begins to sink in for Marina, unlike Noah, who still stands in the very same position, a ghostly shade of white, uncharacteristically silent.Â
Before more can be said, Samantha and Michael bolt past Romy, stopping just past him at the front of the store. âHe followed us.â Michael says hurriedly. Heâs only sharing the fact so they know to run, he doesnât mean to make Romy feel responsible for now putting at least three more people in danger; but Romy does take it personally, and he does feel guilt.
He was meant to be saving his sister, but instead, heâs helped the killer find her. âFuck.â He shakes his head, trying to snap out of it. âMarina.â He steps closer to her and he takes her hand. Romy then gives Noah an apologetic look, too. Though Noah isnât his sibling too, he still feels the intense guilt for having led the killer to him all the same.Â
âNoah,â Michael only now realises that Marina isnât alone, and that her company is the Snapshot employee he knows from his consistent work in the establishment. âCome on,â he steps further into the store too, reading fear on Noahâs face. âWe need to get out of here.â Though he didnât agree with Samantha about rounding up all the remaining employees to get them to safety, heâd never leave someone like Noah behind.Â
Despite the group being terrified, they know they need to move quickly. One moment of hesitation could be enough for them to end up like Posey, or Jupiter Bernstein, or the countless other victims they either knew or didnât. They run out of Donnaâs, and with the route to the first floor blocked by the killer, they all run in the opposite direction.Â
Stepping out of the store, Noah and Marina see the killer for the very first time. Neither of them want to see just how close he is to them, but regardless, all five heads turn to look at him, and the sight strikes fear in all. âNo.â Noah mutters breathlessly, hand tapping his pocket as he runs, double checking that he has his inhaler on him because if the running doesnât constrict his lungs to the point of needing it, his fear certainly will.Â
They all move at the fastest pace they can, and Michael leads them up to the second floor. It feels slightly counter productive, but they need time, and they need space from the killer; running right into his knife doesnât sound like the smartest game plan.Â
Immediately upon reaching level two, the group finds Calista Tjhoea, who walks towards the same stationary escalator theyâve all just stepped off of. Sheâs on her way out, but she stops in her tracks when sheâs met with the panicked people. âCome with us,â Samantha is the first to speak, ahead of the group beside her brother. âWe need to get out of the mall.â
âThereâs a killer.â Michael takes over, feeling the need to cut to the chase to express the seriousness of whatâs going on. âIf we go down the stairwell we can make it to the door, but heâs behind us.â So they canât continue the way Calista was going, he means. Before even waiting for a response, Michael begins to move again, Samantha, Romy, Marina and Noah following.Â
Calista stands with an expression of shock for a moment, but then she turns and follows the group. Sheâs not yet able to process whatâs going on, but regardless, Calista sees no harm in exiting via the stairwell tonight. She trails behind them, a little speechless in her shock.Â
Before they can get far, Junko Jacobsen emerges from Danielaâs Salon. Samantha jumps as she spots her, holding a hand over her rapidly beating heart. Sheâs only frightened because the salonâs lights are off, so she thought the store was properly closed up and didnât expect a figure to suddenly appear.Â
Junko had been about to lock the door and leave for the night, but the sound of the group outside of the store caught their attention. âWhatâs going on?â She asks; she takes one look at the hurrying group and she knows something isnât right. While others might have hid at the first sight of trouble in the mall, Junko canât help but investigate.Â
âApparently thereâs a killer.â Itâs clear in Calistaâs tone that she hasnât broken out of her shock and the reality of the situation hasnât hit her. âLike, in the mall right now. I was about to leave, butâŚâ She realises itâs not the time to elaborate, and she slowly begins to feel a little more afraid.Â
âQuickly, we need to get out of here.â Michael speaks up again, though before he can share the plan with Junko, Eisa Sandersâ voice can be heard from behind them. This time, Noah is startled by the presence of another, her voice evoking the feeling of fright as itâs unexpected.Â
âThereâs a killer?â Eisa asks, eyebrows raised, in slight disbelief that sheâs finally present for one of the attacks, after all this time. âI-â Sheâs cut off by Michael.
âYes thereâs a killer, and heâs behind us, so we really need to get our asses out of here.â Heâs short, but not meaning to be rude. Heâs only desperate to find safety again, understandably, as soon as possible.
Everyone around seems to understand, or even if they disagree with his attitude, they prioritise getting out of the mall, too. They begin to run towards the stairwell, only one more time, they donât make it there without an obstacle.Â
The last employee inside of Stitch by Stitch, Kamila May, steps towards the door, holding multiple large sheets of fabric in her hands as she inspects the echoing footsteps and incomprehensible speech. âHas there been an attack?â She asks.
âThere has, come with us.â Romyâs voice is much more gentle than the tone used when Eisa joined the group, though he sounds far more afraid than Michael, which doesnât help the fear levels for the rest of them.
Kamila swallows thickly, turning on her heels, throwing the fabric down, but a white sheet remains standing. Confusion very quickly turns into pain as the Ghost slashes her across the abdomen with the sharp blade of their knife. Kamila screams, and Michael, the closest to her, rushes over.Â
The Ghost slashes Kamila across the stomach, the chest, both of her arms, one of her cheeks, and finally the throat, all before Michael even reaches her. He wishes to help, but just as heâs a step away, Kamila drops to the ground, gurgling and choking on her own blood. âOh fuck.â Michael jumps back, finally breaking his strong facade, body wobbling as he watches Kamila reach up to her bleeding throat with blood covered hands.Â
Samantha runs over, despite the horror of the sight, and she takes Michaelâs arm to steady him. He pulls away from her grip only seconds later as he moves back towards Kamila, wanting to help. âItâs gonna be okay,â he tells her, despite the gut feeling that it wonât be. Before he can squat down to try to hold pressure on the worst of her wounds, the Ghost swiftly and smoothly approaches, at quite the speed, and Michael canât stumble back in time before the Ghostâs bloody knife begins to cut him, too.Â
They slash him across his arms as he holds them up in defence, moving back as best as he can while trying to dodge the attack. Samantha jumps back, too, so abruptly that she falls down onto her back. Marina and Romy both run over, helping her back up before she can become the next victim. They try to pull her away, but she tries to lunge forward to Michael, who turns slightly away, only to earn cuts across his side. âAh!â He shouts, in pain. âRun!â He adds, the second he notices Samanthaâs attempt at helping him. Itâs not worth it.
The group of Eisa, Calista, Junko and Noah all stand behind Romy and Marina, who try to save Samantha from getting hurt helping her brother. They donât move yet, perhaps frozen in shock or fear or guilt - or all of the above. But Noah abruptly calls attention to the reason why that changes. âUh, guys.â He speaks up, voice shaky, but heard. He looks down the mall, in the direction they came from, and the Jack-O-Lantern is walking towards them. Noah doesnât have to say anything else for the group to follow his line of sight and see the killer, too - even Michael, as he turns more and is slashed across the back.Â
âRun!â Michael says again, and as he finally has his back towards the killer, despite his injuries, heâs able to run at the same time as the rest of the group. Kamila, however, is not only unable to run, but her struggling has stopped, and blood continues to pool around her body as she lays lifelessly on the floor.Â
They reach the stairwell, and Junko pulls the door open. The group files in with no hesitation. Michael trails behind the rest, though Samantha refuses to leave his side, even if he is moving slower. They make it to the ground floor in one piece, and they sprint to the front entrance of the mall. Romy is the first to reach the doors, and once there, Michael pushes to the front of the group too.Â
They stand there for a beat, waiting for the automatic doors to open and let them into the pitch black exterior. When nothing happens, Eisa swiftly moves to press the button that manually opens the door. A whirring sound is made, but the door still doesnât move. Michael and Romy get the same idea at the same time, and they try to pry the doors open themselves. Only then do they realise that theyâre not seeing the pitch black of night outside, no, theyâve been snowed in.Â
âOh god, oh no,â Marinaâs chest feels tight, though not as tight as Noahâs. He braces himself against the wall, staring out into the mall with wide, frightened eyes, alert.Â
âWhere else can we get out?â Junko asks, pushing her glasses further up her nose, breathless and afraid.Â
âThe back?â Calista suggests. This all feels very real to her now.Â
âThe wind was coming from that direction.â Eisa muses, pointing to the front doors. âMaybe it isnât snowed over yet.âÂ
Even if it is, they have to try. Theyâll only end up caught if they keep standing there, and Michael needs medical help, even despite Samanthaâs attempts to put pressure on his various wounds to stop the bleeding. Again, they run.Â
On the way to the other side of the mall, they pass Shrike Grocers; with the grocery store being one of few places in the mall with extended hours, all of the lights are brightly shining, itâs still open - only, the employees arenât working. Instead, theyâre crowded around Zach Porter, who shocks Romy and Michael by still being alive. The group stops running.Â
âIs he chasing you?â One of the employees asks the group, Zachâs blood dripping down their arms as their hands hold onto his wounded wrist.Â
âHe was; we tried to get out but weâre snowed in at the front.â Romy tells them, struggling to look at the group due to the horrific state that Zach is in.Â
âYou should hide,â Calista speaks up again. âWeâre going to check the back doors, but you should turn the lights off and act like the store is closed, in case he comes by, after us.â She can only imagine the field day Jack would have, walking past the group, and the already injured. Theyâd all be dead in seconds.Â
âWe can check to see if weâre snowed in out there, too, and if not one of us can come back and we can all get out.â Samantha adds, not wanting them to get the impression that they were being left behind; it was just far too risky to have Zach running around the mall in his condition, especially if they are snowed in out the back of the mall.Â
âItâs smart to stay split up,â Another grocery store employee agrees with the plan. âWeâll call the police while you go. We just called security, and-â heâs cut off as two security guards approach quickly. He begins to fill them in on the situation and the plan without hesitation. Like Michael, this employee appears good under pressure.
One security guard rushes in to help with Zach, while the other, Heath Perry, stays with the group outside of the store. âIâll go with you,â Heath tells Noah, Marina, Romy, Junko, Eisa, Michael and Samantha. âI canât let you go alone.â No one is in the position to deny the security escort, especially not Michael.
As the lights are being turned off and the grate is being pulled across the front of the store, those on the mission to the back of the mall continue on. The path to the back isnât a long one, though under the circumstances, it feels like itâs taking them forever. Finally they see the large doors, but before they can reach them, the Jack-O-Lantern walks out from the shadows, blocking the way. The group skids to a jarring stop.Â
Before they can turn and run back, Jack moves towards them at a pace faster than before. It scares the entire group as he charges towards them, and though they scramble to move out of the way, not all of them can move in time.Â
Romy was closest to the killer, so he now finds himself at the very back as they all turn and flee. As he runs, a sharp, burning pain begins in his lower back, and immediately spreads all throughout his body. He falls to the ground with a scream. Marina turns just in time to see Jack pulling his bloody carving knife out of her siblingâs back. âRomy!â She screams, running to him.Â
Heath beats her to Romy, and he doesnât show any hesitation before using his shoulder to slam against the killer. Jack only takes two steps back; the tackle isnât successful, heâs standing too firmly, heâs too sturdy. Heath looks at the killer with fear in his eyes as Marina helps Romy up with a struggle. Romyâs pain is severe, and Marinaâs entire body feels too shaky and weak to pull him up - though somehow, she does.Â
As the siblings move away from the killer, back to those still running, Heath lunges forward, reaching for the killerâs knife. He grabs his wrist, then with his other hand, the small section of the handle that Jackâs large hand isnât wrapped around. Heath struggles for the knife, but his hand slips, and the length of his palm is cut open. It stings, but he keeps up the struggle.Â
Jack doesnât falter. He rips Heathâs hand off of him, and then kicks him down onto his back. Heathâs head smacks against the floor, but he remains conscious, and tries to get back onto his feet. Before he can, the Jack-O-Lantern killer stomps on his chest. Heath canât even scream, his insides feeling crushed, broken, his lungs no longer working.Â
As Marina, Romy, Noah, Calista, Eisa, Junko, Samantha and Michael all run, the Jack-O-Lantern mutilates Heathâs face, carving in it a jagged smile, then digging out his eyeballs, working until heâs complete with the transformation of the now lifeless body.
âWe canât go back to the grocery store.â Romy pleads, struggling at the back of the group but trying to catch up. âWe canât lead him right to the others.âÂ
âWe can find somewhere else to hide, while we wait for the cops.â Marina suggests, her struggle evident in her breathless and strained voice as she holds on to her sibling, awkwardly positioned with a hand over his wound, trying to stop the bleeding - much like Samantha is doing with Michael up ahead.Â
âThere are all the stores we left unlocked upstairs.â Junko suggests, loud enough for the entire group to hear, unlike Marina and Romyâs speech.
âI also left Donnaâs unlocked.â Marina nods. âI donât want to go back up to find the Ghost again.â She shivers as she thinks of Kamilaâs body, left up there.
Eisa turns her head yet keeps moving forward, looking at those speaking, and she notices Romyâs struggle. She stops until they catch up, and when they do, she helps Marina apply pressure to the stab wound, and she helps take some of Romyâs weight as they all keep going. âI can help more once weâve stopped.â She tells them, also looking ahead to Michael, who is bleeding a lot, but lucky in the way that he doesnât have such a deep wound.Â
The group agrees, and they make it up to level one again. Romy, Marina and Eisa only just make it off the escalator when they see the Jack-O-Lantern on the other side of the mall, as if waiting for them. Fear strikes inside of them all again. âHe must have gone up the stairwell.â Noah thinks out loud breathlessly. None of them are sure of what to do.
âLevel two.â Junko throws out the first idea. The Ghost may still be up there, but they know that there are many stores unlocked and available to hide in before they reach Stitch by Stitch, so they hope they can go undetected by the second killer. They all run up the next escalator; none of them feel like thereâs another option.
âThe Black Cat.â Eisa suggests, and they all rush into the dark store. They crouch down, hiding against walls, behind shelves, the first places they find. The store is filled with the sounds of heavy breathing, the sounds of Michael wincing as Samantha and Junko help with his injuries, and the sound of Romy groaning as Marina and Eisa help with theirs. With no sign of either killer approaching, they wait.Â
As the group try their best to escape the killers, the remaining employees in Key Of Reason are eager to close up shop and make their way home. Jamison Burr and Veronica Velasco struggle to drag the last of the heavy boxes from the latest shipment into the storage room out the back, neither of their spirits high as they were made to wait for hours for the shipment that came late.Â
Thankfully with the job almost done, the end is in sight. Theyâre both relieved, but particularly Veronica. It doesnât take living through an attack to make someone fearful of the late shift at the mall, but it certainly doesnât help, and after Veronicaâs encounter with a killer right here in this very store, she doesnât want to be here for a second longer than necessary. She pushes the last box into place with all of her strength and Jamieâs help. âFinally.â She huffs, straightening up again. âIâll get the keys to lock the room up.â
âThanks,â Jamie continues to straighten up the boxes while he waits for her to return. âEverything else should be good to go after this, we can finally get out of here.â He canât think of anything else the pair has neglected to get done. A tired smile graces his face, though itâs wiped swiftly as a loud crashing comes from the front of the store.Â
Without hesitation, Jamie steps out to the horrifying sight. The Skeleton stands over Veronica, holding the femur bone that has clearly just been used to attack her. The skin on her forehead is split and bleeding, and sheâs fallen into a table that had magazines stacked upon it. âShit.â Jamie is terrified, but he runs towards the pair, wanting to help Veronica out.Â
He reaches them, though the Skeleton swings his weapon at Jamie before he can help; he only just avoids a collision, though he feels it graze his hair as he ducks. He stumbles backwards, and looks at Veronica. Theyâre in shock, not moving from the ground.
Sheâs terrified; this attack resembles her previous encounter with the killer so closely, and she isnât sure that she can live through an attack here twice. Sheâs only able to break free of the shock when the Skeletonâs bone smacks against her head harshly one more time. The cut on her forehead splits open wider, and more blood begins to rush down her face. She falls to her side, but finally, she begins to scramble up onto her feet.Â
âGo.â Jamie rushes to grab her, to help her up all the way and out of the store, but just as his fingers make contact with her skin, the Skeleton swings the bone and hits her across the back. Veronica is winded, thrown onto her hands and knees before she collapses onto her front. Immediately the weapon is swung in Jamieâs direction once again, and this time, it makes contact with his stomach.Â
He falls onto his backside with a groan. His eyes prickle with tears, but he forces himself up, even while feeling unable to breathe. He reaches Veronica again, and though he tries to pull her back up, sheâs dizzy and limp, wheezing and groaning uncomfortably as sheâs trying yet failing. âCome on Veronica.â He pulls a little harder, and she finally gets her feet flat on the floor.Â
It lasts a second before Jamie is hit again. Heâs hit across the side this time, and heâs sent into the drum kit set up beside them. As he topples over it, skin splits on his eyebrow, and his entire body feels badly bruised.
Veronica somehow manages to stay on her feet, though sheâs swaying. She blinks tears out of her eyes and inhales loud, jagged breaths, quickly until sheâs able to step forward to try to make a run for it again. She canât properly see the path in front of her, blood, tears, and dizziness blurring her vision, but she tries. As she steps towards the door, not quite running but moving fast, the Skeleton swings and hits her one more time.Â
This time, they smash the femur bone against her left calf; Veronica screams in agony as a loud crunch and crack sounds, followed by the sensation of her flesh tearing apart in the front of her leg as her bone pierces its way through her. This time, when she falls to the floor, she hits her head harshly against the tiles, and she lays there lifelessly while blood pools around her.Â
Seemingly satisfied with his work, the Skeleton walks out of the store, leaving the two victims behind in search of finding the next.Â
Jamie waits for the killer to be out of sight before rushing to Veronicaâs side. He feels for a pulse - sheâs still alive. He quickly pulls off his flannelette shirt, and he does the best he can to tie up the large wound on her broken leg. Veronica comes to with a loud scream of pain. âSorry.â Jamie tells them hurriedly.Â
âWhere is he?â Veronica slurs their words, and hiccups as they try to hold back a cry of pain.Â
âHe walked out, but I donât trust him to not come back.â He helps Veronica as they try to sit up, shaking with pain and fear. âI think we should hide.â He decides. âIâll call 911, get you some help, but I think weâre better off hiding out the back while I do.â He swallows thickly; heâs trying to be the strong one. âDâyou think you can get there if you put your weight on me, rather than your leg?âÂ
Veronica isnât sure, but regardless, she nods. âHiding- okay.â Veronica is more the fighter type, but she has to accept that she has no other choice right now. They try to stand her up, but even while trying their best to avoid her broken leg, she screams out in pain, the bone pushing up on the torn and bleeding flesh as she moves positions. Maybe she doesnât even have this choice, after all.Â
On the same floor, Juniper Zhao and November Cain are about to walk out of Skin Deep. The lights are all off, and thereâs nothing more to do than lock the door and find their way home. Just before they walk out, however, Juniper catches sight of a shadowy figure, and their gut tells them to hang back. âJust a second.â They tell November, a hushed voice and a hand up to gesture âstopâ.Â
November, a cautious person, immediately agrees to stay put when they see the figure, too. They step back into the store a little further, wanting to be sure that theyâre definitely concealed in the shadows.Â
The two employees wait, eyes wide as they look out and see the Skeleton walking past the tattoo parlour. They both hold their breaths, the situation feeling so scary that it doesnât even feel real. Once the Skeleton is far enough away for Juniper to risk whispering, she turns her head to look at November. âThat was one of the killers, right?â Sheâs only just begun to learn about the killers, and while November hasnât lived in Shrike Heights for long, either, she trusts them to know more than she does.Â
Thereâs no way that that couldnât have been a killer. November has never seen one in person before, but regardless, theyâre sure it is. They donât dare speak, afraid to make a sound, but they nod their head.
Juniper turns back; the killer walks into Fast Times, and Juniper knows immediately that they need to take this opportunity to escape. âI know itâs scary,â Juniper starts, âbut we need to run.â With the killer out of sight, and likely preoccupied with others - though thatâs not a detail she wishes to think of - itâs now or never.Â
November feels as though their heart has stopped beating. âWe have to go.â Juniper reaffirms. November swallows hard. They donât want to risk getting caught, getting hurt, but they donât much like the idea of staying here - especially not if Juniper is going to flee regardless. They nod their head again. Slowly, and as quietly as possible, the two co-workers open the door, shut it behind them, and then they bolt.Â
As they run together, they hear a scream, and theyâre not the only ones to hear it. Martin Montgomery makes his way out, too, but he finds himself directly outside of Key Of Reason when the scream comes from inside of it. He looks in, and canât miss the bloody scene. âOh fuck.âÂ
Jamie looks to the source of the cursing, and is relieved to see another person - specifically one not injured. He helps Veronica settle back down before standing up himself. âPlease,â he begins, desperate and breathless. âIâm trying to get her out the back, so I can call for help but stay hidden.â He wipes the blood from his eyebrow that threatens to roll into his eye. âCan you help?âÂ
Martin nods. Jamie hasnât told them that thereâs a killer in the mall, but they donât need to be told to know; the most common workplace injury in the mall is one inflicted by a killer. âWhereâd they go?â They ask, wanting to try to gauge how much danger theyâre in by taking the time to help.Â
The two wrap their arms around Veronica, who keeps slumping forward, in and out of consciousness, as Jamie explains. âDown to the left.â He says. âThe Skeleton.â He adds.
âCareful,â Martin almost cuts Jamie off, speaking to Veronica who almost slumps forward onto her bad leg now that they have her standing.Â
As they speak, Juniper and November reach the music store. They look in with horror, so much blood in the place the three are gathered. They hesitate, looking at each other before looking back, and then Juniper walks into the store. She doesnât like being out in the open, and as theyâve hesitated, not just made a run for it, sheâs afraid that the killer will emerge from Fast Times and catch them. Naturally, November follows, though no option available for them to take right now feels like a good one.
The mall employees back down in the Black Cat sit in silence as the attack on Jamie and Veronica unfolds. Their breathing calms, the two injured find the most comfortable set ups for themselves as they hide, and they wait patiently. Even though the snow is thick outside, theyâre hoping that the authorities can arrive promptly; itâs all they can really do as they wait - hope.Â
In the most unexpected moment, their silence is broken jarringly and abruptly. Calista shrieks, and she stands from her position crouched in front of a rack of clothing. She falls forwards, almost tripping, but steadying herself last minute. Noah, who now sits behind Calista, can see a large cut across her back. He stands, just in time to spot the Ghost. He runs to the door.Â
The others all get to their feet too, Michael and Romy both helped, though both in better condition after a moment of rest and some makeshift first aid. âUpstairs!â Eisa calls out in suggestion; they canât run back in the direction of the Jack-O-Lantern, but itâs clear that they have to move. Junko helps Calista stay steady as they all flee, Samantha helping Michael, and Marina helping Romy.Â
The Skeleton walks into the still bright Fast Times, though upon stepping into the store, he canât immediately find his next victims. This doesnât deter him. Holding the blood splattered bone in his hand, he starts smashing things in the store, items off of shelves, display cases to pieces, swinging at everything he passes as he moves menacingly further in.Â
Ho Duk-Soo and Rune Lancaster are the reasons for the lights still being on, both still there, out the back of Fast Times. Duckie is the first to hear noise coming from the store, extremely alert despite this not being his place of work. âWhat the fuck?â He mumbles, stepping away from the other and towards the door. He doesnât think to be afraid.
âWait.â Rune warns, then jumping as another smash sounds. He doesnât know what to do. Heâs afraid of whatâs out there, but he doesnât want to admit it, he doesnât want to show weakness.Â
Duckie turns to look at Rune, but he doesnât say anything else before he opens the door. He steps out, and the second Duckieâs eyes find the Skeleton, he rushes back inside the office. He pulls the door shut and he flicks the lock closed securely. âHave you got a knife?â He asks with a casualty that suggests he believes everyone should.Â
The question only scares Rune more. âDuk, what?â More smashing, clattering and banging comes from the store front. Rune wraps his arms around himself for comfort.Â
âA knife, or a bat, or anything.â Duckie shakes his head, as if frustrated that Rune canât give him exactly what heâs requesting right away.Â
âWhat did you see?â Rune asks in response, and though he asks this, he knows. Heâs not sure which of the killers is out there, but he knows this isnât just some vandal causing havoc in the store.
âIf we donât have anything I can use to fight then we need to barricade the door.â Duckie clearly wants to take action to help, not interested in talking about it. He steps towards the desk. âTake the other side, help me pull it over the door.â He instructs. Rune listens. Together, they half carry, half slide the heavy wooden desk so that itâs blocking the door. The second they both take their hands off of it, a loud pounding on the door frightens them. Rune jumps, and even Duckie flinches.Â
The two of them move away from the door, together towards the back of the office. Duckieâs eyes stay alert in the direction of the banging, while Runeâs flicker between the door and Duckie, his chest moving unevenly. The door cracks, splitting in the middle; Rune jumps again, and reaches to hold onto Duckieâs arm. This time, Duckie doesnât flinch, but heâs only putting on a brave front. Duckie is scared, too.Â
âWhat do we do?â Rune asks desperately, loud thuds against the door causing the damage to grow. âDuk, what do we do?â He asks again, louder this time, feeling trapped, not seeing a way out.Â
As brave as Duckie is, he doesnât have the answer, and he has no time to think as the door is quickly smashed in. The Skeleton moves with frightening haste, kicking the desk out of the way and swinging his weapon at the two. The femur makes impact with Duckieâs side, and heâs thrown across the small room, into the wall. Rune canât move out of the way before the same happens to him.Â
The victims force themselves to recover. Duckie jumps forward, next to the side of the desk, and when the Skeleton steps forward on the other side to follow, Duckie pushes the desk with all of his strength, temporarily jamming the killer in between it and the wall. He takes the opportunity to run, but before he can make it out of the office, the Skeleton attacks him again, having pushed the desk away with ease.
He hits Duckie in the same place, his ribs cracking, his body thrown out of the room and onto the ground. Duckie groans, unable to move, but Rune scoops him up and onto his feet desperately. âItâs okay Duk, itâs okay.â He soothes, though as he does so he has to push the man forward, prompting him to keep moving.Â
They try to make a run for it, but their path is complicated by the mess inside of the store. Duckie holds back groans of pain and discomfort as he manoeuvres himself over broken skateboards and piles of accessories, Rune right behind him, and unfortunately the Skeleton right behind Rune.Â
Not even halfway through the store, the Skeleton hits Rune again, square in the back so theyâre pushed forward into Duckie. They both fall to the ground. Rune sits up, pushing himself through pain, only to be hit across his side and sent back down beside Duckie. Duckie gets up, and this time, the Skeleton kicks him down. Duckieâs cheek is cut on a skateboard truck as he lands, but he gets immediately back up again, as does Rune.
Rune is the first to keep running again, and as Duckie follows, the Skeleton moves faster to attack him again. The femur bone makes impact with the same, already injured side of Duckieâs, and the cracking sound repeats, the pain increasing tenfold. Rune doesnât hesitate to turn and pull Duckie back up, and while they do so successfully, Duckie screams in pain.
Finally, the two are able to make it out of the store, though what they find outside of it isnât any better.Â
While the two are attacked by the Skeleton, Junko, Eisa, Calista, Michael, Samantha, Noah, Marina and Romy all find themselves outside of Key Of Reason. They find the two injured individuals, as well as Martin, Juniper and November.Â
They rush into the store, some to help, some to be better hidden from any approaching killer. Martin and Jamie have Veronica halfway to the back room when they find themselves with more company. They explain what theyâre doing, just as they did with Juniper and November, and they keep going. Even if others wished to help there isnât much anyone else can do.Â
âShould we do the same as the grocery store? Turn the lights off and hide?â Marina suggests.Â
âI donât think hiding helped us very much last time.â Junko counters, still beside Calista, who still struggles to catch her breath after fleeing from the hiding spot in which she was attacked.Â
Before anyone else can say or do another thing, November gasps, loud enough to call attention to themself, dodging the Ghost just in time to avoid their blade. They stumble and fall, but they push themself up again quickly. Everyone else scatters around the store, trying to avoid the killer, too. Only Jamie, Veronica and Martin are unable to run.Â
âOh god,â Romy watches the Ghost take advantage of the situation, and before they can move to do anything, the Ghost slashes Martin across the arm. They have to let go of Veronica to move away from the knife before the cut becomes worse, and when they do, both Veronica and Jamie struggle. As the Ghost follows Martin, Romy moves in to take his place in helping Veronica. âIâm hurt,â he prefaces. âbut I can try to help.âÂ
The three move faster, Veronica sobbing with pain. As the Ghost is preoccupied with all of the other potential victims, theyâre able to make it into the small office safely. They sit Veronica down on the chair, and only once her weight is off Romy does he realise how badly he hurts, and how dizzy he feels. Jamie sees for the first time, the large, dark patch of blood seeping through their clothes. âWe need to get you help, too.â He shuts the door.Â
Romy doesnât want to just hide, not without his sister at least, but he takes one step back towards the door and he collapses.Â
The rest of those in Key Of Reason all flee from the store, and when they exit, they find Duckie and Rune, and the Skeleton following them closely behind. In the other direction, the Jack-O-Lantern has found his way to them, too.Â
Everyone splits up, running in different directions to avoid different killers. Itâs terribly difficult, as it seems each time theyâve escaped one, they find themselves face to face with another.Â
The Skeleton first reaches November; in swift motions, before November can move away, the killer beats them over and over with their weapon. Harsh blows hit them on their sides, their stomach, and their back. November gasps and cries, but they canât seem to stumble their way out of it, not until Juniper pulls on their shirt to get them out of the line of fire, their only choice to help.Â
In doing this, Juniper gets hit too, though only a couple of times, and not with as much force as they quickly move to run with November by their side, away from the killer. The impacts still hurt an awful lot, but they escape.Â
The Skeleton moves on to Junko. They swing their weapon at them, but Junko dodges it at least three times, hurriedly and desperately; the last time they move quickly to dodge the attack, they fall down onto their back. Eisa is there to pick them back up again, and they run in another direction. The Skeleton doesnât follow as they turn to find Calista.Â
He swings the large bone, and hits Calista over the head. The impact throws her across the floor, and the pain in her back, where she was cut by the Ghost, makes her scream when she lands. Martin is right there, and they reach down to help her back up. âYou got this, letâs go.â They encourage her as she begins to cry.Â
While Duckie and Rune escaped the Skeleton, as they try to flee towards the escalators to escape the mall, they meet the Ghost right in the middle of the space. Duckie is the first to try to dodge an attack, but also the first to do so unsuccessfully. The Ghost begins to slice his skin open, over his arms and his side opposite to the one the Skeleton already brutalised.Â
Rune jumps forward, taking hold of Duckie and trying to pull him away safely. Before they can help, however, the Ghost cuts them both all over, all across their fronts until both their own and each otherâs blood is splattered all over them. Despite all of the pain theyâre in, they run, just as the rest of the mall employees around them are doing.Â
Unfortunately, they run right into the Jack-O-Lantern. With a heavy boot, he kicks forwards, kicking Duckie right under his broken ribs, sending him flying backwards. He makes impact with one of the bench seats bolted to the floor of the mall, and he flips over it. Both the impact and the landing on the cold, hard floor causes Duckieâs arm to snap; he recognises his bone as broken immediately. Rune appears by his side before he can pretend he isnât crying.Â
The Jack-O-Lantern doesnât pursue the pair any further as Michael rushes past, frightened and woozy from the loss of blood already experienced. As he passes, Jack lunges forward and he holds out his knife; the dirty blade cuts him across the side, and he stumbles. Before Michael even gets the chance to fall, Jack steps forward and he kicks him in the back, harshly to the ground. Michael feels a crack in his chest, and struggles to breathe.Â
Marina and Samantha both begin pulling Michael back up onto his feet as Jack once again turns away and finds another victim. Eisa and Junko are moving swiftly, but theyâre not quick enough.
The Jack-O-Lantern killer kicks Eisa in the back, and he kicks her right into the large, white sheet known as the Ghost. She screams in pain and fright as she gets tangled in the bottom of the sheet, and is unable to find her way out before she begins feeling sharp pain slicing across her body, over her forearms, her sides and her legs. Sheâs finally freed with the help of Junko, and while they both try to run, Eisa falls after her first step. She groans in pain.Â
âItâs okay, Iâve got you.â Junko reassures her as she stands again, quickly, blinking through tears. Junko takes her arm for support, and they continue on their way.Â
Samantha leads the way down the escalator to level two, Marina, Michael, Juniper and November following closely, Eisa and Junko a little way after. All of the attacks have happened so quickly, almost simultaneously, but no one is ready to give up yet. Itâs easy to move like your life depends on it when it really does.
As Eisa and Junko step onto the stationary escalator respectively, and begin to rush down it to catch up with the others, Junko is hit in the back harshly. She falls forward, into Eisa, and the two of them fall down to the very bottom. Theyâre both winded, but they find the strength to get back up before the Skeleton catches them.Â
They run, heaving in pain, but it doesnât take long until they believe theyâve lost the Skeleton. Just as they go to pass Stitch by Stitch, they notice the enormous blood puddle - but Kamilaâs dead body is no longer there. Both Eisa and Junko stop running, shocked, confused. But now that theyâve hesitated, and now that Eisa has stopped for a moment long enough to realise just how painful all of her injuries are, she speaks. âI think we should hide.âÂ
She understands that they werenât safe last time they hid, down in the Black Cat, but theyâre seriously running out of options. In pain, too, Junko nods. They rush into the store, and hide out the back, trying to cover themselves with hung up garments and sheets of fabric.Â
As the two hide, Marina, Samantha, Michael, Juniper and November continue down the next escalator to level one. Before any of them can think about feeling optimistic about an escape, the Jack-O-Lantern makes his way down, too. Michael, Juniper and November rush to head down to the ground floor, but before Marina or Samantha can follow, theyâre both attacked.
He reaches Samantha first; he makes an attempt at stabbing her, but she jumps to the side, and is only cut on her chest. It stings, but she knows sheâs lucky itâs not so much worse. Luck is the last thing she feels, however, when Jack, as if frustrated, smacks her down with a closed fist, causing her to fall to the floor.Â
The killer turns to Marina next. Sheâs steps away from the escalator, but she doesnât make it as he charges towards her, and he plunges his knife deeply into her abdomen. He twists the blade sickly as he pulls it from her flesh, and then stabs her again, directly above the last wound. Before he can twist the blade to pull it out, Samantha pulls Marinaâs body back, free from the blade, and despite her own injuries, she helps to support Marina as they run.Â
They make their way to Donnaâs, the first available and open store. Marina chokes on cries as she moves, holding the wounds, trying her best to not scream at the pain. Sheâs a tough girl, sheâs been through a lot, but this pain is unimaginable. Samantha helps to guide them inside. She leads them to the very back, and she hides them in between the extremely tall shelves that contain the hundreds of pairs of rental skates. Samantha takes off her sweater, and she wraps it around Marina, pulling it tight to try to slow the bleeding. They wait.Â
Michael, November and Juniper are the only ones who make it down to the ground level. Michaelâs broken into a sweat, and he sways as he moves due to the severity of his injuries, particularly the blood loss. November and Juniper are in pain, too, though as theyâre still at the very least able to stand, they help Michael the rest of the way to the grocery store. Juniper takes Michaelâs wait, an arm over her shoulder, while November leads the way, keeping a comfortable distance - if anything can be considered comfortable right now. âWhereâs my sister?â Michael slurs, but his speech is so impaired that neither of the others understand what heâs trying to say.Â
A grocer helps the three into the dark and quiet store. âHoly shit, whereâs everyone else?â They ask as they reach to help take Michaelâs weight.Â
âDonât know.â November mutters, shaking their head, too overwhelmed and overstimulated from the traumatic events. They move back to keep more distance between themself and the others, standing behind Juniper, Michael, and the grocer.
âWe were all separated.â Juniper says, having missed the deaths of Heath and Kamila, unable to break the hard news even if they wanted to.Â
âWeâre pretty sure the cops are already here,â the grocer continues, a hushed voice. âA couple of us thought we could hear them. When we called they said something about the blizzard, we think theyâre digging us out now.âÂ
Relief canât be felt yet, fear still apparent, and that feeling not unfounded. The three from upstairs are led in the dark towards the rest of the group, but as November trails behind the others, theyâre suddenly knocked down.Â
The Ghost begins to slash them all over as theyâre stuck on the ground, cutting them in all the places where theyâve already been injured by the Skeleton, along with across their arms as they try to shield their face. They cry out in pain, and a flashlight pointing to them to see whatâs happening leads the Ghost to the rest of the group.Â
The Ghost moves towards them, and begins to cut up and brutalise multiple of the grocery store employees. Juniper tries to run back out, though as they reach the grate that is shut over the store once again, they can see through the gaps that both the Jack-O-Lantern and the Skeleton stand outside. She swallows thickly, feeling the blood draining from her face.Â
Higher up in the mall, while everyone flees downstairs via the escalator, others decide to run all the way over to the stairwell in hopes of a better pathway down to safety. Calista, Noah, Duckie, Rune and Martin all reach the door together. Martin pulls it open swiftly, rushing in, the others following to the best of their abilities through their pain.Â
As Martin goes to run down the stairs, they run right into the Hunterâs knife. The tip of the blade penetrates their stomach, and they jump back instinctively, almost immediately. They gasp in shock, both hands clasping over the wound to stop the blood flow.Â
Unable to go down, and not wanting to go back to the rest of the killers, the group must go up. Noah grabs the back of Martinâs coat, pulling on it to prompt him to run quickly, and together, they all climb the stairs. Calista is the first to reach the very last door in the stairwell. âWe canât.â She pants, shaking her head. The roof is too dangerous.
âWe have no other choice.â Duckie reminds her, and while itâs far from ideal, Calista opens the door, and makes her way out onto the roof. The rest follow, and once all out in the snowy conditions, Noah, Rune and Martin try to hold the door shut, so that the killer canât reach them.Â
The killer bangs against the door over and over and over. Heâs strong, and as the victims out on the icy rooftop are all in pain from their attacks and the running up and down mall floors, he quickly wins. The door bursts open, and immediately, being on the roof starts feeling like the worst idea in the world.Â
The Hunter lunges towards Noah, his hunting knife braced firmly in his hand. Itâs clear that the killer aims to give Noah an identical injury to Martin, but as both perpetrator and victim slip as they move on the icy roof, the Hunterâs knife only shallowly cuts across Noahâs stomach. They both fall, and while the Hunter recovers quickly, Noah lands on his back with a hard thud.Â
The skin on his hands burn on the ice as he pushes himself up, gasping for air, lungs shocked by the cold, and before the Hunter can do more damage, Noah makes his way over to the others, where theyâve grouped together carefully a small way away from the killer on the corner of the roof.
It feels good to have distance, that is, until the Hunter puts his knife away, and wields his bow instead. He pulls an arrow from his quiver. The victims try to move cautiously on the ice and the freshly fallen snow, but Rune isnât able to dodge the arrow that whips through the air at them. It half lodges itself in the side of Runeâs bicep, before ultimately dislodging itself and flying off the roof.
The impact and the quick movement of Rune reaching up to apply pressure on his fresh wound causes him to slip and fall to the ground. âWe need to go back inside.â He begs, and all of the victims agree that theyâve ended up in the worst place, despite it having felt like their only option. As the killer pulls out another arrow, the task of returning inside of the mall is easier said than done.Â
Wind blows harshly, snow falls heavily, and they all stand, shivering, hurting, some crying. Only as Calista almost slips, does Duckie get an idea. Despite his horrific condition, he rushes towards the killer. âDuk!â Rune screams, inhaling a cold mouthful of air, but Duckie doesnât stop. He uses the slippery ground to his advantage, and he builds up momentum by sliding towards the Hunter. He knows heâs too weak to apply his own force.
His body slams against the Hunterâs. The killer is sent backwards, to the edge of the roof. Duckie falls to the ground and loses consciousness upon impact; the entire group on the other side of the small section of roof waits with bated breath. The Hunter slips on the ice and the snow as he tries to regain his footing, but his attempt is unsuccessful. He falls from the roof of the mall, down into inches of freshly fallen snow - but not before he releases his arrow.Â
The arrow, like the last, whips through the air. Those at risk of getting hit shuffle away, slipping back towards the edge of roof diagonal to the edge the Hunter fell from. With extreme force, the arrow hits Calista square in the chest. Everyone is silent in shock. Calista takes a step back, already bloody hands coming up to the wound, getting wetter with more of her own blood. She looks up from the arrow, tears silently sliding down her flushed cheeks, and then she begins to fall back.Â
Rune and Martin, standing either side of her, both reach out to catch her, to stop her from falling down. They both manage to catch a hand in time, but as Calistaâs hands are so slippery, their own wet, too, from their own blood, their grip is quickly lost. Rune reaches out again, he catches the tip of her fingers as her body begins to go down, but again, she slips out of his grip. Noah reaches out for Rune, pulling him back before he can fall, too, and Calista is gone.
A loud crack sounds from down below; the sound of Calistaâs body landing on the icy surface behind the mall.Â
Nobody can move, but eventually, they do. They help carry Duckieâs unconscious body back into the warmth, and while they make their way down to the ground floor, where the police finally break through the snow covering the doors, they still canât find the words.
plot drop 012 features fifteen of our muses encountering the jack-o-lantern killer, the ghost, the skeleton + the hunter.Â
eisa sanders is left with severe bruising, cuts all over her body and substantial blood loss.
ho duk-soo is left with severe bruising, broken ribs, a broken arm, cuts over his body and a head injury.
jamison âjamieâ burr is left with substantial bruising and a cut on his face.
juniper zhao is left with severe bruising.
junko jacobsen is left with severe bruising.
marina davies is left with two stab wounds in the abdomen and severe bleeding.Â
martin montgomery is left with a deep cut, a stab wound in the abdomen and substantial blood loss.
michael webb is left with cuts all over his body, severe bruising, a broken rib, a large gash across the side and severe blood loss.Â
noah cohen is left with a cut on his stomach, broken skin on his hands, mild bruising and severe chest pain.
november cain is left with severe bruising, cuts all over their body and substantial blood loss.
romulus âromyâ davies is left with a stab wound in the back, mild bruising and severe blood loss.
rune lancaster is left with severe bruising, cuts all over his body, a deep gash on his bicep and severe blood loss.
samantha webb is left with severe bruising and a cut on her chest.
veronica velasco is left with severe bruising, a cut on the head, a broken leg, a large gash on her leg from her bone breaking through and severe blood loss.
calista tjhoea is left with cuts all over her body, a head injury, severe blood loss and an arrow through the chest - which is fatal.













