There goes Chekhov again, leaving us sobbing at the end of another of his "comedies."
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There goes Chekhov again, leaving us sobbing at the end of another of his "comedies."

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It's not a problem. It's an opportunity.
(Rewrites on "Not Another Murder Mystery" are going well.)
The King and Queen pay tribute to a "dear friend who wore his genius lightly".
“On Broadway, only the fire doors separate you from the sidewalk and you're lucky if the sound of a police car doesn't rip the envelope twic
SIR TOM STOPPARD (1937-Died November 29th (Death announced on this date) 2025,at 88),Czech-born,English playwright and screenwriter.He wrote for film, radio, stage, and television, finding prominence with plays. His work covered the themes of human rights, censorship, and political freedom, often delving into the deeper philosophical bases of society. Stoppard was a playwright of the National Theatre; one of the most internationally performed dramatists of his generation,and critically compared with William Shakespeare and George Bernard Shaw.
Stoppard's most prominent plays include Rosencrantz and Guildenstern Are Dead (1966), Jumpers (1972), Travesties (1974), Night and Day (1978), The Real Thing (1982), Arcadia (1993), The Invention of Love (1997), The Coast of Utopia (2002), Rock 'n' Roll (2006) and Leopoldstadt (2020). He wrote the screenplays for Brazil (1985), Empire of the Sun (1987), The Russia House (1990), Billy Bathgate (1991), Shakespeare in Love (1998), Enigma (2001), and Anna Karenina (2012), as well as the BBC/HBO limited series Parade's End (2013). He directed the film Rosencrantz and Guildenstern Are Dead (1990), adapting his own 1966 play as its screenplay, with Gary Oldman and Tim Roth as the leads.Tom Stoppard - Wikipedia
On Lawrence and Lee
A few lines in acknowledgment of the literary-theatrical team of Jerome Lawrence (Jerome Lawrence Schwartz, 1915-2004) and Robert E. Lee (Robert Edwin Lee, 1918-1994). How endlessly confusing to the young scholar of drama their damn names are! The former an inadvertent mash-up of contemporaries Jerome Robbins and Arthur Laurents, and the latter coinciding with the head of the Confederate…
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Theater profoundly mirrors life, illuminating personal relationships through various playwrights’ insights. It fosters understanding, empathy, and personal growth, ultimately serving as a catalyst for societal change and self-discovery.
https://www.nytimes.com/2025/07/14/theater/eugene-oneill-theater-center-waterford-connecticut.html?unlocked_article_code=1.Wk8.Zh-H.ANw4sqtC8eEn&smid=url-share
America's struggling playwrights incubators can't seem to make ends meet financially. Gone are several prominent ones already, and here's a story about the Eugene O'Neill Center's plight.